View allAll Photos Tagged CoatRack
To see the more developed version of this design follow this link:
www.flickr.com/photos/14332748@N05/2516038156/in/photostr...
Or the simple environment here:
www.flickr.com/photos/14332748@N05/2515725801/
Created as part of the PSDTUTS.com contest, based on this tutorial: psdtuts.com/photo-effects-tutorials/how-to-photo-comp-up-... (making a room full of objects) but on a different style: the rural 1950’s.
This is a comp room that is meant to be a home page for a fictional company called “twentythree”. I am the owner of this name, and though it is nothing more than fictional at this point, declare it copyrighted. I created the comp room with various photographs, all of which are free and can be found on sxc.hu (with two exceptions). If you wish to view the photos that were used, follow the links that are given. The general layout fits in a resolution of 1000x600 px, though the actual project is made for 1700x1205.
The actual room was created from scratch, in a somewhat complicated process that is very time consuming. You may be just better off buying a ready made image, but a customized room can sometimes be worth the effort. In this case, instead of drawing on paper and then scanning it, I used a stockxpert photo to get the proportions and perspective right: stockxpert.com/browse.phtml?f=view&id=285395. Drawing on top of that, I simply created the door with shapes and added the floor as well as the wall border. These elements are textured with a multiplied version of this photo: www.sxc.hu/browse.phtml?f=view&id=780073. Once I had that done, I added a brush pattern created by designfruit.com on top of a cyan-based gradient. Later I added the coat rack which is just another textured shape. Last step for this stage- adding the scenery: www.sxc.hu/browse.phtml?f=view&id=807277. And that was it for the room.
And now the objects. They are all cropped and sometimes skewed images in order to fit the perspective. Most have different colors from the original versions and have suffered some shape modifications as well. Finally, changes to the lighting were made for each object and shadows were added. Here are the links for each object:
Door handle: www.sxc.hu/photo/445284
Door keys: www.sxc.hu/photo/516556 -Oliver Gruener, photographer.
Armchair: www.sxc.hu/photo/396784
Radio: www.sxc.hu/browse.phtml?f=view&id=780414
-Photo by Diego Medrano
Television set: sorry, got this a long time ago and can’t remember where. The coat is from another source as well...
Wall clock: www.sxc.hu/browse.phtml?f=view&id=556523
Braided rug: www.sxc.hu/browse.phtml?f=view&id=847535
Final step, text and links were added in their designated spaces to make up a web page. The 50’s looking font is Americana dreams and can be found here: www.dafont.com/search.php?psize=m&q=americana+dreams
See the "company car" here:
www.flickr.com/photos/14332748@N05/2459397085/in/pool-613...
And thanks for your comments!
When it comes to creating new dioramas and props, the thing I make best . . . is a mess. :-)
For some reason, a majority of the settings I have ever done have all been this size. In fact, I just keep re-using this photo corner over and over and over. (But that's what I designed it to do.) I create a setting, photograph it, take it apart, then start again with a completely blank canvas when I'm feeling inspired.
The bad thing about working with such a small backdrop (12" x 12") is that there isn't much visual or physical space to photograph a doll in, so you have to choose your props very carefully. The good thing is, it forces you to get creative with the way you take your photos. Small spaces are also (usually) quicker and easier to decorate, and for someone like me who starts getting bored with a setting before I've even finished it, that's a good thing.
