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Top: Ice Flower decoration
Produced: 1963-1982
Rosenthal Studio-Line
Bottom: Ice Flower colour combination and Secunda grau combination
Designed: 1963
Produced: 1963-1982
Rosenthal Studio-Line
Designed by the Finnish artist Tapio Wirkkala.
Museum of Decorative Arts, Prague
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Tapio Wirkkala (1915-1985) was a multitalented design genius, widely considered a leading figure of modern Finnish industrial art. Wirkkala's wide ranging portfolio spans from glass, furniture and product design to sculpture, city planning, art, graphics and even creating banknotes for the Finnish treasury. As his reputation grew internationally, Wirkala exhibited throughout the world but he was a recluse by nature. His favorite place was a spot so remote within the deep woodlands of middle Finland that helicopters delivered prototypes to his hut since no car could reach him. It was in nature that he found his much loved solitude and the inspiration for forms that industry could produce or artwork could create. Throughout his incredibly productive career, Wirkkala received numerous awards including three gold medals at the Milan Triennale, the Lunning Prize, Pro Finlandia Medal and the Prince Eugen Medal.
In 1946, Wirkkala won his first design award in a competition sponsored by Iittala that would mark a lifelong relationship with lasting effects on his career and the company. As Iittala’s artistic director, Wirkkala’s unique artistic vision helped establish the company’s global reputation. Throughout his legendary career, the uniquely talented artist created more than four hundred glass objects for Iittala, many of which, like the Ultima Thule and Tapio series remain popular today.
www.iittala.com/designers/tapio-wirkkala/c/tapio-wirkkala...
So I've got 3 pictures. The original is divided in half. Another, I think places the pier better (but loses the yacht), and this one includes the yacht, but loses some of the dramatic cloud.
Not sure which is best, or whether there is yet another option there somewhere
Early light in my back yard brings moments of exquisite beauty in "compositions" I see in the full even when it is part of the whole view. This group of palm fronds is from what I think is a "Washingtonian palm", a "volunteer plant" near the back fence. It is now about 10' tall and 9' across It is growing more like a full bush than a tree. It has really thrived since the tall tree next to it was removed last year. (See those images with this collage.)
Canon 600D + Auto Revuenon MC 50mm 1.4
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Acrylic and oil on a masonite panel - 24"x36"
I did an almost complete acrylic under-painting and then finished things off with oil glazes and detail work. This was my first time working with oil paint and I'm fairly happy with the results - at the very least I'm enthusiastic to work with oil paint in the future.
Copyright © Phil Dodd 2022, All Rights Reserved. Honing in on the finer details was the order of the day yesterday & spotted these patterns in my local, frozen Canal. I was spoilt for choice with so many differing patterns, choosing just three for this panel.
Thanks for looking and / or commenting, much appreciated as always...
Best Regards,
Phil.
Compositionally Challenged week 25 is Smiles. This is SOOC. I was walking around, camera in hand, looking for something for Week 25. Charlie ran in front of me, flopped down, and started squirming. I pointed the camera at him, and this was the shot I found right in front of me.
Whenever my cats do that, I always think it's their way of saying "Aren't I cute? Don't you feel the need to stop what you're doing and pay attention to me?"
How can I ignore that?
How can I not smile?