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Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Hasselblad X-Pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning in Photoshop.
Sponsors: LeLutka, Glam Affair
Tune ♫: The Bangles - Enteral Flame
Writer/s: Tom Kelly, Billy Steinberg, Susanna Hoffs
"...I believe it's meant to be, darling
I watch you when you are sleeping
You belong with me
Do you feel the same?
Am I only dreaming
Or is this burning An eternal flame?
Say my name
Sun shines through the rain
A whole life so lonely
And then you come and ease the pain
I don't want to lose this feeling, ohh..."
.L O T D.
Head: LeLutka Bento Head-KORINA @MAINSTORE
Skin: [Glam Affair] Lilly @MAINSTORE
Hair: TRUTH Taren @MAINSTORE
Lashes: LeLutka Bento Head (Included)
Brows: Bossie. miki eyebrows (LeLutka) @MAINSTORE
Eyes: [AG] Avi-Glam Grace Eyes (07) @MAINSTORE
Ears: LeLutka Bento Head ears (Included)
Eyeshadow: Ottilie Daily - Nude @MP
Lipstick: LeLutka (Pink) Bento Head (Included)
Body: Maitreya Lara @MAINSTORE
Clothing
Dress: Kaithleen's Paula Dress w/Sparkle @MAINSTORE
Accessories
Necklace: BUENO Committed Set @MAINSTORE
Setup
Pose: None.
Head/Neck Posing: LeLutka Axis HUD Face @MAINSTORE
Studio Lighting: LUMIPro 18
Post-processing: Adobe PS CC 2019, DxO 2019 Nik Collection
Copyright © 2019 Truth Wizardly. All Rights Reserved.
Committed to Lomography Babylon using a Leica M3 and 50 mm Summicron dual-range lens. Developed using Ars-Imago R9 (rodinal) 1:99 in a semi-stand process for 80 minutes and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ferrania P30 using a Nikon F3 and 24 mm f2.8 lens. Developed in Adox Silvermax developer and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
Committed to Ferrania P30 using a Leica M6 and 50 mm Noctilux f1 lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Some have committed to photography and making images for the long haul, but our visual journey is every second, minute, and hour of the here and now. It may be where we stand, walk, or travel. The Southern Alberta gravel roads are wide in generally good condition and seldom much problem through all seasons, but this day while driving along a muddy unmarked fence boundary one rut passage I hadn't seen much of any interest and the clumps were slapping the Jeep fenders. It's going to be an expensive car wash back in the city.
Then further on a horizon an orange dot resembling machinery or abandoned farming equipment was breaking up the flat green landscape. Another sampling of simpler living, with harder conditions and life without air conditioning. Another pristine outdoor museum to piece together the rural past. Please pass that Starbuck's vanilla latte while I ponder a possible composition.
*Please view LARGE for maximum rural detail
**Textures courtesy of skeletal mess and cleanser
***Thank You each and everyone for all your generous comments, group invitations, and visits.
Committed to Film Ferrania P30 using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Unos prestando servicio y otros saliendo a correr, pero todos con un mismo compromiso: ayudar a nuestros héroes heridos en combate.
#YoCreoEnLosHeroes #CarreraPorLosHéroes
#IBelieveInHeroes #RaceForTheHeroes
After seeing the atrocities committed by Blacktron on the crew of the Horus Array, hearing the sound of clanking metal coming from an unknown source, Captain Knight feared the worse.
Opening the door to an adjacent room, blaster at the ready, he was pleased to find a lone red-shirt survivor from the array's crew. Telling security chief Erandis to stand down, Knight walks over to the fellow spaceman.
It's clear the poor fellow is in shock. He keeps rambling, "Blacktron! They, they came! They attacked! We weren't ready! They left it here! AHHHHH!"
