Capable of seating 50,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era.

Spectators were seated in the Coliseum of Rome by rank, social class and gender. The emperor had his own "court side" box. Senators were allocated choice ringside seats. The rich & well-connected had the next best seats. Male commoners (the largest audience segment) sat behind them. Woman were relegated to the upmost tier – except for those trying to survive in the arena.

Capable of 12 frames per second burst mode shooting (RAW+JPEG), the snapper can also capture 14 frames per second with the mirror locked up and the camera shooting JPEGs.

---

Check out my preview of the EOS-1D X here:

Canon EOS-1D X exclusive hands-on

More photos here:

Canon EOS-1D X unveiling: photo gallery

Follow me on Twitter @ ShawnCNETAsia

and check out CNET Asia Cameras for your daily camera fix:)

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

The Wasp was a transonic British jet-powered fighter aircraft that was developed by Folland for the Royal Air Force (RAF) during the late 1940s and early 1950s. The Wasp’s origins could be traced back to a privately funded 1952 concept for a bigger and more capable day fighter aircraft than Folland’s very light Midget/Gnat. The Wasp’s development had been continued until the Gnat’s service introduction, and by then it had evolved under the handle “Fo-145” into a supersonic aircraft that took advantage of the new Armstrong Siddeley Sapphire turbojet engine, swept wings and area rule. The aircraft was built with the minimum airframe size to take the reheated Saphire and a radar system that would allow it to deploy the new de Havilland Blue Jay (later Firestreak) guided air-to-air missile. In this form the aircraft was expected to surpass the Royal Air Force’s contemporary day fighter, the only gun-armed Hawker Hunter, which had been in service since 1954, while using basically the same engine as its F.2 variant, in both performance and armament aspects. The missile-armed Wasp was also expected to replace the disappointing Supermarine Swift and the Fairey Fireflash AAMs that had been developed for it.

The Wasp strongly resembled the smaller Gnat, with a similar but much thinner shoulder mounted wing, with a sweep of 35° at quarter chord, but the new aircraft featured some innovations. Beyond the area-ruled fuselage, the aircraft had full-span leading edge slats and trailing edge flaps with roll control achieved using spoilers rather than traditional ailerons. Anticipating supersonic performance, the tailplane was all-moving. The cockpit had been raised and offered the pilot a much better all-round field of view.

Most of these aircraft remained allocated to RAF Germany units and retired towards the late Sixties, but four GR.Mk.2s were operated by RAF No. 57 (Reserve) Squadron and based at No. 3 Flying Training School at Cranwell, where they were flown as adversaries in dissimilar aerial combat training. The last of the type was withdrawn from service in 1969, but one aircraft remained flying with the Aeroplane and Armament Experimental Establishment at Boscombe Down until 24 January 1975.

General characteristics:

Crew: 1

Length: 45 ft 10.5 in (13.983 m)

Wingspan: 31 ft 7.5 in (9.639 m)

Height: 13 ft 2.75 in (4.0323 m)

Wing area: 250 sq ft (23 m2)

Empty weight: 13,810 lb (6,264 kg)

Gross weight: 21,035 lb (9,541 kg)

Max takeoff weight: 23,459 lb (10,641 kg)

Powerplant:

1× Armstrong Siddeley Sapphire Sa.6, producing 7,450 lbf (33.1 kN) thrust at 8,300 rpm,

military power dry, and 11,000 lbf (48.9 kN) with afterburner

Performance:

Maximum speed: 631 kn (726 mph, 1,169 km/h) / M1.1 at 35,000 ft (10,668 m)

654 kn (753 mph; 1,211 km/h) at sea level

Cruise speed: 501 kn (577 mph, 928 km/h)

Range: 1,110 nmi (1,280 mi, 2,060 km)

Service ceiling: 49,000 ft (15,000 m)

Rate of climb: 16,300 ft/min (83 m/s)

Wing loading: 84 lb/sq ft (410 kg/m2)

Thrust/weight: 0.5

Armament:

4× 30 mm (1.18 in) ADEN cannon, 125 rounds per gun

4× underwing hardpoints for a total external ordnance of 4.000 lb, including Firestreak AAMs,

SNEB pods, bombs of up to 1.000 lb caliber or two 125 imp gal (570 l) drop tanks

The kit and its assembly

This kit travesty is a remake of a simple but brilliant idea of fellow modeler chrisonord at whatifmodellers’com (www.whatifmodellers.com/index.php?topic=48434.msg899420#m...), who posted his own build in late 2020: a Grumman Tiger in standard contemporary RAF colors as Folland Wasp GR.Mk.2. The result looked like a highly credible “big brother” or maybe successor of Folland’s diminutive Midge/Gnat fighter, something in the Hawker Hunter’s class. I really like the idea a lot and decided that it was, one and a half years later, to build my personal interpretation of the subject – also because I had a Hasegawa F11F kit in The Stash™ without a proper plan.

The Tiger was built basically OOB – a simple and straightforward affair that goes together well, just the fine, raised panel lines show the mould’s age. The only changes I made: the arrester hook disappeared under PSR, small stabilizer fins (from an Italeri BAe Hawk) were added under the tail section, and I replaced the Tiger’s rugged twin wheel front landing gear with a single wheel alternative, left over from a Matchbox T-2 Buckeye. On the main landing gear, the rearward-facing stabilizing struts were deleted (for a lighter look of a land-based aircraft) and their wells filled with putty. A late modification were additional swing arms for the main landing gear, though: once the kit could sit on its own three feet, the stance was odd and low, esp. under the tail – probably due to the new front wheel. As a remedy I glued additional swing arm elements, made from 1mm steel wire, under the original struts, what moved the main wheel a little backwards and raised the main landing gear my 1mm. Does not sound like much, but it was enough to lift the tail and give the aircraft a more convincing stance and ground clearance.

The area-ruled drop tanks and their respective pylons were taken from the Hasegawa kit. For a special “British” touch – because the Tiger had a radome (into which no radar was ever fitted, though) – I added a pair of Firestreak AAMs on the outer underwing stations, procured from a Gomix Gloster Javelin (which comes with four of these, plus pylons).

Painting and markings:

Since the RAF theme was more or less settled, paintwork revolved around more or less authentical colors and markings. The Wasp received a standard RAF day fighter scheme from the late Fifties, with upper camouflage in RAF Dark Green/Dark Sea Grey and Light Aircraft Grey undersides with a low waterline. I used Humbrol 163, 106 and 166, respectively – Ocean Grey was used because I did not have the proper 164 at hand, but 106 also offered the benefit of a slightly better contrast to the murky Dark Green. A black ink washing was applied plus some panel post-shading. The silver leading edges on wings, stabilizers and fin were created with decal sheet material, avoiding the inconvenience of masking.

The cockpit interior was painted in a very dark grey (Revell 09, Anthracite) while the landing gear, wheels and wells received a greyish-metallic finish (Humbrol 56, Aluminum Dope). The air intakes’ interior became bright aluminum (Revell 99), the area around the jet nozzle was painted with Revell 91 (Iron metallic) and later treated with graphite for a dark metallic shine. The drop tanks were camouflaged, the Firestreaks became white so that they would stand out well and add to a certain vintage look.

The decals were a mix from various sources. The No. 20 Squadron badges and the Type D high-viz roundels on the wings were left over from an Airfix Hawker Hunter. The fuselage roundels came from an Italeri BAe Hawk sheet, IIRC. The bent fin flash, all the stencils as well as the serial code (which was puzzled together from two real serials and was AFAIK not allocated to any real RAF aircraft) came from an Xtradecal Supermarine Swift sheet. The individual red “B” letter came from a Matchbox A.W. Meteor night fighter.

Finally, the kit was sealed with matt acrylic varnish – I considered a glossy finish, since this was typical for RAF aircraft in the Fifties, but eventually just gave the radome a light shine.

Basically a simple project, and quickly done in just a couple of days. However, chrisonord’s great eye for similarities makes this “Tiger in disguise” a great fictional aircraft model with only little effort, it’s IMHO very convincing. And the RAF colors and markings suit the F11F very well.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

The Wasp was a transonic British jet-powered fighter aircraft that was developed by Folland for the Royal Air Force (RAF) during the late 1940s and early 1950s. The Wasp’s origins could be traced back to a privately funded 1952 concept for a bigger and more capable day fighter aircraft than Folland’s very light Midget/Gnat. The Wasp’s development had been continued until the Gnat’s service introduction, and by then it had evolved under the handle “Fo-145” into a supersonic aircraft that took advantage of the new Armstrong Siddeley Sapphire turbojet engine, swept wings and area rule. The aircraft was built with the minimum airframe size to take the reheated Saphire and a radar system that would allow it to deploy the new de Havilland Blue Jay (later Firestreak) guided air-to-air missile. In this form the aircraft was expected to surpass the Royal Air Force’s contemporary day fighter, the only gun-armed Hawker Hunter, which had been in service since 1954, while using basically the same engine as its F.2 variant, in both performance and armament aspects. The missile-armed Wasp was also expected to replace the disappointing Supermarine Swift and the Fairey Fireflash AAMs that had been developed for it.

The Wasp strongly resembled the smaller Gnat, with a similar but much thinner shoulder mounted wing, with a sweep of 35° at quarter chord, but the new aircraft featured some innovations. Beyond the area-ruled fuselage, the aircraft had full-span leading edge slats and trailing edge flaps with roll control achieved using spoilers rather than traditional ailerons. Anticipating supersonic performance, the tailplane was all-moving. The cockpit had been raised and offered the pilot a much better all-round field of view.

Most of these aircraft remained allocated to RAF Germany units and retired towards the late Sixties, but four GR.Mk.2s were operated by RAF No. 57 (Reserve) Squadron and based at No. 3 Flying Training School at Cranwell, where they were flown as adversaries in dissimilar aerial combat training. The last of the type was withdrawn from service in 1969, but one aircraft remained flying with the Aeroplane and Armament Experimental Establishment at Boscombe Down until 24 January 1975.

General characteristics:

Crew: 1

Length: 45 ft 10.5 in (13.983 m)

Wingspan: 31 ft 7.5 in (9.639 m)

Height: 13 ft 2.75 in (4.0323 m)

Wing area: 250 sq ft (23 m2)

Empty weight: 13,810 lb (6,264 kg)

Gross weight: 21,035 lb (9,541 kg)

Max takeoff weight: 23,459 lb (10,641 kg)

Powerplant:

1× Armstrong Siddeley Sapphire Sa.6, producing 7,450 lbf (33.1 kN) thrust at 8,300 rpm,

military power dry, and 11,000 lbf (48.9 kN) with afterburner

Performance:

Maximum speed: 631 kn (726 mph, 1,169 km/h) / M1.1 at 35,000 ft (10,668 m)

654 kn (753 mph; 1,211 km/h) at sea level

Cruise speed: 501 kn (577 mph, 928 km/h)

Range: 1,110 nmi (1,280 mi, 2,060 km)

Service ceiling: 49,000 ft (15,000 m)

Rate of climb: 16,300 ft/min (83 m/s)

Wing loading: 84 lb/sq ft (410 kg/m2)

Thrust/weight: 0.5

Armament:

4× 30 mm (1.18 in) ADEN cannon, 125 rounds per gun

4× underwing hardpoints for a total external ordnance of 4.000 lb, including Firestreak AAMs,

SNEB pods, bombs of up to 1.000 lb caliber or two 125 imp gal (570 l) drop tanks

The kit and its assembly

This kit travesty is a remake of a simple but brilliant idea of fellow modeler chrisonord at whatifmodellers’com (www.whatifmodellers.com/index.php?topic=48434.msg899420#m...), who posted his own build in late 2020: a Grumman Tiger in standard contemporary RAF colors as Folland Wasp GR.Mk.2. The result looked like a highly credible “big brother” or maybe successor of Folland’s diminutive Midge/Gnat fighter, something in the Hawker Hunter’s class. I really like the idea a lot and decided that it was, one and a half years later, to build my personal interpretation of the subject – also because I had a Hasegawa F11F kit in The Stash™ without a proper plan.

