Complex Geometry in Architecture
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The architectural complex known as the Popular Square in the center of Niterói, concentrates three buildings designed by Oscar Niemeyer. They are home to the Oscar Niemeyer Foundation, the Roberto Silveira Memorial and the Popular Theater of Niterói.
O conjunto arquitetônico na Praça Popular de Niterói no Centro da cidade, onde se concentra três edificações do arquiteto Oscar Niemeyer, composto pela Fundação Oscar Niemeyer, Memorial Roberto Silveira e Teatro Popular de Niterói.
Catch a wave and take in the sweetness.
Take in the sweetness. .
You want this, you need this!
Are you ready for it?
Are you ready for it?
Are you ready for it?
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The Monumental complex of Valsanzibio was brought to its contemporary magnificence in the second half of the Seventeenth Century by the Venetian noble Giovani Francesco Barbarigo, assisted by his sons Antonio and Gregorio. In fact, it was this last son, the first-born, Gregorio—Cardinal and Bishop of Padua and future saint—who inspired the symbolic meaning of the plan drawn by Luigi Bernini— the top Vatican architect and fountain expert. The then Cardinal Gregorio Barbarigo, as the result of a solemn ‘vow’ made by his Father to our God in 1631 , desired the garden of Valsanzibio to be a monumental, symbolic pathway to perfection; a journey that brings man from the false to the
truth, from ignorance to revelation.
For more informations
www.valsanzibiogiardino.com/about/
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“It is an illusion that photos are made with the camera…
they are made with the eye, heart and head.”
[Henry Cartier Bresson]
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Atacama Cosmology Telescope on Cerro Toco, just north of the Llano de Chajnantor.
The Atacama Cosmology Telescope (ACT) is a six-metre telescope on Cerro Toco in the Atacama Desert in the north of Chile, near the Llano de Chajnantor Observatory. It is designed to make high-resolution, microwave-wavelength surveys of the sky in order to study the cosmic microwave background radiation (CMB). At an altitude of 5,190 metres (17,030 ft), it is one of the highest permanent, ground-based telescopes in the world.
Erected in the (austral) autumn of 2007, ACT saw first light on 22 October 2007 with its science receiver, the Millimeter Bolometer Array Camera (MBAC), and completed its first season in December 2007. It began its second season of observations in June 2008.
The project is a collaboration between Princeton University, Cornell University, the University of Pennsylvania, NASA/GSFC, the Johns Hopkins University, the University of British Columbia, NIST, the Pontificia Universidad Católica de Chile, the University of KwaZulu-Natal, Cardiff University, Rutgers University, the University of Pittsburgh, Columbia University, Haverford College, West Chester University, INAOE, LLNL, NASA/JPL, the University of Toronto, the University of Cape Town, the University of Massachusetts Amherst and York College, CUNY. It is funded by the US National Science Foundation.
In a sea of ferns a small tree shrugs off its autumn coat. Taken in Hillock Wood, Princes Risborough.
"Cascade Complex" in Yerevan is an architectural complex on the hillside, located north of city center.
Externally, they look as great stairs, decorated with flowerbeds, fountains, sculptures and contemporary chaczkarami (plates with a carved Armenian cross). The name comes from fountains that flow down of cascade.
The first caskades project at the beginning of 20th century was developed by architect Alexander Tamanian. To commemorate the 50th anniversary of joining Armenia to the USSR, in 1970 this great construction project was returned. Work began only in 1980, but after the earthquake in 1988 and the breakup of the Soviet Union, the work was stopped.
In 2001, the building was taken over by Armenian millionaire, philanthropist and collector Gerard Cafesjian who lived in the United States. He decided to transform the whole into a museum with an exhibition of modern art.
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Kaskady w Erywaniu to kompleks architektoniczny na zboczu wzgórza, położony na północ od centrum miasta.
Zewnętrznie prezentują się jako wielkie schody, ozdobione kwietnikami, fontannami, rzeźbami oraz współczesnymi chaczkarami (płytami z rzeźbionym krzyżem ormiańskim). Nazwa wywodzi się od fontann, które spływają po progach na kształt kaskady.
