View allAll Photos Tagged CeramicTile
Today I found this beautiful ceramic tile in a charity shop; I was so struck by the power & subtlety of the painting that I couldn't leave it there!
Robert Redbird, a Kiowa Native American, was born in Oklahoma in 1939, and is still alive to this day, as far as I know.
Surrounding the Plaza de España are 48 small alcoves with benches, each dedicated to a province of Spain and decorated with brightly colored ceramic tile artwork from each of those regions. This alcove showcases the Barcelona region. Seville’s famous and iconic Plaza de España was built for the Ibero-American Exhibition World Fair of 1929. The beautiful plaza is located in María Lusia Park in Sevilla, located in the Andalusia region of southern Spain.
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It appears that Mr Thompson was originally a school teacher but a flair for business saw him branch out into other areas.
A photo of the ceramic tiles which direct passengers to Platforms 1 and 2 at Cardiff Central station. I believe these date back to the 1930s when the Great Western Railway rebuilt the station. A little way along the subway the eagle-eyed passenger will spot the tiled signs pointing to Platforms 3, 4 and 5, the latter of which no longer exists since the west facing bay platform at the station was filled in.
Advdertisement by Pilkington's Tile & Pottery Co. Ltd. of Clifton Junction, nr. Manchester in the British Standard Exporter 1919-1921.
Blackhorse Road station was opened as part of the first phase of the Victoria line in 1968 and was the only significant surface building constructed as part of this very Underground Underground line. The buildings were very minimalist '60s style, designed by the consultancy the Design Research Unit and due to a number of factors such as 'mid-age', 'out of fashion' and a consequent gentle decline the station has become rather dowdy. One feature of note is the 'Black Horse' sculture by David McFall that sits on mosaics by Trata Drescha. Next to this was, originally, a window but over time this has been panelled over with dreadful architectural effect.
At present our Art on the Underground team are working on a Victoria line based project and have been working with artist Giles Round on what has the working title of 'Design Work Leisure' that is designed to introduce works on stations influenced by several pertinent Vic line factors - DRU, William Morris (just up the road at Walthamstow) and the line colours. One of the first interventions has been at Blackhorse Road and this week a set of striking vitreous enamel panels, designed by Giles and manufactured by one of our enamel sign manufacturers (A J Wells) have been fitted to the exterior. They've made such a difference to this grim setting for the sculpture and, to my mind, it sits well both on its own merit and also how it brings together the colours in both the panel and the building.
In the ticket hall this panel of Giles's tiles have been fitted. The tiles again represent a material so often used in LU stations - ceramic tiles - and these have been hand produced by one of the few UK companies who can still undertake such works and who do make new and replica tiles for us - Craven Dunnill Jackfield in Shropshire. These individual tiles, designed to be used to create such panels, will be fitted to other Victoria line stations as the opportunity arises.
Detail of one of the mosque's four massive "elephant foot" piers that support the arches and great dome above them.
During my visit, the scaffolding that took up a fair portion of the interior obscured, among many other things, the lower portions of the fluted elephant's feet. What's visible here is the painted upper section. And, under the beautifult inscription band, there's a small part of marble-clad portion.
So far I haven't come across sources that reveal what the piers' internal structural materials are, but most likely its either brick, Bakırköy Limestone, or both. I suspect the marble sheathing is the Proconnesian variety, quarried on the isle of Marmara (also known as Prokonnesos/Proconnesus), in the Sea of Marmara.
What's much more evident, however, is another geologically derived ornamental material, the splendid İznik Tile. There are reportedly over 20,000 glazed ceramic pieces in the Sultan Ahmed Mosque, each is hand-painted. And, as we'll see in succeeding photos of this set, the predominantly floral and vegetative designs they bear are a botanist's delight.
To see the other photos and descriptions in this series, visit my Architectural Geology of Ottoman Istanbul album.
This spot has been on my list to shoot for my 365. Finally got around to doing it today. Ideally, I would have loved to shoot this at night in it's neon glory, but it's been shuttered for a couple years now.
During the growth of 'modern' architecture during the 1950s and '60s, the use of tile or mosaic panels as features was widespread and this advert shows one such feature panel. In tubeline decoration it shows a variety of market produce and was to be found in the Market Hall in Accrington, Lancashire. The works are credited to the Borough Engineer and Surveyor, Bernard Hartley. I wonder if this work survives?
