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Loyola Memorial Park, Marikina City, Metro Manila
February 8, 2011
Former Energy Chief Angelo Reyes was reportedly shot in the chest. Reyes was rushed to the Quirino Hospital in Quezon City and reports have it that he died at around 8:30 a.m. He was 65. He is survived by his wife and 5 children.
UPDATE: Reyes was reported to have committed suicide. According to the Eastern Police District, Reyes visited his mother's grave at the Loyola Memorial Park in Marikina City where he shot himself on the spot.
A preliminary showed that Reyes had a bullet wound in the heart.
As per the Quirino Hospital sources, they tried to revive Reyes for 45 minutes before declaring him as expired.
SECOND UPDATE:
MANILA, Philippines - Controversial former military chief and Energy Secretary Angelo T. Reyes died Tuesday morning in an apparent suicide inside the Loyola Memorial Park in Marikina City, police said.
Supt. Alfredo M. Calama-an, Eastern Police District - District Operations and Plans Divisions chief, said the 65-year-old Reyes reportedly shot himself in the chest using a Caliber .45 pistol which pierced through his heart.
He said Reyes, who was with his two sons, an aide and driver, visiting his mother's grave at the memorial park Tuesday, was immediately taken to the Quirino Labor Memorial Hospital, where he was declared dead at about 8:32 a.m. by attending doctors.
Police Senior Supt. Francisco Soria Manalo, EPD district director, said they will still wait for the autopsy report to be provided by the Philippine National Police-Crime Laboratory regarding Reyes' death before they can make any statement about it.
He added that Scene of the Crime Operatives (SOCO) from the EPD was still at the scene as of press time conducting an investigation.
"We are still waiting for the report. As soon as we have it, we will provide the details (surrounding his death)," Manalo told TEMPO/Manila Bulletin in an interview.
Manalo, who went to the scene together with Superintendent Romeo Magsalos, Marikina Police Office chief, said that Reyes visited his mother's grave to pay his respects to her at about 7 a.m.
According to initial investigation, the former military chief then asked his sons, his aide and bodyguard to leave him for a while. A few seconds later, a gun shot was then heard with Reyes falling to the ground with blood all over him.
According to witnesses, Reyes was holding a book on Donald Trump titled "Trump: The Art of the Deal," before allegedly committing suicide.
Reyes, it was recalled, became AFP chief of staff from 1999 to 2001. Shortly after his retirement from the military service in March 1, 2001, he was appointed as Defense Secretary by then former President Gloria Macapagal-Arroyo.
Reyes, also a key figure during the People Power 2 that toppled former President Joseph Ejercito Estrada from power in January 2001, has been in the hot seat as of late due to allegations that received P50 million in “send-off” money after he retired from the AFP as claimed by retired Lt. Col. George Rabusa.
Reyes, a graduate of the Philippine Military Academy (PMA) Class 1966, is married to Teresita P. Reyes with whom he has five sons, Pablo, Angelito, Marc, Carlo and Judd.
Rural BC will benefit and have their voices heard with the creation of a Rural Advisory Council. The council membership will be made up from representatives from around rural BC and will provide advice to government on policies to best support thriving rural communities.
Pictured here from L to R is: Rhona Martin, UBCM President
Minister Steve Thomson
Minister Coralee Oakes
Grace McGregor, Chair of the Kootenay Boundary Regional District Parliamentary Secretary Donna Barnett.
Read more: www.newsroom.gov.bc.ca/2014/09/province-commits-to-rural-...
A no-longer abandoned auto body shop across the alley from the Vancouver Playhouse Theatre shop near downtown Vancouver. Hard to believe that a business operated in here for years, especially considering the state of the second floor - yikes! Some speculation that it was a low-profile chop shop. At any rate, squatters moved in not long after these pics were taken - decent enough folks, keep the outside clean.
A no-longer abandoned auto body shop across the alley from the Vancouver Playhouse Theatre shop near downtown Vancouver. Hard to believe that a business operated in here for years, especially considering the state of the second floor - yikes! Some speculation that it was a low-profile chop shop. At any rate, squatters moved in not long after these pics were taken - decent enough folks, keep the outside clean.
French postcard by Phototypie Pierre Coltman, Paris. Photo: Manuel. Polaire in 'Claudine à Paris' by Willy and Colette. Sent by mail in 1902.
French singer and actress Polaire (1874-1939) had a career in the entertainment industry which stretched from the early 1890s to the mid-1930s, and encompassed the range from music-hall singer to stage and film actress. Her most successful professional period was from the mid-1890s to the beginning of the First World War.