Pierwszy projekt Kaskad na początku XX wieku opracował architekt Aleksander Tamanian. Dla uczczenia 50-lecia przyłączenia Armenii do ZSRR, w latach 70 tych XX wieku powrócono do tego wielkiego projektu budowlanego. Prace rozpoczęto dopiero w 1980, ale po trzęsieniu ziemi w 1988 i rozpadzie Związku Radzieckiego, prace przerwano.
W 2001 roku budowę przejął żyjący w Stanach Zjednoczonych ormiański milioner, filantrop i kolekcjoner Gerard Cafesjian. Zdecydował się przekształcić całość w muzeum z ekspozycją sztuki nowoczesnej.
Wing span
Medium-sized, 35–44 mm (1.38–1.73 in.).
Wing upper side
White, forewing tip grey (female) or black (male).
Wing underside
Light yellow, green and grey patches.
Habitat
Forest edges and clearings.
Flying time
Early May–late June. Second generation possible (July–August).
Overwintering form
Cocoon.
Larval foodplant
Meadow vetchling (Lathyrus pratensis), tufted vetch (Vicia cracca) and possibly also other Pea family (Fabaceae) plants.
There are three subfamilies of the Whites and yellows (Pieridae) in Finland. The Mimic sulphurs (Dismorphiinae) contains two species, the better known of which is wood white. The two other Pieridae subfamilies are the Whites (Pierinae) and the Sulphurs (Coliadinae).
The wood white is common in southern and central Finland and can be found here and there in Lapland. It usually rests with its wings against each other, so the upper surface is difficult to study without taking the butterfly in one’s hands. Its long, round-tipped wings and slow, fluttering flying style are characteristic properties of the species. The males fly around looking for females. Females lay their eggs one by one among the leaves that will be the caterpillar’s foodplant. The species is very difficult to differentiate from its close relative, the cryptic wood white. Naturegate Luontoportti
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Too much to see in a single place, to many details and its hard to get them all even since the place is not that big, its basically a medium house, but every corner has a little special detail that can be easily missed.
Took this photograph at the Wat Pho temple complex during my last visit to Bangkok. The temple of the Reclining Buddha is a very special place, which I visit every time I go to Thailand. Saw this puddle during a stroll through the compound after a short but heavy rainfall. I took numerous pictures. Some even with additional flowers put into the water, but none had the beauty and magic of the untouched spontaneous first shot of the series.
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In collaboration with C. - Moltes gràcies.
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I could die if I touched you
A long, slow, torturous death
Of a thousand cuts
In a thousand ways
I can only hold you through a piece of plastic
With your name on it
With your name on it
I feel a million miles away from you
But it's just
It's just a millionth of an inch
So hold me, hold me close right now
Take me in your arms
But not too close
Not too close
I could die if I touched you
And you could die of me
You could die in my arms
Die in my dreams
We close our eyes so we can't see
How much we hurt each other
When we fall
When we fall between the sheets
So hold me, hold me close right now
Take me in your arms
But not too close
Not too close
We will lose our lives
We will lose our lives, we will lose our fears
We die a million times
A million times, a million times
And a million times, and a million times again
So hold me, hold me close right now
Take me in your arms
But not too close
Not too close
Cassandra Complex
The Lake Placid Club built the first ski jump on this site in 1920, using the hillside itself as the jump surface. The jump was referred to as the Intervales 35-meter jump. On February 21. 1921, the first competition was held at this site, drawing 3,000 spectators. The record jump for the day was 124 feet, set by Antony Maurer. In 1923, the jump was enlarged to fifty meters, and in 1927, a new steel tower was built, raising the jump to 60 meters. In 1928, the tower was raised to 75 meters; this was the tower used for the 1932 Winter Olympic Games. In 1977, the old tower was demolished to make way for new 70 and 90-meter jumps, used for the 1980 Winter Olympic Games. In 1994, the landing hills were re-graded to bring the jumps into compliance with current rules, and increasing their height to 90 and 120 meters 170
Shadows cast by a grid fence on the right onto the curved crash barrier in the middle, and them onto the grey solid metal fence on the left.
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