Complex Geometry in Architecture
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Buildings of the business district "Red Hills". The construction took more than ten years; as a result, a business center, concert halls, a five-star hotel appeared here.
Moscow International House of Music (building on the right) is a modern center for the performing arts, which has no analogues in Russia. This is an independent production association that organizes performances by Russian and foreign symphony orchestras, chamber ensembles, instrumental soloists, opera and ballet artists, theater, jazz, pop and folk groups.
The dome of the House of Music is crowned with an emblem in the form of a treble clef-vane 9.5 meters high; by Zurab Tsereteli. The most complicated roller mechanism allows such a heavy construction to rotate according to the principle of a weather vane. The composition is made of stainless steel; its center - key and leaves - covered with gold leaf.; V trekh zalakh kompleksa – Svetlanovskom; Kamernom i Teatral'nom – provodyatsya kontserty i spektakli; krupnyye mezhdunarodnyye forumy i tvorcheskiye vechera; prezentatsii i prazdnichnyye shou; konferentsii i korporativnyye vstrechi.; Svetlanovskiy zal (rasschitan na 1699 mest) — bol'shoy filarmonicheskiy organnyy zal MMDM; nazvannyy v chest' vydayushchegosya russkogo dirizhera Yevgeniya Svetlanova. On prednaznachen dlya provedeniya kontsertov klassicheskoy i populyarnoy muzyki; a takzhe krupnykh festivaley i konkursov. Zal oblitsovan sibirskoy listvennitsey; schitayushcheysya luchshim v mire «akusticheskim» derevom; Развернуть; 574/5000; In the three halls of the complex - Svetlanovsky; Chamber and Theater - concerts and performances; major international forums and creative evenings; presentations and holiday shows; conferences and corporate meetings are held.; Svetlanov Hall (designed for 1699 seats) is a large philharmonic organ hall of the MMMD; named after the outstanding Russian conductor Evgeny Svetlanov. It is intended for concerts of classical and popular music; as well as major festivals and competitions. The hall is lined with Siberian larch; considered the best “acoustic” tree in the world.
The romantic castle complex with its keep built around 1200 has a varied history of ownership. Bought in 1844 by the Neuchâtel-Prussian count family de Pourtalès and converted into a summer residence, the castle acquired its present appearance. Since 1954, a museum has been set up inside, which traces the history of the former inhabitants.
The main focus is on the 19th century and the count family who owned the castle at that time. The museum covers both the lords and the servants who lived under the same roof. Their sleeping chambers have been restored and are open to the public since 2017. The former castle kitchen is also newly accessible and can be experienced in an interactive presentation.
At the top of the tower is the Oriental smoking salon commissioned by Count Pourtalès, which conveys a unique atmosphere and offers a spectacular view over the lake and the mountains.
The castle chapel dates from the 15th century and features impressive wall paintings.
The castle park of Oberhofen is one of the most magnificent gardens in the Alpine region. With its striking groups of trees, exotic shrubs, a shady arbor and colorful flower beds, the historic landscape garden is an ideal oasis for relaxing and enjoying.
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The first columns of history.
The forty pillars of the corridor are 'wrapped columns', designed to look like stems of palm trees or papyrus. The walls have been restored, but the ceiling is made of modern concrete. After the entrance, there is a large and false door of Ka (present spirit), which stands ajar - notice the hinge close to the ground. There were fourteen such doors in the complex, made of wood in other ages, but now, for the first time, it is carved in stone and painted to look like wood. For them, Pharaoh's Ka could move when he wanted to.
The Lake Placid Olympic Sports Complex is a winter sports complex located at the foot of Mount Van Hoevenberg near Lake Placid, New York. Part of the Olympic Regional Development Authority (ORDA), it was created following the 1980 Winter Olympics.
The complex includes a bobsleigh, luge, and skeleton track along with trails for both biathlon and cross-country skiing.
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In a sea of ferns a small tree shrugs off its autumn coat. Taken in Hillock Wood, Princes Risborough.
New Mimar Sinan Complex, Yeni Mimar Sinan Camii Avlusu tamamlanmadan önce görüntüsü, Ataşehir District, Istanbul Province, TURKEI. One1stanbul Photo Album - Candidate Photographs
NATIONAL SUGRAPHIC Always Under The Light Of Your ❤ Masters of the Art - SANATIN USTALARI. COPYRIGHT OWNER © 2012 All Rights Reserved Ayhan ÇAKAR. Please contact photograph artist to use this photo. When the album is completed, a portion of the revenues will be donated to Social Welfare Institutions. Please Pluse and Share!
Remember mankind, sooner or later absolutely every soul shall taste death .. Hatırla insanoğlu, er yada geç muhakkak ki her canlı ölümü tadacaktır!
"Cascade Complex" in Yerevan is an architectural complex on the hillside, located north of city center.
Externally, they look as great stairs, decorated with flowerbeds, fountains, sculptures and contemporary chaczkarami (plates with a carved Armenian cross). The name comes from fountains that flow down of cascade.
The first caskades project at the beginning of 20th century was developed by architect Alexander Tamanian. To commemorate the 50th anniversary of joining Armenia to the USSR, in 1970 this great construction project was returned. Work began only in 1980, but after the earthquake in 1988 and the breakup of the Soviet Union, the work was stopped.