Polaire was a French singer and actress, born Émilie Marie Bouchaud in 1874 in Agha (Algeria). According to her memoirs, she was one of eleven children of whom only four survived – and eventually only two, Émilie and her brother Edmond. When her father died of typhoid, her mother temporarily placed the children under the care of Polaire’s grandmother in Algiers. In 1891, at age 17, she came to Paris to join her brother Edmond, who performed there in the café-concerts under the name of Dufleuve. She had already sung in cafes in Algiers and continued on this path, eventually becoming a popular music-hall singer and dancer, performing, e.g. the French version of Ta-ra-ra Boom-de-ay: 'Tha ma ra boum di hé' - her greatest success, already from the start. She became a big name and was, e.g. portrayed by Henri de Toulouse-Lautrec in the magazine Le Rire in 1895. Not only were her singing and dancing qualities remarkable, but Polaire also distinguished herself by her particular physique, having an exceptional wasp waist, at a time when women tortured themselves with tight corsets to refine their waists. After a first failed attempt to conquer New York as a singer, Polaire returned to Paris, where she expanded her range with prose theatre as well. She managed to get the role of Claudine in Colette’s play 'Claudine à Paris', performed at the Bouffes-Parisiens in 1902 and again performed in the US in 1910. This time, she was a big hit in the US and came back loaded with money. Her obtaining of the part of Claudine was not so easy, Polaire writes in her memoirs, as Willy at the time reclaimed the rights of Colette’s novels, and didn’t consider this music-hall singer fit for this serious part. But a dashing and headstrong Polaire managed to convince Willy in person that she was Claudine, so she got the part. 'Claudine à Paris' was performed some 120 times in France, with great success. Colette herself was very satisfied with the result. Willy even managed to exploit the success with a whole line of merchandising. Afterwards, Polaire would consider him her substitute father.
From 1909, Polaire appeared in several film roles. First, she made two films at Pathé Frères, Moines et guerriers / Nuns and Warriors (Julien Clément) and La tournée des grand-ducs / The Grandduke’s Tour (Léonce Perret, 1910), in which she aptly played a dancer. Then she went to Germany to play a Cuban lady in Zouza (Reinhard Bruck, 1911), in which future film director Richard Oswald was one of her co-stars. Back in France, she acted again at Pathé in Le visiteur / The Visitor (Albert Capellani, René Leprince, 1911), but she was mostly active at the Éclair film company between 1911 and 1914, starting with Le poison de l’humanité /The Poison of Humanity (Émile Chautard, Victorin Jasset, 1911). From 1912 to 1914, she did a series of six films with the then young and upcoming film director Maurice Tourneur, working for Éclair: Les gaîtés de l'escadron / The Funny Regiment (1913), based on the novel by Georges Courteline; Le dernier pardon (1913), a comedy written by Gyp; La dame de Monsoreau (1913), after Alexandre Dumas père; Le Friquet (1914), after Gyp and with Polaire in the title role; Soeurette / The Sparrow (1914); and the mystery film Monsieur Lecoq (1914), after Émile Gaboriau. Her partners in these films were often Maurice de Féraudy, Charles Krauss, Henry Roussel and Renée Sylvaire. Le Friquet was restored by the Cinémathèque Française in the mid-1990s and shown in international festivals. Polaire plays a poor trapeze worker who loses her lover to a rich, immoral lady and then commits suicide during her trapeze act. It was based on a play Polaire had performed herself in 1904.
Polaire became a wealthy lady with a house on the Champs-Elysées and a country house in the Var, Villa Claudine. Well into the 1920s, she continued to gamble away huge fortunes.
After World War I, Polaire dedicated herself primarily to the stage. During her career, she recorded many of her songs as 'Tha ma ra boum di hé', 'La Glu' (based on a poem by Jean Richepin), 'Tchique tchique' by Vincent Scotto, the telephone song 'Allo! Chéri!', sang with her partner Marjal, and she recited 'Charlotte prays to Our Lady' by Jehan Rictus. Polaire died in 1939 at age 65 in Champigny-sur-Marne (Val-de-Marne). 'Mademoiselle Polaire' is cited by the Guinness Book of Records as co-holder (with the British Ethel Granger) of having the thinnest waist of 33 cm. Polaire says in her memoirs that she has repeatedly circled her waist with a fake collar of the 'normal size' of 41 or 42 cm. Polaire posed for various painters such as Antonio de La Gandara, Henri de Toulouse-Lautrec, Leonetto Cappiello, Rupert Carabin and John / Juan Sala. The latter became in 1893 the portraitist of Parisian society. His life-sized portrait of Polaire (1910) was auctioned at Drouot's in Paris on 28 June 2016.
Sources: deesk.pagesperso-orange.fr, Du temps des cerises aux feuilles mortes, Wikipedia (English, French and Dutch), and IMDb.
And, please check out our blog European Film Star Postcards.
Posted at YouTube Community platform
I am perhaps the only Muslim documenting Hinduism in India as a Message of Universal Peace.
