View allAll Photos Tagged Commitment
Participants at the African Girls' Summit showed their renewed commitment to ending child marriage by writing pledges on a wall outside of the Summit plenary hall.
Photo credit Sophie Drouet - Girls Not Brides
A photographer braves the chilly North Sea swirling around his ankles as he lines up the perfect shot of Cromer Pier.
As part of Commitment to Service Week, U.S. Military Academy at West Point cadets were treated to a panel discussion led by ABC correspondent Martha Raddatz with Medal of Honor recipients Paul Bucha, Gary Beikirch and William Swenson, April 28, 2019.
Commitment {February 15, 2020 // 28}
Everyday I wake up with commitment to doing things. In this, I know I need others to also commit and ‘show up.’ Even with photography, to get what is called a reasonable ‘good’ shot requires commitment from you to get up and make it out there, Mother Nature to show up with the skyline, technology and the subjects in the frame to keep at it.
When barriers happen, such as my tripod pod legs freezing up and not wanting to open, you commit through improvisation. That can come in the form of duck tape and biceps muscles, or a friendly neighbour who says ‘hey, put your camera on my tripod’ who is also committed to the everyday cause of ‘being in it together.’
Stay warm out there!
On Wednesday, Nov. 9, 2022, seven GFA athletes were honored for signing NCAA Letter of Intent to play sports at either Division 1 or Division 2 schools.
Vancouver has made a serious commitment to providing bike-friendly streets.
While Minneapolis has been spending some money on paint, Vancouver has
putting in physical barriers between cars and cyclists. Once in place, they
make the former driving lane a 2 way bike lane.
The barriers provide both perceived and true safety for cyclists. A family
could bike through the downtown of a major city without worrying about
whether a driver will ignore a white stripe on the pavement.
Additionally, Vancouver has added bike signals to the traffic signals that
appear to be designed to get cyclists through intersections before cars are
given the green light. This seems like a good way to prevent cyclists from
getting hit by turning drivers.
It all seems very civil. It seems logical to assume that more people would
be willing to commute to downtown Minneapolis, or use bikes to visit
downtown, if they felt comfortable on their bikes downtown.
Granted, Vancouver doesn't have to biking superhighways that Minneapolis
has. But, they do seem to provide far superior on-street infrastructure for
the critical last half mile if commutes through the most congested parts of
their city.
Tanzania - ELC: All children attending confirmation classes in the Northern Diocese of the Evangelical Lutheran Church of Tanzania are required to plant and take care of ten trees before they can be confirmed. This is part of the ELC commitment to environmental conservation. On September 18, 2012, 26 Christian, Muslim and Hindu faith groups in sub-Saharan Africa launched long-term environmental action plans during ARC's 'Many Heavens, One Earth, Our Continent' celebration in Nairobi, Kenya. Visit www.arcworld.org
Society of Friends of Music in Vienna
The Society of Friends of Music in Vienna (briefly : Wiener Musikverein) is a traditional club in Vienna to promote musical culture. It was founded in 1812.
(Pictures you can see by clicking on the link at the end of the site!)
Founded Concert 1812
Foundation
On 29 November and 3 December 1812 was performed in the Winter Riding School of the Hofburg the Handel oratorio Timothy. This concert can be considered as a trigger for the founding of the Society of Friends of Music in Vienna. As the founder of the association is Joseph Sonnleithner (1766-1835) then secretary of the imperial Viennese court theater (Burgtheater and Kärntnertortheater). The proceeds of the concert should benefit the newly founded institution. Emperor Franz I donated 1,000 guilders, the net profit amounted to 25,934 florins finally Viennese currency. First office of the company was the Lobkowitz Palace today Lobkowitzplatz.
Goals
According to its statutes, which originated in 1814, is the "Empor renewed progress on music in all its branches" primary purpose of the Company.
The Friends of Music Society reaches(d) this in three ways:
The establishment of a conservatory,
The systematic collection of musicological documents (archive)
Organizing their own concerts.
