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The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
To the Glory of God
and in
ever grateful memory
of the following men
who gave their lives
for Freedom and Justice
in the Great War
1914 - 1918.
A/40009 Private Sidney John Cook, 5th. Battalion, Canadian Infantry.
Born on 2nd.March 1892 at East Harling, Norfolk, the third of eleven children of Harry, foreman at Overa Farm at Eccles, and Mary Crook.
Sidney spelt his name Sydney.
On 7th. April 1910 Sydney sailed on the SS Canada from Liverpool to Portland, Maine, to take advantage of the Dominions Lands Act. He arrived on 16th. April.
His occupation was given as a farm labourer and on 26th. January 1914, he was issued 160 acres at Mancroft, Humboldt Saskatchewan in Canada.
On 21st. December 1914, Sydney enlisted at Saskatoon where it was recorded that he was 5’10” with dark hair, a fresh complexion and blue eyes. He weighed 175 lb. with a 38″ chest and a scar between his eyes.
He did his basic training with 32nd Battalion, and later sailed aboard the SS Scandinavian for Shorncliffe, Kent arriving on 27th. June 1915.
On 3rd. August 1915, he was on his way to France with the Canadian Expeditionary Force, and by 14th. August he was posted to 5th. Battalion Canadian Infantry.
Sydney's service record states that attended sniper school for a week in April 1916.
War diary entries show that on 6th. June 1916 the 5th. Battalion were in position directly in front of Hill 60 when a trench mortar bombardment opened up at 09.00 hrs, lasting until 12.30 hrs, when artillery joined in until 16.30 hrs. A further bombardment occurred from 17.30 hrs. until 18.15 hrs. Trenches 40 to 43 are described as being 'practically destroyed.' Sydney was injured and was evacuated to 10 Casualty Clearing Station at Remy Sidings, Lijssenthoek, where he died, aged 24, of multiple shrapnel wounds on Wednesday 7th. June 1916. He is buried in Grave: VII. C. 5. at Lijssenthoek Military Cemetery, West-Vlaanderen, Belgium.
20551 Private Samuel Davison, 1st. Battalion, Essex Regiment, formally with the Norfolk Regment.
Born in East Harling in 1892.
The 1911 census records Samuel employed as a gardener and domesti and living in with his family at Railway Cottage in Eccles.
He married Beatrice Purse in October 1913, and they had a son, Ernest Leonard, born in 1914.
On 28th. July 1915 the 11,117 ton HMT Royal Edward, formally RMS Cairo, embarked 1,367, including members of the Royal Army Medical Corps at Avonmouth. The majority were reinforcements for the British 29th. Infantry Division, and were destined for Gallipoli.
Royal Edward arrived at Alexandria on 10th. August, then sailed for Moudros on the island of Lemnos, a staging point for the Dardanelles.
On the morning of Friday 13th. August 1915, Royal Edward passed the British hospital ship Soudan, heading in the opposite direction. Oberleutnant zur See Heino von Heimburg, commander of the German submarine UB-14, was off the island of Kandeloussa and saw both ships. He allowed Soudan to pass unmolested, and focused his attention on the unescorted Royal Edward some 6 nautical miles (6.8 miles - 11 km) off Kandelioussa. He launched a torpedoes from about 1 mile (1.6 km) away and hit the ship in the stern. She sank by the stern within six minutes.
Royal Edward was able to get off an SOS before losing power, and Soudan arrived on the scene at 10:00 after making a 180° turn. She rescued 440 men in six hours, and two French destroyers and some trawlers rescued another 221.
An Admiralty casualty list, published in The Times in September 1915, named 13 officers and 851 troops as missing believed drowned. It is believed the Royal Edward's death toll was actually 935 and was high because the ship had just completed a boat drill and the majority of the men were below decks re-stowing their equipment.
Samuel has no known grave and is commemorated on Panel 146 to 151 or 229 to 233 of the Helles Memorial, Eceabat İlçesi, Çanakkale, Turkey and on the Kenninghall, Norfolk Roll of Honour.
20713 Private Phill Williams, 1st. Battalion, Essex Regiment, formally with the Norfolk Regiment.
The son of William Alfred and Anna Williams of The Brickyard Cottages, Shipdham, Norfolk.