In 2001, the building was taken over by Armenian millionaire, philanthropist and collector Gerard Cafesjian who lived in the United States. He decided to transform the whole into a museum with an exhibition of modern art.
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Kaskady w Erywaniu to kompleks architektoniczny na zboczu wzgórza, położony na północ od centrum miasta.
Zewnętrznie prezentują się jako wielkie schody, ozdobione kwietnikami, fontannami, rzeźbami oraz współczesnymi chaczkarami (płytami z rzeźbionym krzyżem ormiańskim). Nazwa wywodzi się od fontann, które spływają po progach na kształt kaskady.
Pierwszy projekt Kaskad na początku XX wieku opracował architekt Aleksander Tamanian. Dla uczczenia 50-lecia przyłączenia Armenii do ZSRR, w latach 70 tych XX wieku powrócono do tego wielkiego projektu budowlanego. Prace rozpoczęto dopiero w 1980, ale po trzęsieniu ziemi w 1988 i rozpadzie Związku Radzieckiego, prace przerwano.
W 2001 roku budowę przejął żyjący w Stanach Zjednoczonych ormiański milioner, filantrop i kolekcjoner Gerard Cafesjian. Zdecydował się przekształcić całość w muzeum z ekspozycją sztuki nowoczesnej.
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The church as built in 1868–1870 was designed by noted architect Henry Dudley in the Gothic Revival style. It is constructed of rock faced limestone laid in random ashlar and trimmed with dressed limestone. It is composed of a rectangular shaped nave, flanked by side aisles and intersected by a compact transept, with an offset bell tower and spire highlighting an asymmetrically arranged facade. A large rose window is centered within the gable field of the nave.
Along a central corridor, is a group of buildings thought to be a "House for Women" or “Virgins of the Sun.”
Women, who lived here were chosen as children to worked for the Royal Family and keep the temple clean. They were typically daughters of important members of the community and considered very beautiful.
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Acllahuasi, term kichwa (Aclla = Escogida, Huasi = house 'House of the Chosen'), women dedicated directly to the service of the temple and their occupants, in charge of spinning, embroidering and making textiles, in addition to preparing food for the Inca and priests .
Architecturally it is about six rooms built with stones of good Inca stonework, arranged around several internal courtyards. Most of them are in foundations, unlike the main room located at the east end of the complex, which preserves the walls and access door in its entirety, inside it can be seen nineteen trapezoidal niches that decorate it.
Shadows cast by a grid fence on the right onto the curved crash barrier in the middle, and them onto the grey solid metal fence on the left.
A staircase In the ArtEZ building in Arnhem. A complex set of several lines, some real, some reflected, in comparison with my previous photo "Minimal" .
Patrick Heron's "Big Complex Diagonal with Emeralds and Reds" (oil paint on canvas, 1974) is currently on show at the Heron retrospective at the Tate St. Ives, Cornwall. Processed in Fujifilm's raw converter and macOS High Sierra photo editor. Please do not trust the way I have tried to reproduce Heron's colours. You have to look at the original.
Back to architectural photos for a few days. This quite fabulous looking building is near the Barbican and is part of a large complex of new buildings named London Wall Place. As you may have guessed the original London wall is just down the street.
"The London Wall was the defensive wall first built by the Romans around Londinium, their strategically important port town on the River Thames in what is now London, England, and subsequently maintained until the 18th century."
Wikipedia
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Der Düsseldorfer Kö-Bogen als Schwarzweiss-Interpretation. Der Kö-Bogen ist ein Gebäudekomplex und Freiraumgefüge zur Stadterneuerung in der nordrhein-westfälischen Landeshauptstadt Düsseldorf. Benannt wurde das städtebauliche Projekt nach dem Viertelkreis-Bogen, den die dort am Rande des Hofgartens und des Teichs an der Landskrone einst verlaufende Hofgartenstraße in Richtung der Königsallee, der Kö, beschrieb.
Düsseldorf's Kö-Bogen as a black-and-white interpretation. The Kö-Bogen is a complex of buildings and open space structures for urban renewal in Düsseldorf, the state capital of North Rhine-Westphalia. The urban design project was named after the quarter circle arch, which the Hofgartenstraße that once ran on the edge of the Hofgarten and the pond at the Landskrone in the direction of Königsallee, the Kö.
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Gauges by Hathorn, Davey & Co. Ltd., Leeds, and Dewrance, London
en.wikipedia.org/wiki/London_Museum_of_Water_%26_Steam
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European Route of Industrial Heritage (ERIH) anchor point
en.wikipedia.org/wiki/European_Route_of_Industrial_Heritage
PA270093 Anx2 Q90 1400h f25
The Lake Placid Club built the first ski jump on this site in 1920, using the hillside itself as the jump surface. The jump was referred to as the Intervales 35-meter jump. On February 21. 1921, the first competition was held at this site, drawing 3,000 spectators. The record jump for the day was 124 feet, set by Antony Maurer. In 1923, the jump was enlarged to fifty meters, and in 1927, a new steel tower was built, raising the jump to 60 meters. In 1928, the tower was raised to 75 meters; this was the tower used for the 1932 Winter Olympic Games. In 1977, the old tower was demolished to make way for new 70 and 90-meter jumps, used for the 1980 Winter Olympic Games. In 1994, the landing hills were re-graded to bring the jumps into compliance with current rules, and increasing their height to 90 and 120 meters 170