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The ex-Delaware & Hudson RS3 4118 is gone, and the Anthracite Railway 1986 excursion are in the charge of an ex-Amtrak SW1. The train is seen crossing the trestle over the Hosensack Creek in Palm, Pennsylvania.
Following a a little over 30 minutes behind the RDCs, the main attraction for the day is seen making up time through Molino as they charge north. 10-23-21
A classic pair of C30-7s in BN green, LS&I 3073 and 3074, shake the ground as they barrel down the tracks toward the Tilden Mine with empty ore jennies, passing the now shut down Empire Mine.
None of my photos are HDR or blended images, they are taken from just one shot
Playa de las Tres Piedras, Chipiona (Cádiz - Andalucía)
Sony A900 + Tokina17mm + Cokin filter : X121S (GND8)
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
France, Région Auvergne-Rhône-Alpes, Département du Rhône, Les monts du Beaujolais, Saint-Cyr-le-Chatoux, vers La Croix Desplaces (804m) sur le GR 76
Went for a nice walk this morning around a local reservoir. My A7 had zero charge so I picked up my venerable A99 (which never seems to loose battery) but I’d forgot how bad my 80s Minolta lens was! Got a few decent shots, this one is of the steam trail left by the vintage Santa Special stream railway that cuts through the forest this time of year.
Shot as night fell. I was parked about a block away (and one block off Route 66), and illuminated this with my flashlight during a time exposure.
Anyway, I thought you'd get a charge out of this. ;-)
The elephants started to charge at the Safari Landrover. Digitised from slide film. Tsavo East National Park
Chargement des dzos lors d'une expédition au Sikkim en novembre 1978.
Le dzo est le mâle hybride d'un yack et d'un zébu (ou certaines vaches domestiques)
D'après diapositive.
Rolleiflex 3.5F
FP4+ (100) Finol
scan from print onto Adox MCC110 18x24
SE4 neutral 1+14
bleached 60s (dil. 1+99) , redev. in thiourea (50A + 60B + 900)
MT1 selenium 1+10 60s
Charging west on Main Track 2 of the BNSF Emporia Sub at Melvern is BNSF train Q-CHIROB6-05M led by a pair of Warbonnet Dash 9's, which are right at home here on former ATSF territory.
On display at Railroad Park, though mostly obscured by trees, a former UP bay window caboose now painted in ATSF colors adds a nice touch to the Santa Fe theme today. 6/6/21.
This Great spangled fritillary was sampling one of the many Purple coneflowers in the garden. It allowed several profile shots before it moved along to other sources of pollen.
The most photogenic lightning bolts on this day, occured towards the southern parts of the city, near mt. Imittos (on the left). Moments with 3 or 4 bolts simultaneously. I selected two captures from that day. Taken on 31.08.2024, in Athens, Greece, looking southwards. Canon 5Dmk4, Sigma Art 14 mm, f/4, 1/25'', iso 100, NiSi ND64 nano IR filter.
Photography and Licensing: doudoulakis.blogspot.com/
My books concerning natural phenomena / Τα βιβλία μου σχετικά με τα φυσικά φαινόμενα: www.facebook.com/TaFisikaFainomena/
After kicking snow for an hour or so while the Freeport local finished switching Lena, M338 barrels through the twilight destined for some work at Freeport yard. I pursued him from Dubuque to Freeport and the decided to call it quits as heavy fog threatened road safety. Very nice to see some of you out enjoying this beautiful day!
1/5/2021
Elroy, IL
The most photogenic lightning bolts on this day, occured towards the southern parts of the city, near mt. Imittos (on the left). Moments with 3 or 4 bolts simultaneously. I selected two captures from that day. Taken on 31.08.2024, in Athens, Greece, looking southwards. Canon 5Dmk4, Sigma Art 14 mm, f/4, 1/25'', iso 100, NiSi ND64 nano IR filter.
