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Grave of Samuel and Maggie Cocking, Clay Cross Cemetery
Cocking, Samuel
Born 3rd February 1891
Died 15th March 1941 aged 50
Husband of Maggie Cocking, of 15 Ward Street, New Tupton. Died at Ward Street.
1939 Register
An invalid and former coal miner
Husband of Maggie Cocking, of 15, Ward Street, Tupton, Derbyshire
Cocking, Maggie
Born 14th June 1895
Died 15th March 1941 aged 45
Wife of Samuel Cocking, of 15 Ward Street, New Tupton. Died at Ward Street.
1939 Register
Husband of Samuel Cocking, an invalid and former coal miner, of 15, Ward Street, Tupton, Derbyshire
COCK by Mike Bartlett is a theatre production presented by Buds Theatre Company and directed by Rayann Condy. It had shown at Singapore DRAMA CENTRE, BLACK BOX at 10 -12 MAY 2012.
My team and I had involved creating the projections mapping visual effects for the transitions during the play. The concept for the visual was based on the idea that the set reflects the john’s mind, the protagonist of the play, in the style of wire frame, with waves signifying the passing of time and explodes and implodes representing sexual activity and so on. All the visual effects are done by using open source software called Processing.
Director – Rayann Condy
Producer – Claire Devine
Visual Artists - Jacky Boen, Mithru Vigneshwara, Mui RuiYi and Zac Ong.
Lighting Design – Shaiful Islam
Sound Design – Jean Low
Actors
John – Walter Hanna
M – Koey Foo
W – Rebecca Lee
F – Ray Condy
Check out www.zacr8.com to see more.
Thursday 20th October at York Minster saw the celebration of the courage of French airmen who flew Halifax bombers from RAF Elvington during the war. This accounts for the unusual sight of the French tricolour flying over York Minster. The weathercock looks a bit alarmed!
This image was scanned from a glass negative in the Josiah Cocking Photographic Archive. The archive was transferred to Cultural Collections and stored in archives at the Auchmuty Library, University of Newcastle, together with other archival material from the Cocking family.
Josiah Cocking (1867-1960) was a published Newcastle poet, a coal miner and often wrote for local Socialist newspapers. Cocking was a member of the Australian Socialist League and advocate of industrial unionism and Industrial Workers of the World.
Born in South Australia of Cornish descent, poverty frequently surrounded the Cocking household. Three brothers settled in Wallsend in 1886, Josiah gained work in the mines outside the local area. By 1911 he built a house on Billygoat Hill and had five children. In 1914 the family moved near the steelworks.
The photographic collection contains some images of Wallsend, Plattsburg and Pit town, looking east from Billygoat Hill, steam engines and coal trucks. There are also photographs of steam and electric trams. There are also a number of photographs taken of friends and family members.
Part of this archive contains diaries and copies of his writings. Papers include his description of the Australian Socialist League in Wallsend (1893-1896), and his diary ceases and resumes in various years, however is a valuable source of historical information about Newcastle and the Hunter Region.
Please contact us if you know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the “Josiah Cocking archive, University of Newcastle (Australia)" For commercial requests please contact Cultural Collections at archives@newcastle.edu.au
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia. This image was scanned by a volunteer. When we have sufficient funds in the Vera Deacon Regional History Fund, we are able to give these wonderful people some paid employment. If you would care to make a small donation to this fund, please see libguides.newcastle.edu.au/benefactors/new for more information and a link to the donation form.
it says SOAT no Niwa, pointing the direction. Many people didn't notice the cock at a junction but managed to reach the venue.
This image was scanned from a glass negative in the Josiah Cocking Photographic Archive. The archive was transferred to Cultural Collections and stored in archives at the Auchmuty Library, University of Newcastle, together with other archival material from the Cocking family.
Josiah Cocking (1867-1960) was a published Newcastle poet, a coal miner and often wrote for local Socialist newspapers. Cocking was a member of the Australian Socialist League and advocate of industrial unionism and Industrial Workers of the World.
Born in South Australia of Cornish descent, poverty frequently surrounded the Cocking household. Three brothers settled in Wallsend in 1886, Josiah gained work in the mines outside the local area. By 1911 he built a house on Billygoat Hill and had five children. In 1914 the family moved near the steelworks.
The photographic collection contains some images of Wallsend, Plattsburg and Pit town, looking east from Billygoat Hill, steam engines and coal trucks. There are also photographs of steam and electric trams. There are also a number of photographs taken of friends and family members.
Part of this archive contains diaries and copies of his writings. Papers include his description of the Australian Socialist League in Wallsend (1893-1896), and his diary ceases and resumes in various years, however is a valuable source of historical information about Newcastle and the Hunter Region.
Please contact us if you know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the “Josiah Cocking archive, University of Newcastle (Australia)" For commercial requests please contact Cultural Collections at archives@newcastle.edu.au
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia. This image was scanned by a volunteer. When we have sufficient funds in the Vera Deacon Regional History Fund, we are able to give these wonderful people some paid employment. If you would care to make a small donation to this fund, please see libguides.newcastle.edu.au/benefactors/new for more information and a link to the donation form.
COCK by Mike Bartlett is a theatre production presented by Buds Theatre Company and directed by Rayann Condy. It had shown at Singapore DRAMA CENTRE, BLACK BOX at 10 -12 MAY 2012.
My team and I had involved creating the projections mapping visual effects for the transitions during the play. The concept for the visual was based on the idea that the set reflects the john’s mind, the protagonist of the play, in the style of wire frame, with waves signifying the passing of time and explodes and implodes representing sexual activity and so on. All the visual effects are done by using open source software called Processing.
Director – Rayann Condy
Producer – Claire Devine
Visual Artists - Jacky Boen, Mithru Vigneshwara, Mui RuiYi and Zac Ong.
Lighting Design – Shaiful Islam
Sound Design – Jean Low
Actors
John – Walter Hanna
M – Koey Foo
W – Rebecca Lee
F – Ray Condy
Check out www.zacr8.com to see more.
A knife is tied to the foot of a rooster in preparation for a cock fight. This is part of the traditional culture on the island of Bali.
The losing cock in a cockfight is still useful as food. Here, a cock is boiled to remove the feathers before being taken home to be cooked.
Taken at Latitude/Longitude:13.364522/123.556099. km (Map link)
Cocking limeworks stands on land owned by the Cowdray estate and had kilns in use at least as far back as 1861 and ten years later there are three kilns shown on the 1:2500 OS map. In 1921 the works was leased to Frederick Searle and later his brother Eli who went into partnership with Robert Dunning. Dunning and Searle built six new coal-fired flare kilns in 1926 and made further developments including an aerial ropeway, an overhead crane and the conversion of existing draw kilns to flare kilns in order to produce cleaner lime for the sand-lime brick industry at Midhurst. In 1938 the works, now consisting of two batteries of kilns, was expanded further and production of agricultural grade lime began at the behest of the Ministry of Agriculture. The final operator was Dudman Chalk & Lime Ltd who ceased operations in 1999 and the site is now derelict.
The north bank of four flare kilns has been largely demolished whilst the eight draw kilns comprising the south bank are largely intact. Kiln 1 appears to have been erected as late as 1958 whilst kiln 8 was originally used for drying chalk.