Complex Geometry in Architecture
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The Kremlin in Izmaylovo is a center of culture and entertainment, created on the basis of the famous Vernissage. View from the island. The Serebryanka river in Moscow.
the Torre dell'Arenella, part of the complex of the Tonnara, Quattro Pizzi etc ... was built in 1852 by Don Vincenzo Florio Sr. (1799-1868), who had called a Dutchman to draw up the project. It served as a windmill or mechanical mill to grind sumac, a grass which, reduced to powder, was indispensable for the tanning of hides.
It worked for a few years, the exports were booming, then the workers began to get smart, mixing fake herb powder with that of the precious sumac, the result: the mill closed and business in smoke.
The tower also served as a lighthouse, as reported by an old nautical map of the port.
Arenella perhaps owes its name to the fine sand that once covered its coast.
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la Torre dell'Arenella, facente parte del complesso della Tonnara, Quattro Pizzi etc...fu fatta costruire nel 1852 da Don Vincenzo Florio Sr. (1799-1868), che aveva chiamato un olandese per redigerne il progetto. Ebbe funzione di mulino a vento o meccanico per macinare il sommacco, un'erba, che, ridotta in polvere, era indispensabile per la concia delle pelli.
Funzionò per qualche anno, le esportazioni a gonfie vele, poi le maestranze cominciarono a fare i furbi, mescolando polvere di erbe fasulle a quella del prezioso sommacco, risultato: mulino chiuso e affari in fumo.
La torre ebbe anche funzione di Faro, come riportato da una vecchia carta nautica del Porto .
L'Arenella forse deve il suo nome alla fina sabbia che una volta ricopriva il suo litorale .
Carmo Architectural Complex
Formed by the Igreja Conventual, Igreja da Ordem Terceira and Convento do Carmo, the Architectural Complex of Carmo is a construction from the early 18th century, in Baroque style.
Saint Cristopher
Conjunto Arquitetônico do Carmo
Formado pela Igreja Conventual, Igreja da Ordem Terceira e Convento do Carmo, o Conjunto Arquitetônico do Carmo é uma construção do início do século XVIII, em estilo barroco.
Digital Art - Photo Art
Lightweight HDR editing
Effects: texture, color, light
Software: Windows; Snapseed
Edits made to my original photos
Edições feitas em minhas fotos originais
São Cristóvão
Sergipe, Brasil
Was waiting around and decided to steal Emilia's photo spot that she used last night. I'll link her awesome version bellow ( ͡° ͜ʖ ͡°)
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Catch a wave and take in the sweetness.
Take in the sweetness. .
You want this, you need this!
Are you ready for it?
Are you ready for it?
Are you ready for it?
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In a sea of ferns a small tree shrugs off its autumn coat. Taken in Hillock Wood, Princes Risborough.
"Cascade Complex" in Yerevan is an architectural complex on the hillside, located north of city center.
Externally, they look as great stairs, decorated with flowerbeds, fountains, sculptures and contemporary chaczkarami (plates with a carved Armenian cross). The name comes from fountains that flow down of cascade.
The first caskades project at the beginning of 20th century was developed by architect Alexander Tamanian. To commemorate the 50th anniversary of joining Armenia to the USSR, in 1970 this great construction project was returned. Work began only in 1980, but after the earthquake in 1988 and the breakup of the Soviet Union, the work was stopped.
In 2001, the building was taken over by Armenian millionaire, philanthropist and collector Gerard Cafesjian who lived in the United States. He decided to transform the whole into a museum with an exhibition of modern art.
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Kaskady w Erywaniu to kompleks architektoniczny na zboczu wzgórza, położony na północ od centrum miasta.
Zewnętrznie prezentują się jako wielkie schody, ozdobione kwietnikami, fontannami, rzeźbami oraz współczesnymi chaczkarami (płytami z rzeźbionym krzyżem ormiańskim). Nazwa wywodzi się od fontann, które spływają po progach na kształt kaskady.