The Tiger was built basically OOB – a simple and straightforward affair that goes together well, just the fine, raised panel lines show the mould’s age. The only changes I made: the arrester hook disappeared under PSR, small stabilizer fins (from an Italeri BAe Hawk) were added under the tail section, and I replaced the Tiger’s rugged twin wheel front landing gear with a single wheel alternative, left over from a Matchbox T-2 Buckeye. On the main landing gear, the rearward-facing stabilizing struts were deleted (for a lighter look of a land-based aircraft) and their wells filled with putty. A late modification were additional swing arms for the main landing gear, though: once the kit could sit on its own three feet, the stance was odd and low, esp. under the tail – probably due to the new front wheel. As a remedy I glued additional swing arm elements, made from 1mm steel wire, under the original struts, what moved the main wheel a little backwards and raised the main landing gear my 1mm. Does not sound like much, but it was enough to lift the tail and give the aircraft a more convincing stance and ground clearance.

The area-ruled drop tanks and their respective pylons were taken from the Hasegawa kit. For a special “British” touch – because the Tiger had a radome (into which no radar was ever fitted, though) – I added a pair of Firestreak AAMs on the outer underwing stations, procured from a Gomix Gloster Javelin (which comes with four of these, plus pylons).

Painting and markings:

Since the RAF theme was more or less settled, paintwork revolved around more or less authentical colors and markings. The Wasp received a standard RAF day fighter scheme from the late Fifties, with upper camouflage in RAF Dark Green/Dark Sea Grey and Light Aircraft Grey undersides with a low waterline. I used Humbrol 163, 106 and 166, respectively – Ocean Grey was used because I did not have the proper 164 at hand, but 106 also offered the benefit of a slightly better contrast to the murky Dark Green. A black ink washing was applied plus some panel post-shading. The silver leading edges on wings, stabilizers and fin were created with decal sheet material, avoiding the inconvenience of masking.

The cockpit interior was painted in a very dark grey (Revell 09, Anthracite) while the landing gear, wheels and wells received a greyish-metallic finish (Humbrol 56, Aluminum Dope). The air intakes’ interior became bright aluminum (Revell 99), the area around the jet nozzle was painted with Revell 91 (Iron metallic) and later treated with graphite for a dark metallic shine. The drop tanks were camouflaged, the Firestreaks became white so that they would stand out well and add to a certain vintage look.

The decals were a mix from various sources. The No. 20 Squadron badges and the Type D high-viz roundels on the wings were left over from an Airfix Hawker Hunter. The fuselage roundels came from an Italeri BAe Hawk sheet, IIRC. The bent fin flash, all the stencils as well as the serial code (which was puzzled together from two real serials and was AFAIK not allocated to any real RAF aircraft) came from an Xtradecal Supermarine Swift sheet. The individual red “B” letter came from a Matchbox A.W. Meteor night fighter.

Finally, the kit was sealed with matt acrylic varnish – I considered a glossy finish, since this was typical for RAF aircraft in the Fifties, but eventually just gave the radome a light shine.

Basically a simple project, and quickly done in just a couple of days. However, chrisonord’s great eye for similarities makes this “Tiger in disguise” a great fictional aircraft model with only little effort, it’s IMHO very convincing. And the RAF colors and markings suit the F11F very well.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Grumman Mohawk began as a joint Army-Marine program through the then-Navy Bureau of Aeronautics (BuAer), for an observation/attack plane that would outperform the light and vulnerable Cessna L-19 Bird Dog. In June 1956, the Army issued Type Specification TS145, which called for the development and procurement of a two-seat, twin turboprop aircraft designed to operate from small, unimproved fields under all weather conditions. It would be faster, with greater firepower, and heavier armor than the Bird Dog, which had proved very vulnerable during the Korean War.

No OV-1G was lost during the type’s career in Luftwaffe service, and after the end of the airframes’ service life, all five German OV-1Gs were scrapped in 2011. There was, due to worsening budget restraints, no direct successor, even though the maritime surveillance duties were taken over by Dornier Do 228/NGs operated by the German Marineflieger (naval air arm).

General characteristics:

Crew: Two: pilot, observer/systems operator

Length: 44 ft 4 in (13.53 m) overall with FLIR sensor and IR jammer

Wingspan: 42 ft 0 in (12.8 m)

Height: 12 ft 8 in (3.86 m)

Wing area: 330 sq. ft (30.65 m²)

Empty weight: 12,054 lb (5,467 kg)

Loaded weight: 15,544 lb (7,051 kg)

Max. takeoff weight: 18,109 lb (8,214 kg)

Powerplant:

2× Lycoming T53-L-701 turboprops, 1,400 shp (1,044 kW) each

Performance:

Never exceed speed: 450 mph (390 knots, 724 km/h)

Maximum speed: 305 mph (265 knots, 491 km/h) at 10,000 ft (3,050 m)

Cruise speed: 207 mph (180 knots, 334 km/h) (econ cruise)

Stall speed: 84 mph (73 knots, 135 km/h)

Range: 944 mi (820 nmi, 1,520 km) (SLAR mission)

Service ceiling: 25,000 ft (7,620 m)

Rate of climb: 3,450 ft/min (17.5 m/s)

Armament:

A total of eight external hardpoints (two ventral, three under each outer wing)

for external loads; the wing hardpoints were typically occupied with ELINT sensor pods, while the

ventral hardpoints frequently carried 300 l drop tanks to extend loiter time and range;

Typically, no offensive armament was carried, even though bombs or gun/missile pods were possible.

The kit and its assembly:

This build became a submission to the “Reconnaissance” Group Build at whatifmodellers.com in July 2021, and it spins further real-world events. Germany actually tested two OV-1s in the Sixties (by the German Army/Bundesheer, not by the air force), but the type was not procured or operated. The test aircraft carried a glossy, olive drab livery (US standard, I think) with German national markings.

However, having a vintage Hasegawa OV-1A in the stash, I wondered what an operational German OV-1 might have looked like, especially if it had been operated into the Eighties and beyond, in the contemporary Norm 83 paint scheme? This led to this purely fictional OV-1G.

The kit was mostly built OOB, and the building experience was rather so-so – after all, it’s a pretty old mold/boxing (in my case the Hasegawa/Hales kit is from 1978, the mold is from 1968!). Just a few things were modified/added in order to tweak the standard, short-winged OV-1A into something more modern and sophisticated.

When searching for a solution to mount some ELINT sensor arrays, I did not want to copy the OV-1B’s characteristic offset, ventral SLAR fairing. I rather settled for the late RV-1D’s solution with sensor pods under the outer wings. Unfortunately, the OV-1A kit came with the type’s original short wings, so that the pods had to occupy the inner underwing pair of hardpoints. The pods were scratched from square styrene profiles and putty, so that they received a unique look. The Mohawk’s pair of ventral hardpoints were mounted, but – after considering some drop tanks or an ECM pod there - left empty, so that the field of view for the ventral panoramic camera would not be obscured.

Other small additions are some radar warning sensor bumps on the nose, some extra antennae, a shallow bulge for the MIDS antenna on the spine, the FLIR turret on the nose (with parts from an Italeri AH-1 and a Kangnam Yak-38!), and I added a tail stinger for a retrofitted (scratched) IR decoy device, inspired by the American AN/ALG-147. This once was a Matchbox SNEB unguided missile pod.

Painting and markings:

For the intended era, the German Norm 83 paint scheme, which is still in use today on several Luftwaffe types like the Transall, PAH-2 or CH-53, appeared like a natural choice. It’s a tri-color wraparound scheme, consisting of RAL 6003 (Olivgrün), FS 34097 (Forest Green) and RAL 7021 (Teerschwarz). The paints I used are Humbrol 86 (which is supposed to be a WWI version of RAL 6003, it lacks IMHO yellow but has good contrast to the other tones), Humbrol 116 and Revell 9. The pattern itself was adapted from the German Luftwaffe’s Dornier Do 28D “Skyservants” with Norm 83 camouflage, because of the type’s similar outlines.

A black ink washing was applied for light weathering, plus some post-shading of panels with lighter shades of the basic camouflage tones for a more plastic look. The cockpit interior was painted in light grey (Humbrol 167), while the landing gear and the interior of the air brakes became white. The scratched SLAR pods became light grey, with flat di-electric panels in medium grey (created with decal material).

The cockpit interior was painted in a rather light grey (Humbrol 167), the pilots received typical olive drab Luftwaffe overalls, one with a white “bone dome” and the other with a more modern light grey helmet.

The decals were improvised. National markings and tactical codes came from TL Modellbau sheets, the AG 51 emblems were taken from a Hasegawa RF-4E sheet. The black walkways were taken from the Mohak’s OOB sheet, the black de-icer leading edges on wings and tail were created with generic black decal material. Finally, the model was sealed with a coat of matt acrylic varnish (Italeri).

An interesting result, and the hybrid paint scheme with the additional desert camouflage really makes the aircraft an unusual sight, adding to its credibility.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The McDonnell Douglas (now Boeing) T-45 Goshawk was a highly modified version of the BAe Hawk land-based training jet aircraft. Manufactured by McDonnell Douglas (now Boeing) and British Aerospace (now BAe Systems), the T-45 was used by the United States Navy and the United States Marine Corps (USMC) as an aircraft carrier-capable trainer.

The Goshawk's origins began in the mid-1970s, when the US Navy began looking for a single aircraft replacement for both its T-2 and TA-4 jet trainers. The US Navy started the VTXTS advanced trainer program in 1978. Several companies made submissions, e. g. North American or Northrop/Vought. Due to the size of the potential contract, European companies made submissions, too, including a navalized Alpha Jet from Dassault/Dornier and a fully carrier-capable version of the BAe Hawk Mk.60, mutually proposed by British Aerospace (BAe) and McDonnell Douglas (MDC). The latter eventually won the competition and BAe and MDC were awarded the T-45 contract in 1981.

The final delivery of the 246th T-45 airframe took place in November 2009, and both T-45 and the OA-45 "GosHog" are supposed to remain in service until 2035.

General characteristics:

Crew: 2 (pilot, observer)

Length: 39 ft 4 in (11.99 m)

Wingspan: 30 ft 10 in (9.39 m)

Height: 13 ft 5 in (4.08 m)

Wing area: 190.1 ft² (17.7 m²)

Empty weight: 10,403 lb (4,460 kg)

Max. takeoff weight: 14,081 lb (6,387 kg)

Powerplant:

1× Rolls-Royce Turbomeca F405-RR-401 (Adour) non-afterburning turbofan with 5,527 lbf (26 kN)

Performance:

Maximum speed: Mach 2 (2,204 km/h (1,190 kn; 1,370 mph) at high altitude

Combat radius: 800 km (497 mi, 432 nmi)

Ferry range: 3,200 km (1,983 mi) with drop tanks

Service ceiling: 15,240 m (50,000 ft)

Wing loading: 283 kg/m² (58 lb/ft²)

Thrust/weight: 0.97

Maximum g-load: +9 g

Armament:

No internal gun; seven external hardpoints (three on each wing and one under fuselage)

for a wide range of ordnance of up to 6,800 lb (3,085 kg), including up to six AIM-9 Sidewinder for

self-defense, pods with unguided rockets for target marking or ECM pods, but also offensive weapons

of up to 1.000 lb (454 kg) weight, including iron/cluster bombs and guided AGM-65, GBU-12 and -16.

The kit and its assembly:

This fictional T-45 variant is actually the result of a long idea evolution, and simply rooted in the idea of a dedicated OA-4M replacement for the USMC; in real life, the FFAC role has been transferred to F-18 two-seaters, though, but the T-45 appeared like a sound alternative to me.

There's only one T-45 kit available, a dubious T-45A from Italeri with poor wings and stabilizers. Wolfpack also offers a T-45, but it’s just a re-boxing of the Italeri kit with some PE parts and a price tag twice as big – but it does not mend the original kit’s issues… After reading the A-4 Skyhawk book from the French "Planes & Pilots" series, I was reminded of the USMC's special OA-4M FAC two-seaters (and the fact that it is available in kit form from Italeri and Hasegawa), and, cross-checking the real-world timeline of the T-45, I found that it could have been a suitable successor. The ide of the USMC’s OA-45 was born! :D

Building-wise the Italeri T-45 remained close to OOB, even though I transplanted several parts from an Italeri BAe Hawk Mk. 100 to create a different look. I modified the nose with the Mk. 100’s laser fairing and added some radar warning sensor bumps. This transplantation was not as easy as it might seem because the T-45’s nose is, due to the different and more massive front landing gear quite different from the Hawk’s. Took some major PSR to integrate the laser nose.