One of the many tile makers in the renowned Potteries towns of Staffordshire, Richards eventually were such large producers they had three factories in Tunstall. In 1968 they merged with H & R Johnston, that company being one of the few survivors and now the UK's largest producers of ceramic tiles.
Two Uzbek men sit talking at the entrance to Mir-i-Arab Medressa in Bukhara, Uzbekistan. One man works as a security guard at the madrassa, and his companion works as a security guard at the neighboring Kalon mosque. Photo taken on July 8, 2012.
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i wanted to tweak this little guy so that i could title it "frog-tile fractal" but i just couldn't bring myself to do it....the state of guanajuato (where i am) and its very hilly capital city of guanajuato take their names from the p'urhépecha language, meaning "hill of frogs".... the frog is the official state 'animal,' so, natives may hate me for this, but, i just have to include the first poem that i learned in high school spanish class back in the stone age:
canta, canta la rana
pero no di leche ni lana
canta, canta la rana
pero no dice nada
sing, sing the frog
but it gives neither milk nor wool
sing, sing the frog
but it says nothing
From the 1920s the W H Smith chain of newsagents and bookshops developed a strong corporate identity based on a consistant style of shop front, lettering and where possible the use of marvellous ceramic tiled panels such as this. Salvaged this is one of a series of panels in the Jackfield Tile Museum.
On the campus of UNAM, Coyoacan Borough, Mexico City
UNAM has a number of buildings in its Coyoacan campus festooned with murals, many made with coloured ceramic tiles.
So a quick trip to visit the ones not under restoration.
A closer upper look at this building. The mural on the ceramic tile wall will be restored in summer 2016.
This mural by David Alfaro Siqueiros "El Pueblo a la Universidad", 5 students are depicted holding objects that symbolize the knowledge they have acquired at university. They are climbing stairs, heading back to their respective pueblos, to use their knowledge for the betterment of their communities.
The university has a network of bike paths on the campus and the bikes are free for use by the students. UNAM also provides a free bus shuttle service between different areas of the campus.
The entire campus was built at one time using designs by various Mexican architects in the early 50's.
The campus was designated a UNESCO World Heritage Site in 2007.
Park Güell, Barcelona, Catalonia, Spain
Park Güell is a garden complex with architectural elements situated on the hill of El Carmel in the Gràcia. It was designed by the Catalan architect Antoni Gaudí and built in the years 1900 to 1914. It has an extension of 17.18 ha (0.1718 km²), which makes it one of the largest architectural works in south Europe. It is part of the UNESCO World Heritage Site "Works of Antoni Gaudí".
The park was originally part of a commercially unsuccessful housing site, the idea of Count Eusebi Güell, after whom the park was named. It was inspired by the English garden city movement. The intention was to exploit the fresh air (well away from smoky factories) and beautiful views from the site, with sixty triangular lots being provided for luxury houses. Ultimately, only two houses were built, neither designed by Gaudí. One was intended to be a show house, but on being completed in 1904 was put up for sale, and as no buyers came forward, Gaudí, at Güell's suggestion, bought it with his savings and moved in with his family and his father. Gaudí lived in this house from 1906 to 1926.
Flight of steps
From the entrance esplanade there rises the double flights of stepsa twin flight of steps soars up, flanked by two walls with merlons that form terraces. The stairway is divided into three sections, along which runs the water from a fountain that fedruns, once supplied from the tank under the hypostyle room. On the first landing are some capricious shapes like goblins, while halfway up the steps is the emblem of Catalonia and further up the dragon, or salamander, covered with decorative tile-shard mosaic which has become the most popular image of the park. On the last flight of steps, sheltered under the hypostyle room, is a Greek-theatre shaped bench.
This lovely calm senior doggie appeared to be a full time resident at the Hotel Mirador Posada Barrancas on Urique Canyon. It was always around the front entrance but never interfered or got in anyones way. It was just there acting like the hotel's doorman (door doggie).
Exterior of Mir-i-Arab Medressa and Kalon Minaret. Two tourists are sitting at the entrance to Kalon Mosque. Photo taken on July 08, 2012 in Bukhara, Uzbekistan.