To date, private commitment of individual members shapes the functioning of the Company. Since January 2000, all editions of the monthly appearing club newspaper "music lovers" on the website of the company are available .
Concerts
On the initiative of Antonio Salieri's first choral activities at the Musikverein go back, for example, also in 1824 at the Vienna initial or first performances of Beethoven's Missa Solemnis and 9th Symphony was involved. After there had been choral concerts of the Association for many years, then in 1858 was the official establishment of the Concert Choir held as a branch association of the Vienna Musikverein. The first principal conductor of the Vienna Singing Society was Johann von Herbeck, directs the choir since 1991, Johannes Prinz.
Musikverein (1831-1870) to the Tuchlauben (home to the Red Hedgehog), first building on the right, then No. 558, now No. 12
First concert hall of the society
1829 , the Company purchased a scoring for Kärnthnerviertl house on the Tuchlauben (home to the Red Hedgehog, rented from 1822, then House # 558, today Tuchlauben 12) with several business offices and apartments, it had the house demolished and gave at Franz Lossl (Site Manager: Carl Högl) by around 88,000 guilders (including equipment) the construction of a three storey new building with a concert hall on the 1st Floor in order. The site was approximately opposite the former Ofenlochgasse, since 1863 Kleeblattgasse. The Brandstätte that time not yet branched of from the Tuchlauben, but was a small place near the St. Stephen's Cathedral.
The festival opening concert of the hall took place on 4 November 1831 instead (then the cholera raged in Vienna). The Musikverein contributed among other things at this location (visitor concerts were still highly popular in the large ball room of the Hofburg ) essentially to the public concert life in Vienna.
The hall proved with 700 seats soon to be too small, but was still used for almost 40 years. 1846 gas lighting was installed. In the upper floors of the Conservatory and the archives of the Society, offices and rehearsal rooms were located.
The Society of Friends of Music in 1870 moved into their new house and sold its first house in the same year. In the subsequent use of it emerged inter alia the Strampfer-Theatre. The building was demolished in 1885.
Vienna Musikverein in 1898
Today's office of the Company
1863, Emperor Franz Joseph I donates the society from the state capital, the area on the bank of the river opposite the Vienna Karlskirche (church). It was on the former glacis of the 1858 demolished city walls around the old town. 1861-1869 emerged near the present-day Vienna State Opera, on the neighboring construction site on the riverbank 1865-1868 the Vienna Künstlerhaus, on the direction of ring road adjacent square 1862-1865 today's Imperial Hotel.
The of Theophil Hansen, who later built the Parliament, designed house, shortened to Vienna Musikverein, was on 6 January 1870 opened with a celebratory concert. That same year, the High Steward of the Emperor, Prince Constantine zu Hohenlohe-Schillingsfürst, was in gratitude for the favor of the imperial court for the new building project appointed as a honorary member of the society.
1869 Carl Heissler was the first conductor of the orchestra of the Society of Friends of Music in Vienna. 187, and 1872 was the Russian composer Anton Rubinstein artistic director of the company. After a short time he was replaced by Johannes Brahms.
Children and Youth Projects
In order to convey the joy of music and access to classical culture children and adolescents, the Friends of Music Society offers a pertinent program: In April 1989, it was the first "Celebration for Children" in all the rooms of the Musikverein building, since the offer has been steadily expanded and now includes more than 150 projects for all ages 3-19 years. The 20-year anniversary of the youth concerts was celebrated with a big party at the Vienna Musikverein in 2009. Symbol of child and youth concerts of the Society of Friends of Music is the concert clown Allegretto.
Artistic performances will be processed in accordance with the relevant age requirements paying particular attention to opportunities for active contribution. These include sing and dance along to the little ones, a gallery of children's drawings on the Internet and artist talks under the slogan "meet the artist" with internationally renowned conductors, soloists and composers for 15- to 19- year-old.