I maybe a Muslim but my cultural inheritance is the roots of the land that I was born in.
My parentage my upbringing in one of the finest areas of Mumbai at Wodehouse road Colaba later Breach Candy and than at Colaba Strand Cinema.. changed the way we thought..
We never lived in a ghetto through we started our journey in Mumbai in the fetid slums of Kurla.
No political party appeased we worked our way up like our father we changed the path of our destiny.
Hinduism was never a religion in our upbringing it was the way of life of our friends neighbor who celebrated our Muslim feasts stood by us in our pain sorrow as we stood by them. Caste creed did not dominate our thinking or our thoughts.
So today I documente the Ganesha festival so my Hindu friends can savour it through the eyes of a Muslim photographer.. poetry passion and pathos.
I mean only a dumb person with poor ancestry upbringing and blinkers would ask me. Whether I am a Muslim or Hindu.
My respect for Hinduism is sincere and for me RSS is not the custoddiian of this huge pantheon of faith and fidellity.
So if you are myopic and think I am a Hindu so be it I am the only Muslim Aghori.
that should not shock you.
Am I a Muslim yes an Indian Muslim my Islam is relevant to my mother land my mother country..
I am not rabid like the Muslims that target me and try to cyber bully me..
I cannot be you..
You should not be me..
I feel sad that you see me as a Shia as a Sufi as a Hindu but fail to see me as a photographer that I am and my photography is not for hire or sale.
I am happy I am not a Muslim who only thinks as a Muslim I live in India I think as a Indian.
I am not a preacher or a Mullah I would rather commit harakiri..
I am a sartorialist I change clothes like the skin of a chameleon through my dress change I ioptically change the way you see me.
I look like a Sufi or a Sadhu but beneath my clothes I feel all what you feel.. pain sorrow misery and compassion.
Photography is paying homage to God and his world his beautiful creation.. I shoot man his fight to survive.
I also shoot Muslim women begging outside Mosques and nothing is going to change her destiny.
Male centric Mullahs want her to be cattle subjugated from here till Armageddon.
I am a drop out I had to work to sustain my parents I had no vocational guidance but I was lucky education saved me exorcised the darkness within me.
I have kept my comment box on review because it is not a toilet seat where you come shot splatter and go away.
And fuck you don't even flush.
I search for people with love for photography videos and humanity.
if you are a venomous snake in the guise of a human being sorry I have no time to retaliate your hate or your abusive comments.
Your agenda on YouTube you don't even shoot videos you have made this beautiful platform into a pulpit.
Youu hate us because we don't want to be like you.. we distance ourselves from your kind of Islam.
That wants to oppress and subjugate Peopke that follow your religion or your half baked untruths.
Have a nice day.
Jai Shree Ganesha.
Dilon main Rahe Hamesha
At least I shoot Original Content without hurting sense or your sensibility.
A ceremony celebrating NMH student/athletes who have committed to universities and colleges next year and beyond, December 9, 2021, at the Rhodes Room, Beveridge Hall. Photography by Glenn Minshall.
GAIUS CALIGULA. 37-41 AD. Æ As (11.21 gm). Struck 37/38 AD. C CAESAR AVG GERMANICVS PON M TR POT, bare head left / VESTA, S C across field, Vesta seated left, holding patera and sceptre. RIC I 38; BMCRE 46; Cohen 27. For more on Caligulan Numismatic Articles see: Coins courtesy cngoins.com
Related Articles of Caligula from American Numismatic Society Library Search
Library Catalog Search (Preliminary Version)
Full Record: Barrett, Anthony A. The invalidation of currency in the Roman Empire : the Claudian demonetization of Caligula's AES. (1999)
Full Record: Bost, Jean-Pierre. Routes, cits et ateliers montaires : quelques remarques sur les officines hispaniques entre les rgnes d'Auguste en de Caligula. (1999)
Full Record: Bibliothque Municipale d'Etude et d'Information de Grenoble. Grenoble : Bibliothque Municipale d'Etude et d'Information : catalogue des monnaies. II. Monnaies romaines. Monnaies impriales romaines. 2. Caligula - Neron . Index. / Bernard Rmy, Frdric Bontoux, Virginie Risler. (1998)
Full Record: Gainor, John R. The image of the Julio-Claudian dynasty from coins / by John R. Gainor.
