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An early Christmas themed tartan dress from Cossette. Tartan of course being one of the most iconic and recognizable patterns in the world yet somehow overlooked and low key.
At Cossette we decided to match these two inside the Blythe world, adding into the mix some red, gold and green. After all what would early Christmas be without red, gold and some green? You see once Halloween and All Saints is behind us, Christmas comes rolling in with all its magic, lights, symbolism and wonderful atmosphere. Cossette just thinks tartan works quite well with all that. Perhaps all you need on top is some quiet classical music to put you in the mood of the coming season - it’s the most wonderful time of the year. Don't forget some chocolate to top it really off... with churros perhaps?
Workshop for Experts in Nuclear Law organised by the Office of Legal Affairs held at the IAEA headquarters in Vienna, Austria. 26 April 2016
fourth from left to right: Fanny Cossette Tonos Paniagua (5th row), Legal Officer, Wolfram Tonhauser (6th row), Section Head, Nuclear and Treaty Law, Peri Lynne Johnson 8th row), Director, Office of Legal Affairs and Abdelmadjid Cherf (10th row), Senior Legal Officer, Nuclear and Treaty Law.
Photo Credit: Dean Calma / IAEA
Ava: "My Mom says that when she was in school, everyone had to wear something green on St. Patrick's Day. My little hair jewelry is green but I wish I had more. Still, I'm wearing my new Cossette dress; it's so pretty, don't you think that just for me, pink can be the new green?
What can be more perfect than a Pink Circus? For Anouk the answer is nothing! She loves circus and she loves pink, what a beautiful combination! Just imagine pink bears roller skating, pink tutus of the trapeze artist flying in the air, pink elephants and a big top that is pink as well. What else? Beautiful pink horses? No, in Anouk's Pink Circus there is not much space for pink horses, in this magical circus pink unicorns parade around the stands. It is a dream come true. A pink dream!
“Deep Forest Dress", a magical outfit to stroll through the forest in search of mushrooms, flowers and if you are lucky maybe a fairy or a gnome...who knows? This warm and special set is made with a lot of care, passion and patience... it is hand sewn with great attention to detail and a touch of magic! The includes: the hat with a vintage Japanese mini forest fawn, the dress and the small brown cloak!
Please, check my profile.
Alexandre Carlos, Sébastien Cossette-Masse, Roxane Duchesne-Roy, Cai Glover, Carl Langlais, Daphnée Laurendeau, IsaBelle Paquette, Marc-André Poliquin in Hélène Blackburn’s Symphonie Dramatique
Photograph by Damian Siqueiros
Part of The Deloitte Festival 2015 in The Linbury Studio Theatre
Find out more information about the programme here: www.roh.org.uk/productions/symphonie-dramatique-by-helene...
edited by Alain-Martin Richard & Clive Robertson.
Québec & Toronto, Coach House Press & Éditions Intervention, [29 september] 1991. 32oo copies.
ISBN o-8891o-428-X (CHP), 2-92o5oo-o4-X (EI).
8-7/8 x 11-13/16, 1oo sheets white Baskerville Mat folded to 4oo pp in 25 signatures of 4 sheets each sewn pearl white in 7 doublestitches & glued in white matte PVC card wrappers, all except 5 pp printed black offst with 3-colour pcess additions to outside covers.
cover photo (of Janice Hladki) by Irene Grainger.