Conservatory of the Society of Music Lovers
The Conservatory was the first public music school in Vienna and was founded in 1819 by the violinist Joseph Böhm. As early as 1818, the Court Kapellmeister Antonio Salieri began to form a singing class. The general musical newspaper wrote here about 7 January 1818: "As the beginning of a newly established Conservatory imparts our worthy Hofkapellm. (chapel masteer) Salieri already to 12 girls and 12 boys gratuitous singing lessons."
On 19 April, the first 24 students of the Conservatory presented themselves in a collective concert of the Friends of Music to the public and sing an A cappella choral of Salieri. The dedication on the autograph reads: "Ringraziamento because farsi alli Benefattori del Conservatorio della musica nazionale inglese dalli primi Ventiquattro allieve dodici Ragazzi e dodici Ragazze, di detto luogo, nella quarta accademia dei dilettanti il giorno 19 Aprile 1818".
In the 19th Century, this facility has been significantly expanded, in the 1890s it had more than 1,000 students and found imitation in Vienna in other such facilities. In 1909, the private institute was to resolution of the emperor as "k.k. Academy of Music and Dramatic Art" nationalized. Thus, it is predecessor of today's University of Music and Performing Arts Vienna.
Archive
The archives of the Society of Friends of Music is one of the most important music collections in the world.
Personalities
Musikverein building of 1870 (2006)
Musikverein building at night
Founder
Joseph Sonnleithner (1766-1835)
Co-Founder
Fanny von Arnstein (1758-1818)
Prince Franz Joseph Maximilian von Lobkowitz (1772-1816) , Major General, art lover and patron
Famous members
Leopold of Sonnleithner (1797-1873), lawyer and music collector
January Václav Voříšek (1791-1825), composer, pianist and organist, as a member in 1818.
Franz Schubert (1797-1828), full member from 12 June 1827
Concert directors
Carl Heissler, lithography by Joseph Kriehuber, 1866
Carl Heissler (1823-1878), Artistic Director 1869-1871
Anton Rubinstein, Artistic Director 1871-1872
Johannes Brahms (1833-1897), concert director 1872-1875
Eduard Schön (1825-1879), Ministerialrat and composer, director in 1870
Johann von Herbeck (1831-1877), conductor and composer
Hans Richter (1843-1916), conductor, director until 1900
Franz Schalk (1863-1931), concert director 1904-1921
Ferdinand Löwe (1865-1925), concert director
Wilhelm Furtwängler (1886-1954), concert director 1921-1927 (jointly with Leopold Reichwein)
Leopold Reichwein (1878-1945), concert director 1921-1927 (together with Wilhelm Furtwängler)
Robert Heger (1886-1978), concert director 1925-1933
Walter Legge (1906-1979), director from 1946
Herbert von Karajan (1908-1989), last concert director 1948-1964
Vice Presidents
Raphael Georg Kiesewetter (1773-1850), privy councillor and musician, vice president 1821-1843
Nikolaus Dumba (1830-1900), industrialist, vice president in 1880
Gustav Ortner (born 1935) , diplomat, vice president since 2001
Directorate members
Heinrich Eduard Josef von Lannoy (1787-1853), conductor and composer, member
Martin Gustav Nottebohm (1817-1882), musicologist and composer, member from 1858
Anthony van Hoboken (1887-1983), musicologist and collector, member since 1957
Brothers Czartoryski, circa 1870
Secretaries
Leopold Alexander Zellner, general secretary in 1880
Botstiber Hugo (1875-1941), secretary and office director 1905-1912
Angyan Thomas (born 1953), general and artistic director since 1988
Archivist
Martin Gustav Nottebohm in 1864
Eusebius Mandyczewski (1857-1929), musicologist and composer, from 1887
Karl Geiringer (1899-1989), musicologist and librarian, 1930-1938
Otto Biba (born 1946), musicologist and director of the archive, since 1979
Tripoli talks advance U.S. Army relationship with Libya land forces
By Rick Scavetta, U.S. Army Africa
VICENZA, Italy - The U.S. Army Africa commanding general recently made a historic trip to Libya to discuss the emerging relationship between the U.S. Army and Libya's land forces.