Full Record: Martini, Rodolfo. Monete romane imperiali del Museo G. B. Adriani. Parte 3, Caius (37-41 d.C.) / Rodolfo Martini. (2001)
Full Record: ACCLA privy to presentation by Richard Baker on Caligula. (2002)
Full Record: Wend, David A. Caligula, the emperor as autocrat. Part 1. (2002)
Full Record: Wend, David A. Caligula, the emperor as autocrat. Part 2. (2002)
Full Record: Wend, David A. Caligula, the emperor as autocrat. Part 3. (2002)
Full Record: Kemmers, Fleur. Caligula on the Lower Rhine : Coin finds from the Roman Fort of Albaniana (The Netherlands) / Fleur Kemmers. (2004)
Full Record: Estiot, Sylviane. Le trsor de Meussia (Jura) : 399 monnaies d'argent d'poques rpublicaine et julio-claudienne / Sylviane Estiot, Isabelle Aymar. (2002)
Full Record: Gocht, Hans. Namenstilgungen an Bronzemünzen des Caligula und Claudius / Hans Gocht. (2003)
Full Record: Gomis Justo, Marivi. Ercavica : La emision de Caligula. Estimacion del numero de cunos originales.
Full Record: Sayles, Wayne G. Fakes on the Internet. (2002)
Full Record: Kemmers, Fleur. The coin finds from the Roman fort Albaniana, the Netherlands / Fleur Kemmers . (2005)
Full Record: Lopez Snchez, Fernando. La afirmacion soberana de Caligula y de Claudio y el fin de las acunaciones ciudadanas en occidente / Fernando Lopez Snchez. (2000)
Full Record: Besombes, Paul-Andr. Les monnaies hispaniques de Claude Ier des dpôts de la Vilaine (Rennes) et de Saint-Lonard (Mayenne) : tmoins de quel type de contact entre l'Armorique et la pninsule ibrique ? / Paul-Andr Besombes. (2005)
Full Record: Catalli, Fiorenzo. Le thesaurus de Sora / Fiorenzo Catalli et John Scheid.
Full Record: Giard, Jean-Baptiste. Faux deniers de Caligula de la Renaissance.
Full Record: Vermeule, Cornelius. Faces of Empire (Julius Caesar to Justinian). Part II(B), More young faces : Caligula again and Nero reborn / Cornelius Vermeule. (2005)
Full Record: Geranio, Joe. Portraits of Caligula : the seated figure? / Joe Geranio. (2007)
Full Record: Aguilera Hernandez, Alberto. Acerca de un as de Caligula hallado en Zaragoza / Alberto Aguilera Hernandez. (2007)
Full Record: Butcher, K. E. T. Caligula : the evil emperor. (1985)
Full Record: Fuchs, Michaela. Frauen um Caligula und Claudius : Milonia Caesonia, Drusilla und Messalina. (1990)
Full Record: Faur, Jean-Claude. Moneda de Caligula de Museo Arqueologico Provincial de Tarragona. (1979)
Full Record: British Museum. Dept. of coins and medals. Coins of the Roman Empire in the British museum. Vol. I: Augustus to Vitellius / by Harold Mattingly. (1976)
Full Record: Conrad, Edwin. A Caligula Isotope of Hadrian. (1968)
Full Record: Conrad, Edwin. The Metamorphosis of an Allegad 'As of Hadrian.' (1968)
Full Record: Bendall, Simon. A 'new' gold quinarius of Caligula. (1985)
Full Record: Cortellini, Nereo. Le monete di Caligola nel Cohen.
Full Record: Guey, Julien. Les "bains d'or" de Caligula "Immensi Avreorvm Acervi (Sutone, Cal., 42,3).
Full Record: Guey, J. Les "bains d'or" de Caligula : Sutone, Cal. 42, 3.
