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Contributing Building - Apalachicola Historic District - National Register of Historic Places
NRIS #80000951
The log building was built by Civilian Conservation Corps (CCC) enrollees in 1935 in the Service area of Scenic State Park. Like all CCC built structures in the Public Use Area of the park, the rectangular structure in the Service Area exhibits familiar traits of Rustic style construction, most notable the saddle-notched corners with projecting logs at alternating depths, terminating in chiseled ends. The Rustic style was often employed by the National Park Service who oversaw construction of facilities at state and National Parks where CCC enrollees worked.
The building was divided into a wood storage room and an ice house. The ice storage room was lined with insulating material.
The cabin is in the Scenic State Park CCC/Rustic Style Historic Resources- Service Area, listed on the National Register of Historic Places, and is a contributing structure. (Source: National Register of Historic Place Registration Form No. 92000595)
IMMIGRANTS CONTRIBUTE: AMERICA, WE SING BACK! community event at the All Souls Unitarian Church at 1500 Harvard Street, NW, Washington DC on Saturday afternoon, 28 September 2013 by Elvert Barnes Photography
Performances
Quique Aviles (El Salvador)
www.facebook.com/quique.aviles
Follow DC Office of Human Rights / IMMIGRANTS CONTRIBUTE: AMERICA, WE SING BACK! facebook event page at www.facebook.com/events/530488973690958/
Contributing Building - Abbott Tract Historic District - National Register of Historic Places
NRIS #83001438
The Postcard
A Norman Series postcard that was published by Shoesmith & Etheridge Ltd. of Hastings. The card was posted in Hastings using a 2½d. stamp on Friday the 3rd. July 1959. The postmark states:
'Express Good Wishes
by Greetings Telegrams'
The card was sent to:
W. & B. Dunlop,
41, Hyndland Road,
Glasgow,
Scotland.
The message on the divided back was as follows:
"Having quite a nice
holiday.
The weather has been
variable but is improving
now.
It is not as warm as I
would have liked it.
Hope you are feeling
better.
Love from
Lil Pollock."
Sounds like the weather was awful.
South American Success at Wimbledon
So what else happened on the day that the card was posted?
Well, on the 3rd. July 1959, for the first time, a Wimbledon tennis champion came from South America.
Alex Olmedo, a United States citizen from Peru, won the men's singles title, beating Australia's Rod Laver 6–1, 6–3 and 6–4.
The next day, Maria Bueno of Brazil ended a 21-year streak of U.S. titles, defeating American Darlene Hard, 6–4, 6–3, to win the women's singles.
Julie Burchill
The day also marked the birth in Frenchay, Bristol of the British journalist Julie Burchill.
Beginning as a staff writer at the New Musical Express at the age of 17, she has since contributed to newspapers such as The Daily Telegraph, The Sunday Times and The Guardian.
Her writing, which was described by The Observer in 2002 as "outrageously outspoken" and "usually offensive," has been the subject of legal action.
Burchill is also a novelist, and her 2004 novel Sugar Rush was adapted for television.
-- Julie Burchill - The Early Years
Julie Burchill was educated at Brislington Comprehensive School in Bristol. Her father was a Communist union activist who worked in a distillery, and her mother had a job in a cardboard box factory.
In 2010, Burchill wrote of her parents:
"I don't care much for families. I adored
my mum and dad, but to be honest I don't
miss them much now they're dead."
Three years later she contradicted this when she said she couldn't return to Bristol, as every time she heard someone speaking with her parents' Bristol accent it would remind her how much she missed them.
Julie did not attend university, leaving the A-levels she had started a few weeks earlier in order to begin writing for the New Musical Express (NME).
-- Julie Burchill's Early Career
Julie began her writing career at the NME in 1976 at the age of 17 after responding (coincidentally with her future husband Tony Parsons) to an advert in that paper.
The ad was seeking "hip young gunslingers" to write about the then-emerging punk movement. She gained the job by submitting a "eulogy" of Patti Smith's Horses.
She later wrote that at the time she only liked black music, and said:
"When I actually heard a punk record,
I thought, 'Oh my Lord! This is not music,
this is just shouting'."
