View allAll Photos Tagged Compilation
...containing Alfred Harth`s participation in 2004/2005:
CD See You In A Dream,Japan + CD Canary,Japan +
CD Fine Time 2,Japan + DVD Netzhautnabe,Germany +
CD Der Frankfurt Sound,Germany + CD Boycott Rhythm Machine,Japan
a23h-compilation-cds.blogspot.com/
Otomo Yoshihide in London May 2005
As the bank holiday weekend drew to a close The Spitz filled with those keen for a last hurrah, Otomo Yoshihide bringing his New Jazz Ensemble for the final show of its European tour. Judging by the musicians’ beaming faces, visible camaraderie and the exuberance packed into the opening number, it must have been a successful trip.
From the onset Yoshihide’s Ensemble sizzled. Warmth, joy and intensity filled the room as tenor saxophonist Alfred Harth got things started, moving from rich, soulful bop hues to more obtuse, chiselled lines with alto saxophonist Charles Kenta Tsugami, eventually taking the whole troupe with him on a riotous ride. Fluid and mirthful, supreme playing throughout, this set the tone for what was to come, an effortless glide through genres and styles.
The New Jazz Ensemble is restless avant-gardist Otomo Yoshihide’s vehicle for exploring post-sixties’ jazz structure and material while giving him the opportunity to rock out on guitar, filling in the gaps left by his extremely minimal ‘onkyo’ work (for which he plays no-record turntables alongside Sachiko M. on no-memory sampler). This aesthetic has not been abandoned however as M. brings her sine waves to what is otherwise a straightforward jazz combo – close in shape and spirit to Eric Dolphy’s group on “Out To Lunch”. After the rollicking beginning, Yoshihide announced that “sometimes jazz needs a sine wave and we were given a fragile and beautiful showpiece for the instrument. Situated beside Kumiko Takara’s bowed vibraphone, a sumptuous drone was created sounding remarkably like a glass harmonica.
As mallets were introduced to the vibes, guitar, bass, brushed drums and eventually horns filled out a sweet ballad masking a layer of portent evocative of Angelo Badalamenti. A rousing version of Dolphy’s “Hat and Beard” followed – saxophones skronked, skins were beaten, bass strings twisted before giving way to energised solos from all players. Yoshihide melted the stage as his guitar screamed, wrenching such grit and fuzz from his instrument that Sonny Sharrock would have blushed. Shifting gears completely, drummer Yasuhiro Yoshigaki thrashed out a breakneck punk-rock rhythm behind the leader’s wailing. Further stylistic twists included a smooth post-rock number, a drum-free hymn and some understated accompaniment to whispering vocalist Kahimi Karie.
Such musical schizophrenia can descend into embarrassing pastiche in the wrong hands, yet the New Jazz Ensemble negotiated such detours effortlessly. Yoshihide’s contribution to jazz comes from a lifetime of such genre experiments and an intense scrutiny into the minutiae of sound. Very much a post-modern, post-digital group, OYNJE invests jazz tunes with a microscopic attention to detail derived from reductionist onkyo investigations. Both Harth and Tsugami fill their playing with tiny actions learnt from onkyo minimalists yet also blast with the barrelhouse force of Albert Ayler. Despite these risk-taking experimentalists and Yoshihide’s assertion that “sound texture is more important than musical structure”, from this performance the evaluation is that Otomo Yoshihide’s New Jazz Ensemble really swings!
Support came from quartet Tys Tys – “hush” in Danish – an intentionally ramshackle, low-fi group (literally in that the drummer sat and played from the floor) combining spartan, childlike melodies with breathy, seductive vocals. Leader and singer Maria Laurette Friis possesses a beguilingly naïve voice, yet her daintily inflected English soon sounded mannered and irritating, particularly when accompanied only by Henrik Sundh on tinny keyboards. Initially charming, their twee melodies, incomplete gestures and lack of cohesion became cloying after 20 minutes; by 50, I was desperate for some kind of decisiveness. Yoshihide and his ensemble were just the answer.
• The Spitz,London by Josh Meggitt
Another year passed by. Personally I had a very busy year. In April I became father for the second time and in July I changed job. Still I found some time for taking photos as the small compilation above will show you.
Thank you for all your kind comments, retweets, likes and favs. They keep me going.
So stand in the rain
Stand your ground
Stand up when it's all crashing down
You stand through the pain
You won't drown
And one day, whats lost can be found
You stand in the rain
-Stand in the Rain; Superchick
Weekend #4 compilation is a little late. But of course the weekend we choose this quote there was no rain.