An ALR-45 “hot dog” fairing from a late A-4M (Italeri kit) was added to the fin, together with a small styrene wedge extending the fin’s leading edge. This small detail markedly changes the aircraft’s look. I furthermore added a refueling probe, scratched from coated wire and some white glue, as well as a low “camel back” fairing behind the cockpit, created from a streamlined bomb half with air outlets for an integrated heat exchanger. Blade antennae were relocated and added. A shallow bump for the Doppler radar was added under the fuselage behind the landing gear well – left over from an Airfix A-4B (from an Argentinian A-4P, to be correct, actually a dorsal fairing).

On the wings, a tailored pair of pylons and wing tip launch rails from the Italeri BAe Hawk Mk. 100 kit were added, too, as well as the donor kit’s pair of Sidewinders. The rest of the ordnance consists of drop tanks and LAU-19 pods for target marking missiles. The tanks were taken from the Hawk Mk. 100 kit, too, the rocket launchers came from an Italeri NATO aircraft weapons set. The centerline position carries an ALQ-131 ECM pod from a Hasegawa US aircraft weapons set on a pylon from the scrap box.

Painting and markings:

The low-viz idea prevailed, since I had some leftover OA-4M decals from Italeri kits in store, as well as some other suitable low-viz decals from a Revell A-4F kit. However, an all-grey livery was IMHO not enough, and when I came across a picture of a USN low-viz A-7E with an improvised desert camouflage in sand and reddish brown applied over the grey (even partly extending over its markings) from Operation Iraqi Freedom, I had that extra twist that would set the OA-45 apart. MALS-13 was chosen as operator because I had matching codes, and, as another benefit, the unit had actually been deployed overseas during the 2003 Iraq War, so that the whif’’s time frame was easily settled, adding to its credibility.

The livery was built up just like on the real aircraft: on top of a basic scheme in FS 36320 and 36375 (Humbrol 128 and 127) with a slightly darker anti-glare panel in front of the cockpit (FS 35237, I used Revell 57 as a slightly paler alternative) I applied the low-viz marking decals, which were protected with a coat of acrylic varnish. Next, additional desert camouflage was added with dry-brushed sand and millitary brown (supposedly FS 33711 and 30400 in real life, I used, after consulting pictures of aircraft from both Gulf Wars, Humbrol 103 (Cream) and 234 (Dark Flesh). They were applied with a kind of a dry-brushing technique, for a streaky and worn look, leaving out the codes and other markings. The pattern itself was inspired by an USMC OV-10 Bronco in desert camouflage from the 1st Gulf War.

On top of that a black ink washing was applied. Once things had thoroughly dried over night, I wet-sanded the additional desert camouflage away, carefully from front to back, so that the edges became blurred and the underlying grey became visible again.

The cockpit interior was painted in standard Dark Gull Grey (Humbrol 140), while the air intakes and the landing gear became white, the latter with red trim on the covers’ edges – just standard. Finally, the model was sealed with a coat of matt acrylic varnish (Italeri).

The upgraded T-45 is an interesting result. The add-ons suit the aircraft, which already looks sturdier than its land-based ancestor, well. The improvised desert paint scheme with the additional two-tone camouflage over the pale grey base really makes the aircraft an unusual sight, adding to its credibility.

Hardware-wise I am really happy how the added dorsal hump blends into the overall lines – in a profile view it extends the canopy’s curve and blends into the fin, much like the A-4F/M’s arrangement. And the modified fin yields a very different look, even though not much was changed. The T-45 looks much beefier now, and from certain angles really reminds of the OA-4M and sometimes even of a diminutive Su-25?

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

The Mikoyan-Gurevich MiG-19 (Russian: Микоян и Гуревич МиГ-19) (NATO reporting name: "Farmer") was a Soviet second-generation, single-seat, twin jet-engined fighter aircraft. It was the first Soviet production aircraft capable of supersonic speeds in level flight. It was, more oe less, the counterpart of the North American F-100 Super Sabre, although the MiG-19 would primarily oppose the more modern McDonnell Douglas F-4 Phantom II and Republic F-105 Thunderchief over North Vietnam.

The Polish Navy MiG-19R were kept in service until 1982 through the 3rd Group of the 7th Polish Naval Squadron (PLS), even though only a quartet remained since two Lim-7R, how the type was called in Poland, had been lost through accidents during the early 70ies. Ironically, the older Lim6R (a domestic photo reconnaissance variant of the license-built MiG-17 fighter bomber) was even kept in service until the late 80ies, but eventually all these aircraft were replaced by MiG-21R and Su-22M4R.

General characteristics:

Crew: One

Length: 12.54 m (41 ft)

Wingspan: 9.0 m (29 ft 6 in)

Height: 3.9 m (12 ft 10 in)

Wing area: 25.0 m² (270 ft²)

Empty weight: 5,447 kg (11,983 lb)

Max. take-off weight: 7,560 kg (16,632 lb)

Powerplant:

2× Tumansky RD-9BF-1 afterburning turbojets, 31.9 kN (7,178 lbf) each

Performance:

Maximum speed: 1.500 km/h (930 mph)

Range: 1,390 km (860 mi) 2,200 km with external tanks

Service ceiling: 17,500 m (57,400 ft)

Rate of climb: 180 m/s (35,425 ft/min)

Wing loading: 302.4 kg/m² (61.6 lb/ft²)

Thrust/weight: 0.86

Armament:

2x 30 mm NR-30 cannons in the wing roots with 75 RPG

4x underwing pylons, with a maximum load of 1.000 kg (2.205 lb);

typically only 2 drop tanks were carried, or pods with flare missiles

The kit and its assembly:

Again, a rather subtle whif. The MiG-19R existed, but was only produced in small numbers and AFAIK only operated by the Soviet Union. Conversions of license-built machines in Czechoslovakia and China never went it beyond prototype stage.

Beyond that, there’s no kit of the recon variant, even pictures of real aircraft are hard to find for refefence – so I decided to convert a vintage Kovozavody/KP Models MiG-19S fighter from the pile into this exotic Farmer variant.

Overall, the old KP kit is not bad at all, even though you get raised details, lots of flash and mediocre fit, the pilot's seat is rather funny. Yes, today’s standards are different, but anything you could ask for is there. The kit is more complete than a lot of more modern offerings and the resulting representation of a MiG-19 is IMHO good.

Mods I made are minimal. Most prominent feature is the camera fairing in place of the fuselage cannon, scratched from a massive weapon pylon (Academy F-104G). Probably turned out a bit too large and pronounced, but it’s whifworld, after all!

Other detail changes include new main wheels (from a Revell G.91), some added/scratched details in the cockpit with an opened canopy, and extra air scoops on the fuselage for the uprated engines. The drop tanks are OOB, I just added the small stabilizer pylons from styrene sheet.

Other pimp additions are scratched cannons (made from Q-Tips!), and inside of the exhausts the rear wall was drilled up and afterburner dummies (wheels from a Panzer IV) inserted - even though you can hardly see that at all...

Painting and markings:

This is where the fun actually begins. ANY of the few MiG-19 in Polish service I have ever seen was left in a bare metal finish, and the Polish Navy actually never operated the type.

Anyway, the naval forces make a good excuse for a camouflaged machine – and the fact that the naval service used rather complex patterns with weird colors on its machines (e. g. on MiG-17, MiG-15 UTI or PZL Iskras and An-2) made this topic even more interesting, and colorful.

My paint scheme is a mix of various real world aircraft “designs”. Four(!) upper colors were typical. I ended up with:

• Dark Grey (FS 36118, Modelmaster)

• Dark Green (RAF Dark Green, Modelmaster)

• Blue-Green-Grey (Fulcrum Green-Grey, Modelmaster)

• Greenish Ochre (a mix of Humbrol 84 and Zinc Chromate Green, Modelmaster)

Plus…

• Light Blue undersides (FS 35414, Modelmaster, also taken into the air intake)

The pattern was basically lent from an Iskra trainer and translated onto the swept wing MiG. The scheme is in so far noteworthy because the stabilizers carry the upper camo scheme on the undersides, too!?

I only did light shading and weathering, since all Polish Navy service aircraft I found had a arther clean and pristine look. A light black ink wash helped to emphasize the many fine raised panel lines, as well as some final overall dry painting with light grey.

The cockpit interior was painted in the notorious “Russian Cockpit Blue-Green” (Modelmaster), dashboard and are behind the seat were painted medium grey (FS 36231). The landing gear wells were kept in Aluminum (Humbrol 56), while the struts received a lighter acrylic Aluminum from Revell.

The wheel discs were painted bright green (Humbrol 131), but with the other shocking colors around that does not stand out at all…! The engine nozzles were treated with Modelmaster Metallizer, including Steel, Gun Metal and Titanium, plus some grinded graphite which adds an extra metallic shine.

The national “checkerboard” markings were puzzled together from various old decal sheets; the red tactical code was made with single digit decals (from a Begemot MiG-29 sheet); the squadron marking on the fin is fictional, the bird scaring eyes are a strange but als typical addition and I added some few stencils.

Finally, all was sealed under a coat of matt acrylic varnish (Revell).

In the end, not a simple whif with only little conversion surgery. But the paint scheme is rather original, if not psychedelic – this MiG looks as if a six-year-old had painted it, but it’s pretty true to reality and I can imagine that it is even very effective in an environment like the Baltic Sea.

Colosseum

Following, a text, in english, from the Wikipedia the Free Encyclopedia:

The Colosseum, or the Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheatre in the centre of the city of Rome, Italy, the largest ever built in the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering.

Occupying a site just east of the Roman Forum, its construction started between 70 and 72 AD[1] under the emperor Vespasian and was completed in 80 AD under Titus,[2] with further modifications being made during Domitian's reign (81–96).[3] The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus's family name (Flavius, from the gens Flavia).

Capable of seating 50,000 spectators,[1][4][5] the Colosseum was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.

Although in the 21st century it stays partially ruined because of damage caused by devastating earthquakes and stone-robbers, the Colosseum is an iconic symbol of Imperial Rome. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum.[6]

The Colosseum is also depicted on the Italian version of the five-cent euro coin.

The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, hence its original name, after the reign of Emperor Nero.[7] This name is still used in modern English, but generally the structure is better known as the Colosseum. In antiquity, Romans may have referred to the Colosseum by the unofficial name Amphitheatrum Caesareum; this name could have been strictly poetic.[8][9] This name was not exclusive to the Colosseum; Vespasian and Titus, builders of the Colosseum, also constructed an amphitheater of the same name in Puteoli (modern Pozzuoli).[10]

The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby.[3] (the statue of Nero itself being named after one of the original ancient wonders, the Colossus of Rhodes[citation needed]. This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome.

In the 8th century, a famous epigram attributed to the Venerable Bede celebrated the symbolic significance of the statue in a prophecy that is variously quoted: Quamdiu stat Colisæus, stat et Roma; quando cadet colisæus, cadet et Roma; quando cadet Roma, cadet et mundus ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world").[11] This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that the Pseudo-Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.

The Colossus did eventually fall, possibly being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma.[12]

The name further evolved to Coliseum during the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and other Romance languages have come to use similar forms such as le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese).

Construction of the Colosseum began under the rule of the Emperor Vespasian[3] in around 70–72AD. The site chosen was a flat area on the floor of a low valley between the Caelian, Esquiline and Palatine Hills, through which a canalised stream ran. By the 2nd century BC the area was densely inhabited. It was devastated by the Great Fire of Rome in AD 64, following which Nero seized much of the area to add to his personal domain. He built the grandiose Domus Aurea on the site, in front of which he created an artificial lake surrounded by pavilions, gardens and porticoes. The existing Aqua Claudia aqueduct was extended to supply water to the area and the gigantic bronze Colossus of Nero was set up nearby at the entrance to the Domus Aurea.[12]

Although the Colossus was preserved, much of the Domus Aurea was torn down. The lake was filled in and the land reused as the location for the new Flavian Amphitheatre. Gladiatorial schools and other support buildings were constructed nearby within the former grounds of the Domus Aurea. According to a reconstructed inscription found on the site, "the emperor Vespasian ordered this new amphitheatre to be erected from his general's share of the booty." This is thought to refer to the vast quantity of treasure seized by the Romans following their victory in the Great Jewish Revolt in 70AD. The Colosseum can be thus interpreted as a great triumphal monument built in the Roman tradition of celebrating great victories[12], placating the Roman people instead of returning soldiers. Vespasian's decision to build the Colosseum on the site of Nero's lake can also be seen as a populist gesture of returning to the people an area of the city which Nero had appropriated for his own use. In contrast to many other amphitheatres, which were located on the outskirts of a city, the Colosseum was constructed in the city centre; in effect, placing it both literally and symbolically at the heart of Rome.