In early May, Maj. Gen. William B. Garrett III visited Tripoli, where he held talks with key Libyan military leaders. The visit indicates the U.S. Army’s commitment toward building a cooperative relationship with Libya’s land forces and increasing regional security.
Garrett’s visit was coordinated through the U.S. Embassy Tripoli and U.S. Ambassador Gene Cretz greeted Garrett at Mitiga International Airport.
“We are gradually opening a dialog that has not existed between our land forces in a long time,” Garrett said. “Times have changed and relationships must change too.”
The general’s first stop was the headquarters of the North African Regional Capability (NARC) to meet Maj. Gen. Ahmid Auwn, Libya's chief of staff for Army Mechanized Units and Executive Director of the NARC. The NARC is part of the African Standby Force, which consists of five regional brigade-size commands that can support the African Union during times of crisis. Libyan willingness to open a dialogue with the U.S. Army is in an important part of increasing regional cooperation.
“We will look to the NARC leadership to work together on future events that are mutually beneficial,” Garrett said.
The general also toured the Libyan Bureau of Technical Cooperation and National Committees, and the Libyan Military Staff College, where he met with the director, Maj. Gen. Ahmid Mahmud Azwai. These visits emphasized the importance of material standardization, training and education in developing future leaders.
Garrett's visit follows a military cooperation committee meeting held in Tripoli in late-February, where delegations of Libyan and U.S. military officers discussed areas of common interest and planned future partnership events, said Maj. Philip Archer, U.S. Army Africa’s North African Regional Desk Officer. “Proposed events include inviting Libyan officers to visit Army schools in the United States, holding discussion on border security, conducting medical exchanges and sharing helicopter procedures,” Archer said. One of U.S. Army Africa’s goals is to help Libya and other members of the NARC build the brigade into a capable force that is interoperable with other regional standby forces and can be used for peace support operations.
“U.S. Army Africa’s discussions in Tripoli are a positive step toward working together with Libya’s military,” Garrett said. “We now have a better understanding of each other’s goals and can work together to achieve increased security, stability and peace in North Africa.”
Garrett concluded his trip to Libya with a wreath laying ceremony at the tomb of fallen American sailors, who perished when their ship exploded in Tripoli harbor in 1804.
Merry Christmas Eve :) I finally got the promise ring fitted and got to wear it all day :) I gave my man his christmas presents, a really nice watch and a tim mcgraw cd. This is a committment, we are strong. I love my marine so much, hes the best thing in my life <3
I may not have gone where I intended to go, but I think I ended up where I intended to be.
*this is taken with my macro/fish eye lens :P Almost no edit on this picture.
~VIEW LARGE~
PATRICK AIR FORCE BASE, Fla. – Soldiers from Headquarters & Headquarters Company, 143d Sustainment Command (Expeditionary), demonstrated the Army Reserve’s commitment to be the most capable, combat ready and lethal federal Reserve force in U.S. history during a field training event conducted April 8, 2017, at Patrick Air Force Base, Fla.
“America’s armed forces look to the Army Reserve to provide quick access to trained and ready forces that our active duty partners need to initiate, sustain and prevail in major operations,” said 1st Lt. Jonathan R. Clark, company commander, HHC, 143d ESC. “The 143d [ESC] supports this critical role by conducting immersive and engaging Battle Assemblies that test our capabilities at the individual Soldier level.”
Approximately 300 Soldiers demonstrated their marksmanship skills during a weapons qualification event at Patrick AFB’s Combat Arms Training Facility. The 143d ESC partnered with the U.S. Air Force 45th Space Wing to use this $8.5 million facility to train and qualify the troops with the M9 Pistol, M4 Carbine, M16 Rifle and the M249 light machine gun.
While awaiting their turn on the firing line, the troops participated in various classes and practical exercises that enhanced their fundamentals of marksmanship, radio communications, medical care under fire and other essential skills for all Soldiers to master regardless of their rank, assignment or specialty.