Full Record: Curry, Michael R. The Aes Quadrans of Caligula. (1968)
Full Record: Jonas, Elemr. L'emploi dar "damnatio memoriae" sur l'un des "dupondius" de Calgula. (1937)
Full Record: Julian, R. W. The coins of Caligula. (1994)
Full Record: Donciu, Ramiro. Cu privire la activitatea militara a lui Caius (Caligula) in anul 40 e.n. (1983)
Full Record: Hansen, Peter. A history of Caligula's Vesta. (1992)
Full Record: Kaenel, Hans-Markus von. Augustus, Caligula oder Caludius? (1978)
Full Record: Kaenel, Hans-Markus von. Die Organisation der Münzprgung Caligulas. (1987)
Full Record: Johansen, Flemming S. The sculpted portraits of Caligula. (1987)
Full Record: Carter, G. F. Chemical compositions of copper-based Roman coins. V : imitations of Caligula, Claudius, and Nero / G. F. Carter and others. (1978)
Full Record: Giard, Jean-Baptiste. L'atelier de Lyon sous Auguste : Tibre et Caligula. (1979)
Full Record: Giard, Jean-Baptiste. Les missions d'or et d'argent de Caligula dans l'atelier de Lyon. (1976)
Full Record: Giard, Jean-Baptiste. Le monnayage de l'atelier de Lyon des origines au rgne de Caligula (43 avant J.-C. - 41 aprs J.-C.). (1983)
Full Record: Nony, D. Quelques as d'imitation de Caligula trouves a Bordeaux (Gironde). (1981)
Full Record: Levy, Brooks Emmons. Caligula's radiate crown. (1988)
Full Record: Poulsen, Vagn. Un nouveau visage de Caligula. (1972)
Full Record: Price, Martin Jessop. Elephant in Crete? New light ona cistophorus of Caligula. (1973)
Full Record: MacInnis, H. Frank. Ego-driven emperor commits excesses. (1979)
Full Record: McKenna, Thomas P. The case of the curious coin of Caligula : a provincial bronze restruck with legend-only dies. (1994)
Full Record: Mowat, Robert. Bronzes remarquables de Tibre, de son fils, de ses petits-fils et de Caligula. (1911)
Full Record: Koenig, Franz E. Roma, monete dal Tevere : l'imperatore Gaio (Caligola). (1988)
Full Record: Kollgaard, Ron. Caligula's coins profile despot. (1993)
Full Record: Kollgaard, Ron. A numismatic mystery : "the Caligula quadrans." (1994)
Full Record: Martini, Rodolfo. Osservazioni su contromarche ed erosioni su assi de Caligula. (1980)
Full Record: Szaivert, Wolfgang. Moneta Imperii Romani. Band 2 und 3. Die Münzprgung der Kaiser Tiberius und Caius (Caligula) 14/41 / von Wolfgang Szaivert. (1984)
Full Record: Boschung, Dietrich. Die Bildnisse des Caligula. Kaenel, Hans-Markus von. Jucker, Hans. Deutsches Archaologisches Institut. Das Romische Herrscherbild. 1. Abt., Bd. 4, Die Bildnisse des Caligula / Dietrich Boschung ; mit einem Beitrag von Hans-Markus von Kaenel ; auf Grund der Vorarbeiten und Marterialsammlungen von Hans Jucker. (1989)
Full Record: Rosborough, Ruskin R. An epigraphic commentary on Suetonius's life of Gaius Caligula. A thesis...for the...Doctor of Philosophy. (1920)
Full Record: Richard, Jean-Claude. A propos de l'aureus de Caligula dcouvert Saint-Colomban-des-Villards (Savoie). (1982)
Full Record: Richard, Jean-Claude. Un aureus de Caligula dcouvert Saint-Colomban-des-Villards (Savoie). (1982)
Full Record: Ritter, Hans-Werner. Adlocutio und Corona Civica unter Caligula und Tiberius. (1971)
Full Record: Kumpikevicius, Gordon C. A numismatic look at Gaius. (1979)
Full Record: Savio, Adriano. La coerenza di Caligola nella gestione della moneta / Adriano Savio. (1988)
Full Record: Savio, Adriano. Note su alcune monete di Gaio-Caligola. (1973)
Full Record: Stylow, Armin U. Die Quadranten des Caligula als Propaganda-münzen.münzen" aus der stdtischen sammlung zu Osnabrück. (1971)
Full Record: Schwartz, Jacques. Le Monnayage Snatorial entre 37 et 42 P.C. (1951)
Full Record: Rodolfo Martini, ed. Sylloge nummorum Romanorum. Italia. Milano, Civiche Raccolte Numismatiche Vol. 1 Giulio-Claudii / a cura di Rodolfo Martini. (1990)
Full Record: Szaivert, Wolfgang. Zur Julisch-Claudischen Münzprgung. (1979)
Full Record: Vedrianus. The Roman Imperial series. V. Gaius. (1963)
Full Record: Tietze, Christian M. Kaiser Cajus Caesar, genannt Caligula. (1979)
Full Record: Wood, Susan. Diva Drusilla Panthea and the sisters of Caligula / Susan Wood. (1995)
Full Record: Sutherland, Carol Humphrey Vivian. Coinage in Roman imperial policy 31 B.C.-A.D. 68. (1951)
Full Record: Sutherland, C. H. V. The mints of Lugdunum and Rome under Gaius : an unsolved problem. (1981)
Full Record: Trillmich, Walter. Familienpropaganda der Kaiser Caligula und Claudius : Agrippina Maior und Antonia Augusta auf Münzen. (1978)
Full Record: Voirol, August. Eine Warenumsatzsteuer im antiken Rom und der numismatische Beleg inher Aufhebung : Centesima rerum venalium. (1943)
Full Record: Trillmich, Walter. Zur Münzprgung des Caligula von Caesaraugusta (Zaragoza). (1973)
The premiere of Generation Startup at the 2016 COMMIT!Forum, the Westin Hotel in Times Square on October 18, 2016 in New York City. (Photos by Ben Hider)
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Don't believe the doctrine of being save will always be saved !
Being saved in Christ doesn't give you the freedom to murder.