The Colosseum had been completed up to the third story by the time of Vespasian's death in 79. The top level was finished and the building inaugurated by his son, Titus, in 80.[3] Dio Cassius recounts that over 9,000 wild animals were killed during the inaugural games of the amphitheatre. The building was remodelled further under Vespasian's younger son, the newly designated Emperor Domitian, who constructed the hypogeum, a series of underground tunnels used to house animals and slaves. He also added a gallery to the top of the Colosseum to increase its seating capacity.

In 217, the Colosseum was badly damaged by a major fire (caused by lightning, according to Dio Cassius[13]) which destroyed the wooden upper levels of the amphitheatre's interior. It was not fully repaired until about 240 and underwent further repairs in 250 or 252 and again in 320. An inscription records the restoration of various parts of the Colosseum under Theodosius II and Valentinian III (reigned 425–455), possibly to repair damage caused by a major earthquake in 443; more work followed in 484[14] and 508. The arena continued to be used for contests well into the 6th century, with gladiatorial fights last mentioned around 435. Animal hunts continued until at least 523, when Anicius Maximus celebrated his consulship with some venationes, criticised by King Theodoric the Great for their high cost.

The Colosseum underwent several radical changes of use during the medieval period. By the late 6th century a small church had been built into the structure of the amphitheatre, though this apparently did not confer any particular religious significance on the building as a whole. The arena was converted into a cemetery. The numerous vaulted spaces in the arcades under the seating were converted into housing and workshops, and are recorded as still being rented out as late as the 12th century. Around 1200 the Frangipani family took over the Colosseum and fortified it, apparently using it as a castle.

Severe damage was inflicted on the Colosseum by the great earthquake in 1349, causing the outer south side, lying on a less stable alluvional terrain, to collapse. Much of the tumbled stone was reused to build palaces, churches, hospitals and other buildings elsewhere in Rome. A religious order moved into the northern third of the Colosseum in the mid-14th century and continued to inhabit it until as late as the early 19th century. The interior of the amphitheatre was extensively stripped of stone, which was reused elsewhere, or (in the case of the marble façade) was burned to make quicklime.[12] The bronze clamps which held the stonework together were pried or hacked out of the walls, leaving numerous pockmarks which still scar the building today.

During the 16th and 17th century, Church officials sought a productive role for the vast derelict hulk of the Colosseum. Pope Sixtus V (1585–1590) planned to turn the building into a wool factory to provide employment for Rome's prostitutes, though this proposal fell through with his premature death.[15] In 1671 Cardinal Altieri authorized its use for bullfights; a public outcry caused the idea to be hastily abandoned.

In 1749, Pope Benedict XIV endorsed as official Church policy the view that the Colosseum was a sacred site where early Christians had been martyred. He forbade the use of the Colosseum as a quarry and consecrated the building to the Passion of Christ and installed Stations of the Cross, declaring it sanctified by the blood of the Christian martyrs who perished there (see Christians and the Colosseum). However there is no historical evidence to support Benedict's claim, nor is there even any evidence that anyone prior to the 16th century suggested this might be the case; the Catholic Encyclopedia concludes that there are no historical grounds for the supposition. Later popes initiated various stabilization and restoration projects, removing the extensive vegetation which had overgrown the structure and threatened to damage it further. The façade was reinforced with triangular brick wedges in 1807 and 1827, and the interior was repaired in 1831, 1846 and in the 1930s. The arena substructure was partly excavated in 1810–1814 and 1874 and was fully exposed under Benito Mussolini in the 1930s.

The Colosseum is today one of Rome's most popular tourist attractions, receiving millions of visitors annually. The effects of pollution and general deterioration over time prompted a major restoration programme carried out between 1993 and 2000, at a cost of 40 billion Italian lire ($19.3m / €20.6m at 2000 prices). In recent years it has become a symbol of the international campaign against capital punishment, which was abolished in Italy in 1948. Several anti–death penalty demonstrations took place in front of the Colosseum in 2000. Since that time, as a gesture against the death penalty, the local authorities of Rome change the color of the Colosseum's night time illumination from white to gold whenever a person condemned to the death penalty anywhere in the world gets their sentence commuted or is released,[16] or if a jurisdiction abolishes the death penalty. Most recently, the Colosseum was illuminated in gold when capital punishment was abolished in the American state of New Mexico in April 2009.

Because of the ruined state of the interior, it is impractical to use the Colosseum to host large events; only a few hundred spectators can be accommodated in temporary seating. However, much larger concerts have been held just outside, using the Colosseum as a backdrop. Performers who have played at the Colosseum in recent years have included Ray Charles (May 2002),[18] Paul McCartney (May 2003),[19] Elton John (September 2005),[20] and Billy Joel (July 2006).

Exterior

Unlike earlier Greek theatres that were built into hillsides, the Colosseum is an entirely free-standing structure. It derives its basic exterior and interior architecture from that of two Roman theatres back to back. It is elliptical in plan and is 189 meters (615 ft / 640 Roman feet) long, and 156 meters (510 ft / 528 Roman feet) wide, with a base area of 6 acres (24,000 m2). The height of the outer wall is 48 meters (157 ft / 165 Roman feet). The perimeter originally measured 545 meters (1,788 ft / 1,835 Roman feet). The central arena is an oval 87 m (287 ft) long and 55 m (180 ft) wide, surrounded by a wall 5 m (15 ft) high, above which rose tiers of seating.

The outer wall is estimated to have required over 100,000 cubic meters (131,000 cu yd) of travertine stone which were set without mortar held together by 300 tons of iron clamps.[12] However, it has suffered extensive damage over the centuries, with large segments having collapsed following earthquakes. The north side of the perimeter wall is still standing; the distinctive triangular brick wedges at each end are modern additions, having been constructed in the early 19th century to shore up the wall. The remainder of the present-day exterior of the Colosseum is in fact the original interior wall.

The surviving part of the outer wall's monumental façade comprises three stories of superimposed arcades surmounted by a podium on which stands a tall attic, both of which are pierced by windows interspersed at regular intervals. The arcades are framed by half-columns of the Tuscan, Ionic, and Corinthian orders, while the attic is decorated with Corinthian pilasters.[21] Each of the arches in the second- and third-floor arcades framed statues, probably honoring divinities and other figures from Classical mythology.

Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning, known as the velarium, that kept the sun and rain off spectators. This consisted of a canvas-covered, net-like structure made of ropes, with a hole in the center.[3] It covered two-thirds of the arena, and sloped down towards the center to catch the wind and provide a breeze for the audience. Sailors, specially enlisted from the Roman naval headquarters at Misenum and housed in the nearby Castra Misenatium, were used to work the velarium.[22]

The Colosseum's huge crowd capacity made it essential that the venue could be filled or evacuated quickly. Its architects adopted solutions very similar to those used in modern stadiums to deal with the same problem. The amphitheatre was ringed by eighty entrances at ground level, 76 of which were used by ordinary spectators.[3] Each entrance and exit was numbered, as was each staircase. The northern main entrance was reserved for the Roman Emperor and his aides, whilst the other three axial entrances were most likely used by the elite. All four axial entrances were richly decorated with painted stucco reliefs, of which fragments survive. Many of the original outer entrances have disappeared with the collapse of the perimeter wall, but entrances XXIII (23) to LIV (54) still survive.[12]

Spectators were given tickets in the form of numbered pottery shards, which directed them to the appropriate section and row. They accessed their seats via vomitoria (singular vomitorium), passageways that opened into a tier of seats from below or behind. These quickly dispersed people into their seats and, upon conclusion of the event or in an emergency evacuation, could permit their exit within only a few minutes. The name vomitoria derived from the Latin word for a rapid discharge, from which English derives the word vomit.

Interior

According to the Codex-Calendar of 354, the Colosseum could accommodate 87,000 people, although modern estimates put the figure at around 50,000. They were seated in a tiered arrangement that reflected the rigidly stratified nature of Roman society. Special boxes were provided at the north and south ends respectively for the Emperor and the Vestal Virgins, providing the best views of the arena. Flanking them at the same level was a broad platform or podium for the senatorial class, who were allowed to bring their own chairs. The names of some 5th century senators can still be seen carved into the stonework, presumably reserving areas for their use.

The tier above the senators, known as the maenianum primum, was occupied by the non-senatorial noble class or knights (equites). The next level up, the maenianum secundum, was originally reserved for ordinary Roman citizens (plebians) and was divided into two sections. The lower part (the immum) was for wealthy citizens, while the upper part (the summum) was for poor citizens. Specific sectors were provided for other social groups: for instance, boys with their tutors, soldiers on leave, foreign dignitaries, scribes, heralds, priests and so on. Stone (and later marble) seating was provided for the citizens and nobles, who presumably would have brought their own cushions with them. Inscriptions identified the areas reserved for specific groups.

Another level, the maenianum secundum in legneis, was added at the very top of the building during the reign of Domitian. This comprised a gallery for the common poor, slaves and women. It would have been either standing room only, or would have had very steep wooden benches. Some groups were banned altogether from the Colosseum, notably gravediggers, actors and former gladiators.

Each tier was divided into sections (maeniana) by curved passages and low walls (praecinctiones or baltei), and were subdivided into cunei, or wedges, by the steps and aisles from the vomitoria. Each row (gradus) of seats was numbered, permitting each individual seat to be exactly designated by its gradus, cuneus, and number.

The arena itself was 83 meters by 48 meters (272 ft by 157 ft / 280 by 163 Roman feet).[12] It comprised a wooden floor covered by sand (the Latin word for sand is harena or arena), covering an elaborate underground structure called the hypogeum (literally meaning "underground"). Little now remains of the original arena floor, but the hypogeum is still clearly visible. It consisted of a two-level subterranean network of tunnels and cages beneath the arena where gladiators and animals were held before contests began. Eighty vertical shafts provided instant access to the arena for caged animals and scenery pieces concealed underneath; larger hinged platforms, called hegmata, provided access for elephants and the like. It was restructured on numerous occasions; at least twelve different phases of construction can be seen.[12]

The hypogeum was connected by underground tunnels to a number of points outside the Colosseum. Animals and performers were brought through the tunnel from nearby stables, with the gladiators' barracks at the Ludus Magnus to the east also being connected by tunnels. Separate tunnels were provided for the Emperor and the Vestal Virgins to permit them to enter and exit the Colosseum without needing to pass through the crowds.[12]

Substantial quantities of machinery also existed in the hypogeum. Elevators and pulleys raised and lowered scenery and props, as well as lifting caged animals to the surface for release. There is evidence for the existence of major hydraulic mechanisms[12] and according to ancient accounts, it was possible to flood the arena rapidly, presumably via a connection to a nearby aqueduct.

The Colosseum and its activities supported a substantial industry in the area. In addition to the amphitheatre itself, many other buildings nearby were linked to the games. Immediately to the east is the remains of the Ludus Magnus, a training school for gladiators. This was connected to the Colosseum by an underground passage, to allow easy access for the gladiators. The Ludus Magnus had its own miniature training arena, which was itself a popular attraction for Roman spectators. Other training schools were in the same area, including the Ludus Matutinus (Morning School), where fighters of animals were trained, plus the Dacian and Gallic Schools.

Also nearby were the Armamentarium, comprising an armory to store weapons; the Summum Choragium, where machinery was stored; the Sanitarium, which had facilities to treat wounded gladiators; and the Spoliarium, where bodies of dead gladiators were stripped of their armor and disposed of.

Around the perimeter of the Colosseum, at a distance of 18 m (59 ft) from the perimeter, was a series of tall stone posts, with five remaining on the eastern side. Various explanations have been advanced for their presence; they may have been a religious boundary, or an outer boundary for ticket checks, or an anchor for the velarium or awning.

Right next to the Colosseum is also the Arch of Constantine.

he Colosseum was used to host gladiatorial shows as well as a variety of other events. The shows, called munera, were always given by private individuals rather than the state. They had a strong religious element but were also demonstrations of power and family prestige, and were immensely popular with the population. Another popular type of show was the animal hunt, or venatio. This utilized a great variety of wild beasts, mainly imported from Africa and the Middle East, and included creatures such as rhinoceros, hippopotamuses, elephants, giraffes, aurochs, wisents, barbary lions, panthers, leopards, bears, caspian tigers, crocodiles and ostriches. Battles and hunts were often staged amid elaborate sets with movable trees and buildings. Such events were occasionally on a huge scale; Trajan is said to have celebrated his victories in Dacia in 107 with contests involving 11,000 animals and 10,000 gladiators over the course of 123 days.