“Today’s global security environment is growing in scope and complexity,” said Clark. “The Army Reserve is rapidly evolving to adapt to this ever-changing environment, and the 143d [ESC] will be better prepared to overcome complex challenges that threaten our nation by fortifying the fundamentals of a warfighting force.”
Photo and story by Sgt. John L. Carkeet IV, 143d ESC
"Commitment" While I enjoy photography, I also like playing the mandolin. I have the computer and books set up with the main lighting on the instruments and penny board to show that I have to commit to this work so that I can stay committed to the things I love to do. I used a small LED lamp to illuminate the computer and roommate, and a warm desk lamp to illuminate the instruments in the back. My Canon T5i was set at: ISO 1600, Aperture 3.5, Shutter speed 1/100th
At a speech to the Tri-Cities Chamber of Commerce Premier Clark reaffirmed her commitment to balance the budget in 2013.
British Columbia’s cabinet ministers and First Nations’ leadership kicked off the annual BC Cabinet and First Nations Leaders’ Gathering on the heels of historic progress that significantly advances reconciliation in BC.
Learn more: news.gov.bc.ca/20942
Gottfried Helnwein (1948), Sleep, 2008 (oil, acrylic on canvas), Albertina
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Show Band performance at Wellington Fanzone
Under the direction of Chief Warrant Officer 3 Michael Smith, the Marine Forces Pacific Band performs at over 400 commitments each year. From ceremonies to parades, the band is as entertaining as it is regal. Their mission is to enhance the lives of our military and civilian communities through quality musical performance.
Times and Places of the Performances:
New Plymouth:
10th September: The band appeared on TVNZ's Saturday Breakfast show at 8:20am.
10th September: Parade from Bellringer Pavillion in Pukekura Park to the Taranaki International Village – Marching band.
10th September: Performance at the International Village - Show Band.
11th September: Performance at the International Village – Show Band.
15th September: Performance at the International Village – Show Band.
Pukekura Park:
13th September: Pukekura Park at 7pm.
Stratford:
September 13th: At the Stratford War Memorial Hall.
Hawera:
September 14: Hawera – Concert on 14 September at Hawera Memorial Theatre
Wellington:
16th September: Old St. Paul’s – Concert Band. Performance at 5:30pm 16 September at Old St. Paul’s Cathedral, 34 Mulgrave St., Thorndon, Wellington.
17th September: Wellington FanZone – Show Band & Party Band. Performance from 12-2pm at Wellington Fanzone – beside Wharewaka on Wellington waterfront.
blogs.newzealand.usembassy.gov/ambassador
US Marine Corps Forces Pacific Band in New Zealand 2011
Tanzania - ELCT: Women-led tree nurseries are a core part of the long-term plan for the Evangelical Lutheran Church of Tanzania. The aim is to establish one in every parish. On September 18, 2012, 26 Christian, Muslim and Hindu faith groups in sub-Saharan Africa launched long-term environmental action plans during ARC's 'Many Heavens, One Earth, Our Continent' celebration in Nairobi, Kenya. Visit www.arcworld.org
Entrance Walk to GET YOUR KNEE OFF OUR NECKS Commitment March Rally at Lincoln Memorial Reflecting Pool North Lawn, NW, Washington DC on Friday morning, 28 August 2020 by Elvert Barnes Photography
Visit Commitment March website at nationalactionnetwork.net/commitment-march-on-washington-dc/
Elvert Barnes 57th Anniversary of 1963 March on Washington COMMITMENT MARCH docu-project at elvertbarnes.com/57MOW2020
GET YOUR KNEE OFF OUR NECKS Commitment March Rally at Lincoln Memorial Plaza in Washington DC on Friday morning, 28 August 2020 by Elvert Barnes Photography
Martin Luther King III
Speakers from Media / Press Area
Visit Commitment March website at nationalactionnetwork.net/commitment-march-on-washington-dc/
Elvert Barnes 57th Anniversary of 1963 March on Washington COMMITMENT MARCH docu-project at elvertbarnes.com/57MOW2020.html
U.S. Air Force Gen. Paul J. Selva, Vice Chairman of the Joint Chiefs of Staff, greets French Gen. Pierre de Villiers, Chief of Defence Staff, before hosting an Armed Forces Honor Ceremony at Fort Myer-Henderson Hall, Va., Feb. 6, 2017. The two military leaders discussed transregional threats, ongoing efforts to combat violent extremist organizations and long-term strategies to counter major regional competitors. Both generals reaffirmed their commitment to the longstanding bilateral and multilateral partnerships between the two militaries.(DoD Photo by U.S. Army Sgt. James K. McCann)
Ghana: In May 2012, RELBONET (Religious Bodies Network on Climate Change) organised a workshop on agroforestry and developing a tree nursery for Christian and Muslim faith leaders in Tamale, Northern Ghana.