My pic is the umbrella on the right, Megan's self portrait is on the right.
2009 has been an amazing & transformational year for me, in so many ways.
This is a selection of some favorites from a year that sped by in a creative frenzy!
1. Moon Child, 2. Blue Jay , 3. 2 benchs , 4. Cardinals In My Yard, 5. Homage to Klee,
6. Sailing, 7. Once Upon an Island, 8. corner detail, 9. Sunset, 10. In Search of Solitude,
11. Bushy Brows, 12. Impulse, 13. Broom Boy, 14. puzzle, 15. Stare Down,
16. Earth, 17. Final four, 18. Welcome!!!, 19. Happy February!, 20. Phyllis,
21. Union Break, 22. Voice of Reason, 23. Mosaicland, 24. Infectious Laugh, 25. Rachel
Thank you, flickr friends, for your constant support, encouraging comments & inspiration.
May 2010 be full of art, success, joy & good health for all!
Happy New Year!!!
List of painters in compilation: Nikolay Dubovskoy, Ivan Endogurov, Igor Grabar, Lev Kamenev, Valerian Kamenev, Vladimir Kazantsev, Alexander Kiselev, Yuliy Klever, Mikhail Clodt, Gavriil Kondratenko, Konstantin Kryzhickiiy, Arhip Kuindzhi, Isaac Levitan, Arseniy Mesherskiy, Grigoriy Myasoyedov, Volodymyr Orlovsky, Ilya Ostroukhov, Oksana Pavlova, Vasily Polenov, Vilgelm Purvit, Arkady Rylov, Alexei Savrasov, Andreiy Shilder, Ivan Shishkin & Rufin Sudkovsky.
This is Amanda making her way through my stream of our consciousness one night.
Her dad is Anthony Flores who is one of the best slam poets I have ever heard live.
Amanda is a chip off the old proverbial block.
I have a weakness for slam poetry. I think it is far braver to stand in front of a drunk audience and recite your guts out than to simply jot them out on paper and hide behind the invisibility and distance the ink affords you.
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I was at a backyard party once.
It was hot and tremendously humid and I didn't know it at the time, but I got to witness the making of a poem.
Anthony, el chivo, was writing down notes on a piece of paper as people passed him by to grab another beer from the cooler.
Then it was Anthony's time to take the mike.
And I don't know if it was the beers, or perspiration trickling down the sides of my face, or the mosquitoes dancing in my ear, but Anthony came on and blew my mind into tiny specks of paper.
Here's what he composed that night as I licked the nacho cheese off my index finger.
Volumes 1 & 2
America (1971)
Homecoming (1972)
Hat Trick (1973)
Holiday (1974)
Hearts (1975)
Hideaway (1976)
List of painters in compilation: Nikolay Dubovskoy, Ivan Endogurov, Igor Grabar, Lev Kamenev, Valerian Kamenev, Vladimir Kazantsev, Alexander Kiselev, Yuliy Klever, Mikhail Clodt, Gavriil Kondratenko, Konstantin Kryzhickiiy, Arhip Kuindzhi, Isaac Levitan, Arseniy Mesherskiy, Grigoriy Myasoyedov, Volodymyr Orlovsky, Ilya Ostroukhov, Oksana Pavlova, Vasily Polenov, Vilgelm Purvit, Arkady Rylov, Alexei Savrasov, Andreiy Shilder, Ivan Shishkin & Rufin Sudkovsky.
原爆、核、放射能、被害、悲しみ、怒り、歴史についてのコンピレーション。
Download'em now and listen up!!!
1.Gnyonpix - Adajo for Hiroshima
2.CRZKNY - 1102
3.FC/DC (RWLCH) - TRIP
4.dagshenma - Mr genbaku
5.poivre0529 - Fact
6.CRZKNY - The World in Five Minutes From Now
7.Broken Fingers - Clarity
8.Dubb Parade - breaking news
9.jue6ons - Losing control
10.Skip Club Orchestra - No Nukes Parade 120729
11.LILVOI - WIR ATOMKINDER(We, Atomic Children)
12.CRZKNY - Escape
13.Devecly Bitte - Podcasting
14.ueda takayasu - 1984
15.DJ CATFOOD - onkalo
16.Azu - 606
17.CRZKNY - Statement
18.stabilo - fifth-ninth army
19.Yasuji Morita - 19450806081517
20.Paul&McCatney’s - eiR2.43
21.CRZKNY - W / O / R / L / D
22.食品まつり a.k.a foodman - undo
released 15 August 2012
Compilei e imprimi pra presentear os amigos que foram a minha festa de aniversário.