During the early days of the Colosseum, ancient writers recorded that the building was used for naumachiae (more properly known as navalia proelia) or simulated sea battles. Accounts of the inaugural games held by Titus in AD 80 describe it being filled with water for a display of specially trained swimming horses and bulls. There is also an account of a re-enactment of a famous sea battle between the Corcyrean (Corfiot) Greeks and the Corinthians. This has been the subject of some debate among historians; although providing the water would not have been a problem, it is unclear how the arena could have been waterproofed, nor would there have been enough space in the arena for the warships to move around. It has been suggested that the reports either have the location wrong, or that the Colosseum originally featured a wide floodable channel down its central axis (which would later have been replaced by the hypogeum).[12]

Sylvae or recreations of natural scenes were also held in the arena. Painters, technicians and architects would construct a simulation of a forest with real trees and bushes planted in the arena's floor. Animals would be introduced to populate the scene for the delight of the crowd. Such scenes might be used simply to display a natural environment for the urban population, or could otherwise be used as the backdrop for hunts or dramas depicting episodes from mythology. They were also occasionally used for executions in which the hero of the story — played by a condemned person — was killed in one of various gruesome but mythologically authentic ways, such as being mauled by beasts or burned to death.

The Colosseum today is now a major tourist attraction in Rome with thousands of tourists each year paying to view the interior arena, though entrance for EU citizens is partially subsidised, and under-18 and over-65 EU citizens' entrances are free.[24] There is now a museum dedicated to Eros located in the upper floor of the outer wall of the building. Part of the arena floor has been re-floored. Beneath the Colosseum, a network of subterranean passageways once used to transport wild animals and gladiators to the arena opened to the public in summer 2010.[25]

The Colosseum is also the site of Roman Catholic ceremonies in the 20th and 21st centuries. For instance, Pope Benedict XVI leads the Stations of the Cross called the Scriptural Way of the Cross (which calls for more meditation) at the Colosseum[26][27] on Good Fridays.

In the Middle Ages, the Colosseum was clearly not regarded as a sacred site. Its use as a fortress and then a quarry demonstrates how little spiritual importance was attached to it, at a time when sites associated with martyrs were highly venerated. It was not included in the itineraries compiled for the use of pilgrims nor in works such as the 12th century Mirabilia Urbis Romae ("Marvels of the City of Rome"), which claims the Circus Flaminius — but not the Colosseum — as the site of martyrdoms. Part of the structure was inhabited by a Christian order, but apparently not for any particular religious reason.

It appears to have been only in the 16th and 17th centuries that the Colosseum came to be regarded as a Christian site. Pope Pius V (1566–1572) is said to have recommended that pilgrims gather sand from the arena of the Colosseum to serve as a relic, on the grounds that it was impregnated with the blood of martyrs. This seems to have been a minority view until it was popularised nearly a century later by Fioravante Martinelli, who listed the Colosseum at the head of a list of places sacred to the martyrs in his 1653 book Roma ex ethnica sacra.

Martinelli's book evidently had an effect on public opinion; in response to Cardinal Altieri's proposal some years later to turn the Colosseum into a bullring, Carlo Tomassi published a pamphlet in protest against what he regarded as an act of desecration. The ensuing controversy persuaded Pope Clement X to close the Colosseum's external arcades and declare it a sanctuary, though quarrying continued for some time.

At the instance of St. Leonard of Port Maurice, Pope Benedict XIV (1740–1758) forbade the quarrying of the Colosseum and erected Stations of the Cross around the arena, which remained until February 1874. St. Benedict Joseph Labre spent the later years of his life within the walls of the Colosseum, living on alms, prior to his death in 1783. Several 19th century popes funded repair and restoration work on the Colosseum, and it still retains a Christian connection today. Crosses stand in several points around the arena and every Good Friday the Pope leads a Via Crucis procession to the amphitheatre.

Coliseu (Colosseo)

A seguir, um texto, em português, da Wikipédia, a enciclopédia livre:

O Coliseu, também conhecido como Anfiteatro Flaviano, deve seu nome à expressão latina Colosseum (ou Coliseus, no latim tardio), devido à estátua colossal de Nero, que ficava perto a edificação. Localizado no centro de Roma, é uma excepção de entre os anfiteatros pelo seu volume e relevo arquitectónico. Originalmente capaz de albergar perto de 50 000 pessoas, e com 48 metros de altura, era usado para variados espetáculos. Foi construído a leste do fórum romano e demorou entre 8 a 10 anos a ser construído.

O Coliseu foi utilizado durante aproximadamente 500 anos, tendo sido o último registro efetuado no século VI da nossa era, bastante depois da queda de Roma em 476. O edifício deixou de ser usado para entretenimento no começo da era medieval, mas foi mais tarde usado como habitação, oficina, forte, pedreira, sede de ordens religiosas e templo cristão.

Embora esteja agora em ruínas devido a terremotos e pilhagens, o Coliseu sempre foi visto como símbolo do Império Romano, sendo um dos melhores exemplos da sua arquitectura. Actualmente é uma das maiores atrações turísticas em Roma e em 7 de julho de 2007 foi eleita umas das "Sete maravilhas do mundo moderno". Além disso, o Coliseu ainda tem ligações à igreja, com o Papa a liderar a procissão da Via Sacra até ao Coliseu todas as Sextas-feiras Santas.

O coliseu era um local onde seriam exibidos toda uma série de espectáculos, inseridos nos vários tipos de jogos realizados na urbe. Os combates entre gladiadores, chamados muneras, eram sempre pagos por pessoas individuais em busca de prestígio e poder em vez do estado. A arena (87,5 m por 55 m) possuía um piso de madeira, normalmente coberto de areia para absorver o sangue dos combates (certa vez foi colocada água na representação de uma batalha naval), sob o qual existia um nível subterrâneo com celas e jaulas que tinham acessos diretos para a arena; Alguns detalhes dessa construção, como a cobertura removível que poupava os espectadores do sol, são bastante interessantes, e mostram o refinamento atingido pelos construtores romanos. Formado por cinco anéis concêntricos de arcos e abóbadas, o Coliseu representa bem o avanço introduzido pelos romanos à engenharia de estruturas. Esses arcos são de concreto (de cimento natural) revestidos por alvenaria. Na verdade, a alvenaria era construída simultaneamente e já servia de forma para a concretagem. Outro tipo de espetáculos era a caça de animais, ou venatio, onde eram utilizados animais selvagens importados de África. Os animais mais utilizados eram os grandes felinos como leões, leopardos e panteras, mas animais como rinocerontes, hipopótamos, elefantes, girafas, crocodilos e avestruzes eram também utilizados. As caçadas, tal como as representações de batalhas famosas, eram efetuadas em elaborados cenários onde constavam árvores e edifícios amovíveis.

Estas últimas eram por vezes representadas numa escala gigante; Trajano celebrou a sua vitória em Dácia no ano 107 com concursos envolvendo 11 000 animais e 10 000 gladiadores no decorrer de 123 dias.

Segundo o documentário produzido pelo canal televisivo fechado, History Channel, o Coliseu também era utilizado para a realização de naumaquias, ou batalhas navais. O coliseu era inundado por dutos subterrâneos alimentados pelos aquedutos que traziam água de longe. Passada esta fase, foi construída uma estrutura, que é a que podemos ver hoje nas ruínas do Coliseu, com altura de um prédio de dois andares, onde no passado se concentravam os gladiadores, feras e todo o pessoal que organizava os duelos que ocorreriam na arena. A arena era como um grande palco, feito de madeira, e se chama arena, que em italiano significa areia, porque era jogada areia sob a estrutura de madeira para esconder as imperfeições. Os animais podiam ser inseridos nos duelos a qualquer momento por um esquema de elevadores que surgiam em alguns pontos da arena; o filme "Gladiador" retrata muito bem esta questão dos elevadores. Os estudiosos, há pouco tempo, descobriram uma rede de dutos inundados por baixo da arena do Coliseu. Acredita-se que o Coliseu foi construído onde, outrora, foi o lago do Palácio Dourado de Nero; O imperador Vespasiano escolheu o local da construção para que o mal causado por Nero fosse esquecido por uma construção gloriosa.

Sylvae, ou recreações de cenas naturais eram também realizadas no Coliseu. Pintores, técnicos e arquitectos construiriam simulações de florestas com árvores e arbustos reais plantados no chão da arena. Animais seriam então introduzidos para dar vida à simulação. Esses cenários podiam servir só para agrado do público ou como pano de fundo para caçadas ou dramas representando episódios da mitologia romana, tão autênticos quanto possível, ao ponto de pessoas condenadas fazerem o papel de heróis onde eram mortos de maneiras horríveis mas mitologicamente autênticas, como mutilados por animais ou queimados vivos.

Embora o Coliseu tenha funcionado até ao século VI da nossa Era, foram proibidos os jogos com mortes humanas desde 404, sendo apenas massacrados animais como elefantes, panteras ou leões.

O Coliseu era sobretudo um enorme instrumento de propaganda e difusão da filosofia de toda uma civilização, e tal como era já profetizado pelo monge e historiador inglês Beda na sua obra do século VII "De temporibus liber": "Enquanto o Coliseu se mantiver de pé, Roma permanecerá; quando o Coliseu ruir, Roma ruirá e quando Roma cair, o mundo cairá".

A construção do Coliseu foi iniciada por Vespasiano, nos anos 70 da nossa era. O edifício foi inaugurado por Tito, em 80, embora apenas tivesse sido finalizado poucos anos depois. Empresa colossal, este edifício, inicialmente, poderia sustentar no seu interior cerca de 50 000 espectadores, constando de três andares. Aquando do reinado de Alexandre Severo e Gordiano III, é ampliado com um quarto andar, podendo suster agora cerca de 90 000 espectadores. A grandiosidade deste monumento testemunha verdadeiramente o poder e esplendor de Roma na época dos Flávios.

Os jogos inaugurais do Coliseu tiveram lugar ano 80, sob o mandato de Tito, para celebrar a finalização da construção. Depois do curto reinado de Tito começar com vários meses de desastres, incluindo a erupção do Monte Vesúvio, um incêndio em Roma, e um surto de peste, o mesmo imperador inaugurou o edifício com uns jogos pródigos que duraram mais de cem dias, talvez para tentar apaziguar o público romano e os deuses. Nesses jogos de cem dias terão ocorrido combates de gladiadores, venationes (lutas de animais), execuções, batalhas navais, caçadas e outros divertimentos numa escala sem precedentes.

O Coliseu, como não se encontrava inserido numa zona de encosta, enterrado, tal como normalmente sucede com a generalidade dos teatros e anfiteatros romanos, possuía um “anel” artificial de rocha à sua volta, para garantir sustentação e, ao mesmo tempo, esta substrutura serve como ornamento ao edifício e como condicionador da entrada dos espectadores. Tal como foi referido anteriormente, possuía três pisos, sendo mais tarde adicionado um outro. É construído em mármore, pedra travertina, ladrilho e tufo (pedra calcária com grandes poros). A sua planta elíptica mede dois eixos que se estendem aproximadamente de 190 m por 155 m. A fachada compõe-se de arcadas decoradas com colunas dóricas, jónicas e coríntias, de acordo com o pavimento em que se encontravam. Esta subdivisão deve-se ao facto de ser uma construção essencialmente vertical, criando assim uma diversificação do espaço.

Os assentos eram em mármore e a cavea, escadaria ou arquibancada, dividia-se em três partes, correspondentes às diferentes classes sociais: o podium, para as classes altas; as maeniana, sector destinado à classe média; e os portici, ou pórticos, construídos em madeira, para a plebe e as mulheres. O pulvinar, a tribuna imperial, encontrava-se situada no podium e era balizada pelos assentos reservados aos senadores e magistrados. Rampas no interior do edifício facilitavam o acesso às várias zonas de onde podiam visualizar o espectáculo, sendo protegidos por uma barreira e por uma série de arqueiros posicionados numa passagem de madeira, para o caso de algum acidente. Por cima dos muros ainda são visíveis as mísulas, que sustentavam o velarium, enorme cobertura de lona destinada a proteger do sol os espectadores e, nos subterrâneos, ficavam as jaulas dos animais, bem como todas as celas e galerias necessárias aos serviços do anfiteatro.