Phill died, aged 19, on Friday 13th. August 1915 in the sinking of HMT Royal Albert, described above.
He has no known grave and is commemorated on Panel 146 to 151 or 229 to 233 of the Helles Memorial, Eceabat İlçesi, Çanakkale, Turkey.
77261 Bombardier Frederick Thomas Matthews, 'K' Battery, Royal Horse Artillery.
The eldest son of Joseph Henry and Louisa Mathews.
Frederick died, aged 21, on Friday 30th. November 1917. He is buried in Grave: II. E. 7. at Ribecourt British Cemetery, Nord, France.
Frederick is remembered on his parent's headstone in St. Mary the Virgin churchyard, Eccles.
29563 Private Frederick Robert Ward, 1st. Battalion, Norfolk Regiment.
Born on 22nd. January 1886 at Wretham, Norfolk, the son of Frederick and Ann Ward, nee Saunders, of Hall Cottage, Wilby, Norfolk.
Brother of James, below.
Enlisted on 4th April 1916 where Fredericks occupation was recorded as a goods porter.
Frederick died, aged 31, on Wednesday 30th May 1917 at No. 4 General Hospital, Camiers, near Étaples of gunshot wounds to the legs received on 8th. May during the Battle of Arras. He is buried in Grave; XXV. F. 12A at Étaples Military Cemetery, Pas de Calais, France with the personal inscription
'REST IN THE LORD'
Frederick is remembered on his brother's headstone in St. Mary the Virgin churchyard, Eccles.
12459 Private James John Ward, 7th. Battalion, Norfolk Regiment.
Born on 30th. January 1891 at Eccles, the son of Frederick and Ann Ward, nee Saunders, of Hall Cottage, Wilby, Norfolk.
Brother of Frederick, above.
The 1911 census records James employed as a farm labourer.
Enlisted on 27th. August 1914 at Norwich, Norfolk.
On 6th. September 1915 James was hospitalised with a head wound. Between 8th. October 1915 and April 1916 he was hospitalised again with leg wounds.
On 12th. October 1916, John received shrapnel wounds to both temples while in action in the attack on Bayonet Trench and Scabbard Trench on the Somme. He was evacuated back to Britain and died, aged 25, from septic pneumonia at the Reading War Hospital, Berkshire on Monday 30th. October 1916. He is buried to the north of St. Mary the Virgin church in Eccles.
14488 Private Frederick Nunn, 9th. Battalion, Norfolk Regiment.
Born in 1896, the son of Alfred Nunn of Overa Farm, Eccles
Frederick was killed in action, aged 20, during the attack on The Quadrilateral (Ginchy) on the Somme on Friday 15th. September 1916. He was buried at map reference 57c.T.14.D.1.6. and was reburied, possibly in December 1918, in Grave: VII. G. 10. at Guillemont Road Cemertery, Guillemont, Somme, France.
Frederick is also commemorated on the Roll of Honour in the church of St. Ethelbert at Larling, Norfolk.
33021 Private Henry William Mowle, 106th. Labour Company, 36th. Labour Battalion, Royal Fusiliers.
Henry died on Sunday 20th. May 1917. He is buried in Grave:III. A. 10. at Abbeville Communal Cemetery Extension, Somme, France
"Their name liveth for Evermore."
“The Lord will appear with a golden complexion, and His beautifully constructed body will resemble molten gold. Sandalwood pulp will be smeared over His body. He will take the sannyasa order, and will be self-controlled. He will be fixed in devotional service, and will spread the chanting of the holy names.”
-Mahabharata
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
FIRST ASIAN AMERICAN STAR!
Written by PHILIP LEIBFRIED
Her complexion was described as "a rose blushing through old ivory;" she was beautiful, tall (5'7"), slender, and Chinese-American. The last fact kept her from attaining the highest echelon among Hollywood's pantheon of stars, but it did not affect her popularity, nor keep her from becoming a household name. She was Anna May Wong, nee Wong Liu Tsong, a name which translates to "Frosted Yellow Willows," and she was born, appropriately enough, on Flower Street in Los Angeles' Chinatown on 3 January 1905, above her father's laundry. Anna May Wong's contribution to show business is a unique one; she was the first Asian female to become a star, achieving that stardom at a time when bias against her race was crushing. With determination and talent allied to her exotic beauty, she remained the only Asian female star throughout her forty-year career, never fully overcoming all prejudices in maintaining that position. Perhaps the rediscovery of her art will elevate her star to the pantheon of great performers and serve as a guiding light to Asian performers who still struggle to find their rightful place. Anna May Wong's life and career is something that is important for all who value greatly the Asian / Asian Pacific American communities' many artists and what we can all contribute!
