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"Big Norm's Comedy Cookout" | Sun Sept 17 | feat Big Norm, Aisha Brown, Chris Robinson, Che Durena and Kerby Darius. Part of the 2017 Soul Food Comedy Festival www.soulfoodcomedyfest.com @soulfoodcomedyfest @thebignormshow @aishahatesposing @chedurena @snapshotrobinson @kerbydarius
#ComedyCookout #SoulFoodComedyFestival
Divine Comedy 2012
'Komornicka. An apparent biography' - photos from performance
Photography: Grzegorz Ziemiański / www.fotohuta.pl
Comedic Morris Dancers perform in the Pavilion Gardens entertaining the crowds.
See other photo's like this on www.paviliongardenscafe.co.uk under picture gallery section.
Host Kevin Maher greets the audience.
Follow 92YTribeca on Twitter @92YTribeca
Divine Comedy 2010
Knives in Hens
Director: Weronika Szczawińska
The Olsztyn version of Harrover’s drama, popular on Polish stages, resembles a new linguistic theatrical experiment rather than a study in women’s alienation. Its director discovers a true semantic treatise under the feature and psychological layer of the text. Three actors are placed within an empty, white space. Words and notions are written out on the walls. With the help of letters and pictograms, the protagonists make attempts to decipher the sense of life and the world. What betrayal means, what the constituent elements of jealousy are, what love is, what a woman is, and who a man may be. Emotions become separated from words, the text of the role assumes the form of a complex language code. What notions are taken to form a hero? At the beginning of the play, the Ploughman, deserted by Wife who chose the Miller, uses the wall to writes the fundamental equation: “horse, field, woman = entire me”. In this world, the task of the Miller is to spoil the inscriptions, change the meanings of words by obscene word endings and drawings. In the thus formatted world, love must also assume a written form. And suddenly everything is like in Greenaway’s Pillow Book: a naked man is writing on a naked woman. This means: now you are mine, you are a sheet of paper that I may fill with writing as I want, and once I am done, I will create you anew. Another production by Weronika Szczawińska, where the laboriously discovered, radical and new form affords a different sense to a well-known work.
Photography: Grzegorz Ziemiański
Brac & Flint. Every comedy duo has to have a straight guy and a comedian. I think you can tell who's who here. :-)
This week Garage Comedy the Show pits against each other two long time rivals of the Comedy World: Boston vs. Chicago! Who will be victorious in this Colassal Contest and who will be forever doomed to second best status in the eyes of Silverlake, Boston, Chicago and the Internet? Come see this Titanic collision of Mid Western Deep Dish delights and Alcolic Wife Beating Micks duke it out with one liners, characters, antectotes and All American fun this Monday June 16th 2008, 9pm at the El Cid.
Featuring:
Team Chicago:
Tony Sam (Ask Dr. Tony)
TJ Miller (Carpoolers)
Mike Burns (Performed at every Comedy Festival since 2002)
Mike Holmes (Chicago Underground Comedy regular)
Kyle Kinane (last call with Carson Daly)
VS
Team Boston:
Erik Charles Nielsen (EriK the Librarian)
The Walsh Brothers (The Great and Secret Comedy Show)
Nathan Barnatt (We've All Got Problems)
Asterios Kokkinos (The Willem Dafoe Failure Watch)
Mookie Blaiklock & Dave Horwitz (Hendershaw)
Hosted by Eddie Pepitone and Joe Wagner. with a halftime report by Brody Stevens
all broadcast LIVE on www.garagecomedy.com/live
9pm 21+ El Cid 4212 Sunset Blvd LA CA 90029
FREE parking, NO drink minimum, FREE admission
The main performer all weekend was Max Amini in from the United States, perhaps a little shocked here by flying into a winter cold snap (he's from Los Angeles)
Back to photos from the comedy show last weekend...
Two of New York’s funniest ladies, Allison Castillo (Comedy Central, VH1) and Ophira Eisenberg (Comedy Central, The Moth), bring their long-running comedy show Sweet Paprika to 92YTribeca’s stage.
Their guests include William Mullin (Closet Cases Provincetown), Brooke Van Poppelen (VH1) and Nick Griffin (David Letterman, Craig Ferguson, Conan O'Brien). As always, they've got Jeff Cubeta (Cast of Thousands: The Songs of Craig Carnelia) on the keys and a big closing number, featuring their own cast of thousands.