Pierwszy projekt Kaskad na początku XX wieku opracował architekt Aleksander Tamanian. Dla uczczenia 50-lecia przyłączenia Armenii do ZSRR, w latach 70 tych XX wieku powrócono do tego wielkiego projektu budowlanego. Prace rozpoczęto dopiero w 1980, ale po trzęsieniu ziemi w 1988 i rozpadzie Związku Radzieckiego, prace przerwano.
W 2001 roku budowę przejął żyjący w Stanach Zjednoczonych ormiański milioner, filantrop i kolekcjoner Gerard Cafesjian. Zdecydował się przekształcić całość w muzeum z ekspozycją sztuki nowoczesnej.
Wing span
Medium-sized, 35–44 mm (1.38–1.73 in.).
Wing upper side
White, forewing tip grey (female) or black (male).
Wing underside
Light yellow, green and grey patches.
Habitat
Forest edges and clearings.
Flying time
Early May–late June. Second generation possible (July–August).
Overwintering form
Cocoon.
Larval foodplant
Meadow vetchling (Lathyrus pratensis), tufted vetch (Vicia cracca) and possibly also other Pea family (Fabaceae) plants.
There are three subfamilies of the Whites and yellows (Pieridae) in Finland. The Mimic sulphurs (Dismorphiinae) contains two species, the better known of which is wood white. The two other Pieridae subfamilies are the Whites (Pierinae) and the Sulphurs (Coliadinae).
The wood white is common in southern and central Finland and can be found here and there in Lapland. It usually rests with its wings against each other, so the upper surface is difficult to study without taking the butterfly in one’s hands. Its long, round-tipped wings and slow, fluttering flying style are characteristic properties of the species. The males fly around looking for females. Females lay their eggs one by one among the leaves that will be the caterpillar’s foodplant. The species is very difficult to differentiate from its close relative, the cryptic wood white. Naturegate Luontoportti
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Too much to see in a single place, to many details and its hard to get them all even since the place is not that big, its basically a medium house, but every corner has a little special detail that can be easily missed.
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In collaboration with C. - Moltes gràcies.
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I could die if I touched you
A long, slow, torturous death
Of a thousand cuts
In a thousand ways
I can only hold you through a piece of plastic
With your name on it
With your name on it
I feel a million miles away from you
But it's just
It's just a millionth of an inch
So hold me, hold me close right now
Take me in your arms
But not too close
Not too close
I could die if I touched you
And you could die of me
You could die in my arms
Die in my dreams
We close our eyes so we can't see
How much we hurt each other
When we fall
When we fall between the sheets
So hold me, hold me close right now
Take me in your arms
But not too close
Not too close
We will lose our lives
We will lose our lives, we will lose our fears
We die a million times
A million times, a million times
And a million times, and a million times again
So hold me, hold me close right now
Take me in your arms
But not too close
Not too close
Cassandra Complex
Der Düsseldorfer Kö-Bogen als Schwarzweiss-Interpretation. Der Kö-Bogen ist ein Gebäudekomplex und Freiraumgefüge zur Stadterneuerung in der nordrhein-westfälischen Landeshauptstadt Düsseldorf. Benannt wurde das städtebauliche Projekt nach dem Viertelkreis-Bogen, den die dort am Rande des Hofgartens und des Teichs an der Landskrone einst verlaufende Hofgartenstraße in Richtung der Königsallee, der Kö, beschrieb.
Düsseldorf's Kö-Bogen as a black-and-white interpretation. The Kö-Bogen is a complex of buildings and open space structures for urban renewal in Düsseldorf, the state capital of North Rhine-Westphalia. The urban design project was named after the quarter circle arch, which the Hofgartenstraße that once ran on the edge of the Hofgarten and the pond at the Landskrone in the direction of Königsallee, the Kö.
Website: www.heiko-roebke-photography.de
Shadows cast by a grid fence on the right onto the curved crash barrier in the middle, and them onto the grey solid metal fence on the left.
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Not sure what all these things did. Attached to the water pump. Taken at the Shreveport Water Works Museum, a National Historic Landmark.
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