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Save on National Brand Computation Notebook 4 X 4 Quad Brown Green Paper 11.75 x 9.25 Inches 75 Sheets (43648) Saving, Order Now! Want it delivered within 1 day? Choose One-Day Shipping at checkout.National Brand Computation Notebook 4 X 4 Quad Brown Green Paper 11.75 x 9.25 Inches 75 Sheets (43648) See More Detail at this Link: Read Full Detail | Compare

 

National Brand Computation Notebook 4 X 4 Quad Brown Green Paper 11.75 x 9.25 Inches 75 Sheets (43648)

The Phantôm Restaurant,Opera Garnier

HDA : technical design & engineering

Client : Gumery

Architect : ODBC

Date : 2009 - 2011

ASCENSION: An Interactive Installation

 

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The Project

 

Willpower (William Ismael) + Carrie Mae Rose collaborate in the duo FLUID THUNDER for the interactive projection mapping of the tetrahedron winged computational fashion installation at Eyebeam (Art + Technology Center in New York City).

 

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The Process

 

Carrie Mae creates hand-built wing structures out of wire tetrahedrons and fabric. Willpower codes 2 animations in Processing, which is an open-source programming language, development environment, and online community. He uses Leap Motion, which is a sensory technology, detecting human hands and fingers. He uses a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to use Processing seemlessly with Leap Motion. Willpower attaches his interactive human generated animations to the Leap Motion sensor. They follow a person's hand movements in real-time and on key with accurate precision. The public interacts with the installation by activating the wings through their physical movements.

 

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The Story

 

The animation displays beams of light representing solar neutrinos and the love we have access to at all times. Wings symbolize aspiration and ascension. The light is symbolic of angelic light coming from realms above, shining down to inspire and remind us that we are pure love in our hearts. The bubble eruptions represent both the thunderous fire energy residing inside our human forms and the Big Bang Theory that we are all becoming lighter and lighter each moment in time throughout our expansion into infinite space.

 

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The Experience

 

Human beings generate the art on the angel wings by moving their hands. They become part of the art. They create the art. An ongoing 3D generative animation is mapped behind the wings. An interactive animation generated by people is mapped onto the wings. Without human movements, no animation is created on the tetrahedron angel wings. We include you to be part of the art because it is about us. It is about the interaction between the artists and the visitors. We communicate and transcend messages which are experienced beyond just looking at a piece by making you a co-creator of the piece. It is about us coming together and interacting in the space with 'others' we may have not engaged in a conversations with otherwise. It becomes an unique shared experience.

 

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Credits

 

Installed at Eyebeam.

Sculpture by Carrie Mae Rose.

Interactive Projection Mapping by WILLPOWER STUDIOS (William Ismael).

Video Shot + Edited + Music by WILLPOWER STUDIOS (William Ismael).

 

Watch Video: vimeo.com/78205976

 

Download Press Package: fluidthunder.com/ASCENSION-Press.zip

 

To know more about project, visit FluidThunder.com

Computational analysis of Suzhou's Garden of the Master of Nets. More details on the LMN Tech Studio blog: Suzhou Space.

I'm now subtracting 9 in the 9th position from the left. This is done in 2 steps: subtract 10, add 1. In this step I subtract 10 by subtracting 1 in the 8th position from the left.

 

CC0 waiver: To the extent possible under law, I waive all copyright and related or neighboring rights to this work.

Final slide of the talk From Computation To Consciousness by Joscha at #31C3, 28.12.2014

Justine Cassell, Associate Dean, Technology, Strategy and Impact, .School of Computer Science, Carnegie Mellon University, USA speaking during the Session "Compassion through Computation: Fighting Algorithmic Bias" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 23, 2019. Congress Centre - Betazone

Copyright by World Economic Forum / Jakob Polacsek

Justine Cassell, Associate Dean, Technology, Strategy and Impact, .School of Computer Science, Carnegie Mellon University, USA speaking during the Session "Compassion through Computation: Fighting Algorithmic Bias" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 23, 2019. Congress Centre - Betazone

Copyright by World Economic Forum / Jakob Polacsek

I'm now subtracting 6 in the 6th position from the left. This is done in 3 steps: subtract 10, add 5, subtract 1. In this step I add 5.

 

CC0 waiver: To the extent possible under law, I waive all copyright and related or neighboring rights to this work.