O monumento permaneceu como sede principal dos espetáculos da urbe romana até ao período do imperador Honorius, no século V. Danificado por um terremoto no começo do mesmo século, foi alvo de uma extensiva restauração na época de Valentinianus III. Em meados do século XIII, a família Frangipani transformou-o em fortaleza e, ao longo dos séculos XV e XVI, foi por diversas vezes saqueado, perdendo grande parte dos materiais nobres com os quais tinha sido construído.

Os relatos romanos referem-se a cristãos sendo martirizados em locais de Roma descritos pouco pormenorizadamente (no anfiteatro, na arena...), quando Roma tinha numerosos anfiteatros e arenas. Apesar de muito provavelmente o Coliseu não ter sido utilizado para martírios, o Papa Bento XIV consagrou-o no século XVII à Paixão de Cristo e declarou-o lugar sagrado. Os trabalhos de consolidação e restauração parcial do monumento, já há muito em ruínas, foram feitos sobretudo pelos pontífices Gregório XVI e Pio IX, no século XIX.

Capable of carrying 60 car and even full sized coaches the vehicle deck on The Princess Anne was cavernous. At the moment it is being used to house a number of smaller exhibits and at least three wheelie bins.

Israeli Police Yamam unit during Counter Terror Training

The Yamam (Hebrew: ימ"מ‎, an acronym for Special Central Unit (יחידה מרכזית מיוחדת, Yehida Merkazit Meyuhedet)) is the elite civilian counter-terrorism unit in Israel. The Yamam is capable of both hostage-rescue operations and offensive take-over raids against targets in civilian areas. Besides military duties, it also performs SWAT duties and undercover police work.

Name and structure

In Israel the Yamam is also known as the "Unit for Counter-Terror Warfare" (Hebrew: היחידה ללוחמה בטרור‎). It is subordinate to the Ministry of Internal Security central command and is part of the civilian Israel Police force, specifically the Israel Border Police. Its operators and officers are professional policemen on payroll, usually with infantry experience from their military service within the Israel Defense Forces. Yamam recruits its members exclusively from Israeli units.

Responsibilities

The unit is primarily responsible for civilian hostage rescue within Israel's borders, but from about the mid-1990s it has also been used for tasks such as arresting police suspects who have barricaded themselves in structures and requiring specialized extraction methods, as well as in personal security for VIPs and in counter-terror operations within the West Bank and Gaza Strip. The Yamam are schooled in basic Arabic and dress to assimilate within the Arab population to avoid detection in order to carry out raids to arrest those suspected of conducting terrorist activities within Israel.

However, most of the Yamam's activity is classified, and published Yamam operations are often credited to other units.

Organisation

The Yamam has around 200 officers, and consists a headquarters element, an intelligence section and a small team responsible for the development of new operational techniques and testing new equipment. Aside from these central elements, the bulk of the unit is divided into a number of sections, each consisting of five teams, each containing operators with a particular specialization, so that the section includes within its numbers all the elements needed for a successful operation: roping team, entry team, medic team, sniping team, dog team, EOD team (demolition and bomb disposal). Thus, whereas an IDF special forces operation needs to assemble elements from different specialist units, in Yamam, they are all permanently part of the same unit, living, training and operating together.

Officers

Applicants for Yamam must be between 22 and 30 years old and must have completed their three-year infantry service in the IDF with a level 7 of IDF training or higher, although no previous police experience is required. Unlike American SWAT teams, the YAMAM is a professional unit with only combat duties and no other police type work. The selection process includes a "hell week" said to be one of the hardest in the world. This level of difficulty is achieved because all the applicants are already seasoned combat soldiers, like the US Delta force. The skills they are looking for in every candidate are: intelligence, physical fitness, motivation, trustworthiness, accountability, maturity, stability, judgment, decisiveness, teamwork, influence, and communication. Training lasts 6 months and is carried out in the unit's own training center, although some use is made of the facilities at the IDF Counter Terror Warfare School (LOTAR, Unit 707.) The course is divided into an three-month general CT training period at the end of which recruits are selected for their specialization and then concentrate for the remaining four months on that specialization. Upon graduation, individuals are posted to fill gaps in the sections. Yamam considers that it has several advantages over the IDF counter-terror units, first, because the men are more mature, most in their mid 30's and early 40's, and spend much longer in the unit than the equivalent military units, and, second, because the units contain a far broader range of ages and experience.

The Yamam is self-dependent, training its own operators in all fields, such as sniping, reconnaissance, dog operating, bomb disposal, etc. As a result, the Yamam has a rapid deployment time and high coordination between various squads (sniping squad, entry team, engagement force, etc.).

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

The Wasp was a transonic British jet-powered fighter aircraft that was developed by Folland for the Royal Air Force (RAF) during the late 1940s and early 1950s. The Wasp’s origins could be traced back to a privately funded 1952 concept for a bigger and more capable day fighter aircraft than Folland’s very light Midget/Gnat. The Wasp’s development had been continued until the Gnat’s service introduction, and by then it had evolved under the handle “Fo-145” into a supersonic aircraft that took advantage of the new Armstrong Siddeley Sapphire turbojet engine, swept wings and area rule. The aircraft was built with the minimum airframe size to take the reheated Saphire and a radar system that would allow it to deploy the new de Havilland Blue Jay (later Firestreak) guided air-to-air missile. In this form the aircraft was expected to surpass the Royal Air Force’s contemporary day fighter, the only gun-armed Hawker Hunter, which had been in service since 1954, while using basically the same engine as its F.2 variant, in both performance and armament aspects. The missile-armed Wasp was also expected to replace the disappointing Supermarine Swift and the Fairey Fireflash AAMs that had been developed for it.

The Wasp strongly resembled the smaller Gnat, with a similar but much thinner shoulder mounted wing, with a sweep of 35° at quarter chord, but the new aircraft featured some innovations. Beyond the area-ruled fuselage, the aircraft had full-span leading edge slats and trailing edge flaps with roll control achieved using spoilers rather than traditional ailerons. Anticipating supersonic performance, the tailplane was all-moving. The cockpit had been raised and offered the pilot a much better all-round field of view.

Most of these aircraft remained allocated to RAF Germany units and retired towards the late Sixties, but four GR.Mk.2s were operated by RAF No. 57 (Reserve) Squadron and based at No. 3 Flying Training School at Cranwell, where they were flown as adversaries in dissimilar aerial combat training. The last of the type was withdrawn from service in 1969, but one aircraft remained flying with the Aeroplane and Armament Experimental Establishment at Boscombe Down until 24 January 1975.

General characteristics:

Crew: 1

Length: 45 ft 10.5 in (13.983 m)

Wingspan: 31 ft 7.5 in (9.639 m)

Height: 13 ft 2.75 in (4.0323 m)

Wing area: 250 sq ft (23 m2)

Empty weight: 13,810 lb (6,264 kg)

Gross weight: 21,035 lb (9,541 kg)

Max takeoff weight: 23,459 lb (10,641 kg)

Powerplant:

1× Armstrong Siddeley Sapphire Sa.6, producing 7,450 lbf (33.1 kN) thrust at 8,300 rpm,

military power dry, and 11,000 lbf (48.9 kN) with afterburner

Performance:

Maximum speed: 631 kn (726 mph, 1,169 km/h) / M1.1 at 35,000 ft (10,668 m)

654 kn (753 mph; 1,211 km/h) at sea level

Cruise speed: 501 kn (577 mph, 928 km/h)

Range: 1,110 nmi (1,280 mi, 2,060 km)

Service ceiling: 49,000 ft (15,000 m)

Rate of climb: 16,300 ft/min (83 m/s)

Wing loading: 84 lb/sq ft (410 kg/m2)

Thrust/weight: 0.5

Armament:

4× 30 mm (1.18 in) ADEN cannon, 125 rounds per gun

4× underwing hardpoints for a total external ordnance of 4.000 lb, including Firestreak AAMs,

SNEB pods, bombs of up to 1.000 lb caliber or two 125 imp gal (570 l) drop tanks

The kit and its assembly

This kit travesty is a remake of a simple but brilliant idea of fellow modeler chrisonord at whatifmodellers’com (www.whatifmodellers.com/index.php?topic=48434.msg899420#m...), who posted his own build in late 2020: a Grumman Tiger in standard contemporary RAF colors as Folland Wasp GR.Mk.2. The result looked like a highly credible “big brother” or maybe successor of Folland’s diminutive Midge/Gnat fighter, something in the Hawker Hunter’s class. I really like the idea a lot and decided that it was, one and a half years later, to build my personal interpretation of the subject – also because I had a Hasegawa F11F kit in The Stash™ without a proper plan.

The Tiger was built basically OOB – a simple and straightforward affair that goes together well, just the fine, raised panel lines show the mould’s age. The only changes I made: the arrester hook disappeared under PSR, small stabilizer fins (from an Italeri BAe Hawk) were added under the tail section, and I replaced the Tiger’s rugged twin wheel front landing gear with a single wheel alternative, left over from a Matchbox T-2 Buckeye. On the main landing gear, the rearward-facing stabilizing struts were deleted (for a lighter look of a land-based aircraft) and their wells filled with putty. A late modification were additional swing arms for the main landing gear, though: once the kit could sit on its own three feet, the stance was odd and low, esp. under the tail – probably due to the new front wheel. As a remedy I glued additional swing arm elements, made from 1mm steel wire, under the original struts, what moved the main wheel a little backwards and raised the main landing gear my 1mm. Does not sound like much, but it was enough to lift the tail and give the aircraft a more convincing stance and ground clearance.

The area-ruled drop tanks and their respective pylons were taken from the Hasegawa kit. For a special “British” touch – because the Tiger had a radome (into which no radar was ever fitted, though) – I added a pair of Firestreak AAMs on the outer underwing stations, procured from a Gomix Gloster Javelin (which comes with four of these, plus pylons).

Painting and markings:

Since the RAF theme was more or less settled, paintwork revolved around more or less authentical colors and markings. The Wasp received a standard RAF day fighter scheme from the late Fifties, with upper camouflage in RAF Dark Green/Dark Sea Grey and Light Aircraft Grey undersides with a low waterline. I used Humbrol 163, 106 and 166, respectively – Ocean Grey was used because I did not have the proper 164 at hand, but 106 also offered the benefit of a slightly better contrast to the murky Dark Green. A black ink washing was applied plus some panel post-shading. The silver leading edges on wings, stabilizers and fin were created with decal sheet material, avoiding the inconvenience of masking.

The cockpit interior was painted in a very dark grey (Revell 09, Anthracite) while the landing gear, wheels and wells received a greyish-metallic finish (Humbrol 56, Aluminum Dope). The air intakes’ interior became bright aluminum (Revell 99), the area around the jet nozzle was painted with Revell 91 (Iron metallic) and later treated with graphite for a dark metallic shine. The drop tanks were camouflaged, the Firestreaks became white so that they would stand out well and add to a certain vintage look.

The decals were a mix from various sources. The No. 20 Squadron badges and the Type D high-viz roundels on the wings were left over from an Airfix Hawker Hunter. The fuselage roundels came from an Italeri BAe Hawk sheet, IIRC. The bent fin flash, all the stencils as well as the serial code (which was puzzled together from two real serials and was AFAIK not allocated to any real RAF aircraft) came from an Xtradecal Supermarine Swift sheet. The individual red “B” letter came from a Matchbox A.W. Meteor night fighter.

Finally, the kit was sealed with matt acrylic varnish – I considered a glossy finish, since this was typical for RAF aircraft in the Fifties, but eventually just gave the radome a light shine.

Basically a simple project, and quickly done in just a couple of days. However, chrisonord’s great eye for similarities makes this “Tiger in disguise” a great fictional aircraft model with only little effort, it’s IMHO very convincing. And the RAF colors and markings suit the F11F very well.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

The T-34, a Soviet medium tank, had a profound and lasting effect on the field of tank design. At its introduction in 1940, the T-34 possessed an unprecedented combination of firepower, mobility, protection and ruggedness. Its 76.2 mm high-velocity tank gun provided a substantial increase in firepower over any of its contemporaries while its well-sloped armour was difficult to penetrate by most contemporary anti-tank weapons. Although its armour and armament were surpassed later in the war, it has often been credited as the most effective, efficient and influential tank design of the Second World War.

