Graphic Design & Art Direction
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My photographs are © Copyrighted and All Rights Reserved. These photos must NOT be reproduced and/or used in any form of publication, print or on the Internet without my written permission. Please contact me if you would like to use one of my pictures. ____________________________________________________
____________________________________________________
My photographs are © Copyrighted and All Rights Reserved. These photos must NOT be reproduced and/or used in any form of publication, print or on the Internet without my written permission. Please contact me if you would like to use one of my pictures. ____________________________________________________
____________________________________________________
My photographs are © Copyrighted and All Rights Reserved. These photos must NOT be reproduced and/or used in any form of publication, print or on the Internet without my written permission. Please contact me if you would like to use one of my pictures. ____________________________________________________
____________________________________________________
My photographs are © Copyrighted and All Rights Reserved. These photos must NOT be reproduced and/or used in any form of publication, print or on the Internet without my written permission. Please contact me if you would like to use one of my pictures. ____________________________________________________
kasquebrado2020
Second compilation of past works.
One big undertaking at the moment. Reviewing works from 2010 to today. Setting each one of selected ones in a frame. Square format. Destined for frontispieces (books, notebooks, diaries, scrapbooks etc).
This work is derived from the cover of the album Physical Graffiti by Led Zeppelin.
Original album cover art design credits: Art design by Peter Corriston. Album produced by Jimmy Page. Swan Song 1975.
View on my blog for more information. homejobberjr02.blogspot.com/2015/08/37-led-zeppelin-physi...
This work is derived from the cover of the album Blue by Joni Mitchell.
Original album cover art design credits: art direction by Gary Burden, photo by Tim Considine. Album produced by Joni Mitchell. Reprise 1971.
View on my blog for more information. homejobberjr01.blogspot.com/2015/04/13-joni-mitchell-blue...
This work was derived from the cover of the album Born in the USA by Bruce Springsteen.
Original album cover art design credits: Bruce Springsteen in front of the American flag photographed by Annie Leibovitz. Cover design by Andrea Klein. Album produced by John Landau, Chuck Plotkin, Bruce Springsteen, and Steven van Zandt. Columbia, 1984.
View on my blog for more information. homejobberjr02.blogspot.com/2015/07/35-bruce-springsteen-...
This work is derived from the cover of the album Hotel California by the Eagles.
Original album art credits: art direction by John Kosh, photo of The Beverly Hills Hotel by David Alexander. Album produced by Bill Szymszyk. Asylum 1976.
Please view on my blog for more information. homejobberjr01.blogspot.com/2015/03/5-eagles-hotel-califo...
This work is derived from the cover of the album Exile on Main Street by The Rolling Stones.
Original album covert art design credits: concept and photos by Robert Frank, layout design by John Van Hamersveld and Norman Sheef. Album produced by Jimmy Miller. Rolling Stones 1972.
View on my blog for more information. homejobberjr01.blogspot.com/2015/04/10-rolling-stones-exi...
This work is derived from the cover of the album Who's Next by The Who.
Original album cover art design credits: Idea by John Entwistle and Keith Moon. Photo by Ethan Russell. Album produced by The Who and Glyn Johns. Track, Decca 1971.
View on my blog for more information. homejobberjr01.blogspot.com/2015/04/15-who-whos-next.html
This work is derived from the cover of the album The Joshua Tree by U2.
Original album art credits: Art design by Steve Averill, photo by Anton Corbijn. Album produced by Daniel Lanois and Brian Eno. Island 1987.
Please view on my blog for more information. homejobberjr01.blogspot.com/2015/03/6-u2-joshua-tree.html
This work is derived from the cover of the album Angel Station by Manfred Mann.
Photo by John Shaw, design by Martin Poole. Album produced by Anthony Moore and Manfred Mann. Bronze (UK), Warner Brothers (US), 1979.
View on my blog for more information. homejobberjr01.blogspot.com/2015/04/8-manfred-manns-earth...
The spines of all 10 books.
Designed by Coralie Bickford-Smith. See the Penguin Blog for more information.
This work is derived from the cover of the album Let It Bleed by The Rolling Stones.
Original album art design credits: Art design by Robert Brownjohn. Album produced by Jimmy Miller. Decca (UK), London (US), 1969.
View on my blog for more information. homejobberjr01.blogspot.com/2015/06/28-rolling-stones-let...
"Mona Lisa Overdrive is a cyberpunk novel by William Gibson published in 1988 and the final novel of the Sprawl trilogy, following Neuromancer and Count Zero. It takes place eight years after the events of Count Zero and is set, as were its predecessors, in The Sprawl. The novel was nominated for the Nebula Award for Best Novel in 1988 and the Hugo Award for Best Novel in 1989."
Source & more: en.wikipedia.org/wiki/Mona_Lisa_Overdrive
This piece here is just an exercise in book cover design by yours truly. It is not an actual cover for the book: there's never been and never will be an edition featuring this cover image here. It's just practice, a quick tribute to one of the favourite sf novels of my early 20s. :nod:
Credits:
• Design, photomanipulation and typography by yours truly.
• Stock photography by resurgere.deviantart.com
• Stock brushes by various authors (names unfortunately lost, contact me if you have them, I'll edit this entry here.)
Please note again that there will be no commercial release of this cover, so all stock resources are used legally.
Further details (?) : fav.me/d22jm4i
This work is derived from the cover of the album London Calling by The Clash.