Indeed, she managed to decry the first self-released punk album in the UK, The Outsiders' Calling on Youth featuring Adrian Borland:
"Apple-cheeked Ade has a complexion
that would turn a Devon milkmaid green
with envy."
Fortunately for her, as she later said:
"Punk was over in two years. That was
the only damn good thing about it."
She left her position at the NME at the age of 20, and started freelancing in order to be able to write about other subjects, although she has never completely given up writing about pop music.
-- Julie Burchill in the 1980's
Julie's main employers after the NME were The Face and The Sunday Times, where she wrote about politics, pop, fashion and society. She was also their film critic from 1984 to 1986.
She admitted in 2008 to making up film reviews and having "skived" from screenings, and her ex-husband, Cosmo Landesman, has admitted to attending screenings on her behalf.
During the Falklands War in 1982, Burchill argued that the military dictatorship of General Galtieri represented a greater evil, and she wrote articles favourable to Margaret Thatcher.
Her sympathy for Thatcher helped in gaining a column for The Mail on Sunday, where in 1987 she went against the paper's usual political line by urging its readers to vote Labour.
Though she claims to like the Mail on Sunday, she said of journalists on the Daily Mail in 2008:
"Everybody knows that hacks are the biggest
bunch of adulterers, the most misbehaving
profession in the world – and you have people
writing for the Daily Mail writing as though they
are vicars ... moralising on single mothers and
whatnot."
-- Julie Burchill Into the 1990's
Burchill has spoken repeatedly and frankly of her relationship with drugs, writing that:
"I have put enough toot up my admittedly
sizeable snout to stun the entire Colombian
armed forces".
Julie also declared that:
"As one who suffered from chronic shyness
and a low boredom threshold ... I simply can't
imagine that I could have ever had any kind
of social life without cocaine, let alone have
reigned as Queen of the Groucho Club for a
good part of the '80's and '90's."
While Burchill has frequently drawn on her personal life for her writing, her personal life has been a subject of public comment, especially during this period, when "everything about her – her marriages, her debauchery, her children – seemed to be news."
In 1991, Burchill, Landesman and Toby Young established a short-lived magazine called Modern Review. It was launched under the slogan "Low culture for high brows."
The "Fax war" in 1993 between Burchill and author Camille Paglia, published in the Modern Review, gained much attention.
The magazine lasted until 1995, when Burchill and her colleagues fell out.
Julie met Charlotte Raven through the magazine, with whom she had a much publicised affair..
Julie said in an interview with Lynn Barber in 2004:
"I was only a lesbian for about
six weeks in 1995."
In a 2000 article she referred to:
"My very enjoyable six months
of lesbianism."
In 1995, Burchill wrote a column for The Times, titled "I'm a bitch, and I'm proud", in which she argued that women should reclaim the word 'bitch,' used as a slur. She wrote:
"It is the nature of these things that, in recent years,
the slighted have taken steps to repossess the slight;
thus, we have blacks who call each other 'nigger',
pansies who call each other 'queer' and upper-class
cretins who quite happily call each other 'Henry'."
In 1996, the actor, author, playwright and theatre director Steven Berkoff won a libel action against Burchill in respect of one of her articles, published in the Sunday Times newspaper, which included comments suggesting that he was "hideously ugly".
The judge ruled that Burchill's actions "held him to ridicule and contempt."
The late 1990's were a turbulent period for Burchill, as she has recalled:
"I got the heave-ho from my cushy billet at the Sunday
Express, where I later learned my nickname had been
"Caligula’s Horse" because my best friend – briefly the
editor – had appointed me.
For the first time in my brilliant career, no one wanted
to hire me. Somehow I limped into a column on the
doddering Punch – and then I got the boot from there,
too!
Surely I had reached the mythical rock bottom at last?"
-- Julie Burchill From 2000 to 2004
A user of cocaine, sharing in the activity in the company of Will Self among others, she was positive about her use in The Guardian in 2000 when defending actress Danniella Westbrook for Westbrook's loss of her nasal septum because of cocaine use.
Journalist Deborah Orr, who was then married to Self, was scathing in The Independent of Burchill and her article:
"She does not identify herself as a
cocaine addict, so she has no pity
for Ms Westbrook."