Excerpt from : That Old Feeling: Anna May Wong
Part II of Richard Corliss' tribute to the pioneer Chinese-American star.
Daughter of the Dragon. Paramount 1931.
Based on a Fu Manchu novel by Sax Rohmer.
Daughter of the Dragon extended the curse sworn by Dr. Fu on the Petrie family to the next generation. Fu Manchu (Warner Oland), long ago injured and exiled in an attempt on Petrie Sr., returns to London and confronts the father: "In the 20 years I have fought to live," he says in his florid maleficence, "the thought of killing you and your son has been my dearest nurse." He kills the father, is mortally wounded himself and, on his deathbed, reveals his identity to his daughter Ling Moy (Wong) and elicits her vow that she will "cancel the debt" to the Fu family honor and murder the son, Ronald (Bramwell Fletcher)... who, dash it all, is madly infatuated with Ling Moy. Ronald has seen "Princess Ling Moy Celebrated Oriental Dancer" perform, and the vision has made him woozy. "I wish I could find a word to describe her," this calf-man effuses. "Exotic that's the word! And she's intriguing, if you know what I mean." In a near-clinch, Ling Moy wonders if a Chinese woman can appeal to a British toff. When he begs her to "chuck everything and stay," she asks him, "If I stayed, would my hair ever become golden curls, and my skin ivory, like Ronald's?" But the lure of the exotic is hard to shake. "Strange," he says, "I prefer yours. I shall never forget your hair and your eyes." They almost kiss ... when an off-camera scream shakes him out of his dream. It is from his girlfriend Joan (Frances Dade), and the societal message is as clear and shrill: white woman alerting white man to treachery of yellow woman. Ling Moy, a nice girl, previously unaware of her lineage, might be expected to struggle, at least briefly, with the shock of her identity and the dreadful deed her father obliges her to perform. But Wong makes an instant transformation, hissing, "The blood is mine. The hatred is mine. The vengeance shall be mine." Just before his death, Fu mourns that he has no son to kill Ronald. But, in a good full-throated reading, Wong vows: "Father, father, I will be your son. I will be your son!" The audience then has the fun of watching her stoke Ronald's ardor while plotting his death. When she is with him, pleading and salesmanship radiate from her bigeyes. But when an ally asks her why she keeps encouraging the lad, she sneers and says, "I am giving him a beautiful illusion. Which I shall crush." As a villainess, she is just getting started. Revealing her mission to Ronald, she tells him she plans to kill Joan "Because you must have a thousand bitter tastes of death before you die." (The ripe dialogue is by Hollywood neophyte Sidney Buchman, whose distinguished list of credits would include Mr. Smith Goes to Washington, Here Comes Mr Jordan and The Talk of the Town.) She soon ascends on a geyser of madness as she decides on a new torture: "My vengeance is inspired tonight. You will first have the torture of seeing her beauty eaten slowly away by this hungry acid." An aide holds a hose gadget over Joan's soon-to-be-corroded face, and Ronald cries for Ling Moy to stop. Very well she says. "Ling Moy is merciful." She barks at Ronald: "Kill her!" He must decide if his favorite white girl is to be etched with acid or stabbed to death. Great stuff! Melodrama is the art of knowing how precisely too far to goThe film is a triangle: not so much of Ling Moy, Ronald and Joan as of Ling Moy, Ronald and a Chinese detective, Ah Kee, played by Sessue Hayakawa, the Japanese actor who in the teens was Hollywood's first Asian male star. He's not plausibly Chinese here, and he is in a constant, losing battle with spoken English. But he is a part of movie history, in the only studio film of the Golden Age to star two ethnically Asian actors. And he gives his emotive all to such lines as "It is the triumph of irony that the only woman I have ever deeply loved should be born of the blood that I loathe." And in the inevitable double-death finale neither the villainess nor the noble detective can survive the machinations of Hollywood justice he gently caresses the long hair of the lady he would love to have loved. "Flower Ling Moy," he says, a moment before expiring. "A flower need not love, but only be loved. As Ah Kee loved you."