The T-34 was the mainstay of Soviet armoured forces throughout the Second World War. Its design allowed it to be continuously refined to meet the constantly evolving needs of the Eastern Front: as the war went on it became more capable, but also quicker and cheaper to produce. Soviet industry would eventually produce over 80,000 T-34s of all variants, allowing steadily greater numbers to be fielded as the war progressed despite the loss of tens of thousands in combat against the German Wehrmacht. Replacing many light and medium tanks in Red Army service, it was the most-produced tank of the war, as well as the second most produced tank of all time (after its successor, the T-54/55 series). T-34 variants were widely exported after World War II, and even as recently as 2010, the tank has seen limited front-line service with several developing countries

One of the unusual and rather unknown operators of the T-34 was Austria. 25 tanks (some sources claim 27 or even 37) of the late T-34/85 variant came as a gift from (well, they were actually left behind by) the Soviet Union in 1955 when the Red Army left the country, meaning that the Austrian Bundesheer was re-established. These vehicles became the young army's initial backbone, until more modern equipment (e. g. M41 and M47 tanks procured from the USA and AMX-13/75 tanks from France) replaced them in frontline service. Due to their ruggedness and simplicity, they were kept in service, though - primarily for training, and some vehicles were in the 1970s integrated into hidden bunkers, defending strategically vital "security space zones".

A revival of the Austrian T-34/85 fleet came in the late Sixties, though, when the Austrian Army recognized a lack in long range attack capabilities (at 1.000 m range and more) against hardened targets like enemy tanks, paired with high mobility and low costs, similar to the German Jagdpanzer profile from WWII. At that time, Austria operated roundabout 50 Charioteer tanks with 83.4 mm guns in this role, but these British vehicles were outdated and needed a timely replacement.

Another limiting factor were severe budget restrictions. The eventual solution came from the Austrian company Saurer: a relatively simple conversion of the indigenous Saurer APC, armed with a version of the French AMX-13's FL-12 oscillating turret, armed with a powerful 105mm cannon, which had just become available in an export version. However, in order to bridge the new tank hunter's development time and quickly fill the defense gap, the Austrian T-34/85s were checked whether it was possible to modernize them with the new turret, too.

The first conversion was carried out by Saurer in 1963 and proved to be successful. Since the light FL-12 turret had a smaller bearing diameter than the old T-34/85 turret, the integration into the hull went straightforward with the help of a simple adapter ring. What made the conversion even simpler was the fact that the FL-12, with its integrated cannon and an automated loading system, was a complete, self-sufficient unit.

The French turret was only lightly armoured, since the tank was not supposed to engage heavily-armed enemies at close range. The turret's front armour protected the crew from 20mm armour-piercing rounds over its frontal arc, while all-round protection was against small arms bullets only. The commander was seated on the left of the turret and the gunner on the right. The commander was provided with seven periscopes and a periscopic sight. The commander's infrared night sight had a magnification of x6. The gunner had two observation periscopes, a telescopic sight and a one-piece lifting and swiveling hatch cover. Due to the design of the oscillating turret, all sights were always linked to the main and secondary armament (a standard NATO machine gun). For engaging targets at night, an infrared periscopic sight was provided for the commander. In order to simplify and lighten the tank, the T-34’s bow machine gun in the hull was deleted and its opening faired over and the crew was reduced to three.

The 105 mm gun could penetrate 360 mm of armour, and the internal magazines of 2x 6 shots allowed a very high rate of fire (up to 12 shots per minute), even though a crew member had to leave the tank in order to fill the magazines up again from the outside. Once the gun had been fired the empty cartridge cases were ejected out of the rear of the turret through a trapdoor hinged on the left. Beyond the 12 rounds in the turret, a further 42 rounds were stored in the tank's hull, primarily in a stowage rack for 30 shots where the former second crew member in the front hull had been placed, and a further twelve rounds in magazines at the turret’s base.

The T-34/85’s engine and transmission were not changed, since an update was beyond the conversion budget limit, but lighter “skeleton” wheels from Czech T-34 post-war production were introduced, so that the modified tank weighed roundabout 30 tons, 2 less than the standard T-35/85.

After highly successful field tests with the prototype in the course of 1963 and 1964, a further conversion program for 16 tanks was approved and carried out until early 1965. The modified tanks received the official designation T-34/105Ö and allocated to two tank battalions. Most of the time these tanks were only used for training purposes, though, in preparation of the arrival of the "real" tank hunter, the SK-105 "Kürassier" (Cuirassier) with almost identical weapon systems. The SK-105’s first prototype was eventually ready in 1967 and delivery of pre-production vehicles commenced in 1971, but teething troubles and many detail problems delayed the type's quick and widespread introduction. Lighter and much more agile than the vintage T-34s, it became a big success and was produced in more than 700 specimen, almost 300 of them for the Austrian Army and the rest for export (Argentina, Bolivia, Botswana, Brazil, Morocco and Tunisia). In consequence, the small T-34/105Ö fleet was soon retired and by 1976, when the Kürassier was in service and other, heavy tanks had become available, none of the converted tanks was still active anymore. Nevertheless, a few Austrian T-34s that had become part of the hidden bunker installations soldiered secretly on, the last ones were dug out of their positions and scrapped in 2007(!).

Specifications:

Crew: Three (commander, gunner, driver)

Weight: 29.7 t combat load

Length: 8.21 m (26 ft 10 ½ in) with turret forward

6.10 m (19 ft 11 ¾ in) hull only

Width: 3.00 m (9 ft 10 in)

Height: 2,74 m (8 ft 11 ½ in)

Suspension: Christie

Ground clearance: 0.4 m (16 in)

Fuel capacity: eight internal tanks, total capacity of 545 l (145 U.S. gal; 118 imp gal),

plus up to four external fuel drums à 90 l each (24 U.S. gal; 19.5 imp gal)

Engine:

Model V-2-34M 38.8 l V12 Diesel engine with 520 hp (370 kW) at 1.800 rpm

Transmission:

5 forward and 1 reverse gears

Armor:

16 - 45 mm steel (plus composite armour in the turret)

Performance:

Speed:

- Maximum, road: 58 km/h (36 mph)

- Cross country: up to 40 km/h (28 mph)

Operational range: 250 km (155) on streets with internal fuel only,

up to 330 km (250 mi) with four additional fuel drums

Power/weight: 17.5 hp/t

Armament:

1× 105 mm CN 105-57 rifled gun with a total 54 rounds, 12 of them ready in the turret's magazines

1× 7.62mm (0.3") co-axial NATO machine gun with 2.000 rounds

2× 2 smoke grenade dischargers

The kit and its assembly:

This weird, fictional combo was originally spawned by an Israeli idea: some vintage M4 Sherman tanks had been outfitted with the AMX-13's swiveling turrets and armed with French CN-75-50 75mm a cannon, creating the so-called "Isherman". I kept this concept in the back of my mind for a long time, with the plan to build one some day.

Then I came a couple of weeks ago across a picture on FlickR that showed a T-34/85 with Austrian markings. At first I thought that it had been a fictional museum piece in fake markings, but upon some legwork I found out that Austria had actually operated the T-34!

So, why not combine both ideas into a new and fictional one...? The rest was straightforward kitbashing: the FL-12 turret with a 105 mm cannon came from a Heller AMX-13 (a shaggy thing with dubious fit, but it was cheap) and for the chassis I tried the relatively new Zvezda T-35/85. The latter is actually a very crisp snap-fit kit, just some light flash here and there. Detail and proportions are very good, though, as well as fit. I was only surprised by the construction of the tracks, because it is a different approach from both of the traditional vinyl tracks or IP track segments. Instead, you get complete, rather thin and delicate IP tracks, and Zvezda expects the builder to bend them around the wheels and stick them between the wheels' halves during the construction process. You actually have to mount the “inner” half of the wheels first, then the track is attached to a locator pin on one of the main wheels, bent into shape, and finally the wheels' “outer” halves are added. Sounds complicated, and it actually is, and it also makes painting the whole running gear quite difficult, but it works – even though the result is IMHO not better than the traditional solutions.

The AMX-13 turret’s integration was easier than expected. Building the turret was a little complicated, because all side walls are separate and there are no locator pins or other aides for orientation. Some PSR became necessary to fill some minor gaps, but nothing dramatic. Mounting the AMX-13 turret to the T-34 hull was made easy through a very convenient design detail of the Zvezda kit: the T-34 comes with a separate turret ring that could be used as an adapter for the Heller turret. Three ejection/sprue residues inside of the ring could be used as a foundation for the AMX-13 turret, and the turret’s lower half/ring was, after some sanding to reduce the gap between the turret and the hull, was also glued onto the adapter. Worked like a charm, and the resulting combo looks very natural!

In order to improve the turret’s look I added a cloth seal between the lower and the upper, oscillating turret section, simulated with paper tissue drenched in thinned white glue (OOB the turret cannot be moved vertically at all). A similar seal was added at the barrel’s base.

Other changes were only minimal: the machine gun port in the front hull was sanded away and faired over, and I omitted the spare track links attached to the front hull. For a modernized look I gave the tank an additional pair of front lights as well as stoplights at the rear, scratched from styrene bits.

Painting and markings:

Basically a very simple affair, because there is ONLY one possible livery and color that suits an Austrian Bundesheer vehicle or item from the Seventies: RAL 7013 (Braungrau). This is a very ugly tone, though, "greenish, fresh mud" describes it well: a dull, brownish olive drab, but definitively not a green (like the omnipresent NATO tone Gelboliv RAL 6014, which was used by the German Bundeswehr until the standardized NATO three-tone camouflage was introduced around 1984). I organized a rattle can of this special color, since the tank model would receive a simple, uniform livery.

Due to the kit's , err, unique running gear construction, painting became a little complicated. I had to paint the hull and the (still) separate wheel parts in advance, so that the pre-painted elements could be assembled around the tracks (see above). The tracks themselves were painted with a cloudy mix of iron metallic, black and leather brown (Revell 99, 8 and 84). The turret was painted separately.

After the kit’s major sections had been assembled they received a light wash with a mix of highly thinned black with some red brown added, and the washing was immediately dabbed off of the surfaces so that most of the pigments ended up in recesses and around details, while the rest received an blurry, light dirt filter.

Once dry, I applied the decals. The tiny Austrian roundels come from a generic TL Modellbau sheet (never expected to find any use for them!), the tactical code comes from another tank kit sheet. In order to add some more highlights I also added some small, white markings on the fenders.

Then I gave the model an overall dry-brushing treatment with olive drab, medium grey and finally some ochre, just emphasizing details and edges.

Since the uniform livery appeared a bit dull to me, I decided to add a few camouflage nets to the hull, which also hide some weak points of the Zvezda kit, e.g. the missing rails along the hull. The nets were created from gauze bandages: small pieces (~1”x1”) of the material were dipped into a mix of white glue and olive drab acrylic paint and then carefully placed on hull, turret and barrel. Once dry, they were also dry-brushed.

As final steps, the kit was sealed with matt acrylic varnish (rattle can again) and I dusted the lower areas with a greyish-brown pigment mix, simulating dust and some mud crusts.

What started as a weird idea turned into a very conclusive what-if project – in fact, the T-34 with the French FL-12/44 turret does not look bad at all, and the Austrian colors and markings make this piece of fiction IMHO very convincing. Adding the camouflage nets was also a good move. They hide some of the details (e.g. the omitted bow machine gun station), but they liven up the rather clean and bleak exterior of the tank. I am positively surprised how good the T-34/105Ö looks!

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The McDonnell Douglas (now Boeing) T-45 Goshawk was a highly modified version of the BAe Hawk land-based training jet aircraft. Manufactured by McDonnell Douglas (now Boeing) and British Aerospace (now BAe Systems), the T-45 was used by the United States Navy and the United States Marine Corps (USMC) as an aircraft carrier-capable trainer.

The Goshawk's origins began in the mid-1970s, when the US Navy began looking for a single aircraft replacement for both its T-2 and TA-4 jet trainers. The US Navy started the VTXTS advanced trainer program in 1978. Several companies made submissions, e. g. North American or Northrop/Vought. Due to the size of the potential contract, European companies made submissions, too, including a navalized Alpha Jet from Dassault/Dornier and a fully carrier-capable version of the BAe Hawk Mk.60, mutually proposed by British Aerospace (BAe) and McDonnell Douglas (MDC). The latter eventually won the competition and BAe and MDC were awarded the T-45 contract in 1981.

The final delivery of the 246th T-45 airframe took place in November 2009, and both T-45 and the OA-45 "GosHog" are supposed to remain in service until 2035.