Photography and Licensing: doudoulakis.blogspot.com/
My books concerning natural phenomena / Τα βιβλία μου σχετικά με τα φυσικά φαινόμενα: www.facebook.com/TaFisikaFainomena/
After crossing over the NKP (NS Lake Erie District) at Blasdell, the Buffalo Southern charges west towards Eden with a small train in tow. This BSOR train is seen passing an ancient Erie searchlight, which once acted as an approach signal for the NKP/Erie diamond in town. However, today it watches trains pass at a much statelier pace than those of the once mighty Erie Railroad.
@Insilico East
pose by Del May~<3
pile up by Nara Tairov here ...AMAZING pile up by Nara Tairov !!!! ~(*-*)~
there were no major glitches no nothing, so yet again 100%comlete raw picture~ \(*.*)/ hair is by Magika
You are most welcome to visit my blog: Charisma. ♥
Today's ensemble:
Head: Lelutka EvoX Avalon 3.1
Body: Maitreya Lara 5.3
Skin: Amara Beauty
Eyes: Avi-Glam
Hair: Stealthic - Barbwire
Hairbase: Angel Eyes
Shape: Mine - Laurna v.25
Enhancements:
Cazimi, Eventyra, Izzie's, addon+, OYI, Lucci, Warpaint
Apparel:
Outfit: Dernier - Velma Romper & Thigh High Boots - Beige
Jewelry:
Earrings: QUIXE - Spike Earrings - Gold
Piercing: PUNCH - Dermal - Diamond Heart - Large, Gold
Ring: Ascendant - Kimmy Ring - Gold
Gemstone Ring: Orsini Jewel Care - Christina Ring - Gold
Poses:
Pixit - Finesse, Cyberbilly and Elle
1-Oñati-City Hall-Guipuzkoa-Basque Country
Pls.Zoom
Arquitecto :Martin de Carrera
Architect: Martin de Carrera
El ayuntamiento de Oñati es Monumento Histórico Artístico de la Provincia de Gipuzkoa desde 1964, y su obra es considerada como una de las más importantes del Barroco Civil en todo el País Vasco. Si la Universidad de Oñati realizada bajo el mecenazgo de Mercado de Zuazola se puede comparar con las más importantes universidades renacentistas del momento, el Ayuntamiento aunque cronológicamente no es el primero de estas características, es motivo de referencia constante, por su factura, ubicación y belleza.
El edificio municipal construído entre los años de 1764-1783 fue diseñado por Martín de Carrera, colaborando con el proceso constructivo Francisco de Echánove quien se encargó de la cantería y Francisco de Cortaberría y Miguel de Sarazíbar de la carpinteria. La más que notable labor de herrería la llevaron a cabo José de Labroche, Joaquín de Arbe y Ventura Jubiondo, correspondiento el diseño de la sillería de la sala principal Manuel Martín de Carrera . A pesar del fallecimiento del arquitecto Martín de Carrera el 31 de agosto de 1768, la obra se desarrolla con normalidad, entregándose en los plazos establecidos.
La Casa Consistorial de Oñati es una construcción exenta de finales del Barroco que está ubicada en uno de los extremos de la plaza, entre las calles Zumalacárregui y Barria, poseyendo un fuerte sentido urbano. Edificio de piedra sillar, tiene planta rectangular, acceso por soportales más dos alturas y cubierta a cuatro aguas. Su fachada principal tiene una composición simple y una primorosa decoración con destacada obra de cantería y talla que da al edificio un valor añadido. Cuatro pilastras gigantes elevadas sobre unas pequeñas basas, van desde el suelo hasta prácticamente la cornisa y recorren verticalmente dicha fachada ordenando simetricamente la composición en tres alturas. Al nivel del suelo se abren los soportales que dan acceso al pórtico por medio tres arcos carpaneles, algo retranquedados con respento a las pilastras, lo que aumenta el movimiento en fachada. Los pisos superiores poseen seis vanos moldurados, tres por cada altura que corresponden con los balcones, en torno a los cuales se concentra la riquísima decoración: rocallas, orejeras, frontones curvos partidos, florones, cartelas, molduras, hojarasca, elementos vegetales, veneras, ménsulas, guirnaldas caídas, decoración menuda…. Por otra parte la labor de forja de los balcones y la escalinata son de magnífica factura, a base de de rocallas, flores de chapa recortada, formas geométicas con juegos ondulados y líneas redondeadas en movimiento. La abundancia decorativa continúa en el tramo central con el escudo, que rompe el alero dejándolo a modo de frontón. Finalmente cinco pináculos sobre el tejado coincidiendo con las bandas de fachada, aumenta todavía más la faceta decorativa. Eli nterior es conglomerado y se accede mediante los arcos cubiertos de bóveda de arista enyesados. Bajo ellos se encuentra la puerta principal que conduce a una gran escalera de un tramo, que tras el descansillo se convierte en escalera doble. La caja de esta escalera está cubierta con un pequeño tambor ciego y un cupulín con gajos. El gran salón de sesiones tiene tres puertas de entrada, coincidentes con los balcones de fachada. Las fachadas laterales son de piedra sillar en la primera planta y el resto de mampostería revocada. La variedad de usos; juzgado, vivienda, archivo, alhóndiga, cárcel… parece que caracterizó los primeros años de actividad de este singular edificio, cuya popularidad hace olvidar otros ayuntamientos de similar composición que carecen de su elegancia
The town hall of Oñati has been a Historic Artistic Monument of the Province of Gipuzkoa since 1964, and its work is considered one of the most important of the Civil Baroque in the whole of the Basque Country. If the University of Oñati, built under the patronage of Mercado de Zuazola, can be compared with the most important Renaissance universities of the time, the Town Hall, although chronologically not the first of these characteristics, is a constant reference point for its workmanship, location and beauty.
The municipal building, built between 1764 and 1783, was designed by Martín de Carrera, with Francisco de Echánove collaborating in the construction process, who was in charge of the stonework, and Francisco de Cortaberría and Miguel de Sarazíbar in charge of the carpentry. The more than notable ironwork was carried out by José de Labroche, Joaquín de Arbe and Ventura Jubiondo, with the design of the seating in the main hall corresponding to Manuel Martín de Carrera. Despite the death of the architect Martín de Carrera on 31 August 1768, the work was carried out normally and was delivered within the established time frame.
The Town Hall of Oñati is a free-standing building from the late Baroque period, located at one end of the square, between Zumalacárregui and Barria streets, with a strong urban feel. The ashlar stone building has a rectangular floor plan, access through arcades and two floors and a hipped roof. Its main façade has a simple composition and exquisite decoration with outstanding stonework and carving that gives the building added value. Four giant pillars raised on small bases, go from the ground to practically the cornice and run vertically along the façade, symmetrically arranging the composition in three floors. At ground level, the arcades open out and give access to the portico through three basket-shaped arches, slightly set back from the pillars, which increases the movement of the façade. The upper floors have six moulded openings, three for each height, corresponding to the balconies, around which the rich decoration is concentrated: rocailles, lancets, split curved pediments, rosettes, cartouches, mouldings, foliage, plant elements, scallops, corbels, hanging garlands, small decoration... On the other hand, the wrought iron work on the balconies and the staircase is of magnificent workmanship, based on rocailles, cut metal flowers, geometric shapes with wavy interplays and rounded lines in movement. The decorative abundance continues in the central section with the coat of arms, which breaks the eaves leaving it as a pediment. Finally, five pinnacles on the roof coinciding with the façade bands, further increase the decorative aspect. The interior is made of conglomerate and is accessed through the arches covered with plastered groin vaults. Below them is the main door leading to a large one-flight staircase, which after the landing becomes a double staircase. The stairwell is covered with a small blind drum and a small dome with segments. The large assembly hall has three entrance doors, coinciding with the balconies on the façade. The side façades are made of ashlar stone on the first floor and the rest of plastered masonry. The variety of uses; court, residence, archive, market, prison… seems to have characterised the first years of activity of this unique building, whose popularity makes us forget other town halls of a similar composition that lack its elegance.
Ref:Edit Eusko Ikaskuntza .Bilbao 2014