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www.thefount.com/ . You want your Annual Report to impress so you need a eye-catching graphic design or cover design. Try The Fount.

Cover Designs for Disney Learning's, Magic English. Developed rotating level color scheme, and conceptualized and designed series.

cover design 2013

Illustration / HOSHINO LILY

Conceptualized and designed cover design for McGraw Hill.

Few design solutions for the cover of the textbook I was working on lately. If everything is OK, the design will bi finished this weekend, so the textbook can be printed next week.

Conceptualized and designed cover design for McGraw Hill.

Cover design & graphics for DRIFTER #1.

Artwork by Cliff Chiang.

diseño e ilustración de tapa crann 24. Juani y un montón de amigos.

Client - Vishwakarma Institute of Management, Pune

Job - Designing a Corporate Brochure

Agency - blossoms, Pune, India

les patapharis, suzanne prou

Le Livre de Poche, Paris, 1972

n° 3466

couverture ?

school projects 2013-2014

Cover design, graphics & colours for ZERO #12.

Artwork by Adam Gorham.

designing, art direction Intermediair magazine

 

www.jaapbiemans.nl

All ready for final CD artwork...

Giustino Roncella nato Boggiòlo

Luigi Pirandello

 

Oscar Mondadori

Copertina di Paolo Guidotti

1973

September 5, 2011

 

Photo by Frank Gaglione

Translated as "Fritz Deelman and the Mine under the Sea", number 6 in a series of eight books first published in 1956.

 

Fritz Deelman is a futuristic James Bond-type character, created by South African author Leon Rousseau, who works for the South African Police and does undercover work for the government.

 

I absolutely loved these books as a kid, as well as this cover art from the 1974 series reprint by Helmut Starcke.

Ilmāra Rumpētera vāks

Capa para matéria sobre a chegada de novas marcas de luxo ao Brasil.

(referência ao pattern da Louis Vuitton, formado por algumas dessas novas marcas)

 

* Premiado com o Award of Excellence no SND 2013

Cover Design for 'The Yellow Book' Vol I, 1894

By Aubrey Beardsley

 

Beardsley instantly set the fone for the magazine with this design for the first volume. His highly stylised manner, dramatically setting pure white against flat black, was completely new. The subject, two masked revellers abandoning themselves to hedonism, was also bold. The overt sensuality of the laughing woman was particularly shocking for the time. Oscar Wilde described her as 'a terrible naked harlot'.

[Tate Britain]

 

From the exhbition

 

Aubrey Beardsley

(4 March - 20 September 2020)

 

Aubrey Beardsley shocked and delighted late-Victorian London with his sinuous black and white drawings. He explored the erotic and the elegant, the humorous and grotesque, winning admirers around the world with his distinctive style.

Spanning seven years, this exhibition will cover Beardsley’s intense and prolific career as a draughtsman and illustrator, cut short by his untimely death from tuberculosis at the age of 25. Beardsley’s charismatic persona played a part in the phenomenon that he and his art generated, so much so that the 1890s were dubbed the ‘Beardsley Period’.

This will be the first exhibition dedicated to Beardsley at Tate since 1923, and the largest display of his original drawings in Europe since the seminal 1966 exhibition at the V&A, which triggered a Beardsley revival.

The over 200 works include his celebrated illustrations for Le Morte d’Arthur, Lysistrata and Oscar Wilde’s Salomé. It will also show artworks that were key inspirations for Beardsley, including a Japanese scroll and watercolours by Edward Burne-Jones and Gustave Moreau.

[Tate Britain]

August 15, 2012

 

Illustration by Mario Zucca

mariozucca.com/

@mario_zucca

"© All Rights Reserved"

 

Available for use.

 

Covers are for single use only. Once you have chosen your design it will be unique to your book. No repeat use.

I will also set the text for your title and name.

 

For more cover designs & information see album HERE

 

Stock images with thanks to;

AdobeStock & Pixabay (Public Domain)

 

Jean Baudrillard: La société de consommation

Idées / Gallimard - Paris, 1981

n° 316

couverture: photographisme Henry Cohen

Some shots from the recent 'fantasy' studio workshops...

Model: Laurie Foat #model Makeup by Dagmara Zasuwa — with Sabel Studio-Blanco at Studio Blanco.

The music in this set is great, but what stands out to me is the design by Alex Steinweiss. I had never heard of him until this illustration caught my eye in a Nebraska thrift store. It turns out that Steinweiss (along with Jim Flora and David Stone Martin) was one of the pioneers in conceptual music packaging. This example features a large black right hand paired with a white left hand. Not just alluding to the racial integration of the music, but putting it front and center, was radical for the time.

Ilmāra Rumpētera vāks

Cover Designs for Thomson's Level Reader's. Developed Templates and produced all cover designs and title treatments

Conceptualized and designed cover design. One in a series of Paralegal c-level books for McGraw Hill.

Cover Designs for Thomson's Level Reader's. Developed Templates and produced all cover designs and title treatments

Cover Designs for Thomson's Level Reader's. Developed Templates and produced all cover designs and title treatments

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