This is UGA's only significant building of the 1990s - the Chemistry Annex or Computational Chemistry building, by Lord, Aeck & Sargent (with Joe Greco as project lead). I've always been fond of it. It's a Miesian box, encased in a structural cage and hoisted not only above ground but away from it; the primary entry is by a short but still exciting catwalk. The show-offy structure of the entrance canopy, and the old-school sans-serif font, combine with the dark mullions and reflective glass to make the building seem considerably older than it is; I wouldn't be surprised if it's on somebody's itinerary of mid-century gems in Georgia.

THE JOINT COMPUTATIONAL ENGINEERING LABORATORY AT SANDIA NATIONAL LABORATORY.

 

The Joint Computational Engineering Laboratory can house 175 researchers and support staff. The JCEL facility was funded by DOE-NNSA's Advanced Simulation and Computing Program and represents an integral part of the Microsystems and Engineering Sciences Applications (MESA) Project. JCEL is a significant upgrade, consolidation and enlargement of Sandia's Computational capabilities which are important to DOE/NNSA's stockpile stewardship mission.

 

For more information or additional images, please contact 202-586-5251.

Setting up for 3D photogrammetry using a turntable

Computationally designed jewelry. Made with Processing + HE_Mesh + OpenSCAD. 3D printed in Gold Plated Brass.

Justine Cassell, Associate Dean, Technology, Strategy and Impact, .School of Computer Science, Carnegie Mellon University, USA speaking during the Session "Compassion through Computation: Fighting Algorithmic Bias" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 23, 2019. Congress Centre - Betazone

Copyright by World Economic Forum / Jakob Polacsek

CHI's Carla Schroer explains a concept to photogrammetry trainees

Experiments with Python programming and computational art. This uses the "Boids" Library to create the points for the continuous curves and star positions, and a nice analogous color palette. Similar to some of the example code - with some designer twists.

Justine Cassell, Associate Dean, Technology, Strategy and Impact, .School of Computer Science, Carnegie Mellon University, USA speaking during the Session "Compassion through Computation: Fighting Algorithmic Bias" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 23, 2019. Congress Centre - Betazone

Copyright by World Economic Forum / Jakob Polacsek

The Biological Sciences Facility and the Computational Sciences Facility — together valued at about $75 million — partially replace laboratory and office space Pacific Northwest National Laboratory has been using on the south end of the nearby Hanford Site.

 

PNNL scientists will advance biological systems science and data-intensive computing using these facilities.

 

For more information, go to www.pnl.gov/news

 

Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory." Please use provided caption information for use in appropriate context.

PI: Giulia Galli, University of Chicago

 

The interfaces between solids, nanoparticles and liquids play a fundamental role in determining the properties of materials. With an understanding of the microscopic structure of solid–water and solid–electrolyte interfaces, researchers can better predict the properties of photocathodes for water splitting in the production of clean fuels and energy conversion in solar cells.However, the properties of interfaces are seldom explicitly included in ab initio models, due to the complexity and cost of the associated calculations.

 

This image depicts complex interfaces between nanoparticles and a solvent.

 

The results can be used to interpret experiments and to optimize materials properties to improve clean fuel production and solar energy applications. This work will help establish a robust strategy to enable the comparison of ab initio data with experiments carried out at light sources, such as Argonne’s Advanced Photon Source. Ultimately, the results could lead to analysis tools for spectroscopic data that can be used by theorists and experimentalists alike.

 

Image credit: N. Brawand, University of Chicago.

 

Scientific discipline: Materials Science: Condensed Matter and Materials

 

This research used resources of the Argonne Leadership Computing Facility at Argonne National Laboratory.

 

Paris Philharmonic Hall

HDA : Facade Designer

Architect : Ateliers Jean Nouvel

Client : Philarmonie de Paris

Date : 2007- 2013

See more at : www.hda-paris.com

I'm now subtracting 6 in the 6th position from the left. This is done in 3 steps: subtract 10, add 5, subtract 1. In this step I subtract 1.

 

CC0 waiver: To the extent possible under law, I waive all copyright and related or neighboring rights to this work.