In the 10 years since his fiancée was killed, special op MacGruber has sworn off a life of fighting crime with his bare hands. But when he learns that his country needs him to find a nuclear warhead that's been stolen by his sworn enemy, Dieter Von Cunth (Val Kilmer), MacGruber figures he's the only one tough enough for the job.
Watch via : www.freebestmovies.net/2010/05/macgruber-online-watch-act...
Went back and had some more fun with the Pompey Massive on NYD.
Shouts to all that were there and i've got to stop watching Family Guy.
Alexander Schacht 1892 - 1984. Washington Senators and Boston Red Sox. He was also remembered as the "Clown Prince of Baseball" his baseball slapstick comedy routiness, along with coach Nick Altrock, entertained millions of baseball fans at 25 World Series games. He also reportedly pitched in Babe Ruth's first professional game in the International League.
The Brace Collection. Text: Gary Broder. American Jewish Historical Society
Divine Comedy 2010
Knives in Hens
Director: Weronika Szczawińska
The Olsztyn version of Harrover’s drama, popular on Polish stages, resembles a new linguistic theatrical experiment rather than a study in women’s alienation. Its director discovers a true semantic treatise under the feature and psychological layer of the text. Three actors are placed within an empty, white space. Words and notions are written out on the walls. With the help of letters and pictograms, the protagonists make attempts to decipher the sense of life and the world. What betrayal means, what the constituent elements of jealousy are, what love is, what a woman is, and who a man may be. Emotions become separated from words, the text of the role assumes the form of a complex language code. What notions are taken to form a hero? At the beginning of the play, the Ploughman, deserted by Wife who chose the Miller, uses the wall to writes the fundamental equation: “horse, field, woman = entire me”. In this world, the task of the Miller is to spoil the inscriptions, change the meanings of words by obscene word endings and drawings. In the thus formatted world, love must also assume a written form. And suddenly everything is like in Greenaway’s Pillow Book: a naked man is writing on a naked woman. This means: now you are mine, you are a sheet of paper that I may fill with writing as I want, and once I am done, I will create you anew. Another production by Weronika Szczawińska, where the laboriously discovered, radical and new form affords a different sense to a well-known work.
Photography: Grzegorz Ziemiański
Bullseye, The Comedy Carpet, Blackpool. Sunday 21 July 2013.
I do like this :)
Photograph copyright: Ian 10B.
Anthony Lanier sacked Blaine Gabbert and forced a fumble that Preston Smith recovered and the Washington Redskins held on to beat the Arizona Cardinals 20-15 Sunday in a game that was a comedy of errors for each team.
Smith also intercepted Gabbert and Lanier batted down three passes and had two sacks as they gave the Redskins (6-8) a glimpse of their potential as significant pieces of the defense for years to come.
Redskins finally win again, thanks to big defensive plays late.
They didn't magically fix all that has ailed them this season, but the Redskins' victory over Arizona on Sunday should prove good for their psyche.
Cardinals inefficiency in red zone leads to playoff elimination.
The problems plaguing the offense Sunday were emblematic of the entire season: Arizona couldn't capitalize, and the playoffs are now out of reach.
Gabbert was 16 of 41 for 189 yards with the interception and a fumble he recovered himself in the fourth quarter. Arizona (6-8), which got all its points on field goals by Phil Dawson, went 0 for 6 in the red zone and 4 for 19 on third down as it was eliminated from playoff contention.
Washington quarterback Kirk Cousins was 18 of 26 for 196 yards with touchdown passes to Jamison Crowder and new running back Kapri Bibbs. The Redskins were booed at times in the second half by fans in the announced crowd of 71,026.
Gabbert led the Cardinals to the Washington 21-yard line before an incomplete pass on fourth down ended their chances.
DRIVE FOR FIVE
Dawson made all five of his field goal attempts, connecting from 40, 35, 19, 34 and 32 yards. He was good from 54 early in the fourth quarter, though that was wiped out when Washington's A.J. Francis was given a 15-yard penalty for leverage.
SACKMASTER JONES
Arizona linebacker Chandler Jones earned his NFL-leading 15th sack of the season during the first half as he continued to make a case to be NFL Defensive Player of the Year. With two games remaining, he's two shy of setting the franchise record for sacks in a season.
RECOVERED KICK
Even though coach Bruce Arians didn't call for an onside kick to start the second half, the Cardinals got the ball back in excellent field position. Dawson's kickoff bounced deep in Washington territory and when no Redskins player fielded it, Budda Baker recovered at the 22.
All of the pictures were taken by Kirk Allen of RWM Sports | Red Weasel Media
The nine lunettes in the northwest corridor depict the Muses and were rendered by Edward Emerson Simmons.
