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My friend and sculptor, Gary Hale, created these tigers back in 1997 and they have been climbed on by countless kids over the last 20 years. My two oldest grandkids are delighting in the climb pictured here.
The numerous forrest fires in British Columbia have led to a smokey sky in Vancouver this evening with a orange hue in the setting sun seen from our back deck. Some Photoshop processing here using Topaz studios which creates a ghostly feel.
Created with Midjourney AI engine. PP work in Topaz Studio Beautiful Light filters.
Prompt: watercolor illustration, high quality, in the style of Pino Daeni luxurious textures, clear details with pen outline, spring wild flowers in a ceramic white pitcher yellow, pink, white, colors on soft pearl grey background --ar 8:10 --stylize 50
Thank you all for the visit, kind remarks and invites, they are very much appreciated! 💝 I may reply to only a few comments due to my restricted time spent at the computer.
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Many thanks to this lovely couple who were disturbed from doing the romatic sunset thing by me asking them to pose for this shot. I think it was worth it ;)
Kings Cross Station architecture, London UK.
©Kings Davis 2021
Please do not use or reproduce this image on Websites/Blog or
any other media without my explicit permission.
This week the inspo from the Inner Circle is to create gift tags in Photoshop and print them to use in a still life, on the wall moodboard or gift them to a friend or family.
Digital assets from Frostbound collection at Design Cuts.
Mythical creature ... !! *
*created with Photoshop
!😊😊 ENJOY your summer holidays and be creative 😊😊!
Created for 89th MMM Challenge
Source image with thanks to NBphotostream
texture by Pareeerica
Thank to FOTOLIA & Pinterest
Originally created for an exhibition of the photographer platform Kamerata in Zwolle. Unfortunately the lockdown put a hold to that.
The original idea came to me for last year's exhibition (that was also cancelled) with the theme Freedom.
The final image is a combination of two shots, I would have liked to use just one but on the one with the nice sparks the flash did not fire :-(
Created for Explore Worthy's "Alpha Challenge - Letter P" and for Vivid Imagination's "It's Textual Challenge".
Created on my iPad using a combination of the apps listed below:
Snapseed for colour saturation, sharpness and levels
TouchRetouch for Clone stamp editing
Tangled FX for outline work
Procreate for Brush Strokes and Layer control
Stackables for Texture creation and layering
Explore - #18
The Riverside Drive Viaduct, built in 1900 by the US City of New York, was constructed to connect an important system of drives in Upper Manhattan by creating a high-level boulevard extension of Riverside Drive over the barrier of Manhattanville Valley to the former Boulevard Lafayette in Washington Heights.
F. Stuart Williamson was the chief engineer for the municipal project, which constituted a feat of engineering technology. Despite the viaduct's important utilitarian role as a highway, the structure was also a strong symbol of civic pride, inspired by America’s late 19th-century City Beautiful movement. The viaduct’s original roadway, wide pedestrian walks and overall design were sumptuously ornamented, creating a prime example of public works that married form and function. An issue of the Scientific American magazine in 1900 remarked that the Riverside Drive Viaduct's completion afforded New Yorkers “a continuous drive of ten miles along the picturesque banks of the Hudson and Harlem Rivers.”[1]
The elevated steel highway of the viaduct extends above Twelfth Avenue from 127th Street (now Tiemann Place) to 135th Street and is shouldered by masonry approaches. The viaduct proper was made of open hearth medium steel, comprising twenty-six spans, or bays, whose hypnotic repetition is much appreciated from underneath at street level. The south and north approaches are of rock-faced Mohawk Valley, N.Y., limestone with Maine granite trimmings, the face work being of coursed ashlar. The girders over Manhattan Explore - #40
Street (now 125th Street) were the largest ever built at the time. The broad plaza effect of the south approach was designed to impart deliberate grandeur to the natural terminus of much of Riverside Drive’s traffic as well as to give full advantage to the vista overlooking the Hudson River and New Jersey Palisades to the west.
The viaduct underwent a two-year long reconstruction in 1961 and another in 1987. (source: Wikipedia)