345 contributors ID'd:
Jon Abbott, Normand Achim, Miriam Adams, Rose Adams, René-Pierre Allain, Guy Allen, Lillian Allen, Heather Allin, Patrick Altman, Rick Amis, Randall Anderson, Raymonde April, Pierre-André Arcand, Grant Arnold, Gilles Arteau, Claudine Ascher, Michel Asselin, Johanne Auger, Sara AvMaat, Anna Banana, Richard Banks, Bruce Barber, David Barbour, Phillip Barker, Bob Barnett, Martin Bartlett, Marie-Andrée Beaudoin, Rebecca Belmore, Raphaël Bendahan, François Bergeron, Bo Berkett, Douglas Berquist, Rolf Bettner, Marcella Bienvenue, David Bierk, Lina Bilodeu, Danielle Binet, Byron Black, Marthe Blackburn, Jocelyn Blais, Taki Bluesinger, Linda Blythe, Bonnie Bobryk, Yves Boisvert, Alison Boston, Marik Boudreau, Françoise Boudreault, Yvan Boulerice, Lise Bourassa, Alan Bridle, A.A.Bronson, David Broscoe, Kathy Browning, Jonathan Browns, Giuseppe Buccafusca, Tom Buhr, Hank Bull, Jack Butler, Susana Caceres, Meryn Cadell, Colin Campbell, Canada Shadows, Monty Cantsin, Réal Capuano, Catherine Carmichael, Claude-Marie Caron, Louise Carrier, Kevin Carter, Martine Chagnon, Francine Chaîne, Roger Chamberland, Kim Chan, May Chan, Jacques Charbonneau, Tom Chartrand, Paul Chefurka, Judy Cheung, Marie Chouinard, Paul Cimon, Peter Colie, Jacques Collin, Sharon Cook, Michael Cooper, Don Corman, Corrine Corry, Luc Cossette, Paul Couillard, Kate Craig, Chris Creighton-Kelly, Pierre Crépô, Dena Davida, Martha Davis, Rae Davis, Tom Dean, Thierry DeDouve, Charles De Maestral, Shawna Dempsey, Dian Denis, Gérald Dens, Nathalie Derome, Mona Desgagné, Jacques Deshaies, Daniel Dion, Madeleine Doré, Hélène Doyon, Don Druick, Michel Dubreuil, Gilbert Duclos, Philippe Dumail, Yves Sioui Durand, Paul Dutton, Jane Ellson, Paul Etcheverry, Terry Ewasiuk, Louis Fagan, Gathie Falk, Denis Farley, Angelika Festa, Ormsby K.Ford, Tony Fouhse, Jea-Yves Fréchette, Vera Frenkel, Lorne Fromer, Mark Frutkin, Janine Fuller, Joy Lou G, Jean-Claude Gagnon, Bruce Gallagher, Fred Garcia-Mochales, Vivian Gast, Claude-Paul Gauthier, Michel Gauthier, Fred Gaysek, General Idea, Raymond Gervais, Pierre Gignac, Alain Giguère, L.Glawson, Michel Godbout, Pierre Gosselin, Tom Graff, Irene Grainger, Monte Greenshields, John Greyson, Richard Guay, Daniel Guimond, Louis Haché, Michael Hannay, David Hargrave, Isobel Harry, Michael Haslam, Danielle Hébert, Steven R.Heimbecker, Nelson Henricks, Berenicci Hershorn, Janice Hladki, David Hlynsky, Hubert Hohn, Michael Hollingsworth, Thaddeus Holownia, Rick Holyoke, Trudie Horodesky, Johanna Householder, Lynne Hunter-Johnston, Charles Hupé, Industrial Opera Company, Karen Jackson, Louis Jacob, Karl Jirgens, Dwain Jones, Young Soon Ju, Monique Juteau, Istvan Kantor, Naomi Kaplan, Linda E.Kelly, Peter Kelly, Karen Kendrick, Colleen Kerr, Sinna Khorrami, Laura Kikauka, Holly King, Norbert Koman, Alberto Kurapel, Bily Kurg, Martin L'Abbé, Steven Lack, Francine Lalonde, Edward Lam, Claude Lamarche, Josée Lambert, Denis Larocque, Louise Laurier, Ming Lee, Frances Leeming, Michel Lemieux, Serge Lemoyne, Denis Lessard, Manon Lessard, Geneviève Letarte, Glenn Lewis, Guy L/Hereux, Sandra Lockwood, Patrice Loubier, Louis Lussier, Beauzée Luyssen, Brian Lynch, David MacLean, Dominique Malaterre, Eva Manson, Tanya Mars, Scott Marsden, Stephen Marshall, Marshalore, Richard Martel, Taras Mascinch, Doris May, Isabelle Mayeur, Jane McAslan, Steve McCaffery, Aïda McDonald, Robert McFadden, Tom McKinnon, Patsi McMurchy, Frederick McSherry, Robert Meister, Doug Melnyk, Eric Metcalfe, Kathryn Michaud, Marcel Michaud, John Moffatt, Gordon Monahan, Nathalie Mongeau, Serge Mongrain, Elizabeth Moore, Rick Morgan, Cherie Moses, Robert C.F.Mulder, Paul Mutton, Wima Needham, Al Neil, New Planet People Project, bpNichol, Mogens Otto Nielsen, B.Nick, Richrd Charles Nigro, Breth Nova, Louise Oligny, Jane O'Reilly, Paul Orenstein, Ken Orr, Pallibe, Martin Paquin, Silvy Panet-Raymond, Carlo Panthenazzi, A.J.Paterson, Pam Patterson, Ann Pearson, Jean-Pierre Perrault, Franc Petric, [-?-] Philipp-Katherine, Paulette Phillips, Claude Poirier, Andrzej Polakowski, Philippe Poloni, John Porter, Richard Purdy, Cathy Quinn, Marcello Quinto, Rober Racine, Leena Raudvee, Mara Ravins, Cyril Read, Patrick Ready, Nicole Renaud, David Rhan, Alain-Martin Richard, Josephine Rigg, Clive Robertson, David Roche, John Roche, Anne Rogier, Jill Rosenberg, Alison Rossiter, Evelyn Roth, Marc-André Roy, Pekr Ruppenthal, Jean-Claude Saint-Hilaire, Guy Saint-Pierre, Enrico Salzana, Richard Schachter, Jacob Schokking, Dieter Schwerdtle, Ruth Secunda, Yolande Segura, Geoffrey Shea, Gerry Shikatani, Danielle Simard, Pascale Simard, Mark Simkins, Rick/Simon, George Smid, Donna Smyth, Peter Stackpole, Ron Stanka, Static Interference, David Steeves, Don Stein, Jana Sterbak, Jean-Luc Svoboda, Julie Swanson, Gabor Szitanyi, Kazume Tanaka, Vicky Tansey, Deanne Taylor, Thérèse Therrien, Manon-Brigitte Thibault, Pat TiBo, Sandra Tivy, Kim Tomzcak, Sylvie Tourangeau, Dennis Tourbin, Dot Tuer, Jack Udashkin, Colette Urban, Armand Vaillancourt, Suzanne Valotaire, Paul Vandeborne, Cecilia Varga, Ed Varney, Fritz Vogel, Ian Wallace, Boris Wanowitch, Petra Rigby Watson, Marilyn Westlake, Paul Woodrow, Cory Wyngaarden, To Yo, Harry Zevenhuisen, Carl Zimmerling, Jorge Zontal.
inclusions by bpNichol:
i) ÉNONCÉ STATEMENT (p.96; assembled excerpts in 2 parts:
–1. [3 paragraphs on Four Horsemen from --?--]
–2. [excerpts from Statement))
ii) ÉNONCÉ STATEMENT [2] (p.1o4; assembled (by Steve McCaffery?) from quotes from interviews, 2 from 1972, 1 each from 1973 through 1981 (excepting 1977))
also includes:
iii) Performance Art in Canada 1970-80: Tracing some origins of need, by Clive Robertson (prose in many parts with reference to Nichol in part
–9. Toronto : towards the politics of the 80's (references Four Horsemen's participation in 11th International Festival of Sound Poetry))
iv) La performance au Canada de 1970 à 1980 : Origines d'une nécessité, by Clive Robertson/translated by Anne Rogier (as (ii) above with reference to Nichol in part
–9. Toronto : vers la politiques des années 80))
v) PERFORMANCE AU•IN CANADA 1970-1990 Chronologique-chronology, edited by Alain-Martin Richard & Clive Robertson (in 21 parts with reference to Nichol in parts
–1. 70 (january 1, Four Horsemen, Poetry and Things, Toronto)
–3. 72 (may 31, Four Horsemen, OECA TV; october 31, Four Horsemen, New Music Concerts, Toronto)
–4. 73 (october 31, Four Horsemen, University of Loyola, Montréal)
–6. 75 (june 15, Four Horsemen, Great Canadian Poetry Weekend, Collingwood)
–7. 76 (october 3o, Four Horsemen, Symposium in Post-Modern Performance, University of Wisconsin-Milwaukee)
–8. 77 (october 3o, Four Horsemen, First West Coast Sound Poetry Festival, La Mammele Gallery, San Francisco)
–11. 80 (april 2o, Four Horsemen, 12th International Sound Poetry Festival, New York; april 24, Toronto Research Group, The Language of the Performance of Language at Festival of Disappearing Arts, Baltimore)
–15. 84 (august 9-24, Four Horsemen, In Memoriam George Maunias in "EVENT" box)
–16. 85 (may 1-5, Toronto Research Group, Ultimatum. Festival de poésie urbaine, Montréal, Foufounes Électriques in "EVENT" box with quote by Roxa Lescaut; june 5, Four Horsemen, Festival Polyphonix at Centre Georges-Pompidou, Paris; october 3, Four Horsemen, Borderline Festival, Detroit Art Institute)