In revenge for Deborah's article, Burchill invented a supposedly long-standing crush on Will Self with the intention of upsetting Orr.
A letter in The Independent in June 2000 from the head waitress at the Groucho Club at the time, Deborah Bosley, caused a minor stir. Responding to an article by Yvonne Roberts, Bosley, at the time the partner of Richard Ingrams, a long standing critic of Burchill, stated that Burchill was merely "a fat bird in a blue mac sitting in the corner" when ensconced at the Groucho.
Burchill on Beckham (2001), a short book about David Beckham's life, career, and relationship with Victoria Beckham, attracted some of the worst notices since Jeffrey Archer's heyday.
One reviewer wrote:
"Burchill is to football writing what
Jimmy Hill is to feminist polemics."
According to Robert Winder in the New Statesman:
"The book fits in with Burchill's theme of praising
the working class; Burchill presents Beckham as
an anti-laddish symbol of old working-class values –
he reminds her of those proud men of her childhood,
'paragons of generosity, industry and chastity'."
Burchill's career was in trouble; she had been sacked by the revived Punch magazine. However she was appointed by Orr in 1998 to write a weekly column in the Guardian. Julie wrote for the Guardian for five years until 2003.
Burchill frequently thanked Deborah Orr for rescuing her. One of the pieces she wrote for The Guardian was in reaction to the murder of BBC TV presenter Jill Dando in 1999. She compared the shock of Dando's murder to finding a "tarantula in a punnet full of strawberries".
In 2002 she narrowly escaped prosecution for incitement to racial hatred following a Guardian column where she described Ireland as being synonymous with child molestation, Nazi-sympathising, and the oppression of women.
Burchill had expressed anti-Irish sentiment several times throughout her career, announcing in the London journal Time Out that:
"I hate the Irish, I think
they're appalling".
Julie supported the Iraq War, writing in The Guardian in 2003 that:
"I am in favour of a smaller war now
rather than a far worse war later."
She criticised those opposed to the war as "pro-Saddam apologists".
She justified her stance by stating that:
"This war is about freedom, justice – and oil.
Because Britain and the United States sell
weapons to Iraq, it is our responsibility to
redress our greed and ignorance by doing
the lion's share in getting rid of him".
Burchill left The Guardian acrimoniously, saying in an interview that they had offered her a sofa in lieu of a pay rise. She stated that she left the newspaper in protest at what she saw as its "vile anti-Semitism".
-- Julie Burchill From 2005 to 2009
Burchill was an early critic of the fashion for denigrating lower social classes as "chavs". In 2005, she presented the Sky One documentary In Defence of Chavs.
Julie commented in an interview for The Daily Telegraph at the time:
"Picking on people worse off than
you are isn't humour. It's pathetic,
it's cowardly and it's bullying."
She went on to say:
"It's all to do with self-loathing. ... The
middle classes can't bear to see people
having more fun, so they attack Chavs
for things like their cheap jewellery.
It's jealousy, because they secretly
know Chavs are better than them.
They're even better looking."
Following her departure from The Guardian, in early 2005 she moved to The Times, who were more willing to meet her demands, doubling her previous salary.
Shortly after starting her weekly column, she referred to George Galloway, but appeared to confuse him with former MP Ron Brown, reporting the misdeeds of Brown as those of Galloway:
"He incited Arabs to fight
British troops in Iraq."
She apologised in her column, although The Times paid damages thought to have been £50,000.
In 2006, The Times dropped her Saturday column, and arranged a more flexible arrangement with Burchill writing for the daily paper.
Later it emerged, during a Guardian interview published in 2008, that eventually she "was given the jolly old heave ho" by The Times, and paid off for the last year of her three-year contract, still receiving the £300,000 she would have earned if she had been obliged to provide copy.
Julie later described her columns for her abbreviated Times contract, which ended abruptly in 2007, thus:
"I was totally taking the piss. I didn't
spend much time on them and they
were such arrant crap."
In February 2006, she announced plans for a year's sabbatical from journalism, planning, among other things, to study theology. In June 2007, she announced that she would not be returning to journalism, but instead would concentrate on writing books and TV scripts and finally undertake a theology degree. However she returned to writing for The Guardian.