Knight tries to assure the man he's safe, (and slightly lying himself) everything will be alright…
To learn more about Nova Team's other adventures visit their album: flic.kr/s/aHskpavQh5
Committed to Ilford HP5+ pushed to 800 using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ using a Leica M3 and 50 mm Summilux ASPH lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Cinestill BwXX using a Leica M6 and 35 mm Summicron V3 lens. Developed using Ars-Imago FD as standard and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Yes, that really is a 5D (the original 5D)--I still feel like I am living in a dream state. I am so happy! There really are not words. Thank you, Scott. I am committed to taking my photography to new levels next year.
Explore
#129
[NEWS FLASH, April 1, 2010: Two days ago, a young man who had graduated high school only last year committed suicide back in the state where we'd both grown up, Michigan. He had attended the same boarding school that I, his father (who was two classes behind me) and his father's cousin (who graduated with me) all had.
A tribute page has emerged on Facebook, replete with words of prayer and sympathy. And school and other photos of a young man seemingly having the time of his life with friends and loved ones while in the prime of his life.....
Zech must have been in pain. Pain that seemed to him to be too much. I find that tragic and nothing to minimize. But there is a horrific irony to his decision to end his pain. He won't be feeling the pain that so many of his young friends feel at burying one of their own. And yes, he will never himself feel the searing pain a father feels when he buries his son And just as sadly, he no longer can look back and TRY to grasp the amount of pain and suffering of others that HE had helped relieve - or give anyone who knew of his struggle time to intensify efforts to return the favor.
My heart aches. I never met Zech; but after spending only 10 minutes on the tribute page for him, I know I would have liked him. His father Mark is dealing with the situation I prayed I would never cause my Dad to endure during his lifetime.
And it has been a very long time since I have felt the message of this song as strongly as I do right now. Because, my God, I know for a fact that a piece of me is gone forever......
The funeral is Saturday. RIP Zech. And may those of us left behind find a different kind of rest and peace as we carry on.]
[Puzzle treatment done using fdtoys]
Our deaths remove pieces from others' lives,
And we don't have much control over that.
That's not always true of course
Especially when we force others to watch us hasten our own demise.
But in most other situations, we constantly face opportunities:
When we realize we've taken something from another, we can - if allowed -
Choose to put it BACK.
Babe, if we can't solve any problems
Why do we lose so many tears?
Oh, so you go again
When the leading man appears
Always the same theme
But can't you see we've got everything
going on and on and on
And every time you go away
You take a piece of me with you
Go on and go free
Maybe you're too close to me
I can feel your body move
But does it mean that much to me
I can't go on singing the same theme
Cause you can't see we've got everything
Baby, even though you know that
Every time you go away
You take a piece of me with you
You just don't care
Written by Daryl Hall
The ONLY version that matters performed by Hall & Oates.
The coastline at the end of Reykjavík's peninsula to the west, Seltjarnarnes. A wonderful place where to take a walk, cycle, roller skate, or just walk the dog. Or photo shooting in great weather.
Exif: ISO 100 ; f/5.6 ; 1/100 ; @14mm
Goes 2 Noura Kitty ♥
thank u sweety 4 the cutes lip-shine ever !
* i have officially started my school 2day :S , and since i've committed my 365 project >.<
i will keep my daily photos flowing , However , i MIGHT not be around ur streams . ( i deeply apologize)
i'll make sure checking them all once i can though ;)
wohoo , tomorrow is a day off :P
, BRB nap <3
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Copyright © SALMA.all rights reserved.2009
Committed to Fomapan 200 using a Hasselblad 500C and 100 mm lens with a 56 mm extension ring. Developed using Ars-Imago R9 (rodinal) 1:25 as per the Massive Dev chart (though I think the listed times are too short and will be adding at least a minute to them in the future) and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning, sharpening and final contrast in Photoshop.
Committed to Lomography Fantome using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago R9 (rodinal) 1:50 as per the suggested times and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust removal and further contrast adjustment in Photoshop.