I printed these Cards as a gift to the friends that showed up at my birthday party.
Artes e fotos by Felipe Venâncio Alves
Triggered by StopShot from www.cognisys-inc.com . See equipment here www.flickr.com/photos/13084997@N03/3818938773/in/photostr...
an unopened case of 5 Sony "Color" MiniDiscs with completed compilation discs & spare labels, and not forgetting my MZ-RH10 portable Hi-MD recorder. The above caption is in honor of the Squeeze song of the same title.
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© 2013
All rights reserved by Tabriz Haidary
Do not use this photo anywhere without my explicit permission.
Kindly contact me via email : tabriz.haidary@yahoo.com
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Compilation of 9 frames depicting life and surroundings of a teenage tribal girl of Jambooghoda in Gujarat
edit: the video compilation is now posted here.
yoga class
sunset
Sleeping Bear Dune National Lakeshore
sandy beach
no flies
"Free"!
... how much better can it get . . . ?
En estas fechas en las que estamos y con las temperaturas que manejamos, después de comer es bastante frecuente ver esta estampa en casa. La siesta, esa gran amiga y compañera de sobremesas.
Uniball eye micro
Moleskine 180gr
Acuarela W&N
little red riding hood cape + book + dolls
blogged anacraftsbcn.blogspot.com.es/2013/12/caperucita-roja.html
Proper club music compilations as opposed to mainstream cash-ins. It's weird how poorly the artwork reflects the contents. Nowadays you'd just slap a big smiley on all of them.
'Upfront 10' is a marvel. It captures the atmosphere of London clubland c. March 1988, when something was happening but hadn't gone overground or really been named yet - which is often the best moment in any scene.
Dance compilation cassettes often had extra tracks and 'megamixes' to equalize the running time of both sides. They were better value than the vinyl versions, in that regard. The 'Mad on Acid Megamix' is perhaps the best I've heard - a dizzying blast of cut-up samples and house as good as the tracks it is made out of.
My break from flickr is over. Finals are done, so I can now start taking more pictures (:
I believe these were taken while I was being driven in a car, so the pictures are a little blurry.
Last weekend I was successful in my application for a CPAGB. This is a Credit Award for Merit in Good Club Photography from the Photographic Alliance of Great Britain. Please see the album for the individual images.
Now I hope to have more time for some casual photography.....
A wee tribute to Joey from images I was fortunate enough to have the opportunity to take (back in the day).
Scanned and restored from the originals, no digital back in those days!
Zimoun : Sound Sculptures & Installations, Sound Architectrues
Compilation Video V.2.9 / Last update: December 4, 2011
More works & information:
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«Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of curiously collected material, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena blends effortlessly with electric reverberation in Zimoun's minimalist constructions.» bitforms nyc
«The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck
«Zimoun is best compared to a watchmaker of a self-reproducing time constructing his own gauging station.» Radjo Monk
«The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well- conceived mechanical systems, Zimouns‘s work transforms and activates the space.» Jury Prix Ars Electronica 2010
«Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation.
These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10
«It is a poetic and humorous absurdity we find in Zimoun’s work, which opens up a wide, refreshing and enriching space for discoveries, associations and a multitude of approaches.» Nina Terry
«The components used in Zimoun’s work are simple, functional and raw, whereas only aesthetically high-level and purposefully chosen elements and materials are used in minimalist fashion. Through radical reduction, Zimoun creates works of art which allow for a plethora of associations without being pinned down to a specific direction. Radical abstraction functions rather like a code in the background of things, thus elegantly avoiding an insinuation of direct, concrete attribution. Thanks to the abundance of mechanical activity, the range of perception, possibilities and interpretations is wide open.» Amanda Neumann
«Indeed, one of the refreshing elements of this work is the immediacy with which one can understand the sound-making process, where each micro-event is present, visible, and concrete. Yet at the same time the resulting complexity of the total system, conjured before your eyes, defies any attempt to dissect it. You might find yourself feeling there is a «prime mover» at work behind the scenes, but in fact it is just the characteristic reaction of materials behaving together and in unison with the space of their activity. A magic of the real.» Xymara
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Website:
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Watch this video on Vimeo. Video created by STUDIO ZIMOUN.