Killing your own body is still murder .
Don't take your own life to escape from unbearable suffering and stress.
Other christia denominations speak lightly of suicides commited by Christians.
But let the word of God speak ,not church men that did not follow the scriptures.
1 Corinthians 3:16-17
" Don't you know that you yourselves are God's temple and that God's Spirit lives in you? If anyone destroys God's temple, God will destroy him; for God's temple is sacred, and you are that temple. ! ~
It's clear and simple words !God will destroy YOU if you destroy your body as temple made for you ! Leave God in His time to take the temple /your body and life away ,not you !The devil has a counterfeit doctrine to propagate sugar coated lies ,never believe it ,rather check it against
what the word of God says.
1 Corinthians 6 :19
19 Do you not know that your bodies are temples of the Holy Spirit, who is in you, whom you have received from God? You are not your own;
Hebrews 9:27
"And as it is appointed to men once to die, but after this the judgment:"
How can you ask forgiveness after you die ,no chance ever. Don't gamble your eternity to foolies of men's doctrines.Don't believe in church doctrines which states people can still pray for your salvation after your die.No ,it's absolutely wrong .Many are lead to eternal damnation to hell following this doctrine that could never be found within the Bible .After you die,that's it for you !
Matthew 7:21
"Not every one that saith unto me, Lord, Lord, shall enter into the kingdom of heaven; but he that doeth the will of my Father which is in heaven."
There you go - how clear it is !
Revelations 21:8
"But cowards, unbelievers, the corrupt, murderers, the immoral, those who practice witchcraft, idol worshipers, and all liars--their fate is in the fiery lake of burning sulfur. This is the second death."
If we LIE about God's teachings and twist them for our own glory and pride ,we are hold accountable to it!
1 Corinthians 6 :9
"Know ye not that the unrighteous shall not inherit the kingdom of God? Be not deceived: neither fornicators, nor idolaters, nor adulterers, nor effeminate, nor abusers of themselves with mankind"
Praying for a dead person isn't right ,as it's over and it's finality of someone.Upon reading the Bible ,I stopped praying for a dead relative ,this was decades ago .You can not pray for his salvation .When someone dies it's all finished .Rather pray for his or her family left behind to cope for the loss.If he or she rejects Jesus' free gift of salvation when alive ,then the word of God itself speaks about the destination of the unbelieving and those who reject Christ.If the person has Christ in his life ,then surely it's an eternal victory going back to God ,where eternal peace and pure joy abides in the habitation of God. Large number of people who had near death experiences of seeing a place they call heaven ,share about seeing unimaginable beauty ,human words could hardly describe the glorious kingdom of of light and of God .
This is the place we should aspire as eternal destiny ,not the eternal torment and unspeakable horror in hell.
Prayers for the dead can not save the someone who's already dead from God's judgement as told in the Bible .So why pray for the dead ?
I did visit my family's graveyard but I don't pray for them - as it is final .The Bible said so. Therefore who on earth even man or your Bishop or a Pastor can say it's NOT ,giving excuses ,unless they are following false doctrine /being a false prophet to lead many astray .
While you are breathing and alive ,this is the chance for salvation
( every ticking minute is vital ) by receiving Jesus Christ as personal saviour and lord in your life and with true repentance at heart.You don't need a big witness of people . You don't need to join a religion .Salvation is a free gift of God and achieved not by your good works .The Holy Bible says good works without Christ are but filthy rugs in the sight of God.
We are justified righteous by God only through Jesus ,who sheed His blood as a sacrificial lamb of God for the redemption of man .
I knew many people can ridicule this message .
But in the mouth of death ,it's hard to ridicule what awaits at eternity.
, when we are faced with "What ifs " .
No one knows for certain when death comes .Death sometimes comes by surprise ,very untimely ,very sudden,like a blink of an eye.
Are we prepared for such moment?
Without Jesus in our lives ,we are lost eternally .
Jesus is the only way the truth and the life ,no one comes to the father except through Jesus ,the sacrificial lamb of God.
Neither the doctrine of Mary worship is acceptable in the eyes of God .
You can not gain salvation through Mary. Mary was only a human vessel used by God and never to be worshiped ,as God is a spirit .
There's no Mary worship commanded in the Bible - no nothing you'll find !Sorry if this can be disappointing . But I'd rather share the truth
that I knew as spoken by sole authority of the Holy Bible ,the Word of God .
Only in the name Jesus ( Yeshua in Hebrew ) where salvation is given.
There's no name given under Heaven except through Yeshua where we get saved.
Romans 3 :23
"For all have sinned, and come short of the glory of God"
There's no exception for all of us are under one umbrella as sinners,and no offense intended ,even the pope included.
We all need a saviour !
JESUS IS OUR SALVATION !