The Personal Anna May Wong
This 5'7 beauty loved to study and could speak in an English accent, as well as being fluent in German and French with more than a passing knowledge of other tongues including Italian and Yiddish. For exercise she rode horses, played golf, and tennis. She liked to cook and regaled her guests with succulent Chinese dishes at frequent dinner parties. She preferred casual clothes, wearing slacks and sweaters at home, but cultivated an oriental motif in her very smart formal wardrobe. She studied singing with Welsh tenor Parry Jones before she participated in the film Limehouse Blues as George Raft's mistress. Anna loved to dance to contemporary music. Anna was quoted as saying, "I think I got my first chance because they thought I was peculiar. But, now I like to believe that the public are fond of me because they think I'm nice."
The story of Anna May Wong’s life traced the arc of triumph and tragedy that marked so many of her films. Wong's youthful ambition and screen appeal got her farther than anyone else of her race. But her race, or rather Hollywood's and America's fear of giving Chinese and other non-whites the same chance as European Americans, kept her from reaching the Golden Mountaintop. We can be startled and impressed by the success she, alone, attained. And still weask: Who knows what Anna May Wong could have been allowed to achieve if she
had been Anna May White?
Anna May Wong passed away on Feb. 3rd 1961 she was 56 years old.
Filmography:
The Red Lantern. Metro 1919. The First Born. Robertson Cole 1921.
Shame. Fox 1921. Bits of Life. Assoc. First National 1921.
The First Born. Robertson Cole 1921. Thundering Dawn. Universal 1923
The Toll of the Sea. Metro 1922 Drifting. Universal 1923 Fifth Avenue. PRC 1926.
Lillies of the Field. Assoc. First National 1924. The Thief of Bagdad. United Artists 1924
The Fortieth Door. Pathé serial 1924. The Alaskan. Paramount 1924.
Peter Pan. Paramount 1924. Forty Winks. Paramount 1925.
The Silk Bouquet/The Dragon Horse. Hi Mark Prod. 1926 The Desert's Toll. MGM 1926.
A Trip to Chinatown. Fox 1926. The Chinese Parrot. Universal. 1927.
Driven from Home. Chadwick 1927. Mr. Wu. MGM 1927.
Old San Francisco. Warner Bros. 1927. Why Girls Love Sailors. Pathé short 1927.
The Devil Dancer. United Artists 1927. Streets of Shanghai. Tiffany 1927.
Across to Singapore. MGM 1928. Pavement Butterfly (aka City Butterfly).
The City Butterfly. German 1929. Across to Singapore. MGM 1928.
The Crimson City. Warner Bros. 1928. Song. German 1928
Chinatown Charlie. First National 1928. Piccadilly, British International 1929.
Elstree Calling. British International 1930. The Flame of Love. British International 1930.
Hay Tang. German 1930. L'Amour Maitre Des Choses. French 1930.
Daughter of the Dragon. Paramount 1931. Shanghai Express. Paramount 1932.
A Study in Scarlet. World Wide 1933. Tiger Bay. Associated British 1933.
Chu Chin Chow. Gaumont 1934. Java Head. Associated British 1934.
Limehouse Blues. Paramount 1934. Daughter of Shanghai. Paramount 1937.
Hollywood Party. MGM short subject 1937. Dangerous to Know. Paramount 1938.
The Toll of the Sea. Metro 1922. The Thief of Bagdad 1924
Shanghai Express 1932
The Beautiful Lottie Locke. The star of a Club shoot organised by David Rann at Fotofilia Studios.
Model Lottie Locke
MUA Devon Martin
Artistic Oversight David Rann
ನೀಲಾಬ್ಜದಾಡಿಮೀವೀಣಾಶಾಲೀಗುಂಜಾಕ್ಷಸೂತ್ರಕಮ್ |
ದದದುಚ್ಛಿಷ್ಟನಾಮಾಯಂ ಗಣೇಶಃ ಪಾತು ಮೇಚಕಃ || ೮ ||
May the dark complexioned Ucchishta Ganapati, having a dark blue lotus, pomegranate fruit, veena, corn earns, rosary in His hands, protect me
You can listen to the entire slide by downloading the MP3 audio file here
Garza real (Ardea cinérea)
•Familia: Ardeidos – Ardeidae
•Aspecto: Garza grande, de complexión robusta, predominantemente de color gris, con un pico recto, fuerte, en forma de daga. Las garzas pueden diferenciarse de las grullas durante el vuelo, y a menudo también cuando están de pie, por la forma en que encorvan su cuello.