The Topkapı Palace (Turkish: Topkapı Sarayı) is a large palace in Istanbul, Turkey, that was the primary residence of the Ottoman Sultans for approximately 400 years (1465-1856) of their 624-year reign. It is now a major tourist attraction and contains important holy relics of the Muslim world, including Prophet Muhammad's cloak and sword. The Topkapı Palace is among the monuments contained within the "Historic Areas of Istanbul", which became a UNESCO World Heritage Site in 1985, and is described under UNESCO's criterion iv as "the best example[s] of ensembles of palaces
of the Ottoman period."
Drinking water fountain decorated with Azulejo style ceramic tile painting in the village of Deia, Mallorca.
Iranian visitors pass through an ornately decorated gate of Shah Cheragh. Photo taken on August 12, 2015 in Shiraz, Iran.
Pack of three Geranium leaf tiles, mixed colors of red and green. These were pressed from the leaves of my geranium plants for first firing, then hand applied high fire glazes before re-firing.
Great for home decor, 3D Scrapbooking or to finish off your nature themed mosaics or mosaic themed crafts
I hope these tiles will help in the inspiration in your creative juices whether it be for your mosaics, pottery or just to decorate in a home.
Item Details:
• Stoneware ceramic
• Various glazes
• Leaf #1 = Approx. dimensions 3.5" x 3" x .375"
• Leaf #2 =Approx. dimensions 3.313" x 3" x .438"
• Leaf #3 = Approx. dimensions 2.875" x 2.5" x .438"
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As with all my artwork these tiles are one-of-a-kind pieces that can be copied but not duplicated, so you never have to worry about finding an identical anywhere else.
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Same people in the previous shot farm4.static.flickr.com/3247/2442045901_e00a7426a5_o.jpg
So again we are at the mosque of the Valide Sultan ('Yeni Cami, Valide Sultan Camii') on a warm Saturday afternoon in the Eminönü area of Istanbul, Turkey. This time it's easier to see the ceramic tiles on the front of the mosque as people enjoy their ice creams.
The skyline of Bukhara includes Kalon Mosque, Kalon Minaret, and Mir-i-Arab Medressa, as well as a bazaar and small shops. Photo taken on July 09, 2012 in Bukhara, Uzbekistan.
Park Güell, Barcelona, Catalonia, Spain
Park Güell is a garden complex with architectural elements situated on the hill of El Carmel in the Gràcia. It was designed by the Catalan architect Antoni Gaudí and built in the years 1900 to 1914. It has an extension of 17.18 ha (0.1718 km²), which makes it one of the largest architectural works in south Europe. It is part of the UNESCO World Heritage Site "Works of Antoni Gaudí".
The park was originally part of a commercially unsuccessful housing site, the idea of Count Eusebi Güell, after whom the park was named. It was inspired by the English garden city movement. The intention was to exploit the fresh air (well away from smoky factories) and beautiful views from the site, with sixty triangular lots being provided for luxury houses. Ultimately, only two houses were built, neither designed by Gaudí. One was intended to be a show house, but on being completed in 1904 was put up for sale, and as no buyers came forward, Gaudí, at Güell's suggestion, bought it with his savings and moved in with his family and his father. Gaudí lived in this house from 1906 to 1926.
Porter's Lodge
The main entrance to Park Güell is on the south side, on Carrer d’Olot. To either side are the two pavilions that form the porter’s lodge. The one to the left was the one actually used as a porter’s lodge, with a waiting room and telephone booth.
The building has very beautiful roof, built with the traditional Catalan clay tiles covered with “trencadís”, a mosaic made of tile shards.
Park Güell, Barcelona, Catalonia, Spain
Park Güell is a garden complex with architectural elements situated on the hill of El Carmel in the Gràcia. It was designed by the Catalan architect Antoni Gaudí and built in the years 1900 to 1914. It has an extension of 17.18 ha (0.1718 km²), which makes it one of the largest architectural works in south Europe. It is part of the UNESCO World Heritage Site "Works of Antoni Gaudí".
The park was originally part of a commercially unsuccessful housing site, the idea of Count Eusebi Güell, after whom the park was named. It was inspired by the English garden city movement. The intention was to exploit the fresh air (well away from smoky factories) and beautiful views from the site, with sixty triangular lots being provided for luxury houses. Ultimately, only two houses were built, neither designed by Gaudí. One was intended to be a show house, but on being completed in 1904 was put up for sale, and as no buyers came forward, Gaudí, at Güell's suggestion, bought it with his savings and moved in with his family and his father. Gaudí lived in this house from 1906 to 1926.