Burchill's co-written book with Chas Newkey-Burden, Not in My Name: A Compendium of Modern Hypocrisy, appeared in August 2008, and is dedicated "to Arik and Bibi" (Ariel Sharon and Benjamin Netanyahu).
According to Gerald Jacobs, writing for The Jewish Chronicle in 2008:
"This book does not merely stand
up for Israel, it jumps up and down,
cheers and waves its arms".
The newspaper described her as "Israel's staunchest supporter in the UK media". When asked if Israel has any flaws, she responded:
"Yes. They are much too tolerant of
their freaking neighbours, much too
reasonable".
She declared in 2005, after Ariel Sharon's withdrawal of Israeli settlers from the Gaza Strip, that:
"Israel is the only country I would
f**king die for. He's the enemy of
the Jews. Chucking his own people
off the Gaza; to me that's disgusting".
Besides writing occasional pieces for The Guardian, Julie wrote four articles for the centre-right politics and culture magazine Standpoint between July and October 2008.
-- Julie Burchill in the 2010's
At the end of June 2010 it was announced that Burchill would be writing exclusively for The Independent, contributing a weekly full-page column for the paper.
The connection lasted less than 18 months. Burchill wrote her last column for The Independent at the end of October 2011. Admitting that he had tried to recruit Burchill for The Sun in the 1980's, Roy Greenslade commented:
"My admittedly occasional reading of
her columns in recent years has left me
feeling that she realises her old schtick
is no longer working. She has run out
of steam – and sympathetic newspaper
editors".
Commenting on the Egyptian Revolution of 2011, Burchill wrote in The Independent:
"It would be wonderful to think that what replaces
Mubarak will be better. But here's the thing about
Middle Eastern regimes: they're all vile.
The ones that are 'friendly' are vile, and the ones
that hate us are vile.
Revolutions in the region have a habit of going
horribly wrong, and this may well have something
to do with the fact that Islam and democracy appear
to find it difficult to co-exist for long."
On the 13th. January 2013, Burchill wrote an article for The Observer defending Suzanne Moore after a reference by Moore to transsexuals had been greeted with a great deal of criticism.
In Burchill's view, it showed the "chutzpah" of transsexuals to have their "cock cut off and then plead special privileges as women".
There were a number of objections to her writing from members of the transgender community and non-transgender community alike. The editor of The Observer, John Mulholland, responded on the comments page to what he described as "many emails protesting about this piece" and stated that he would be looking into the issue.
Liberal Democrat MP Lynne Featherstone, formerly a junior Minister for Women and Equalities, called for the dismissal of Burchill and Mulholland in response to the piece. The article was withdrawn from the website the following day and replaced with a message from Mulholland, but reappeared on the Telegraph website.
On 18 January 2013, The Observer's Readers Editor Stephen Pritchard defended the decision to remove the article from the newspaper's website, quoting the editor who took that decision as saying:
"This clearly fell outside what we might consider
reasonable. The piece should not have been
published in that form. I don't want the Observer
to be conducting debates on those terms or with
that language. It was offensive, needlessly. We
made a misjudgment and we apologise for that".
Julie Burchill on Religion and Philo-Semitism
In her 1987 essay collection Damaged Gods: Cults and Heroes Reappraised, Burchill criticised what she called "the anti-Semitism of politicized American blacks" such as Jesse Jackson, who had referred to New York City as "Hymietown."
Burchill wrote:
"Imagine how the blacks would have gnashed
their diamond-studded teeth if a Jewish leader
had publicly referred to Harlem as 'Nigger-town'!".
In 1999, Burchill said she "found God", and had become a Lutheran and later a "self-confessed Christian Zionist".
In June 2007 Julie announced that she would undertake a theology degree, although she subsequently decided to do voluntary work instead as a way to learn more about Christianity.
In June 2009, The Jewish Chronicle reported that Burchill had become a Friend of Brighton and Hove Progressive Synagogue and was again considering a conversion to Judaism.
According to The JC, she had attended Shabbat services for a month, and was studying Hebrew. Julie described herself as an "ex-Christian", pointing out that she had been pondering on her conversion since the age of 25.