To continue taking action and making steady progress towards protecting the safety and security of vulnerable women in B.C., government is making available up to $1 million in targeted grant funding and committing to examining the structure and funding of policing in the province.
Learn more: www.newsroom.gov.bc.ca/2013/11/action-continues-to-suppor...
Turkey's Hybrid War against Greece and Cyprus and the
turkish paranoia of the so called blue homeland (mavi vatan) claiming several big & small Greek islands of internationally recognized Greek sovereignty while also inhabited by native for millennia Greek people ....
Turkey's Major Genocides, Ethnic Cleansings
and Persecutions, in ottoman & modern times
Massacres against the Kurds 1930-today
Military Invasion & Occupation of Cyprus' north part 1974-today
Military Invasion, along with proxy Jihadists, of Syria 2019
...... typical barbarism & islamization processes of the ottoman and neo-ottoman Turkey alike .... with the usual apathy, if not collaboration, of the big powers & world organizations, i.e. the USA, Russia, the UK, Germany, as well as the UN, NATO & the EU .....
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2022 JUN 13 :: Realities M.Cavusoglu "forgets"
2022 JUN 11 :: Turkey's Nazist background exposed
A ceremony celebrating NMH student/athletes who have committed to universities and colleges next year and beyond, December 9, 2021, at the Rhodes Room, Beveridge Hall. Photography by Glenn Minshall.
The premiere of Generation Startup at the 2016 COMMIT!Forum, the Westin Hotel in Times Square on October 18, 2016 in New York City. (Photos by Ben Hider)
the word “love” in the Qur’an appears on over 90 places but interestingly it doesn’t define the word love but speaks about the very first consequence of love…”committing.” Islam talks about commitment; if you truly love, then commit, if you do not commit then your claim of love is not real.
~Sheikh Yassir Fazaga
Baitul Mukarram, Dhaka, Bangladesh.
The Black Sleep (1956)
dai.ly/x14wrtw Full Feature on Daily motion
England, 1872. The night before he is to be hanged for a murder he did not commit, young Dr. Gordon Ramsey is visited in his cell by his old mentor, eminent surgeon Sir Joel Cadmund. Cadmund offers to see that Ramsey gets a proper burial and gives him a sleeping powder to get him through the night, which Ramsey takes, unaware it is really an East Indian drug, "nind andhera" ("the black sleep"), which induces a deathlike state of anesthesia. Pronounced dead in his cell, he is turned over to Cadmund, who promptly revives him and takes him to his home in a remote abbey. Cadmund explains he believes Ramsey is innocent and needs his talents to help him in an project, which he is reluctant to immediately discuss further. In fact, Cadmund's wife lies in a coma from a deep-seated brain tumor, and he is attempting to find a safe surgical route to its site by experimenting on the brains of others, whom Ramsey comes to learn are alive during the process, anesthetized by the "black sleep", and are taken to a hidden recovery room in the abbey from which few emerge, though they still live...
- Written by Rich Wannen
Old-fashioned as it is, however, The Black Sleep still gets the job done at least as well as most of the movies to which it hearkens back. Most notably, it crystallized a vague sense I’ve had for some time now that it’s too bad Rathbone got pigeonholed so early on as Sherlock Holmes. He had a commanding elegance about him akin to that later displayed by Peter Cushing and Christopher Lee, and which nobody else on the 30’s and 40’s horror scene could match. Lionel Atwill and John Carradine came close on occasion, but Atwill was always a little too foppish and Carradine a little too homespun to play the depraved Old World nobleman with Rathbone’s authority; neither of them would have been up to the challenge of Tower of London’s Richard III, for example. As Joe Cadman, Rathbone simultaneously prefigures the Cushing Frankenstein, and hints at all the brilliant mad movie scientists that might have been if only Rathbone hadn’t been so busy chasing Nazi agents all over the English moors during the years of the second Hollywood horror boom. He might even have injected some unwonted class into a Monogram or PRC production! The rest of the cast doesn’t quite match up to the top-billed star, but most of those who are required to do any actual acting (which is to say, not Tor Johnson, Bela Lugosi, or Lon Chaney Jr.) acquit themselves respectably well. Another thing The Black Sleep does right is to incorporate a bit of defensible real-world science into the mad variety more familiar from movies of its type. Much of the film’s horror stems from the certainty that attempting such delicate neurological investigations with the clumsy and invasive techniques of the late 19th century really would produce monstrous derangement's of brain function, even if these specific symptoms (John Carradine’s character is convinced that he’s Bohemond of Taranto— the hell?) are not always especially plausible. Finally, Udo the Gypsy, who in most horror films of this era would be nothing but a comic relief character, is portrayed in much too sinister a light to become as irritating as one might anticipate. His clowning creates more unease than anything else, for it is plainly but a cover for a complete absence of conscience. All in all, The Black Sleep represents a commendable effort to bring some seriousness of purpose back into the gothic mad scientist movie, which had grown silly enough on its own over the years that it hadn’t really needed Abbott and Costello to poke fun at it.