University of Graz — Artificial Life Lab (Project coordination) (AT), Universite Paris Diderot — LIED (FR), Ecole Polytechnique Federale de Lausanne — LSRO (CH), University of Zagreb — LARICS (HR), FCiencias.ID — Associacao para a Investigacao e Desen, Cybertronica Research (DE)

 

Bees, fish and robots solve difficult network problems together

 

Networks are ubiquitous in our world today and are growing and complexifying at a global scale, from traffic and logistics to social networks and the “Internet of Things.” Optimal design of such networks is a difficult task, exploding in complexity with network size and connectivity. Thus, smart heuristics are a key technology – using randomized guessing as a form of provoked error is central to their functionality.

 

In ASSISIbf we aim for a radically different approach towards network optimization of this kind: We use “fuzzy” swarms of honeybees and fish, in association with autonomous robot swarms. These novel bio-hybrid “computational symbioses” efficiently search for optimal, or near-optimal, network configurations.

 

Credit: tom mesic

Working on factoring polynomials with one of my Algebra students.

Author: Nelson Ribeiro

Date: 2009

Description: The presented finite element meshes of humerus and scapula were used to generate a computational model of an artificial shoulder that, within the Finite Element (FE) formulation, is capable of calculate wear rates in total shoulder prostheses for a certain type of arm movement. In orthopedics, FE models are able to predict pre-surgically the mechanical behavior of prosthesis. Indeed, quantitative data obtained from FE analysis may be an important resource for increasing the probability of successful therapeutic treatments, improving surgical planning, injury prevention and improving prosthesis design towards to better in vivo performances

Source: Ribeiro, N. S., Fernandes, P. C., Lopes, D. S., Folgado, J. O., Fernandes, P. R., 3-D Solid and Finite Element Modeling of Biomechanical Structures - A Software Pipeline, In: Proceedings of the 7th EUROMECH Solid Mechanics Conference, Portugal, 2009

 

Image and caption provided by: Nelson Ribeiro, IDMEC/IST-TU Lisbon

Computational Design-Architecture-Photography-Art-

Work by Rebal Jaber

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Computational Design-Architecture-Photography-Art-

Work by Rebal Jaber

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#aesthatics #anamorphic #deform #blue #fashion

#3d #3dsculpture #3dmodel #3drender #3dsculpting #3dmodeling #sculpting #sculpture #graphics #graphic #3drendering #render #rendering #rendered #cg #cgi #digitalart #digital3d #3dart #character #3dcharacter #digitalsculpt#design #creativity #architecture

First Keynote at the Computing At School Scotland conference.

THE CENTER FOR COMPUTATIONAL SCIENCE AT OAK RIDGE NATIONAL LABORATORY.

 

ORNL'S CENTER FOR COMPUTATIONAL SCIENCE HAS 40,000 SQUARE FEET OF SPACE FOR COMPUTER SYSTEMS AND DATA STORAGE. THE DEPARTMENT OF ENERGY SELECTED ORNL AND ITS DEVELOPMENT PARTNERS, CRAY INC., IBM CORP., AND SILICON GRAPHICS INC. TO RECEIVE A GRANT TO BUILD A 50 TERAFLOP (50 TRILLION CALCULATIONS PER SECOND) SCIENCE RESEARCH COMPUTER THAT WILL BE HOUSED IN THIS FACILITY.

  

For more information or additional images, please contact 202-586-5251.

Dictionary of Bioinformatics and Computational Biology edited by John M. Hancock and Marketa J. Zvelebil. A handy reference book fro any bioinformatician to have on their bookshelf.

 

isbn:0471436224 www.amazon.co.uk/exec/obidos/ASIN/0471436224

 

0752224700

 

[IMGP5402.JPG]

Author: Daniel Simões Lopes

Date: 2008

Description: Lateral, anterior, posterior, and medial views of all four bony structures that compose the human knee. The femur, tibia, fibula, and patella are arranged in a extended knee position. The 3-D models were created based on computed tomography images with high spatial resolution. Several bone landmarks, i.e., eminences and depressions scattered along the bones surfaces, can be easily identified. The usefulness of such geometric models resides, although not exclusively, within the construction of realistic computational models that simulate the biomechanical behaviour of this complex joint. Other model applications focus on medical visualization and surgical planning.

Source:n/a

 

Image and caption provided by: Daniel Simões Lopes, IDMEC/IST-TULisbon

All the slides and visual demonstrations of my presentation at Flash on the Beach in Brighton, England. The presentation was titled 'Computational Artifact'. I discussed my interest in computationally created objects, both real and unreal, physical and etheral, using algorithms, mathematics, and natural systems as inspiration. The date was September 29, 2010.

 

Here's set 2 and set 3.

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