Burchill said that:
"At a time of rising and increasingly vicious anti-
Semitism from both left and right, becoming
Jewish especially appeals to me. ... Added to the
fact that I admire Israel so much, it does seem to
make sense – assuming of course that the Jews
will have me".
Julie wrote in November 2012:
"The things I love about the Jews are: their
religion, their language and their ancient
country".
Burchill however clashed with Rabbi Elli Tikvah Sarah of the Brighton and Hove Progressive Synagogue, and the Rabbi's lesbian partner, Jess Woods.
Among the reasons for their differences was Rabbi Sarah's defence of Muslims and her advocacy of the Palestinian cause. In Burchill's words, the rabbi "respects PIG ISLAM".
Rabbi Sarah told The Independent in September 2014:
"The problem is Burchill doesn’t have any
in-depth knowledge.
I can imagine her endlessly watching the film
Exodus with Paul Newman. She’s got a kind
of Hollywood view of Jews. You know, ‘Jews
are so clever, we’ve survived ...'."
In 2014, Burchill's crowdfunded book Unchosen: The Memoirs of a Philo-Semite was published. Tel Aviv-based writer Akin Ajayi in Haaretz thought:
"The reactionary solipsism of Unchosen
is far removed from the affectionate
warmness that a love of the Jewish people
can be".
Burchill's ex-husband, Cosmo Landesman, considered it to be:
"An exhilarating and exasperating mix
of the utterly brilliant and the totally
bonkers".
He observed that:
"There are plenty of Jews Julie doesn't love,
including the millions of Jews around the
world who have ever criticised Israel.
Her love is blind, deaf and dumb to such an
obvious contradiction".
Guardian columnist Hadley Freeman wrote:
"Burchill divides up the chosen people into
Good Jews (hardliners, Israelites) and Bad
Jews (liberal Jews) with the enthusiasm of
an anti-Semite. Hilariously, she sets herself
up as the Jewishness Police, railing against
Jews who are not Jewish enough".
In his review in The Independent, Keith Kahn-Harris described Unchosen as:
"Occasionally touching, sometimes bigoted
and sporadically hilarious, but it often
degenerates into EDL-style abuse that lacks
any redeeming wit."
In The Guardian Will Self wrote:
"I’m afraid I can’t really dignify her latest
offering with the ascription 'book', nor the
contents therein as 'writing' – rather they
are sophomoric, hammy effusions,
wrongheaded, rancorous, and pathetically
self-aggrandising."
-- Julie Burchill's Other Books and Television Programmes
Burchill has written novels and made television documentaries. Her lesbian-themed novel for teenagers Sugar Rush (2004) was adapted into a television drama series produced by Shine Limited for Channel 4. Lenora Crichlow's portrayal of the central character Maria Sweet inspired the 2007 sequel novel Sweet.
Burchill has made television documentaries about the death of her father from asbestosis in 2002 (BBC Four) and Heat magazine broadcast on Sky One in 2006.
-- Welcome to the Woke Trials
Welcome To The Woke Trials: How #Identity Killed Progressive Politics was planned to be issued by Tabatha Stirling of Stirling Publishing in the summer of 2021 after being dropped by its original publisher following Burchill's defamatory tweets to Ash Sarkar.
On the 14th. March 2021, when referencing her new publisher, Burchill announced that, with Stirling:
"I've found someone
who's JUST LIKE ME."
Stirling is alleged to have written a series of articles for Patriotic Alternative as "Miss Britannia", describing her son's school as "a hellhole for sensible, secure White boys" and claimed:
"There is one member of staff who is
openly gay, and I mean RuPaul extra
gay".
On the 16th. March 2021, Burchill announced that she would not publish her book with Stirling Publishing, the same day she issued a public apology for libel and harassment of Sarkar. The book was subsequently published by Academica Press.
-- Responses
Burchill has described her own style as the writing equivalent of screaming and throwing things. For her novel Sugar Rush her publicist described her as "Britain's most famous and controversial journalist".
One of her most consistent themes is the championing of the working class against the middle class, and she has been particularly vocal in defending 'chavs'. According to Will Self:
"Burchill's great talent as a journalist is
to beautifully articulate the inarticulate
sentiments and prejudices of her
readers".