•Tamaño: Largo 84-102 cm, envergadura alar 155-175 cm, peso 930-1.150 g.
•Nido: Una gran pila desarreglada de ramas, generalmente construido muy alto en un abeto o pino. Las aves pueden usar el mismo nido durante muchos años.
•Reproducción: Pone 6 huevos en mayo, incubados de forma alternada por los padres, en 4 a 6 períodos, durante 25 a 28 días. Las aves jóvenes aprenden a volar aproximadamente a los 50 días. Muchas garzas reales anidan en colonias.
•Distribución: Ave migratoria de verano que se reproduce poco en Finlandia (solo hay alrededor de 100 parejas). En los últimos años, los avistamientos de invierno se han vuelto más comunes.
•Migración: Pasa el invierno en el oeste y sur de Europa. La migración de otoño puede tener lugar entre mediados de agosto y principios de noviembre, y las aves regresan de marzo a mayo.
•Alimentación: Acecha inmóvil a lo largo de costas, lista para emboscar, en espera de que peces y animales acuáticos pequeños estén a su alcance.
•Sonidos: Un chillido fuerte, molesto, similar al llamado de la pagaza piquirroja.
La garza real tiene partes superiores de color gris claro, y partes inferiores de color blanco grisáceo. Su cabeza es mayormente blanca, excepto por una raya negra que se extiende desde encima de sus ojos hasta la parte posterior de su cuello, donde algunas de sus plumas se alargan para formar una cresta. Los adultos con plumaje de apareamiento pueden tener un color rosáceo a los lados del cuello, y algunas filas de rayas oscuras en el cuello y el pecho. La garza real tiene el pico de color amarillo o naranja amarillento, patas de color marrón opaco e iris amarillo.
Las aves inmaduras generalmente se parecen a las adultas, pero su capuchón y su cuello son más grises (y el cuello no tiene color rosáceo). Su pico es más pardusco y el iris es blanco.
The Beautiful Lottie Locke. The star of a Club shoot organised by David Rann at Fotofilia Studios.
Model Lottie Locke
MUA Devon Martin
Artistic Oversight David Rann
The Beautiful Lottie Locke. The star of a Club shoot organised by David Rann at Fotofilia Studios.
Model Lottie Locke
MUA Devon Martin
Artistic Oversight David Rann
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
Santa brought me the Wacom Intuos 5 tablet to make my post processing easier. I'm not sure it's easier...yet, but my buddy, Les swears by his, so I'm going to try! lol
This is a photo that I took of Nicole @ Lorne Park here in town in the summer. The post processing includes: face smoothing, but restoring pores, powder, blush, eye shadow, false eye lashes (top & bottom). I brightened her irises and added a bit of texture to them. Her lipstick was reapplied in a couple of spots and I even plucked her eye brows a bit. lol Thanks to Les, for the eyelash brushes....they are so cool and I know the ones I used are a little over the top, but they're fun!
Somormujo lavanco
(Podiceps cristatus)
Inconfundible por su largo cuello, es el mayor integrante de la familia de los zampullines y somormujos en España. Presenta un estereotipado cortejo nupcial, época en la que su plumaje adquiere un llamativo diseño facial, con penachos y expansiones de plumas muy característicos. Habitante habitual de una gran variedad de humedales, incluidos embalses y otros enclaves artificiales, esta ave acuática puede ser observada en nuestro país tanto en el periodo de cría como durante la invernada.
Descripción y Clasificación
Orden Podicipediformes; familia Podicipedidae
Longitud 46-51 cm. Envergadura 85-90 cm.