According to Greek mythology, the Muses were the goddesses of various departments of Art, Poetry, and Science. Apollo, the god of song, was their father, and Mnemosyne (Memory) their mother. Their names, which appear at the center and top of each lunette by Simmons, are listed below, beginning at the south end of the corridor: Melpomene (Tragedy), Clio (History), Thalia (Comedy and Bucolic Poetry), Euterpe (Lyric Song), Terpsichore (Dancing), Erato (Love Poetry), Polyhymia (Sacred Song), Urania (Astronomy), and Calliope (Epic Poetry).
On Sept 19th, members of Club Fit enjoyed a comedy night in the gym. We had 3 comedians make us laugh all night long!
Release Date
January 7, 2011
Language
Hindi / English
Genre
Comedy
Banner / Distributor
Prakash Jha Productions
Music Label
T-Series
Official website
Publicity photo for the 1959 episode of "The Lucy-Desi Comedy Hour" titled, "Milton Berle hides out at the Ricardos"
Comedian, Feel Free, invites UNMISS peacekeeper, Catherine Shin, to the stage during the “Comedy for Peace" event, supported by the United Nations Mission in South Sudan (UNMISS), at the Nyakuron Cultural Centre on Sunday, 23 April in Juba.
Poor lighting, very dimmed venue. No flash allowed, naturally. Tried to use the circumstances to my advances and went for a "vintage" grainy B/W look. Shot mainly with manual focus, which was a new (but rather fun) experience.
Divine Comedy 2012
'Komornicka. An apparent biography' - photos from performance
Photography: Grzegorz Ziemiański / www.fotohuta.pl
Comedy Sportz, a group invited to Luther College by SAC Events, preforms improve comedy during First Year Orientation week. Photo by Brandon Whitish.
Divine Comedy 2010
Persona. Simone’s Body
Director: Krystian Lupa
The scandal that accompanied the premiere production (One of the actresses, Joanna Szczepkowska, rebelled against the director, showed her naked buttocks to the spectators, made a Nazi greeting gesture, and later long explored the meanings of this performance in the media), somehow overshadowed somehow the intentions of Krystian Lupa. And yet Simone’s Body is the second part of the Persona diptych. The play opens in the same space as the previous part: this time the sound stage, where Marilyn Monroe took shelter from the world, plays the role of the rehearsal stage, where a young, eccentric director is getting ready to put on a production on Simone Weil. The philosopher is to be played by a Bergmanesque character, Elizabeth Vogler, an actress who returns to the profession after 30 years of “silence”. The heroine doubts whether it is fair to make a play on Simone against her, with contempt for her theses, and disbelieving her honesty. Nevertheless, the rehearsals start, and the director and his collaborators provoke a long improvisation – a psychodrama especially for Elizabeth. It is as if a trip into the interior of one of the dreams described by Weil is to be a trap for the actress. It is to coerce her into an uncontrolled reaction, to kindle her senses, and to compromise her own perception of Christianity and the person of Weil.
As is his style, Lupa enters deeply into the intimacy of his actors, talks them into emotional transgressions, and provokes extreme situa-tions.
Photography: Grzegorz Ziemiański
Divine Comedy 2010
Knives in Hens
Director: Weronika Szczawińska
The Olsztyn version of Harrover’s drama, popular on Polish stages, resembles a new linguistic theatrical experiment rather than a study in women’s alienation. Its director discovers a true semantic treatise under the feature and psychological layer of the text. Three actors are placed within an empty, white space. Words and notions are written out on the walls. With the help of letters and pictograms, the protagonists make attempts to decipher the sense of life and the world. What betrayal means, what the constituent elements of jealousy are, what love is, what a woman is, and who a man may be. Emotions become separated from words, the text of the role assumes the form of a complex language code. What notions are taken to form a hero? At the beginning of the play, the Ploughman, deserted by Wife who chose the Miller, uses the wall to writes the fundamental equation: “horse, field, woman = entire me”. In this world, the task of the Miller is to spoil the inscriptions, change the meanings of words by obscene word endings and drawings. In the thus formatted world, love must also assume a written form. And suddenly everything is like in Greenaway’s Pillow Book: a naked man is writing on a naked woman. This means: now you are mine, you are a sheet of paper that I may fill with writing as I want, and once I am done, I will create you anew. Another production by Weronika Szczawińska, where the laboriously discovered, radical and new form affords a different sense to a well-known work.
Photography: Grzegorz Ziemiański