For Michael Bywater:
"Burchill's insights were, and remain,
negligible, on the level of a toddler
having a tantrum".
John Arlidge wrote in The Observer in 2002:
"If Burchill is famous for anything it is
for being Julie Burchill, the brilliant,
unpredictable, outrageously outspoken
writer who has an iconoclastic, usually
offensive, view on everything."
In November 1980, former Sex Pistols front man John Lydon gave an interview to Ann Louise Bardach in which he referred to Burchill and Tony Parsons as:
"Toss-bag journalists, desperately
trying to get in on something."
Lydon was incensed by Burchill and Parsons attributing his talent to his alleged use of amphetamines.
In October 1999, in an article for The Guardian, Julie wrote:
"That young men succeed in suicide more
often than girls isn't really the point. Indeed,
the more callous among us would say that
it was quite nice for young men finally to
find something that they're better at than
girls".
After a previous occasion when Burchill wrote "suicides should be left to get on with it", she "received a small number of letters from people whose sons had killed themselves".
In 2002, her life was the subject of a one-woman West End play, Julie Burchill is Away, by Tim Fountain, with Burchill played by her friend Jackie Clune.
A sequel by Fountain, Julie Burchill: Absolute Cult, followed in 2014, with Lizzie Roper in the central role.
In 2003, Burchill was ranked number 85 in Channel 4's poll of 100 Worst Britons. The poll was inspired by the BBC series 100 Greatest Britons, though it was less serious in nature. The aim was to discover the "100 worst Britons we love to hate".
The poll specified that the nominees had to be British, alive and not currently in prison or pending trial. In 2005, on the 25th. anniversary of the murder of John Lennon, she told The Guardian:
"I don't remember where I was, but I was
really pleased he was dead, as he was a
wife-beater, gay-basher, anti-Semite and
all-round bully-boy."
In the essay "Born Again Cows" published in Damaged Gods (1987), she wrote:
"When the sex war is won, prostitutes
should be shot as collaborators for their
terrible betrayal of all women."
On the 6th. June 2021, and shortly after the announcement of the birth of Lilibet Mountbatten-Windsor, the daughter of the Duke and Duchess of Sussex, Burchill tweeted:
"What a missed opportunity. They could
have called it Georgina Floydina!”
This was a reference to George Floyd. Her comments were widely condemned, with racial equality activist Shola Mos-Shogbamimu stating:
"Lilibet is referred to as 'IT'. The utter
disrespect & dehumanisation of
#HarryandMeghan children because
of their proximity to ‘Blackness’ is
Racist."
Actress Kelechi Okafor wrote:
"Likening baby Lilibet to George Floyd
is to hone in on the fact she isn't fully
white...She refers to Lilbet as 'it' even
though it has been announced that the
baby is a girl and she could've addressed
her as such...Disgusting scenes."
On the 8th. June, via her Facebook account, Burchill announced that she had been sacked by The Daily Telegraph as a result of her online comments.
-- Libel
In 2020, Burchill posted a series of defamatory tweets of Ash Sarkar, which included claims that she condones paedophilia and is supportive of Islamist terrorism.
Burchill called on her Facebook followers to "wade in on Twitter" against "the Islamists" and the "nonces". As a result of the comments, her publisher, Little, Brown Book Group, cancelled the scheduled publication of Welcome to the Woke Trials, stating that her comments about Islam were “not defensible from a moral or intellectual standpoint”.
In March 2021, after being sued for libel and harassment, Burchill retracted her comments, issued a full apology and paid substantial damages to Sarkar, including her legal costs.
Burchill stated:
"I should not have sent these tweets,
some of which included racist and
misogynist comments regarding Ms
Sarkar's appearance and her sex life."
She further apologised for "liking" posts calling on Sarkar to kill herself, and promised to refrain from any further harassment of Sarkar.
-- Julie Burchill's Personal Life
Burchill married Tony Parsons (whom she met at NME) in 1979 at the age of 20. She left Parsons three years later, leaving behind a son, which was followed by years of rancour in the media, described in 2002 as "a steady stream of vitriol in both directions."
Julie had claimed to have persevered with the "sexual side" of their marriage "by pretending that my husband was my friend Peter York".