I committed to photographing sunrise from Dante’s View in Death Valley National Park one morning earlier this year. Badwater was flooded, and I hoped for an interesting morning. The clouds though, were almost exactly at the height of Dante’s View. Since there was nowhere else to go in time, I stuck it out, hoping to get a glimpse of some magic. And for a brief moment, the very temporary lake at Badwater was revealed through a hold in the roof. Warm sunlight colors can be seen reflecting in the lake’s imperfect surface, providing some insight into what was happening just out of view beneath the clouds. This is also one of the dustiest photos I’ve ever taken, with probably over 100 pieces of sensor dust that had to be removed. Suffice to say I cleaned the sensor thoroughly when I realized this. I hope the lake returns this winter.
Committed to expired Kodak Portra 160 and Kodak Ektar 100 using a Mamiya 6 with 75 and 50 mm lenses. Developed using a C-41 kit from Ars-Imago and digitised with a digital camera. Positive conversion, colours and contrast done with Negative Lab Pro. Dust cleaning and final tweaks in Photoshop.
Committed to Ilford FP4+ using a Hasselblad X-pan and 45 mm lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
How committed am I to this 365? Enough to drink this wine and save the corks so that on a Sunday when I didn't have anything else to shoot I could haul them out, shoot them, and sit back and relax.
7.14.13
Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
since i committed myself to following through with this 52 week photo project, i sucked it up and did a camera toss. to make it nice and safe i did it over my bed and used my monitor as the light source. i put this picture on my monitor for the tosses.
assignment 52 week 14 - camera toss
Happy Rezz Day to Me!
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- Happy Rezz Day to Me! The longest committed relationship I’ve ever been in is the one I have with my @secondlife avatar. 15 years ago I saw people fighting over land on an episode of Judge Judy and I had to try it out. Over the years we’ve been on again and off again. I’ve been through countless heartbreaks, scandals and name changes 😂 I went from embarrassed to tell people I played to a successful content creator. Along the way I’ve forged so many life changing relationships and friendships and I’m so grateful for those people. Without Second Life, my real life would be so boring LOL so here’s to 15 and 15 more! As long as SL’s around, I will be too!
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georgia hair by punklist - maps.secondlife.com/secondlife/PUNKLIST/161/132/2506
hermosa hairbase and bangs by studio exposure - maps.secondlife.com/secondlife/Stone%20Diamond/123/128/20
ziva earrings by yorke - maps.secondlife.com/secondlife/Valhalla%20Estates%20Manag...
tahir latex dress by rowne - maps.secondlife.com/secondlife/Rowne/89/107/2006
party balloons (round balloons, tinted by me) by bijou - maps.secondlife.com/secondlife/BIJOU%20BLUE/91/113/24
gigi balloons (number balloons, tinted by me) by legna - maps.secondlife.com/secondlife/Dream%20Lake/91/113/24
Listen to my Meet the iPhone Photographer interview here - itunes.apple.com/us/podcast/id993249071
About my work
Susanna Inglada is an example of a politically committed artist whose work is formally refined, rich in links to art history and, above all, not flattened on a single meaning. From masters like Goya and, among the contemporaries, Leon Golub, she has learned not to turn her eyes away from violence and abuse of power; and from beloved artists like William Kentridge and Paula Rego, she has drawn a crucial lesson as to the inherent complexity and ambiguity of human nature. Her paper theatre, halfway between drawing and sculpture, exposes dynamics of manipulation and aggression, but does not offer us the cheap consolation of believing to be on the right side: it does not give us safe distance – the very spectator is turned into an actor, a character among characters – nor does it allow us to easily distinguish guilty from innocent, oppressor from oppressed, and even tragedy from farce. Where do we draw a line? Lines are windy and entangled in Inglada’s work, as they are in her very drawings – and in daily life. ( text by curator Simone Menegoi)
Family Church is on mission to make disciples of Jesus in the places where we live, work and play. We are continuing a legacy of people committed to taking the gospel—the good news that Jesus died on the cross for our sins, was buried and raised from the dead—to the ends of the earth.