While in Hamilton Ontario’s Westdale area recently, I was in the front entrance hall of a WWII vintage house and was liking the light coming in from the characteristic period octagonal window. It provided lighting over a group of shopping bags hanging from a coat rack. Unfortunately, my initial frame showed that the dynamic range was too extreme for the camera to capture both the interior and exterior in a single frame. Thus I capture two frames, one to capture the interior light, and a second one to capture the exterior detail, with the intention of using both frames in a composite to render an image the reflected my experience of looking at this scene. In case you were wondering, the text on the two burlap shopping bags refers to ‘the Mustard Seed’, a local co-op store emphasizing locally grown sustainable and organic products. - JW
Date Taken: 2019-06-03
Tech Details:
Taken using a tripod-mounted Nikon D7100 fitted with an AF-S DX Nikkor 12-24mm lense set to 13mm, ISO100, Daylight WB, Aperture Priority mode, two frames taken for composite – one for the interior and one for the content of the window, both to be used in a composite to manage the extreme dynamic range – inside: f/8.0, 1/3 sec with an EV+0.33 exposure bias, - window/outside: f/8.0, 1/60 sec with an EV-1.00 exposure bias. PP in free Open Source RAWTherapee from 2 frames, inside and outside, from Nikon RAW/NEF source file: set final image size to be 8000px wide, - inside: set exposure compensation to EV+0.11, use the color pick tool to set the colour balance from a sample of the wall above the bags (4626K), apply a small amount of noise reduction, sharpen (edges only), save, - outside set final image size to be 8000px wide, boost contrast and Chromaticity in L-A-B mode to bring out the exterior view details and set a bright tonality, (use camera WB), enable Shadows/Highlights and significantly recover highlight detail and also recover some shadow detail in the window area and jar, apply a small amount of noise reduction and sharpen (edges only), save. PP in free Open Source GIMP: load the two images, use the outside image twice - top one for outside only and another (one below) for the window frame left side adjustments, then load the interior frame as the bottom layer for inside adjustments, (i.e. 2 copies of the exterior frame and 1 copy of the interior frame) – add a black layer mask to each of the top 2 frames (of the window area), on the top window area layer mask paint in white the left darker frame area and on the lower window frame layer mask paint in white the exterior view, then use the tone curve tool and contrast/brightness tool adjust each to of the window layers to a suitable look, on the top/left window frame adjust the colour balance to reduce an excessive green cast, on the bottom/interior layer use the tone curve tool to brighten the bottom (approx) 20% of the curve to bring out the shadow detail, create new working layer from the visible results, sharpen, save, scale image to 6000px wide, sharpen, save, add fine black and white frame, add bar and text on left, save, scale image to 2048 wide for posting online, sharpen slightly, save.
♥Houseboat~Dust Bunny
♥(mix) Coat Hanger~Tentacio: Deer Decor-Dangler @ KUSTOM9 , Sway's: Whale Coatrack, Apple Fall: Old Coat
♥Dinning~Apple Fall Cottage Dining Table, Sway's [Ahoy] stool . nautical, -tres blah- Hodgepodge Morning Start, Apple Fall Elderflower Cordial
♥[LeeZu!] Pearl Curtain champagne
♥Tartessos: Grocery Bag
♥[ARIA] Emmerich kitchen
♥[ARIA] Emmerich kitchen runner rug
This wind chime is about 3 feet tall so I was challenged t get into one shot. This is the top. Does my indoor garden have to use it's indoor voice?
Please!! NO Awards or Large Graphics...Group Buddy Icons are OK. Thank You!
© CPMcGann. All rights reserved. If you are interested in using my images, please contact me first.
The past week hasn’t been pleasant, so it’s nice to finally settle down, and eat a good dinner with Barbra.
“So, how was work today?” she asks kindly, though she knows what I’ll say.
“The same case that’s it’s been for a week” I say, bluntly, honestly it’s gotten out of control recently, first Two Face, then one of the guys working for him becomes a threat on his own, jeez, it’s horrible.
“Oh, I see, so, anything especially interesting?”
“Nope, but I just watched that new Harry Potter movie.”
“Oh, the goblet one, right?”
“Yep, I saw it, then crashed here, put my comfy clothes on” I smile, glad to see that Barbra is making herself at home here, after all it hasn’t been to long since her parents died.
“As you can see, I got a Gryffindor sweatshirt on.”
“Ah, yeah…how the hell are you still wearing that, it’s almost spring?” I chuckle, and she smiles, then fires back.
“How do you wear that ridiculous trench coat all the time” I grin, and look over to my coatrack, where it sits.
“Well I love that thing a lot, fits nicely" we finish eating our food and then she puts her plate away, then plops herself back down on the table.
“You always wear that thing, especially when you talk to…him” I push up my glasses and then look at her, with one eyebrow up.
“Him, and who would that be” I try and push her, see how far I can get her to go.
“Ehh…Batman” she gives up must faster than I’d expect, surprising.
“How is he, I mean, he’s been around since 2001, and you’ve been working with him for almost that whole time” I think for a minute, it’s really been that long, and that Robin kid came into the business just recently, wow time flies.
“He’s a good person, cares a whole lot about this city.”
“What about the sidekick?” she asks with a slight smile, I open my eyes, better tell the boy wonder not to try anything.
“He’s good, seems to look up to the Batman.”
“What do they look like, most photos are pretty blurry” I think for a moment, then come up with a good enough answer.
“Batman wears a grey suit, with a yellow oval on it containing a bat symbol, the mask fits nicely on his face, with small bat ears, he has a cape and boots” she nods, and seems to like the description I give her.
“What about that Boy Wonder?” wow she’s really going all out on this kid, she hasn’t even met him.
“A green tights with a red leotard thing, on it is a yellow R and some yellow button things on the torso, a yellow cape, and black boots” she takes the info into mind, and then checks her phone for a minute.
“They sound pretty interesting, so how long you think they’ll be around?”
“Batman and Robin, I think they’ll always be here.”
“What do you mean by that?”
“He once told me that Batman and Robin are a concept, and not two people, they bring hope to people, in a world of darkness” I sit back, and look at her, she looks surprised, that defiantly surprised her.
“That was a lot deeper than I expected, honestly I’d love to meet these guys one day.”
“Maybe one day Barbra, I’m sure you’ll have the chance” she smiles, and then gets lost in thought for a second, as if she’s trying to find a response.
“Well like you said, I’m sure they’ll be around for a while” we laugh, and then head off from dinner, good to finally be home, and feel like the weight of the world isn’t on my shoulders.
These pieces were shown at the Architectural Digest Home Design Show.
I did not get the name of the artisan or company behind these pieces, but I will gladly add that information if anyone provides it to me for inclusion.
Northern saw whet owl watches intently for it's next meal. Every year many of these diminutive owls undertake a treacherous migration south from their breeding grounds in the boreal forest to areas with less snow cover and more rodents. They must run a gauntlet of predators that await. Many are killed by vehicles and collisions with building windows, guy wires, windmills etc. For the newly fledged it's their first time away from the protection of their heavily forested homeland. Unfortunately for them bird banders have blocked their ancestral paths with mist nets. The helpless owls become hopelessly ensnared and are left dangling for hours under the threat of being killed by barred owls that are attracted to the incessant loud speaker calling the saw whet in to the trap. It's a dinner bell for predators. Next they are extracted from the net by volunteers and dropped into a filthy cloth bag and hung on a coatrack until the banders get around to handling them. They are then stuffed headfirst into an empty orange juice can, weighed and examined under bright lights by banders forcing their wings to spread. A metal band is then clamped around a leg with pliers. Then they are tossed unceremoniously out the window, shocked and disoriented. Many fall prey to barred and other larger raptors or simply languish in the bushes too afraid to move on. Every morning turkey vultures gather to clean up dead birds. For some reason this horrible practice is condoned by the Canadian Wildlife Service on land designated a Nation Wildlife Sanctuary. The blatant hypocrisy is dumbfounding. Only a insignificant number of banded birds are recovered, many likely die of stress from the rough treatment. As an avid wildlife photographer I hear constant compplaints from the birding community about "unethical" behavior such as getting too close, feeding, and playing bird calls, yet the bird banders are deified as saviors of bird populations. One woman told me there wouldn't be birds if it weren't for banders! There isn't a justifiable reason for this cruelty as Saw whet aren't a species of concern to wildlife managers. The Ontario Government has topped up the onslaught by permitting huge numbers of windmills to be erected directly in the path of migratory birds. This done under the guise of The Green Energy Banner. The banner has blood stains all over it. As for the bird banders, they are scared the general public will become aware of this abuse of wildlife and loose their jobs. The chief bird bander of Prince Edward Point Bird Observatory punched me in the head and grabbed at my equipment when he saw my camera set up to photograph saw whet owls. What's he trying to hide?
╔═══*.·:.·.☽✧ Sponsor ✧☾..·:·..*═══╗
Designer: ROWAN HALLWAY SET by LOUCHARA DESIGNS
[✔] Rowan Bench
[✔] Rowan Coat Rack
[✔] Rowan Decor(Plant Vase/Suitcase)
[✔] Rowan Rug
The bench has singles sits and cuddle animations
Copy-Mod-No Tran
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╔═══*.·:.·.☽✧ Sponsor ✧☾..·:·..*═══╗
🔸Designer: AMELIA CHANDELIER by THE IMAGINATION STATION
[✔] Includes a shorter and long chain version
[✔] Copy-Mod-No Trans
There are a number of settings you can adjust there, including light color, light intensity, light radius, and light fall off.
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SOCIALS:
Je me fais avoir à chaque fois !
Encore tombé amoureux...
La différence d'âge ? Ouais, il faudrait que je me renseigne...
De toutes les manières, quand on aime, on a toujours 20 ans ? Non ?
Par contre, il faudrait quand même que R. Young nous explique la présence d'un porte-manteau vide !
Comme cette toute petite ouverture en plein centre, les rideaux cachent une autre pièce, avec une chaise, mais une fois en anaglyphe, cela « vibrait » et attirait inexorablement le regard.
Remarquez bien que plusieurs choses pourraient attirer votre regard, impossible pour moi de nettoyer complètement ce papier peint psychédélique !
Enrubannée comme une momie ou une princesse grecque, ma belle reste nature, et qu'attend-elle ou qu'a-t-elle vu en haut ?
Ma belle est belle et lui, le porte-manteau aussi...
I get screwed every time! Still falling in love...
The age difference? Yeah, I’d have to find out...
In all ways when you love, you’re still 20? No?
However, R. Young would still have to explain the presence of an empty coat rack!
Like this very small opening in the middle, the curtains hide another room, with a chair, but once in anaglyph it «vibrated» and inexorably attracted the gaze.
Notice that several things will attract your eyes, impossible for me to completely clean this psychedelic wallpaper!
Wrapped up like a mummy or a Greek princess, my beautiful nature remains, and what is she waiting for or what did she see upstairs?
My beauty is beautiful and he wears a coat too...
3 Miles East Massena, New York
Next door to Seaway Entrance
Pool - Air Conditioned - Coffee Shop
Efficiency & Honeymoon Apartments
Happy Vacationers Enjoy the Sights - Eisenhower Lock, Long Sault Control Dam, Moses Sannders Power Dam, Beautiful Beaches and Picnic Area - New Charcoal Steak & Burger Restaurant next door.
Welcome Thelma & Bob Willer
AAA Approved. A Mobil Travel Guide Stop
House of Peer Photo
Dexter Press
78936-C
CAPA-002989
This is a 2014 Fashionistas Barbie (CLN68) who borrowed the dress and boots from a boxed Sparkle Girlz doll called 'Rainy Day'.
by Homage to Carlo Mollino, 1946. Spotted at Design020, the new home & living shop in Amsterdam IJburg.
This is my version of a foyer, since I only have the space on the wall behind the front door. It works very well for me. There is space for my bags and coats, mail, and my keys. I made the coat rack myself out of a 1x4.
The buildings are distorted from the lead glass.
This was the judges chambers for the court room at WV Independence Hall.
West Virginia Independence Hall, built in 1859, was originally constructed to serve as a customs house as the economy expanded in the second largest city of the state of Virginia. The structure of wrought iron I-beams and box girders with cast iron columns was a forerunner of today’s skyscrapers. The new state of West Virginia was formed within these walls in the third floor courtroom, as arguments rang forth supporting loyalty to the Union. Civil War buffs and historians alike will sense the excitement still present in this elegant edifice.
Every now and then I explore the same areas in Botanic Garden Meise, and suddenly, every so often and completely out of the blue, new things have materialised .... where did this one come from, I wonder ....
Persistent URL: www.floridamemory.com/items/show/165396
Local call number: PHF077
Title: Restaurant interior in Miami, Florida
Date: ca. 1930
Series Title: William A. Fishbaugh Collection
Physical descrip: 1 photonegative - b&w - 4 x 5 in.
Repository: State Library and Archives of Florida, 500 S. Bronough St., Tallahassee, FL 32399-0250 USA. Contact: 850.245.6700. Archives@dos.myflorida.com
left over pieces from a pallet that I tore apart to make raised planter beds.
blogged here:
brownbobbin.blogspot.com/2011/03/project-restyle-coathat-...
Rincón del cazador. Perchero con sombreros para protegerse del sol en la sierra. (La Garapacha. Sierra de la Pila)
All Rights Reserved. All images on this site are © copyright Juan Pedro Gómez-51.
Please, don’t use this images in websites, blogs or other media without my explicit permission. Use without consent on my part of it, will report the formal complaint to the registration of intellectual property. Thanks.
Continuing collaboration for industrial design team, Katie and Trevis of Inch and Mile. Stay tuned for their latest creations....
inchandmile.com
The dining room of one the Holiday Houses, this day set for "Buffet". There are also Counter and Coffee Shop facilities within this building.