Her relationships, particularly with Parsons, have featured in her work; Parsons later wrote that:
"It's like having a stalker. I don't
understand her fascination with
someone whom she split up with
15 years ago."
Immediately after her relationship with Parsons, Burchill married Cosmo Landesman, with whom she also had a son. She split from Landesman in 1992. The sons from her marriages with Parsons and Landesman lived with their fathers after the separations.
She married for a third time in 2004, to Daniel Raven, around 13 years her junior, and the brother of her former lover Charlotte Raven. She wrote of the joys of having a "toyboy" in her Times column in 2010.
Fellow NME journalist/author Paul Wellings wrote about their friendship in his book I'm A Journalist...Get Me Out of Here:
"She has written about her lesbian relationships,
and declared that "I would never describe myself
as 'heterosexual', 'straight' or anything else.
Especially not 'bisexual' (it sounds like a sort of
communal vehicle missing a mudguard).
I like 'spontaneous' as a sexual description".
In 2009 Julie said that she was only attracted to girls in their 20's, and since she was now nearly 50:
"I really don't want to be an
old perv. So best leave it".
Julie has lived in Brighton and Hove since 1995, and a book on her adopted home town titled Made in Brighton (Virgin Books) was published in April 2007.
Her house in Hove was sold (and demolished for redevelopment as high-density flats) around 2005 for £1.5 million, of which she has given away £300,000, citing Andrew Carnegie:
"A man who dies rich, dies shamed."
Burchill's second son, Jack Landesman, died by suicide in June 2015, aged 29. In an article for The Sunday Times Magazine, Julie wrote of his inability over many years to experience pleasure and the serious mental health issues from which he suffered.
Every plywood should be as good as these are: ooh la la.
-----------------------
In downtown Danville, Virginia, on May 31st, 2022, at the Ace Paint & Body Shop on the west side of South Floyd Street, north of Patton Street. The building is a "contributing property" in the Downtown Danville Historic District (93000830 on the National Register of Historic Places).
The building is from sometime between ~1921 and ~1927, per my review of Danville city directories at AncestryLibrary.com: It is listed in the 1927 directory as "Motor Service Co (The)."
-----------------------
Getty Thesaurus of Geographic Names terms:
• Danville (7014729)
Art & Architecture Thesaurus terms:
• body shops (300005257)
• brick (clay material) (300010463)
• brick red (color) (300311462)
• commercial buildings (300005147)
• historic buildings (300008063)
• historic districts (300000737)
• paint (coating) (300015029)
• paint shops (300006409)
• plywood (300012849)
• repair shops (300006410)
• segmental arches (300001059)
• white (color) (300129784)
• windows (300002944)
Wikidata items:
• 31 May 2022 (Q69306446)
• 1920s in architecture (Q11185486)
• boarding up (Q4931416)
• contributing property (Q76321820)
• Downtown Danville Historic District (Q15214951)
• May 31 (Q2591)
• May 2022 (Q61312955)
• National Register of Historic Places (Q3719)
• Piedmont (Q426977)
• River District (Q17017483)
• Southside Virginia (Q7571041)
Library of Congress Subject Headings:
• Historic buildings—Virginia (sh85061105)
Ferrari Club of America gathers at Ferrari of Redwood City for the Monaco GP party on 5/28/06 (Photo by DGentile)
Contributing Building - Thomasville Commercial Historic District - National Register of Historic Places
NRIS #84001258
Contributing Building - College Street Historic District - National Register of Historic Places
NRIS #76000352
Built 1913-15
Go to Page with image in the Internet Archive
Title: Code-book of gymnastic exercises
Creator: Macqueen, J. W
Publisher: Hannover : Hahn'sche Buchhandlung; London : Kegan Paul, Trench, Trübner
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1893
Language: eng
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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Contributing Building - Wilmington Historic District - National Register of Historic Places
NRIS #74001364
Built: 1927
Style: English Gothic Revival
Architect: Hobart Upjohn
Contributing Building - McIntosh Historic District - National Register of Historic Places
NRIS #83003550
Built 1920
Contributing Building - Greenville Street-LaGrange Street Historic District - National Register of Historic Places
NRIS #83000190
Contributing Buildings - Wilmington Historic District - National Register of Historic Places
NRIS #74001364
100 Block North Front St
L to R - F W Woolworth Building (NC), George R French and Sons Building (C, 1873), Morris Bear Building (C, 1882), Munds Drug Store (C, 1882)
Contributing Building - Downtown DeLand Historic District - National Register of Historic Places
NRIS #87001796
Contributing Building - Glenwood Historic District - National Register of Historic Places
NRIS #10000826
Built 1929
Contributing Building - Old Ortega Historic District - National Register of Historic Places
Built 1941
Estelle contributed some photos including this lovely shot looking south from the bluff over Cawston.
