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Es ist eines der wenigen meiner Bilder, das von der spontanen Idee vor Ort bis zur fertigen Gestaltung bei eben jener ursprünglichen Idee geblieben ist. Fast langweilig.
Als Thema zu diesem Bild passt eigentlich ein Gedanke aus unserem Alltag gut. Oft sind unsere Entscheidungen das Resultat aus einer Vielzahl von Faktoren. Man tut gut daran, diese nicht voreilig aus den Augen zu verlieren.
It is one of the few pictures of mine that stayed true to the original idea, from the spontaneous thought on-site to the final composition. Almost boring.
As a theme for this picture, a thought from our daily life actually fits quite well. Often, our decisions are the result of a multitude of factors. One would do well not to lose sight of them too hastily.
C'est l'une des rares photos de moi qui soit restée fidèle à l'idée d'origine, de l'inspiration spontanée sur place jusqu'à la composition finale. Presque ennuyeux.
Comme thème pour cette image, une réflexion de notre vie quotidienne convient en fait assez bien. Souvent, nos décisions sont le résultat d'une multitude de facteurs. On ferait bien de ne pas les perdre de vue trop vite.
Control Booth looking over the Turbine Hall. Much to my surprise, it was shut do completely....it was lit up and humming a year ago.
Dragon Age: Inquisition
• WBG for custom resolution
• HattiWatti's Cinematic Tools for free camera, FOV, DOF, Tonemap, fog, hide HUD and Resolution Scale 2
• ReShade
Keeping the bush down, clearing all the dead debrea so future fires don;t move so fast. Plus some trees there seed need heat to crack there husky shell.
As soon as Dad moves Mum - I will grab the remote for you! Then maybe we won't have to watch football any more.
Iv passed this Tower a few times without even knowing it was there as it has always been dark when iv passed it....
Traction Off
Launch control Set
Rev
3...
2... ready
1... steady
Blaaaaaaaaast
Supercharged Infinity G35
Camera: Canon EOS 350D Digital
Exposure: 0.6 sec (3/5)
Aperture: f/2.8
Focal Length: 50 mm
ISO Speed: 400
Exposure Bias: -2/3 EV
Flash: Flash did not fire
Joe McNally - from the book "The Moment It Clicks".
How I got the shot:
I asked this little girl to give me a smile, overhearing this, her brother leaned, trying to "make" her smile. I knew its going to be a beautiful moment, I kept the focus locked, while having a little conversation, and camera pressed against my hip. As you can see, the boy is looking at me, the girl is looking at the camera.
For such reasons, I always say Luck can be controlled. Be prepared.
Hard work is performed in the control room in an amazing abandoned steelworks in Austria. The place has thousands of interesting things to photograph. Maybe the most dirty place I have visited so far, but i enjoyed every second of being there.
Austrian Urbex weekend tour with:
bRokEnCHaRacTer and
More shots from this place here: uexplorer.wordpress.com/2012/08/26/steelworks-at/
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These images were captured in an abandoned power plant in Italy. There is not much left of the plant which once generated up to 80 megawatts. However, the control room and a cooling tower are still in place.
More images at
Mind Control.
Perceptions de circulation sans pouls facultés vitalité,
вибрации звуковых пробудившиеся телесной ум конфликты,
in phantasmatis enim obscurum est miraculum in vigiliis, infundat,
naturalezza guarda emozioni enormi bobine,
θέσεις μέχρι τώρα απελπιστικά χρόνια λουσμένο,
taka leynd samsetningar vön fáfræði læknis,
知的な印象崇高ファンタジア恐れ,
kleinigkeit geliefert schlaganfall beschleunigt halluzinationen pyramiden komfort,
deceiving bombastic languages doctor's emerging steadily,
voldoende brandende salon dromen onuitsprekelijke aanwezigheid reisde,
armonie musicali insondabile ammuffito eccelle simmetria,
visions célestes exquis translucide arcs en ciel d'albâtre gloire,
συνεγκαταστάσεις αρχιτεκτονικές άμεση πληρότητα καταπίνονται ολόκληρα,
amaranthine öldurnar gróskumikill beitargróðri kemur,
delirium auream circa portas paradisi seraphim mitis,
рапид причвршћивање инструменти пројекције погледах одмах,
sentrale begrensninger vilje høye huler strålende lys,
assurance needles deep thou now doest what thy commands!
Steve.D.Hammond.
Strobist: AB1600 with gridded 60X30 softbox overhead. AB800 open behind backdrop of white faux suede.Triggered by Cybersync.
One thing that can damage your photography is burning your flame of inspiration at too high temperature. I experience this from time to time and usually it's the case of not letting go of my original vision. I might, for example, have a picture that is 'ok' but not quite there and I insist on editing on it too long in hope for salvation – only to find out after couple of days that I'm actually fed up with the picture and it's not serving my photographic pleasure at all anymore. Usually this results a drop of inspiration for couple of days as I get a feeling that I cannot get anything done. I used to suffer this kind of drops more often before I understood that it is actually the same flame of inspiration that can make my photography 'fly in the zone' and also 'crash it into to ground' – and what actually happens depends on how high temperature I let the flame burn. Controlling my expectations and learning to let go have definitely been educational experience to me and nowadays I feel that it's usually more productive to move on the next idea than try to edit things beyond what is reasonable.
I feel that similar kind of stuff can be projected to the camera setup your using. When you are getting great results the setup is also great and inspiring. But when things don't go as you've planned, the grass starts to look more green on the other side of the fence. It's very humane feeling, but as you already know, often a wrong projection. So the question is, does the high quality equipment such as Sony & Zeiss stuff change this cognitive behavior in some way. Based on my experience over the few months, I would say that while it has become a lot harder to blame my tools, I'm still experiencing same kind of highs and lows as I've always have – not a big surprise really since one cannot really buy mental things like inspiration and passion. But using high quality tools have definitely given me certain kind of mental reference points which makes it easier to orientate myself in my own cognitive sceneries. For example, I don't have to worry about the gear or daydream about it, which clears space for other kind of thoughts and targets in healthy way. 'Having it all here' helps me to concentrate on photography itself rather than the tools themselves, and I feel this raises a new kind inspiration in me. Of course one can be disappointed with any gear, even the Zeiss Otus lenses, if one has unrealistic expectations and projections, but so far I have to say that using this setup is more liberating than it is driving my inner expectations. It's all about the flame and controlling it.
Days of Zeiss: www.daysofzeiss.com
Roughly 8.5 x 11 inches. I was thinking a bit about the work of Hooded Fang when I collaged in the guy working at the bank of machines that control our lives.