On September 18, 2012, 26 Christian, Muslim and Hindu faith groups in sub-Saharan Africa launched long-term environmental action plans during ARC's 'Many Heavens, One Earth, Our Continent' celebration in Nairobi, Kenya. Visit www.arcworld.org
First Lady Chirlane McCray makes an announcement about the City’s commitment to support survivors of domestic violence and educate New Yorkers on the complexities of intimate partner violence. Manhattan Family Justice Center. Thursday, February 08, 2018. Credit: Ed Reed/Mayoral Photography Office.
This photograph is provided by the New York City Mayoral Photography Office (MPO) for the benefit of the general public and for dissemination by members of the media. The photograph may not be manipulated in any way and may not be used in commercial materials, advertisements, emails, products or promotions that in any way suggests approval or endorsement of the City of New York, the Mayoral administration, or the de Blasio family without prior consent from the MPO (PhotoOffice@cityhall.nyc.gov). Any use or reprinting of official MPO photographs must use the following credit language and style: “Photographer/Mayoral Photography Office”, as listed at the end of each caption.
Westfalia unveils new mission statement:
Our Mission... To deliver unparalleled warehousing solutions by earning the trust of our customers, understanding their business needs and honoring the commitments we make.
© Westfalia Technologies Inc. 2013
A Marine and his Marine wife.
Congratulations to the bride and groom!
A collaboration with my friend, Ron Mariano (RONMA! Studios). Our group is called "Ookina Egao!" literally: "Big Smile!" And who better than Totoro with his huge smile?
:)
Leica M6 TTL
Leica Summicron 35mm f/2 IV "King of Bokeh"
Kodak Tri-X 400 pushed to 800 ISO
Microphen 1+0
15 min 20°C
Scan from negative film
Impact Commitment Workshop: Society and Equity at the Young Global Leaders Annual Summit 2022 in Geneva, Switzerland, 2 September, Copyright: World Economic Forum/Pascal Bitz
Chairman of the Joint Chiefs of Staff Gen. Martin E. Dempsey met with members of the Minnesota Timberwolves basketball team as they visited the Pentagon and Arlington National Cemetery as a part of the National Basket Ball Associations partnership with the Department of the Defense called Commitment to Service Dec. 17, 2014. (DoD Photo by Mass Communication Specialist 1st Class Daniel Hinton/Released)
Aberdeen Proving Ground became the latest installation to adopt the U.S. Army's Healthcare Covenant May 20 as APG senior leaders pledged to serve the community with the best medical care possible.
Tripoli talks advance U.S. Army relationship with Libya land forces
By Rick Scavetta, U.S. Army Africa
VICENZA, Italy - The U.S. Army Africa commanding general recently made a historic trip to Libya to discuss the emerging relationship between the U.S. Army and Libya's land forces.
In early May, Maj. Gen. William B. Garrett III visited Tripoli, where he held talks with key Libyan military leaders. The visit indicates the U.S. Army’s commitment toward building a cooperative relationship with Libya’s land forces and increasing regional security.
