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The opening of the Celtic Connections 2011 music festival in Glasgow, starting with the torchlight parade from the City Chambers to the Royal Concert hall
You may need to subscribe to the Tata Sky corporate connection when you are in a commercial complex. Know more about such a connection from dthnation.com/
I love the connection my oldest and youngest girls have - even though they are almost 7 years apart in age.
Berklee Connection Quartet
Luis Gutierrez (saxo) - Juan Galiardo (piano)
Yerai Jiménez (bajo) - Ángel Alonso (batería)
Concierto Teatro "El Albéitar" - Universidad de León
Miércoles 27 diciembre 2006 - 20:30 horas
Fotos del concierto del Teatro El Albéitar
Más información / More information:
In this piece I use ink and my thumb to depict the unseen marks that we leave and the unknown connections we make. The paper could depict a card or document that is passed from one person to multiple. Without the next recipient of the card knowing, they are connected to the previous person possible directly or just by making a mark on the paper as the last person did.
shuttle train connecting terminals at the frankfurt international airport "fraport" arrives at terminal 2 ( background )
A Lawyer, An Engineer and Two Artists: collaborative installation by David Honeybone and Lynette Willoughby for Roundhay Arts Trail 2016.
Taïkoo Hui - Tianhe, Guangzhou, Guangdong, China
HDA : Specialist Design consultants
Client : Swire Properties Inc.
Architect: Arquitectonica
Date : 2005 - 2010
See more at : www.hda-paris.com/
After our whole group session broke for the evening, folks started to work at investigating the map, and began to add connections to help make sense of the various bits.
Connections
artLAB
February 2 - 16, 2023
Reception: Thursday, February 2 from 5-7PM
Tianle Chen, Giulia Commisso, Cheyne Mackenzie Ferguson, Sydney Foster, Leland Harris, Michael Harrison, Dhra Patel, Olivia Rae Spence, Natasha Tacconelli, Man Nga Ting, Jennifer Wang
Professor: Soheila K. Esfahani
Woodshop Technician: Andrew Silk
Connections is a series of collaborative installations in response to our connection to Mother Earth, our homes, spaces within ourselves, liminal spaces using only recycled and found materials. This project has been created using mainly materials from Artist Material Fund under the guidance of Kelly Greene (Indigenous Artist in Residence at the Visual Arts department). A vital concept of this project is to reflect on the fact that we are all part of this Earth and are extremely dependent on her since everything that surrounds us is provided by her. With the current overpopulation by humans on our planet, we've consumed and produced excesses. Thus, these installations aim to convey attentive perspectives by reusing some over-produced materials that would otherwise fill landfills.
artLAB Gallery
JL Visual Arts Centre
Western University
London, Ontario, Canada
© 2023; Department of Visual Arts; Western University
I've always found it sad that animals are so numb in the zoo. A lion, for instance, sees trainers, zookeepers, feeders, vets, all the time. Day in and day out the lion is gawked at by visitors. People who look on in amazement and wonder...at what the animals COULD have been...should have been, in another life- another world. They look on at the animals like oddities- mere representations of greater concepts, rather than the thing itself. At times, in the zoo you can make direct eye contact with an animal and still realize it doesn't really see you. And thanks to its being behind thick walls, fed and kept, gazed at nonstop, away from its natural habitat and natural state- you can't really see it. But when I climbed up that tree and looked down at that lion, seperated only by a thin fence...for one moment, I can say without hesitation, he saw me. He really SAW me. And I damn sure saw him. For one moment there was no zoo. No other people. No fence, no walls. Just the lion, the plains, and me. For one moment, it was completely and totally real. I like to think it meant as much to him as it did to me.
Community members and leaders from the Kingston-Galloway/Orton Park neighborhood meet with their university counterparts at the second Community Connections Leadership Forum.
The forum was designed to foster collaborations between UTSC and Scarborough communities. It brought UTSC faculty, administrators and students together with community leaders to discuss ways of partnering on research and community development projects.
The Utah State Office of Education Title VII Program in partnership with the Bureau of Land Management (BLM), Red Butte Garden, the Urban Indian Center and the Utah Natural History Museum hosted the second annual of the Earth Connections Camp, American Indian Nature Camp on June 18.
The camp’s goal is to reconnect urban American Indian youth with their natural world and cultural heritage, organizers said.
The 30 campers, divided into two groups, spent the day at Red Butte Garden learning about American Indian traditions, history, arts and craft, storytelling and nutrition.
American Indian educators and specialists from the various partners led each of the learning stations.
Juan Palma, BLM Utah state director, was the keynote speaker. He shared his story of growing up in a family of migrant workers and the difference education made in his life.
Other activities during the day-long camp included building solar toys and constructing dams with the assistance of Bureau of Reclamation staff.
“I was so impressed with the instructors, volunteers, and especially the campers,” said Jeanette Shackelford, BLM Utah State Youth Program Lead. “The kids were respectful and attentive, and I personally learned a lot from listening to the different sessions.”
Organizers hope to continue to collaborate and expand the day-camp to have more students attend.