Contributing Building - Thomasville Commercial Historic District - National Register of Historic Places
NRIS #84001258
Built ca 1880
A trio of donors contributed nearly $3.7 million dollars to JABSOM, resulting in full-tuition scholarships for 23 students of the MD Class of 2022. The gift celebration at the Oahu Country Club thanked Barry and Virginia Weinman, Hawaii Pacific Health and the Queen's Health Systems in July 2018. Deborah Manog Dimaya photo.
Contributing Building - North Tallapoosa Residential Historic District - National Register of Historic Places
NRIS #03000405
contributed
The contestants in the second through third grades beauty pageant are, from left, front row, Serah Hudson, Raven Gilliland, Mallory Harper and Madison Huckabee; back row, Ashley Powell, Jacklyn Watson, Abbie Parker and Promise Pitts.
Contributing Building - Chester Historic District - National Register of Historic Places
NRIS #72001203 and #87000684
Built ca 1884
Built in the 1880s, this block contributes to the Downtown Jacksonville Historic District, which was listed on the National Register of Historic Places in 1986.
Jacksonville, Alabama is a lovely town located to the northeast of Anniston in Calhoun County. It was initially the county seat of the county.
Jacoba refused to contribute to the Winter Help collection (supposedly taken to help poor Dutch who had very little), saying "I won't contribute to Winter Help until our queen comes back. The proceeds from Winter Help are for the Germans and the NSB members, and they're a gang of thieves, just like Adolf Hitler." Jacoba was jailed for three months for that statement. In jail, when the SS guards gave her their socks to darn, she sewed them shut, supposedly out of ignorance.
Contributing Building - St Augustine Town Plan Historic District - National Register of Historic Places
NRIS #70000847
Matt Weber, who contributes short segments to "This Is the Day", encourages viewers to donate to CatholicTV as he gives money from his own wallet to Jay Fadden. See some of his videos here.
The CatholicTV network held its 19th annual fundraising telethon on October 1, the feast of St. Thérèse of Lisieux, the network's patron saint. These photos capture the behind-the-scenes work of many employees and volunteers to support the work of network through the generosity of many donors. CatholicTV is part of the Catholic Media Secretariat of the Archdiocese of Boston.
(Photo credit: George Martell/The Pilot Media Group) May not be reproduced without permission. All rights reserved.
Contributing Building - Elberton Commercial Historic District - National Register of Historic Places
NRIS #82002410
23 N Public Square
Built ca 1890
Contributing Building - Cuthbert Historic District - National Register of Historic Places
NRIS #75000607
Built 1886
Style: Queen Anne
Architects: Kimball, Wheeler & Parkins
22 Artists contributed to Seven Collections for the Refugee Rights Day Art Exhibit in Toronto - April 2008.
The youth artists of this exhibit have been forced to leave their homes in Turkey, Pakistan, and Mexico. They have been in Canada from three months to five years. Most of them are still waiting for a final decision to know if they will be staying, if Canada will permit a “new beginning.”
Each of these emerging artists have grappled with a Personal Information Form or the difficult questions of an immigration officer, “But how can you prove to me that you are gay?” This process is especially vulnerable for queer youth refugee claimants. This exhibit is a way to give these youth a voice that is not solicited in an immigration office or on a Personal Information Form.
Contributing Building - Ocala Historic Commercial District - National Register of Historic Places
NRIS #99000656
Built 1939
Contributing Building - Pleasant Street Historic District - National Register of Historic Places
NRIS #89000323