Nelson Hines Co.
Dexter Press
54111-B
CAPA-004436
Canadian Immigration Museum at Pier 21 is full of period displays from the days it acted as the marine entrance for immigrants to Canada (1928-1971).
It also has many interactive displays and tons of photos and stories of those who passed through the facility.
The museum also has a research office where you can find out if any of your relatives entered Canada via the pier facility.
One interior photo is all for now.
Custom design from plumbing pipe and irrigation valves. Picture by Christina Massey -- thank you!
Blogged at: www.sweetsweetlife.typepad.com Thank you Sweet Sweet Life!
and at:
www.apartmenttherapy.com/la/look/entryway-rack-using-plum...
Thank you Apartment Therapy!
www.1001pallets.com/2016/05/coat-clothing-motorcycle-gear...
I have a very small home. We're only 24-sq feet from being an official "tiny home", so space is VERY LIMITED. What we do have is vertical space with very tall ceilings. Motorcycle gear, although modern and lightweight, takes up too much space in our tiny closets, so we were using some coat racks. Various styles have bent eventually, so I decided to build a modular, adjustable coat/garment rack system.
I got several weird pallets that were made out of - for want of a better term - engineered redwood. It was small sections of low-quality redwood dovetailed together to make long pieces of boards. I liked the joinery - it's spiky and cool looking, so I tried to figure out what to do with it, and finally came up with this idea. I cut the boards to five feet tall and used alternating 2" wide and 1" wide boards. Some of the pieces were damaged, but as this isn't holding a lot of weight, I only sanded down the damaged areas and left them as is. I then decided that I wanted three rows of hangers. Now, the "hangers" are simply pieces of the 1" boards that were cut at an angle and drilled so that when they pivoted away from the wall, they'd naturally stop at about a 45-degree angle. When I didn't want to use some (for example when hanging my helmet and didn't need the adjacent hangers), I could simply push the unused ones back flush with the other boards. The pictures will make sense of this.
I decided on where to cut my boards, and first did the drilling BEFORE cutting. I used a table-top drill press, set up a long piece of wood and some clamps for stops, and that way I could be consistent, drilling three different sets of holes in each board. Once all the boards were drilled, I made some templates and drew on the 1" wide boards the shapes I wanted to cut out/away to allow the pieces for pivoting, and for a little visual interest. I cut them all out, shaping them with a tabletop bandsaw, and then sanded them down with a belt sander/disc sander combo, smoothing pivot edges and rounding over the boards a bit, so they weren't so sharp/pointy. I purchased three threaded rods - 3/16" x 36" (3.00 each), a pkg of washers and a package of nuts (1.00 each). I dry-fitted the three rods and ensured that all the pivot pieces could move properly, then disassembled after numbering them all so they'd go back together like I'd planned (some of the boards were warped. I used that and just found others that were twisted the other direction to cancel the warp out). You'll see how I used a Sharpie marker on the bottoms of the pieces where it wouldn't show when assembled and mounted on the wall.
I didn't bother filling in old nail holes, or even a couple boards that I used Gorilla Glue on to repair small cracks. I left it rustic. :-D On to staining! I used two different colors - one slightly darker and the second was a "golden pecan" (Minwax stains). When the stain was dried, I then applied three coats total of polyurethane (for floors - high durability), sanding between each coat after it dried.
We decided to use a French Cleat hanging system, and simply picked three boards and cut them about 1/2 way at a 45-degree angle, so that the pieces would slide together, and the whole unit could be removed off of the wall, and mounted to studs while providing some stability to the piece as the urethane continues to do some more curing. It'll allow me to tighten the hardware a bit as everything shrinks down. If I have problems with some of the hangers coming loose long-term, I've got little magnets that I can glue (scavenged from old magnetic connecting toys that I got from a Goodwill Clearance Center in Las Vegas for 25 cents). It's not mounted in my living room yet - I just finished it today and wanted to share the photos.
No, there aren't plans. I'm sure I saw something similar to inspire me - probably on Pinterest. I didn't intentionally borrow the idea without being able to attribute it, so I'm not trying to pass this off as an original idea. :-D Whoever first came up with a similar idea that inspired me - THANK YOU!
The coat rack at East Horsley Village Hall has these hangers; I had to give them all a little push 😜