We were founded as the First Baptist Church of West Palm Beach in 1901 when there were fewer than 1,000 people living in the city. A small group met first in a home, then in the city’s reading room and then in a donated building on Clematis Street. As the church grew, we changed location and acquired buildings and property to accommodate the growth. Our current downtown worship center was built in the year 1965. Over the years, buildings have come and gone but our church has reinvented herself to continue spreading the gospel in South Florida.
This mission is more important now than ever before. There are an estimated 1.4 million people in Palm Beach County and 96% of them remain unconnected to God and His church. When Pastor Jimmy Scroggins came as our Lead Pastor in 2008, he brought to us a vision to plant 100 neighborhood churches. We want to more effectively go out to reach people rather than expecting them to come to us.
We are growing as a multicultural, multigenerational and multisite church. The name “Family Church” incorporates this vision and has allowed us to plant campuses across Palm Beach County and beyond. Our church planting residency program trains bi-vocational campus pastors as well as other pastors and ministry leaders in areas such as worship, assimilation, adults, students, kids and operations. These men and women are planting churches all over South Florida—turning a vision into a reality.
Each Family Church campus has been launched by a group of courageous individuals who are willing to go and make disciples. God raised up our first church plant, Family Church Abacoa in October 2010, out of a partnership between Family Church Downtown and Central Baptist Church. Our first Spanish-speaking campus, Iglesia Familiar Downtown, was launched in January 2011 and expanded in April 2014 when we partnered with Centro Familiar Cristiano to form Iglesia Familiar Greenacres. We are intentionally reaching out to the fastest-growing demographic in our area — those whose heart language is Spanish.
Family Church West was launched in October 2013 to reach our western communities, and Family Church Sherbrooke joined them to the south in October 2014. Then in March 2015, believing they would be better together, Family Church Abacoa partnered with Palm Beach Community Church to become Family Church Gardens. Continuing to pursue the vision of planting 100 neighborhood churches, Family Church Gardens launched the first Family Church “grandbaby,” Family Church Jupiter, in October 2015. We all partnered with the Church in The Farms and Harvest Bible Chapel in October 2016 to launch Family Church in The Farms.
God is still writing our story. There is no master plan other than His. We constantly challenge each other to be His ambassadors, joining God in the work He is doing to reconcile broken people to Himself. At each campus, we are committed to teach the Bible, build families and love our neighbors. We are on mission to be the church OUT THERE, helping people discover and pursue God’s design.
Credit for the data above is given to the following website:
My good friend Jim totally committed to capturing 'that' sunrise during an early morning excursion at Blackhall Rocks on the Durham coast. Although the long exposure gives the appearance of calm seas it was anything but, causing us to relocate constantly. The inside of my wellies will testify to that!
Committed to Ilford FP4+ using a Leica M6 and 50 mm Summicron V3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Rollei RPX 25 using a Mamiya 645 1000S and 80 mm f1.9 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
Committed to Ilford HP5+ pushed to 800 using a Leica M6 and 35 mm Summicron v3 lens. Developed using Ars-Imago FD as per the Massive Dev chart and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro.
~Dr. Peter Silberman's journal
It's been little over a year since the unknown inmate was committed here. His aggression, while disturbing, is nothing I'm unfamiliar with. I only wish I knew more about him. At least a name would be good. All we have is a peculiar past. Found on the side of the road in the middle of the night by a wayward couple driving home with a massive wound in the middle of his face. He was sent to local hospital and required surgery to fix the damage, as wound was deep and fractured the bone. Strangely enough he was found in a black costume of sorts. Most likely some poor fool with an over-admiration of the local vigilantes and domestic terrorists around here. Very likely the latter. Someone looking to be a hero wouldn't stab a nurse after waking from surgery. He attacked more doctors and patients in the hospital until he was finally restrained. Obviously unstable, he was sent here. While it seems he's become calmer over time, we believe he's still a danger to both himself and everyone else in the ward. Even with his instability, he is clearly quite intelligent. Despite the medication he always find his way out of a straight-jacket. Everything about this subject is concerning. I can only wonder what events brought him to this point....