Garrett’s visit was coordinated through the U.S. Embassy Tripoli and U.S. Ambassador Gene Cretz greeted Garrett at Mitiga International Airport.
“We are gradually opening a dialog that has not existed between our land forces in a long time,” Garrett said. “Times have changed and relationships must change too.”
The general’s first stop was the headquarters of the North African Regional Capability (NARC) to meet Maj. Gen. Ahmid Auwn, Libya's chief of staff for Army Mechanized Units and Executive Director of the NARC. The NARC is part of the African Standby Force, which consists of five regional brigade-size commands that can support the African Union during times of crisis. Libyan willingness to open a dialogue with the U.S. Army is in an important part of increasing regional cooperation.
“We will look to the NARC leadership to work together on future events that are mutually beneficial,” Garrett said.
The general also toured the Libyan Bureau of Technical Cooperation and National Committees, and the Libyan Military Staff College, where he met with the director, Maj. Gen. Ahmid Mahmud Azwai. These visits emphasized the importance of material standardization, training and education in developing future leaders.
Garrett's visit follows a military cooperation committee meeting held in Tripoli in late-February, where delegations of Libyan and U.S. military officers discussed areas of common interest and planned future partnership events, said Maj. Philip Archer, U.S. Army Africa’s North African Regional Desk Officer. “Proposed events include inviting Libyan officers to visit Army schools in the United States, holding discussion on border security, conducting medical exchanges and sharing helicopter procedures,” Archer said. One of U.S. Army Africa’s goals is to help Libya and other members of the NARC build the brigade into a capable force that is interoperable with other regional standby forces and can be used for peace support operations.
“U.S. Army Africa’s discussions in Tripoli are a positive step toward working together with Libya’s military,” Garrett said. “We now have a better understanding of each other’s goals and can work together to achieve increased security, stability and peace in North Africa.”
Garrett concluded his trip to Libya with a wreath laying ceremony at the tomb of fallen American sailors, who perished when their ship exploded in Tripoli harbor in 1804.
LAFW - Style Fashion Week - 2015 - Coco Johnsen Collection
The commitment of the Coco Johnsen brand is to consistently introduce luxurious and stylish collections of clothing and accessories to the marketplace.
Inspired by such powerful iconography as Diana Ross inMahogany and the well proportioned aesthetic of Oscar de Renta, Coco has centered her designs around her personal ideology of inner strength and outward beauty, which should never be considered mutually exclusive. Having traveled the world from Stockholm to Toyko as a model, actress and now designer, Coco Johnsen has acquired a distinctive take on how the modern woman dresses. Her love of powerful feminity, with more than a generous nod to Romanticism, is evident in the timelessly elegant gowns, cocktail dresses and suits that comprise her signature and ready to wear lines. Coco Johnsen’s collections are designed downtown in her Los Angeles atelier, and then expertly produced in Brazil and Los Angeles utilizing only the finest fabric, trims, and materials.
Coco Johnsen debuted her signature line at Mercedes benz Los Angeles Fashion week Spring / Summer 2008 to rave reviews. Her collection has appeared on the pages of
GQ Mexico, WWD, Apparel News, Geniux, Femme, Game, Pacific , In touch Weekly to name a few.
Coco Johnsen’s Spring summer 09 collection debuted at the Audis Husar Gallery in a collaborative effort to benefit the C.A.S.A foundation which is an organization benefiting Foster children by providing a court appointed advocate. Coco Johnsen is a designer who has evolved from orphan, model, actress into a sophisticated couturier and philanthropist.