–17. 86 (april?, bpNichol contributing to Radio Month, by Victor oleman & Al Mattes, A Space, Toronto; april 26, Four Horsemen, Future Indicative Conference, University of Ottawa; october 21-26, Toronto Research Group, Espèes Nomades, in "EVENT" box; october 27, Four Horsemen, Audiothon, Hart House, Toronto)
–18. 88 (january 21, Four Horsemen with CCMC, Mini-Festival of Toronto Sound Poetry, The Music Gallery, Toronto; july 24, Four Horsemen, Cinquième recontre internationale de poésie contemporaine, Tarascon, France))
vi) bp Nichol (T.R.G.), by Marilyn Westlake (p.187; photograph, portrait)
vii) TORONTO RESEARCH GROUP The Language of the Performance of Language, by Steve McCaffery (p.187; prose in 3 parts:
_1. [introduction]
–2. The Prisoner
–3. Significance: A History)
viii) ÉNONCÉ STATEMENT, by Steve McCaffery (p.187; a brief history of Toronto Research Group performances)
ix) ÉNONCÉ, by Kathy Browning (p.2o4; with passing reference to Four Horsemen)
x) A BOOK RESEMBLING HAIR, by Steve McCaffery (on collaboration with Nichol, Four Horsemen, Toronto Research Group)
xi) UNE CARNAVALISATION DES PROCESSUS LOGIQUES, by Steve McCaffery/translated by Anne Rogier (translation of (x) above)
xii) THE HORSEMEN Our Moment of Silence Which Is His Voice, by [Steve McCaffery] (on the Nichol memorial performance at Forest City Gallery, London, & OISE, Toronto, 1989)
___________________________
• often issued with laid in bookmark, 2 x 8-1/4 glossy PVC white card bradside printed 4-colour process offset, same cover photograph by Irene Grainger, different crop
• also a postcard for the launch, as above but 7-3/4 x 4 broadsheet, verso printed black only
This pink coat and this little hat inspired are by the 50s & the 60s fashion styles! Its a lovely coat for a small girl with the collar which attaches to the coat. As always its hand made with passion and great care!
Please, check my profile.
Talk about one kicky, cool wedding! This bride and groom went for fun in a really big way. Decorations for the venue were some of the funkiest I've ever seen (courtesy of Shawn Cossette at Beehive Events) and this cake fit in perfectly. Lavender fondant wraps itself around white and chocolate butter cake while a swirling tree budding with flowers and mini spirals of pink, green, and yellow makes it all kind of grow on ya! Groove on.
"Reflections on a Ballerina’s Doll"
N. McDonald
There once was a ballerina
Beloved for her beauty and grace,
Who kept a small doll about her,
Dressed as she, in tutu and lace.
While the doll did not seem to smile,
Her face was of expectation;
The white pointes were laced as they ought.
Her feet arched as fit her station.
Yet she could not stand on her own.
In other’s hands she’d pose aright.
Thus the doll sat upon her shelf
Waiting to dance again each night.
Two angels fated for their art,
What other role could they fulfill?
Fate cruelly trod upon their feet,
Swapped the stage for a window sill.
Within the month was she forgot
Now that she could no longer dance.
Life had left her lame as her doll,
Sitting in quiet elegance.
Cradling the doll in her arms,
She wept, “All is vanity.
“Was I likewise made for one thing
“Of such costly, fleeting beauty?”
Was she cherished beyond function?
Or valued for her endeavor?
“Her purpose is not to ballet.
“She exists for my pleasure.”
“Of my allotted time, they saw
“Only a portion of myself.
“And when He does remove His hands,
“We all will sit upon the shelf.”
Wyn: "If you're feeling blue, the lyrics to this song are my favorite for lifting my spirits. I've seen it work for others, too!"