Design by Ray Lowry, photo by Pennie Smith. Album produced by Guy Stevens and Mick Jones. CBS 1979 (UK), Epic 1979 (US), Legacy 2005 (25th Anniversary)
View on my blog for more information. homejobberjr01.blogspot.com/2015/04/9-clash-london-callin...
I found beautiful records from Grandmother's vinyl collection. I love the contrast of the bright printed color and smudgy corners that tell of the time gone by.
Some shots from the recent 'fantasy' studio workshops...
Model: Laurie Foat #model Makeup by Dagmara Zasuwa — with Sabel Studio-Blanco at Studio Blanco.
personal project. Experimenting with brushes. model photography from the formidable faestock - faestock.deviantart.com/
One of these days I'm gonna listen to this record. It's imperative that I do.
UPDATE: Found out that the artist is William "Bill" Dugan.
This work is derived from the cover of the album Legend by Bob Marley & The Wailers.
Original album cover art design credits: Album produced by Bob Marley & The Wailers and Chris Blackwell. Island, 1984.
View on my blog from more information. homejobberjr02.blogspot.com/2015/07/36-bob-marley-wailers...
Shot last week at Studio Blanco. Model is the fantastically talented Joanna L. Arnold. Have a great weekend all!
Model: Portia Victoria
MUA & Hair: Sabina Hair Mua Yunusova
Styling & Wardrobe: Karen Boyle - The Wardrobe Department
Location: Saracen House Studio
As per usual - a massive 'Thank You' goes to all who made this happen!
Cover design and poems by yours truly. Haiku, tanka, haibun, and a primer in the Japanese tradition of short-form poetry.
Available on Amazon
Every Good Boy Deserves Favour is the seventh album by The Moody Blues, released in 1971. Cover design by Phil Travis. The album title comes from a mnemonic of the treble clef: E-G-B-D-F. These notes are heard on the song Procession. Turntable: ProJect 1Xpression Carbon Classic, Cartridge: Ortofon2m Blue.
Per una copertina di Instarlibri
catalog.mtrade.com/cgi-win/Catalog.exe?Browse;Catalog=blu....
L'autore
The de Nile sisters' much older cousin, Hiera Glyph, makes the cover of Morgue.
Mad props if you get the reference in her headline.
Note: Almost caught up now. Two more to go.
Please do not repost without permission. Thank you.
Her Majesty - 'Queen Flutterby'
Once again, this one has been rather long in the making... Original photo shot last month as part of the 'Develop Your Creativity' workshop with Karen Boyle from The Wardrobe Department at Saracen House Studios in Milton Keynes.
Model: Flutterby Mir - Mir Shin Modelling
MUA & Hair: Sabina Hair Mua Yunusova
Styling & Wardrobe: Karen Boyle - The Wardrobe Department
Location: Saracen House Studio
As per usual - a massive 'Thank You' goes to all who made this happen!
// Illustration_ Martin Grohs
The new single cover was looked for in the context of a competition.
I can proudly say, my firt coverdesign was selected and won.
Single cover designed for BLIND 'time for a change'
buy the signle on www.blindpage.de/ or on www.amazon.de
This work is derived from the cover of the album Very 'Eavy, Very 'Umble by Uriah Heep.
Original album cover art design credits: Artwork by Robin Nicol, photo by Pete Smith. Album produced by Gerry Bron. Vertigo (UK) 1970.
View on my blog for more information. homejobberjr01.blogspot.com/2015/07/32-uriah-heep-very-ea...
Luna Lycan-Thorpe, the daughter of the Werewolves of London, graces the cover of the Spring 2013 issue of Morgue NZ.
If you share this image, please credit me (preferably with a link back to this page). Thanks!
The Baynard Press, Sanders Phillips & Co Ltd, were based in Chryssell Road, London, SW9, and were acknowledged as being one of the finest commercial printers in the UK during the mid-Twentieth Century along with others such as the Curwen Press, Kynoch Press and the Shenval Press. The Baynard produced literature and posters for a wide range of clients, such as London Transport, and worked with an impressive list of artists that at various times included Fred Taylor, Edward McKnight Kauffer, Austin Cooper, Barnett Freedman and 'Shep', the latter being Charles Shepard, a noted designer, who was also head of studio at the Press.
Whereas the Curwen, for example, had issued a newsletter in the pre-WW2 years, it was not until the mid-1950s that The Baynard Press ventured to produce an occasional periodical known as "The Pleasures of Printing". The first issue appeared in 1955 and this, the second, would appear to be from the following year.
It continues the story of T E Griffits, the Press's most famous lithographer, and also includes an article on the work the Press undertook for many years for The Orient Line. The cover is by Leonard Appelbee.
(L) designer: unknown ©1966 (R) designer: J. Venema ©1966
Published by Aula-Boeken in the Netherlands
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I had a dream that Killer Mike and El-P from Run the Jewels had gotten in touch and asked us to come up with some imagery for their new single 'It is what it is'. After playing a bit of it over our Zoom call Killer Mike asked if we were in. It sounded great and I mulled it over for about 2 seconds before agreeing.
I think I woke up at this point with their imaginary single quickly disappearing from my mind but my idea for the design being just about the only thing I could retain. Deciding that I may as well take on this imaginary commission I set to work to make it so. What you're left with is pretty much exactly what I had in mind. What this all means I'm not quite sure but there you have it. The Muse demanded a poster for an imaginary song and that's exactly what she got.
She's on A2 paper and was made using the magic of dreams, spray paint and stencils. Drop us a line if you need this imaginary poster to adorn your wall. Especially if you're Killer Mike or El-P.
Cheers
id-iom