Uganda - UMSC and UMWA: Ugandas 2nd Deputy Prime Minister joins International Climate Champion Hajjat Sebyala in planting trees on behalf of the Uganda Muslim Supreme Council and the Uganda Muslim Women's Association . On September 18, 2012, 26 Christian, Muslim and Hindu faith groups in sub-Saharan Africa launched long-term environmental action plans during ARC's 'Many Heavens, One Earth, Our Continent' celebration in Nairobi, Kenya. Visit www.arcworld.org
From left to right, mayor of Stazzema Michele Silicani, EP President Martin Schulz, Italian President Giorgio Napolitano, Italian Prime Minister Mario Monti and Minister for Europe Enzo Moavero Milanesi
On Thursday October 8th the President of the European Parliament Martin Schulz was honoured with the title of Knight of the Grand Cross by the Italian President Giorgio Napolitano, in recognition of his commitment to European integration and solidarity as well as his work on memory and the assumption of responsibility, as a German, before the horrors of Nazism, demonstrated in his recent visits to Marzabotto and Sant 'Anna di Stazzema. Schulz, thanking Napolitano, called the recognition moving and an unforgettable moment of his life. During the day Schulz also met with the Secretary of the Democratic Party, Pierluigi Bersani and President of the Italian Chamber of Deputies Gianfranco Fini.
You can pay a visit to the President's website here: www.europarl.europa.eu/the-president/en/
These photos are copyright free, but must be credited: © European Union 2012 - European Parliament. (Attribution-NonCommercial-NoDerivs Creative Commons license). If you need high resolution files do not hesitate to contact us. Please do not forget to send the link or a copy of the publication to us: webcom-flickr(AT)europarl.europa.eu
A group of athletes work out together during the first light of the morning along the river Thames.
Jon and Tina | Portfolio | Travel Portfolio | Photography Blog
On November 6, 2019 the Los Angeles Fire Department (LAFD) Foundation honored members of the Department who have demonstrated exceptional bravery, excellence, and commitment to their community.
VALOR
Medal of Valor: A member is entitled to consideration for this award by performing an act of conspicuous heroism and/or bravery under extreme personal risk above and beyond the calculated personal risk demands of the fire service. This prestigious award goes to:
Captain I Matthew Nolan
Award of Merit: Earned by members taking conspicuous action in rendering aid during a life-saving or life-threatening situation under circumstances which pose calculated risk to the members or performing an endeavor which brings significant credit to the Department. This outstanding award goes to:
Firefighter III/Paramedic Derek Cook
Helicopter Pilot II Joel Smith
Helicopter Pilot III David Norquist (retired)
Lifetime Achievement Award: Presented to a retiree of the Department who exemplifies the true spirit of “Service to the Community” through their actions while on active duty and as a retired member. This year’s recipient is:
Assistant Chief Roy Harvey
The Crystal Flame Community Service Award: Presented to a sworn member of the Department who has gone beyond their regular duties, demonstrating exceptional compassion and personal commitment to the community. This year’s recipients are:
Secretary Rebecca Alvarado
Letter of Special Recommendation: An act performed of unusual character during emergency or non-emergency conditions, requiring initiative or ability worthy of recognition entitles a member to consideration for this commendation. This year's recipients are:
Deputy Chief Kristin Crowley
Firefighter III/Paramedic Daniel Harris
"Our members routinely respond to a variety of incidents that place significant risks on themselves. The members being honored have exceeded what is typically expected of them and deserve to be recognized. I would like to acknowledge the LAFD Foundation for making this event possible", LAFD Fire Chief Ralph Terrazas
LAFD Event - 1106019
Photo Use Permitted via Creative Commons - Credit: LAFD VPP | Austin Gebhardt
Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk
Tanzania - ELCT: Women-led tree nurseries are a core part of the long-term plan for the Evangelical Lutheran Church of Tanzania. The aim is to establish one in every parish. On September 18, 2012, 26 Christian, Muslim and Hindu faith groups in sub-Saharan Africa launched long-term environmental action plans during ARC's 'Many Heavens, One Earth, Our Continent' celebration in Nairobi, Kenya. Visit www.arcworld.o
Phillip Swagel, Director, Congressional Budget Office
In his first public appearance since becoming Director of the Congressional Budget Office (CBO), Phillip Swagel discussed CBO’s commitment to providing objective, non-partisan information to support the budget process and to help the Congress make effective budget and economic policy.
Learn more about the Fiscal Summit: bit.ly/2ZriRY1