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Black Comedy - trailerforgatás - Liptai Claudia, Blaskó Péter, Schmied Zoltán, Vári-Kovács Péter, Kovács Patrícia - fotó: Dudás Ernő
Tiatr INTERVIEW by Saby de Divar
with Com Sally
more here joegoauk-tiatr.blogspot.in/2016/02/interview-by-saby-de-d...
Summit Comedy, Inc. was formed in 1998 and is one of the largest suppliers of comedy entertainment for Colleges, Corporate Events, Country Clubs, Private Events, Holiday Parties, Night Clubs, and more. We book every where in the United States and represent Stand-Up Comedians, Celebrity Comedians and Speakers, Hypnotists, Magicians, Ventriloquists, and much, much more. Whether this is your first event or you have been planning events for a lifetime, we will make the booking process efficient and smooth. www.summitcomedy.com
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Tatjana Meissner – Indiscret
Indiscret sind vierzehn Songs: frech und frivol, rotzig und sanft, tiefsinnig und witzig, mitreißend und melancholisch.
Indiscret heißt Tatjana Meissners erste Audio-CD.
Das ist neu.
Aber indiskret ist die Entertainerin schon immer... ein wenig. Die Kabarettistin legt den Finger in die Wunde; spricht aus, was jeder schon einmal gedacht hat und bringt ihr Publikum zum Lachen, indem sie mit viel Selbstironie Themen und Begebenheiten aufgreift, die jeder schon erlebt hat.
In ihren Liedern lästert die Entertainerin über menschliche Laster („Alte Mütter“ und „Kranke Männer“), plaudert von weiblichen Unzulänglichkeiten („Spann mal aus“) und männlichen Abgründen („Er redet nur“). Sie swingt über den „Sinn“ des Lebens, singt melancholisch „Ich werde wie Mama“, rockt den Mauerfall und reggaet die Kraft der Hormone. Die Meissner lässt nichts aus, nichtmal Schlager („Glückspilz“).
http:www.indiscret.de
Bonnaroo Comedy Theatre at the Bonnaroo Music Festival 2011 - © 2011 David Oppenheimer - Performance Impressions Concert Photography
Watch or download the first episode here: revision3.com/rofl/standup/
Your weekly comedy fix, ROFL brings you hilarious standup comedy from around the world with the biggest names and up-and-comers in comedy.
Episode 1 - Owls, Tramp Stamps and Sexy Secrets
The funniest stand-up comics from across the country take on dating, tattoos, owls, sex, the British, Facebook, Starbucks, Cosmo, and creepy, creepy dudes. So very creepy.
Divine Comedy 2010
Tango
Director: Jerzy Jarocki
After the Polish premiere of Tango in 1964, the play was predicted “to be played eternally” in the Polish theatre: played regularly like the bugle call from St Mary’s Tower in Kraków. One of those who assisted in the delivery of the fantastic drama, Jerzy Jarocki, returns to it 55 years later. He supplements the Mrożkian tale of “the family that turns into the society” with a history of the ideological breakdowns of the 20th century and also a discreet settling of accounts with the theatre of the bygone century. In Jarocki, one of the protagonists – Stomil – changes from an eccentric avant-garde artist into a conceptualist director who walked hand-in-hand with Kantor, Swinarski, Grotowski, Szajna, Grzegorzewski, and finally with Jarocki himself.
Artur – the young, conservative rebel – assumes the repulsive form of a member of the phalanx of politicians, pragmatist-technocrats, who believe they have acquired knowledge of the mechanisms of controlling “the uneducated rabble”. It is only chance that decides which of the rightist parties they are going to choose. Jarocki knows only too well that the wisdom of the well-read Tango comes to the floor whenever there is something important in the reality that needs naming. Therefore, the director speaks straight about what violence and power are today, and why ideologists lose. In the final scene, as always in this drama, two males – Eugeniusz and Edek – dance La Cumparsita. It is usually in this scene that the answer to the question what Tango means today is vested. After all, it is one of the most powerful image-metaphors in the history of Polish theatre. It usually has a conservative dancing with a despot, while in Jarocki, two opportunist forces meet, with either dancer pondering how to exploit the other. The cynical mentor has possibly found an ideal disciple, a subcontractor to ano-ther conservative revolution. Jarocki puts forth a hypothesis that of this alliance something will again be born in Poland.
Photography: Grzegorz Ziemiański
Jess had a spare ticket to see Doug Stanhope and I had nothing to do, so I went with her. He wasn't quite my cup of tea (he is very vulgar), but it was fun taking photo and hanging with friends anyway.
Carlos Valencia, the second very short opening act.
Legless and wingless bird hurtles along the beach ... inexplicably in focus compared to the surroundings :-)
This event will bring together activists and comedians to discuss the ways in which comedy can push forward agendas such as #metoo and contemporary women’s rights movements, and how this effort can translate into meaningful change in women’s lives. The event will also showcase the work of UN Women and Mythos Labs in countering violent extremist recruitment narratives—and their understandings of gender—through comedy. It features a comedy set by renown comedian and actress Aparna Nancherla.
In early 2018, UN Women partnered with Mythos Labs to produce a series of comedy videos to counter the messaging of terrorist groups in the Asia region. Working with female comedians in South Asia and South-East Asia, these sketches challenge the narratives used by violent extremist groups and counter extremist ideology in the online space. While this work was originally piloted to prevent and counter violent extremism, the implications go far beyond this realm. Comedy can and is being used to promote broader themes of women’s empowerment and gender equality, by not just making us laugh, but by challenging stereotypes with a broad and engaged audience.
This project is part of UN Women’s Empowered Women, Peaceful Communities programme, which is funded by the Government of Japan. This programme works in the Asia Pacific region to challenge the gendered dynamics of violent extremism and reverse its growing trend, through prioritizing women’s rights, empowerment, participation and leadership—in national decision-making and at the community level.
Photo: UN Women/Ryan Brown