"The Land of Make Believe" by Chuck Mangione with Esther Satterfield
"When you're feeling down and out
Wondering what this world's about
I know a place that has the answer.
It's a place where no one dies.
It's a land where no one cries.
And good vibrations always
Greet you.
How I love when my thoughts run
To the land of make believe.
Where everything is fun
Forever.
Children always gather around
Mother Goose and all her rhyme
They fill the air with sounds
Of laughter.
People dancing
Their hearts are filled
With all the reasons why.
You and I should learn the way
Of the land of make believe
And make this world of ours
Much brighter.
I once asked the Wizard of Oz
For the secret of his land
He said, "Just take a look around here."
...Jack and Jill are hard at work
Helping children dream awhile,
And Snoopy's making smiles
For grown-ups.
All the elves are making toys
They are rich with all the joys
Of seeing happy kids
At Christmas.
We are waiting
To help you find
The dream made just for you.
In a few words let's just say
That in answer to your quiz
Imagination is
The secret."
I woke up this morning and looked out the window and ran Cossette out the door for some good pictures. I didn't take much but I thought she looked amazing.
Starlet Mumfuzz
よぴ (yopikopp.yoshikawa)
Kazusa Yoshikawa
Clau Dagger
Visit this location at Show & Lounge cossette' Show Hall in Second Life
If there was pink gold it would perhaps look like this dress! Cossette is proud to be bringing you this latest little outfit, fresh from the design and sewing table. I had an absolute good time making this one and bringing it to life one stitch a time. It was an enjoyable experience taking it all the way from an idea, an empty table all the way through the photo session and finally to Etsy where you can see it. As always at Cossette, thank you for playing with us, do enjoy.
An early Christmas themed tartan dress from Cossette. Tartan of course being one of the most iconic and recognizable patterns in the world yet somehow overlooked and low key.
At Cossette we decided to match these two inside the Blythe world, adding into the mix some red, gold and green. After all what would early Christmas be without red, gold and some green? You see once Halloween and All Saints is behind us, Christmas comes rolling in with all its magic, lights, symbolism and wonderful atmosphere. Cossette just thinks tartan works quite well with all that. Perhaps all you need on top is some quiet classical music to put you in the mood of the coming season - it’s the most wonderful time of the year. Don't forget some chocolate to top it really off... with churros perhaps?
This is a little dress very much inspired by the fashion of the 1930s and the 1940s! Taking the best of that decade and combining it with the vivid colours of the present day macaroons sweets, this pink dress is what you get! As always at Cossette’s this dress is hand sewn with the usual attention to detail documented while looking at many timeless photos of the actress Shirley Temple. At Cossette’s, we inject the outfits with plenty of enthusiasm, great care and of course a bite or two out of a delicious mini pink macaroon!
Please, check my profile.
A dress inspired in the ‘60s pop era. Its for a chic girls only! Its a perfect fit for any party with this enigmatic silver mask. As always at Cossette’s its hand made with a lot of care, English tea, while listening to The Beatles. Fits Takara and licca bodies.
Please check my profile.
Before launching Fail Forward, Ashley worked in Cairo with the United Nations Environment Programme and as a management consultant in Vancouver, Canada. In both lines of work, Ashley saw a fear of failure inhibit innovation, adaptation, and general growth. In response, she launched both AdmittingFailure.com and the consulting firm, Fail Forward, to spark a shift in how civil society perceives and talks about failure, and to help organizations learn, innovate and build resilience. Since early 2011 Ashley has worked with organizations – from grantmakers and nonprofits to government and private sector companies – to use failure as a learning tool and culture driver to support and foster innovation. She is well known for building the Organizational Learning Team at Engineers Without Borders Canada, and continuing to lead the development of their annual Failure Report.
Her work on failure has received coverage in a wide range of media and news outlets, including the Stanford Social Innovation Review, The Guardian, Harvard University’s Hauser Center for NonProfit Organizations, TED talks, BBC World, The New York Times, The Wall Street Journal, The Globe and Mail and, most recently in interview with Arlene Dickinson on CBC. Ashley was also the 2013 recipient of the prestigious Harvard Business Review and McKinsey Innovating Innovation Award.