This was once the largest disco in Belgium. Closed by the city government several years ago due to permit issues. The owner was later convicted for committing fraud. Apart from some areas (the bistro, the owner’s apartment) the whole building was very, very dark. Pictures of most rooms have been lit with maglites. The apartment had a huge jacuzzi which wasn’t only used to bath….. Sex toys and condoms proved other uses….
the whole set: www.urbex.name/leisure/disco
"The Dream" with David Suchet as Hurcule Poirot
Millionaire Benedict Farley has Poirot come to a late night meeting where he tells him of a recurring dream where he commits suicide. Farley is found dead the next day and Poirot and Captain Hastings then assist Inspector Japp in solving the case with alittle help from Miss Lemon!
actress Mary Tamm as Mrs. Farley
Premier Christy Clark announced that the redevelopment of St. Paul's Hospital is moving ahead with finalizing the concept plan. The Ministry of Health and Providence Health Care will immediately begin work to finalize the redevelopment concept plan, noting the detailed planning will need to account for the complexities of maintaining necessary care for patients on the current site when the project gets underway.
Watch the video:
Learn more:
www.newsroom.gov.bc.ca/2012/06/premier-clark-commits-to-r...
The Black Sleep (1956)
dai.ly/x14wrtw Full Feature on Daily motion
England, 1872. The night before he is to be hanged for a murder he did not commit, young Dr. Gordon Ramsey is visited in his cell by his old mentor, eminent surgeon Sir Joel Cadmund. Cadmund offers to see that Ramsey gets a proper burial and gives him a sleeping powder to get him through the night, which Ramsey takes, unaware it is really an East Indian drug, "nind andhera" ("the black sleep"), which induces a deathlike state of anesthesia. Pronounced dead in his cell, he is turned over to Cadmund, who promptly revives him and takes him to his home in a remote abbey. Cadmund explains he believes Ramsey is innocent and needs his talents to help him in an project, which he is reluctant to immediately discuss further. In fact, Cadmund's wife lies in a coma from a deep-seated brain tumor, and he is attempting to find a safe surgical route to its site by experimenting on the brains of others, whom Ramsey comes to learn are alive during the process, anesthetized by the "black sleep", and are taken to a hidden recovery room in the abbey from which few emerge, though they still live...
- Written by Rich Wannen
Old-fashioned as it is, however, The Black Sleep still gets the job done at least as well as most of the movies to which it hearkens back. Most notably, it crystallized a vague sense I’ve had for some time now that it’s too bad Rathbone got pigeonholed so early on as Sherlock Holmes. He had a commanding elegance about him akin to that later displayed by Peter Cushing and Christopher Lee, and which nobody else on the 30’s and 40’s horror scene could match. Lionel Atwill and John Carradine came close on occasion, but Atwill was always a little too foppish and Carradine a little too homespun to play the depraved Old World nobleman with Rathbone’s authority; neither of them would have been up to the challenge of Tower of London’s Richard III, for example. As Joe Cadman, Rathbone simultaneously prefigures the Cushing Frankenstein, and hints at all the brilliant mad movie scientists that might have been if only Rathbone hadn’t been so busy chasing Nazi agents all over the English moors during the years of the second Hollywood horror boom. He might even have injected some unwonted class into a Monogram or PRC production! The rest of the cast doesn’t quite match up to the top-billed star, but most of those who are required to do any actual acting (which is to say, not Tor Johnson, Bela Lugosi, or Lon Chaney Jr.) acquit themselves respectably well. Another thing The Black Sleep does right is to incorporate a bit of defensible real-world science into the mad variety more familiar from movies of its type. Much of the film’s horror stems from the certainty that attempting such delicate neurological investigations with the clumsy and invasive techniques of the late 19th century really would produce monstrous derangement's of brain function, even if these specific symptoms (John Carradine’s character is convinced that he’s Bohemond of Taranto— the hell?) are not always especially plausible. Finally, Udo the Gypsy, who in most horror films of this era would be nothing but a comic relief character, is portrayed in much too sinister a light to become as irritating as one might anticipate. His clowning creates more unease than anything else, for it is plainly but a cover for a complete absence of conscience. All in all, The Black Sleep represents a commendable effort to bring some seriousness of purpose back into the gothic mad scientist movie, which had grown silly enough on its own over the years that it hadn’t really needed Abbott and Costello to poke fun at it.
When you're out of ankle socks you can either rumple down your hiking socks and pretend they don't look stupid when you're wearing shorts, or you can pull them up with pride and pretend you're a fashion leader.