Identificación
El mayor de los somormujos y zampullines que pueden verse en España, con el tamaño de un ánade grande. Se trata de un ave elegante, de cuello estilizado, pico largo y apuntado, y cuerpo alargado. En verano luce un plumaje vistoso, con la parte superior de la cabeza negra, en la que destacan dos grupos de plumas a modo de penachos (dibujo 1). De las mejillas salen plumas llamativas, alargadas, de tonos rojizos y negros. La zona que rodea los ojos es blanca, al igual que el cuello, el pecho y el vientre, lo que contrasta con el dorso oscuro y los flancos rojizos. En plumaje invernal llama mucho menos la atención (dibujo 2), con un tono general oscuro en el dorso y los laterales, aunque presenta el cuello, la cabeza (excepto el píleo oscuro) y las partes inferiores de color blanco. Con cualquier plumaje, el largo cuello constituye un buen rasgo diagnóstico. En vuelo se observa su esbelta complexión, con su largo cuello estirado, y su batir rápido de alas hace ver las zonas alares blancas a modo de destellos.
No existen diferencias entre sexos. Los juveniles resultan similares a los adultos en invierno, aunque poseen en la cara un dibujo de líneas negras
que los distingue.
Canto
El somormujo lavanco emite sonidos de varias sílabas, ásperos y variados, alternados en secuencia: grhee-ghagha.
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
The Beautiful Lottie Locke. The star of a Club shoot organised by David Rann at Fotofilia Studios.
Model Lottie Locke
MUA Devon Martin
Artistic Oversight David Rann
The tiny and ugly spots on your nose and chin are the results of the excessive sebum production. Those who struggle with acne and blackheads should start flirting with the idea of changing their skin cleansing routine. By including a few life-saving rituals you’ll have the chance to...
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
Notice the difference in color from my usual pastey white complexion to the sunburned neck and face.
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
Busardo ratonero
(Buteo buteo)
Probablemente, la clave del éxito de una de las rapaces más abundantes de Europa sea la absoluta falta de especialización en cualquiera de las facetas de su biología. En efecto, el busardo ratonero es un ave acomodaticia, que puede reproducirse satisfactoriamente en infinidad de hábitats y de climas, que preda sobre un espectro amplísimo de la fauna local y que manifiesta una notable tolerancia hacia el hombre y las modificaciones que este
impone en el medio.
Descripción y Clasificación
Orden Falconiformes; familia Accipitridae
Longitud 46-58 cm. Envergadura 110-132 cm.
Identificación
Es una rapaz de mediano tamaño, complexión robusta y coloración muy variable, que posee un aspecto bastante rechoncho cuando se la observa posada. En vuelo exhibe unas alas relativamente cortas y muy anchas y una cola no demasiado larga, que frecuentemente despliega en abanico, gracias a lo cual el ave puede practicar
durante largo rato un vuelo sostenido que alterna con cernidos ocasionales. Su plumaje presenta numerosas variaciones individuales, por lo que se pueden observar desde individuos muy claros hasta ejemplares bastante oscuros. No obstante, la coloración más típica del adulto es de un tono marronáceo bastante homogéneo en las regiones dorsales y ligeramente más clara en las ventrales, donde aparece una franja pectoral blanquecina de desigual extensión (dibujo 1). En vuelo se hacen patentes unas amplias manchas relativamente claras —muy barradas— coincidentes con las rémiges primarias y secundarias en su cara ventral. Las alas muestran el borde posterior recorrido por una banda oscura, al igual que la cola, que puede aparecer variablemente barrada (dibujo 2). El joven presenta las partes inferiores de desiguales tonos marrones y las coberteras dorsales con bordes pálidos; además, su cola está finamente barrada, pero carece de la ancha banda terminal propia de los adultos. Visto ventralmente, no se aprecia con nitidez el reborde posterior oscuro de las alas, y tanto estas como el cuerpo dan la sensación de estar más estriados que barrados. Finalmente, a diferencia de los adultos, que poseen el iris de color oscuro, el del joven es bastante claro.
Canto
En vuelo emite con frecuencia un grito característico parecido a un maullido: piiiii aaaa.
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
One of the photos I am editing for a friend on Picnickers. I hope she likes them. I did a lot of cloning with this pic. I removed a lot of bird poo from the tracks and cropped the shot. Then I started removing lines on her face. Under her eyes, by her nose and on her chin. I also evened out her complexion and softened her look. I then enhanced her tan and brightened her hair, eyes, ring, nails and the background. Then I decided to go a little more dramatic and go for a dramatic sepia with some desaturation and a vignette. I then brightened it a little. I hope it turned out alright. original can be found here in (Mama)teur's photostream: