View allAll Photos Tagged ComputerGenerated
Best viewed large
Made with HTML5 and JavaScript
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
An experiment in extremely low res: 100 x 100 x 1 bit
Continuing with the "resurrecting old stuff" series, some memories from the time when I challenged myself to do the most with the least: 10000 bits of information. Or: bringing abstraction to pixel art.
Size is everything for this images, so be sure to hit 'all sizes' to see the original.
On the other hand, I'm sure filckr's 75 x 75 thumbs will look like crap (or like glitch art at the best)
one of my oldest photomontages (1995)... with the grandfather of photoshop, version 2.5 (without layers!)
a picture of venice and two of an irish frog
sorry, that it's so small, but I have no larger version at hand in the moment ;-)
I will replace it at home
collaborative documentary in situ of the salon exhibition, the study gallery of modern art, poole (04-08 nov)
My version of this. Which makes me realize (actually, I already did, but it reminds me) that my renderings are "upside down"... positive imaginaries are towards the bottom of the screen, negative towards the top. So, it's the standard computer-graphics version of the plane, I guess, right? I'd like to change it, though.
A zoom into this point is currently being rendered. I expect it'll be a while. Plus, I have specific ideas about music for it, but I'll need to figure out how to actually generate that content.
I think I might need to go to art school or something... I wonder if/how I could fund that.
Note: This looks like, but isn't, a Julia set. It's just an "island" amidst the regular mandelbrot set.
This 3D model is based on the comic character Phoenix (Jean Grey). It was created using Autodesk Maya and was rendered using Mental Ray. The scene uses Final Gathering, Global Illumination, and Image Based Lighting as indirect light sources. There are two fill lights in the scene. Currently, I am still working on setting up the skeleton.
This video is actually still in the process of being rendered, but I felt like it was far enough along as to potentially be interesting to share, so here's a snapshot of it.
maximum iteration count increases as we zoom in.
I have been playing around with AI-generated text-to-image applications. This app is a phone app called Wombo Dreams. It is 100% free to use and quite addictive when you start getting into what it can do. challenging, truthfully, to figure out what you can say in 100 characters or less that the computer will understand and interpret. The title of this is my exact prompt for all of the images I posted here. You can see how they follow a theme but each is different. There are two others I created with an online application and I will talk more about that on the images it created. I am very torn about my feelings on the whole subject of AI generated art. I do feel I have helped to bring these images into being but I did not create them, the computer did. I do not feel that I can claim them as my work, only my direction. An art director, I feel is my role in this. Any thoughts?
I have been playing around with AI-generated text-to-image applications. This app is a phone app called Wombo Dreams. It is 100% free to use and quite addictive when you start getting into what it can do. challenging, truthfully, to figure out what you can say in 100 characters or less that the computer will understand and interpret. The title of this is my exact prompt for all of the images I posted here. You can see how they follow a theme but each is different. There are two others I created with an online application and I will talk more about that on the images it created. I am very torn about my feelings on the whole subject of AI generated art. I do feel I have helped to bring these images into being but I did not create them, the computer did. I do not feel that I can claim them as my work, only my direction. An art director, I feel is my role in this. Any thoughts?
Southern Ice Porcelain
Hand polished exterior, ice blue transparent glaze inside
7cm x 5.5cm by Peter Biddulph www.ceramicdesign.org
This is a Nissan GT-R34 MINE respec V tricked out to 9.9 speed, and 9's for acceleration and launch, handling can be increased with front splitter and rear spoiler but this baby is built for breaking 400kph, which it does, regularly. Faster than the famed Astin Martin Lola on a stretch with the beautiful roar of a stock car engine mixed with the whines and appropriate hisses of twin racing turbos.
No punches were pulled on this baby, and in true suicide machine fashion a roll cage was left out to minimise weight. Carbon fiber racing parts are a BPR creation, inspired in part by the Nissan V8 Supercar Safety Car, with attention to detail from general electrical certification docket to towing tag, from grey plastic inserts undermounting the front lights through to to-the-pixel clean lines thanks to my 60" plasma and spending the night on my knees in front of it.
This baby is almost complete, a sneak peek of the (yet unfinished) project for gear4gamers.com can be found by searching the Forza storefront for 'gear4gamers.com', the design is up in the state it's in atm and free to download, hence the meaning of the word give-away I'd guess!
A video where I gradually decrease the angle of the Lévy C curve. Made with a program I wrote.
Inspired by Simon Strandgaard's video:
Sake cups
Material: Southern Ice porcelain mixed with oxides by Peter Biddulph www.ceramicdesign.org
Created in Blender 2.70.
Created from a torus. Edge loop used to give the increased size for the "weld" for each link.
Currently using my horribly slow computer to animate the chain falling onto the galvanised sheet.
This surface is simply brushed silver with an Arabic art calligraphic carved on it. Teapots like this are actually very popular in Egypt and sold in a place called Khan-ElKhalily. In case you visit Egypt then remember to buy one of these :)
To achieve this surface I used the following:
1- Bump mapping to map the normal according to the calligraphic to be carved on the surface.
2- Turbulence to slightly perturb the normal hence giving the illusion that the silver is brushed.
3- Reflection shading to give the illusion of the silver being reflective.