Fail Forward is a mission-driven consulting organization founded by award-winning innovator Ashley Good, that aims to foster a culture of intelligent failure on both the individual and organizational level. By creating a safe space to openly discuss failure, and offering clients a set of tools and practices to deal with failure intelligently, Fail Forward helps organizations to turn failure into a catalyst for adaptation, innovation, and resilience. Founded in 2011, Fail Forward works with a variety of business and non-profit organizations, including Engineers Without Borders Canada and The International Fund for Agricultural Development (IFAD), a specialized agency of the United Nations. Ashley Good is a sought-after speaker who has traveled throughout Europe, Scandinavia and North America to share her ideas and practices on intelligent failure.
Sponsors: Cossette
Venue Partner: 401 Richmond (401Richmond.net/)
Breakfast Partner: Sense Appeal Coffee Roasters (senseappeal.ca/)
Merchandise Partner: Swipe Design (swipe.com)
Photos by Luana Suciu (luanasuciu.com)
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If there was pink gold it would perhaps look like this dress! Funny since Pink Gold was however vaguely inspired by ballet. Sleeping Beauty comes to mind and the timeless story of a girl who finds love through hardships. True love! Is it not what every child, girl and woman eventually wants? Cossette is proud of the fact that love is one of her ingredients. It goes into the making of every single one of the dresses you see in store. That’s no exaggeration, it is a simple reality! You know, if you cant love what you are doing, if there is no passion, you can not expect to fully enjoy it and expect people to enjoy what you do. Thank you for playing with us!
Is what goes into tea, there it floats and floats, moves around and finally dissolves. On certain days it is heaven, you can't wait too long however for it gets cold and loses that fine special balance. You may know by now dear customer that here at Cossette, tea is special, its been said so on more than one occasion. This is what this new dress is... a Cloud of Milk, dedicated to all tea lovers, wherever you may find yourselves with or without a warm cup of tea beside you on a cold winter afternoon. Perhaps that is from where some of our ideas come from, big or small, or at least that is when they dissolve into concrete visions. One warm sip of tea at a time firing the blood cells and inspiration and going with the flow. Enjoy!
At Cossette, we are not fooling around and with the arrival of spring Cossette is happy to present this simple, light and airy outfit which will work wonders on your girl. The picture says it all really, but it needs to be said that this April dress is very, very delicate. The top part is slightly transparent and the whiteness makes it float. A touch of red on the nails and you don’t need much else. Its a perfect welcome to a new season, white clean slate of possibilities and ideas. You can almost feel the light spring wind moving through the sleeves.
Spring is a sublime period.
Dominique LeFort and his incredible trained house cats, Oscar and Cossette, Sharky, Sara, Chopin, George and Mandarine, perform regularly at Westin Pier for Sunset Celebration adjacent to Mallory Square in Key West, Florida. This incredibly talented performer is admired by everyone from children to senior citizens and has acquired a huge following who adore his show. No trip to Key West would be complete without experiencing his act. www.catmankeywest.com
Cossette decided to take on one of the most iconic dresses ever. It is the dress Snow White was wearing in the famous film from the golden age of Hollywood. Its a modernized yet classical take on the beautiful outfit most of us have seen on the silver screen. It was not easy since the film version is perfect, yet it was an irresistible pull to try to replicate some of that drawn perfection in fabric. While sewing and putting it together there was an unmistakable sensation of a revival of distant moments of a far away childhood in the air. It is a nice and cosy sensation to be able to bring back, even for a few moments the youthful impressions, the long gone moments of snow white innocence of childhood magic and all the things we like. Its like waking up from a deep, long sleep. It priceless and it is fun!
Violeta - my Jecci Five doll is wearing a dress inspired by the roaring 20’s! Its a lovely dress - a dream come true - it is of course hand crafted and sewn with the usual passion, great care and of course attention to details.
Please, check my profile.
The title says it all and we are celebrating the 150th anniversary of the publication of this wonderful book. Because of this special date, Cossette is offering this classical light blue dress for all lovers of timeless Alice, her friends and the wonder world she lives in. Let the golden spoon lead the way, step by step, and see how deep you can go down the rabbit hole. No smoke and mirrors, just Alice... Alice in Wonderland. OK, maybe a spoonful or two of cheese cake with some strawberries and a cup of tea - wonderful! Thank you for playing with us.