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Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Artist Statement

 

This work exists after the moment of agreement.

 

After We Stopped Pretending is not about conflict, but about honesty. Two figures move through the same architecture of departure, no longer synchronized, no longer negotiating pace. The distance between them is not accidental—it is earned.

 

Train platforms are designed for order, for alignment, for movement in the same direction. What interests me is how quickly that order dissolves once emotional truth enters the frame. One person always learns it first.

 

I use light as a structural element rather than a metaphor. Here, it divides the space cleanly—offering no shadowed middle ground. You are either ahead, or you are following.

 

This is not a dramatic ending.

It is a practical one.

And those are the endings that last.

  

Artist Statement

 

There are moments when resolution isn’t dramatic—it’s simply thorough.

 

We Walked the Length of It is about endurance rather than rupture. Two figures move through a space designed for departure, illuminated not by urgency, but by repetition. The platform becomes a measure of time: each lamp another chance to turn back, each step a quiet confirmation that neither will.

 

I am interested in what happens when people stay present long after the conversation is over. When meaning has already been decided, but the body still has distance to cover.

 

By withholding faces, I remove conclusion. What remains is posture, spacing, and light—the physical evidence of an emotional agreement.

 

Not all endings arrive suddenly.

Some require you to walk them to completion.

Artist Statement

 

I am interested in moments that feel rehearsed—not because they lack sincerity, but because we’ve lived them before.

 

Departure, Practiced captures the quiet choreography of leaving: two figures moving forward under borrowed light, sharing direction but not destination. Train platforms are spaces of permission—places where separation is expected, even forgiven. No one asks why you’re going. Only when.

 

The repetition of lights and columns mirrors the way departures repeat themselves across a life. Different people, same posture. Different night, same distance.

 

I work with restraint intentionally. By withholding faces and specifics, I invite the viewer to project their own exit into the frame. This is not a story about these two figures—it is about the moment when staying is no longer the more honest choice.

 

Some endings are dramatic.

Others are simply well-lit.

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

He leans into the stone as if it could answer him. In The Camera Faced the Void, But He Did Not, a lone figure stands exposed beside a monument older than memory, facing away from the very thing he set out to witness. The camera waits on its tripod, pointed into the abyss—ready, still, unblinking. But the man stays turned inward, spine lit by a sickly halo, surrounded by dying flowers and unfinished thoughts. The street is empty. The power lines lead nowhere. This is not a moment of observation. It’s surrender.

 

Artist Process:

This composition was shaped around contrast—vulnerability against stone, organic form against infrastructure. The figure’s nudity is not eroticized but stripped of pretense, set against the hard verticals of column and pole. The camera was placed centrally as a visual axis, symbolizing intention or avoidance. Lighting was designed to cast a faint, artificial glow, giving the entire scene a cinematic, surreal detachment. The fog, barely penetrated by light, serves as metaphor: the unknowable just beyond reach. This piece was meant to feel paused—like something has happened, or is about to.

  

#MelOrchid #Melora #RhondaMelo #MelOrchid<3 #MelOrchidArtist #10000HourProject #AIArt #PostPhotographic #GalleryArt

#VoidGaze #AbandonedWitness #NakedTruth #CameraVsMan #UrbanReverie #EmotiveSurrealism #SilenceInStructure #VulnerabilityInShadow #CinematicDread #StillnessAsConfession

 

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

Retune Studio Visit at RLON on November 20th 2018

This is where hackBC lives & plays. We hack // cut // saw // drink // play // sing // and invent together.

Retune Studio Visit at RLON on November 20th 2018

This is where hackBC lives & plays. We hack // cut // saw // drink // play // sing // and invent together.

"Crimson Enclosure," my intention was to capture a moment of profound isolation and stark drama within a confining urban space. This piece explores the powerful interplay of color, light, and shadow to evoke a sense of unease and a narrative of silent confrontation. The narrow alleyway, flanked by walls saturated in an intense, almost oppressive crimson, creates a claustrophobic environment that pushes the viewer's gaze inexorably forward.

 

The central figure, a lone silhouette, stands at the end of a brightly illuminated path, their posture suggesting contemplation or perhaps a hesitant approach towards an unknown destination. The stark white light that defines their path serves as a beacon, yet also highlights their solitary existence within the overwhelming red. The distorted shadows and rough textures of the walls contribute to a visceral, almost dreamlike quality. It's about the feeling of being encased, the weight of an environment, and the compelling allure of a single path forward through intense emotional landscapes.

 

#ArtPhotography #ConceptualArt #DigitalArt #ColorContrast #RedAesthetic #ShadowAndLight #UrbanGloom #Isolation #DramaticLighting #FigurativeArt #Alleyway #EerieVibes #Surrealism #AbstractNarrative #MoodPhotography #Confinement #PathForward #VisualStorytelling #IntenseColors #gesofMelora #MeloraArtist #RhondaMelo #Melora<3

   

"Beacon in the Nocturne," my intention was to capture the profound quietude and subtle drama of an urban night. This piece explores how artificial light shapes our perception of space and imbues ordinary scenes with a sense of mystery and solitude. The central streetlamp, a lone sentinel, casts a powerful, almost tangible beam of light that cuts through the encompassing darkness, illuminating a path and revealing fragments of the street.

 

The damp asphalt reflects this glow, adding a slick, almost liquid quality to the ground, while the bare branches of a nearby tree shimmer with an ethereal light. The buildings lining the street recede into deep shadow, their windows offering faint, intriguing glimmers of internal life. The empty benches in the foreground invite contemplation, hinting at absent figures or a moment of stillness in the city's ceaseless rhythm. It's about finding beauty in the stark contrasts of urban night, the silent narratives that unfold in its depths, and the comforting, yet isolating, presence of distant light.

 

#ArtPhotography #NightPhotography #UrbanLandscape #Streetlight #AtmosphericPhotography #DramaticLighting #CityNight #ShadowAndLight #UrbanGloom #Solitude #ConceptualArt #DigitalArt #EerieVibes #Reflections #UrbanMysteries #StreetScene #EmptySpaces #QuietNight #VisualNarrative #DarkCity #gesofMelora #MeloraArtist #RhondaMelo #Melora<3

Retune Studio Visit at RLON on November 20th 2018

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