General characteristics:

Crew: 2 (pilot, observer)

Length: 39 ft 4 in (11.99 m)

Wingspan: 30 ft 10 in (9.39 m)

Height: 13 ft 5 in (4.08 m)

Wing area: 190.1 ft² (17.7 m²)

Empty weight: 10,403 lb (4,460 kg)

Max. takeoff weight: 14,081 lb (6,387 kg)

Powerplant:

1× Rolls-Royce Turbomeca F405-RR-401 (Adour) non-afterburning turbofan with 5,527 lbf (26 kN)

Performance:

Maximum speed: Mach 2 (2,204 km/h (1,190 kn; 1,370 mph) at high altitude

Combat radius: 800 km (497 mi, 432 nmi)

Ferry range: 3,200 km (1,983 mi) with drop tanks

Service ceiling: 15,240 m (50,000 ft)

Wing loading: 283 kg/m² (58 lb/ft²)

Thrust/weight: 0.97

Maximum g-load: +9 g

Armament:

No internal gun; seven external hardpoints (three on each wing and one under fuselage)

for a wide range of ordnance of up to 6,800 lb (3,085 kg), including up to six AIM-9 Sidewinder for

self-defense, pods with unguided rockets for target marking or ECM pods, but also offensive weapons

of up to 1.000 lb (454 kg) weight, including iron/cluster bombs and guided AGM-65, GBU-12 and -16.

The kit and its assembly:

This fictional T-45 variant is actually the result of a long idea evolution, and simply rooted in the idea of a dedicated OA-4M replacement for the USMC; in real life, the FFAC role has been transferred to F-18 two-seaters, though, but the T-45 appeared like a sound alternative to me.

There's only one T-45 kit available, a dubious T-45A from Italeri with poor wings and stabilizers. Wolfpack also offers a T-45, but it’s just a re-boxing of the Italeri kit with some PE parts and a price tag twice as big – but it does not mend the original kit’s issues… After reading the A-4 Skyhawk book from the French "Planes & Pilots" series, I was reminded of the USMC's special OA-4M FAC two-seaters (and the fact that it is available in kit form from Italeri and Hasegawa), and, cross-checking the real-world timeline of the T-45, I found that it could have been a suitable successor. The ide of the USMC’s OA-45 was born! :D

Building-wise the Italeri T-45 remained close to OOB, even though I transplanted several parts from an Italeri BAe Hawk Mk. 100 to create a different look. I modified the nose with the Mk. 100’s laser fairing and added some radar warning sensor bumps. This transplantation was not as easy as it might seem because the T-45’s nose is, due to the different and more massive front landing gear quite different from the Hawk’s. Took some major PSR to integrate the laser nose.

An ALR-45 “hot dog” fairing from a late A-4M (Italeri kit) was added to the fin, together with a small styrene wedge extending the fin’s leading edge. This small detail markedly changes the aircraft’s look. I furthermore added a refueling probe, scratched from coated wire and some white glue, as well as a low “camel back” fairing behind the cockpit, created from a streamlined bomb half with air outlets for an integrated heat exchanger. Blade antennae were relocated and added. A shallow bump for the Doppler radar was added under the fuselage behind the landing gear well – left over from an Airfix A-4B (from an Argentinian A-4P, to be correct, actually a dorsal fairing).

On the wings, a tailored pair of pylons and wing tip launch rails from the Italeri BAe Hawk Mk. 100 kit were added, too, as well as the donor kit’s pair of Sidewinders. The rest of the ordnance consists of drop tanks and LAU-19 pods for target marking missiles. The tanks were taken from the Hawk Mk. 100 kit, too, the rocket launchers came from an Italeri NATO aircraft weapons set. The centerline position carries an ALQ-131 ECM pod from a Hasegawa US aircraft weapons set on a pylon from the scrap box.

Painting and markings:

The low-viz idea prevailed, since I had some leftover OA-4M decals from Italeri kits in store, as well as some other suitable low-viz decals from a Revell A-4F kit. However, an all-grey livery was IMHO not enough, and when I came across a picture of a USN low-viz A-7E with an improvised desert camouflage in sand and reddish brown applied over the grey (even partly extending over its markings) from Operation Iraqi Freedom, I had that extra twist that would set the OA-45 apart. MALS-13 was chosen as operator because I had matching codes, and, as another benefit, the unit had actually been deployed overseas during the 2003 Iraq War, so that the whif’’s time frame was easily settled, adding to its credibility.

The livery was built up just like on the real aircraft: on top of a basic scheme in FS 36320 and 36375 (Humbrol 128 and 127) with a slightly darker anti-glare panel in front of the cockpit (FS 35237, I used Revell 57 as a slightly paler alternative) I applied the low-viz marking decals, which were protected with a coat of acrylic varnish. Next, additional desert camouflage was added with dry-brushed sand and millitary brown (supposedly FS 33711 and 30400 in real life, I used, after consulting pictures of aircraft from both Gulf Wars, Humbrol 103 (Cream) and 234 (Dark Flesh). They were applied with a kind of a dry-brushing technique, for a streaky and worn look, leaving out the codes and other markings. The pattern itself was inspired by an USMC OV-10 Bronco in desert camouflage from the 1st Gulf War.

On top of that a black ink washing was applied. Once things had thoroughly dried over night, I wet-sanded the additional desert camouflage away, carefully from front to back, so that the edges became blurred and the underlying grey became visible again.

The cockpit interior was painted in standard Dark Gull Grey (Humbrol 140), while the air intakes and the landing gear became white, the latter with red trim on the covers’ edges – just standard. Finally, the model was sealed with a coat of matt acrylic varnish (Italeri).

The upgraded T-45 is an interesting result. The add-ons suit the aircraft, which already looks sturdier than its land-based ancestor, well. The improvised desert paint scheme with the additional two-tone camouflage over the pale grey base really makes the aircraft an unusual sight, adding to its credibility.

Hardware-wise I am really happy how the added dorsal hump blends into the overall lines – in a profile view it extends the canopy’s curve and blends into the fin, much like the A-4F/M’s arrangement. And the modified fin yields a very different look, even though not much was changed. The T-45 looks much beefier now, and from certain angles really reminds of the OA-4M and sometimes even of a diminutive Su-25?

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

The KAI T-50 Golden Eagle (골든이글) is a family of South Korean supersonic advanced trainers and light combat aircraft, developed by Korea Aerospace Industries (KAI) with Lockheed Martin. The T-50 is South Korea's first indigenous supersonic aircraft and one of the world's few supersonic trainers.

The first four Scottish Golden Hawk TF.1 aircraft were allocated to the newly established RoScAC No. 2 Squadron, based at Leuchars, where the RoScAC took control from the British Army. The latter had just taken over the former air base from the RAF in 2015, losing its “RAF air base” status and was consequentially re-designated “Leuchars Station”, primarily catering to the Royal Scots Dragoon Guards who have, in the meantime, become part of Scotland’s Army Corps. The brand new machines were publically displayed on the shared army and air corps facility in the RoScAC’s new paint scheme on 1st of December 2019 for the first time, and immediately took up service.

General characteristics:

Crew: 2

Length: 13.14 m (43.1 ft)

Wingspan (with wingtip missiles): 9.45 m (31 ft)

Height: 4.94 m (16.2 ft)

Wing area: 23.69 m² (255 ft²)

Empty weight: 6,470 kg (14,285 lb)

Max. takeoff weight: 12,300 kg (27,300 lb)

Powerplant:

1× Volvo RM12 afterburning turbofan, rated at 54 kN (12,100 lbf) dry thrust

and 80.5 kN (18,100 lbf) with afterburner

Performance:

Maximum speed: Mach 1.5 (1,640 km/h, 1,020 mph at 9,144 m or 30,000 ft)

Range: 1,851 km (1,150 mi)

Service ceiling: 14,630 m (48,000 ft)

Rate of climb: 198 m/s (39,000 ft/min)

Thrust/weight: 0.96

Max g limit: -3 g / +8 g

Armament:

1× 27mm Mauser BK-27 revolver cannon with 120 rounds

A total of 7 hardpoints (4 underwing, 2 wingtip and one under fuselage)

for up to 3,740 kg (8,250 lb) of payload

The kit and its assembly:

A rare thing concerning my builds: an alternative reality whif. A fictional air force of an independent Scotland crept into my mind after the hysterical “Brexit” events in 2016 and the former (failed) public vote concerning the independence of Scotland from the UK. What would happen to the military, if the independence would take place, nevertheless, and British forces left the country?

The aforementioned Scottish National Party (SNP) paper from 2013 is real, and I took it as a benchmark. Primary focus would certainly be set on air space defense, and the Gripen appears as a good and not too expensive choice. The Sk 90 is a personal invention, but would fulfill a good complementary role.

Nevertheless, another multi-role aircraft would make sense as an addition, and both M-346 and T-50 caught my eye (Russian options were ruled out due to the tense political relations), and I gave the TA-50 the “Go” because of its engine and its proximity to the Gripen.

The T-50 really looks like the juvenile offspring from a date between an F-16 and an F-18. There’s even a kit available, from Academy – but it’s a Snap-Fit offering without a landing gear but, as an alternative, a clear display that can be attached to the engine nozzle. It also comes with stickers instead of waterslide decals. This sounds crappy and toy-like, but, after taking a close look at kit reviews, I gave it a try.

And I am positively surprised. While the kit consists of only few parts, moulded in the colors of a ROCAF trainer as expected, the surfaces have minute, engraved detail. Fit is very good, too, and there’s even a decent cockpit that’s actually better than the offering of some “normal” model kits. The interior comes with multi-part seats, side consoles and dashboards that feature correctly shaped instrument details (no decals). The air intakes are great, too: seamless, with relatively thin walls, nice!

So far, so good. But not enough. I could have built the kit OOB with the landing gear tucked up, but I went for the more complicated route and trans-/implanted the complete landing gear from an Intech F-16, which is available for less than EUR 5,- (and not much worth, to be honest). AFAIK, there’s white metal landing gear for the T-50 available from Scale Aircraft Conversions, but it’s 1:48 and for this set’s price I could have bought three Intech F-16s…

But back to the conversion. This landing gear transplantation stunt sounds more complicated as it actually turned out to be. For the front wheel well I simply cut a long opening into the fuselage and added inside a styrene sheet as a well roof, attached under the cockpit floor.

For the main landing gear I just opened the flush covers on the T-50 fuselage, cut out the interior from the Intech F-16, tailored it a little and glued it into its new place.

This was made easy by the fact that the T-50 is a bit smaller than the F-16, so that the transplants are by tendency a little too large and offer enough “flesh” for adaptations. Once in place, the F-16 struts were mounted (also slightly tailored to fit well) and covers added. The front wheel cover was created with 0.5 mm styrene sheet, for the main covers I used the parts from the Intech F-16 kit because they were thinner than the leftover T-50 fuselage parts and feature some surface detail on the inside. They had to be adapted in size, though. But the operation worked like a charm, highly recommended!

Around the hull, some small details like missing air scoops, some pitots and antennae were added. In a bout of boredom (while waiting for ordered parts…) I also added static dischargers on the aerodynamic surfaces’ trailing edges – the kit comes with obvious attachment points, and they are a small detail that improves the modern look of the T-50 even more.

Since the Academy kit comes clean with only a ventral drop tank as ordnance, underwing pylons from a SEPECAT Jaguar (resin aftermarket parts from Pavla) and a pair of AGM-65 from the Italeri NATO Weapons set plus launch rails were added, plus a pair of Sidewinders (from a Hasegawa AAM set, painted as blue training rounds) on the wing tip launch rails.

Since the T-50 trainer comes unarmed, a gun nozzle had to be added – its position is very similar to the gun on board of the F-16, on the upper side of the port side LERX. Another addition are conformal chaff/flare dispensers at the fin’s base, adding some beef to the sleek aircraft.

Painting and markings:

I did not want a grey-in-grey livery, yet something “different” and rather typical or familiar for the British isles. My approach is actually a compromise, with classic RAF colors and design features inspired by camouflage experiments of the German Luftwaffe on F-4F Phantoms and Alpha Jets in the early Eighties.

For the upper sides I went for a classic British scheme, in Dark Green and Dark Sea Grey (Humbrol 163 and 164), colors I deem very appropriate for the Scottish landscape and for potential naval operations. These were combined with elements from late RAF interceptors: Barley Grey (Humbrol 167) for the flanks including the pylons, plus Light Aircraft Grey (Humbrol 166) for the undersides, with a relatively high waterline and a grey fin, so that a side or lower view would rather blend with the sky than the ground below.

Another creative field were the national markings: how could fictional Scottish roundels look like, and how to create them so that they are easy to make and replicate (for a full set for this kit, as well as for potential future builds…)? Designing and printing marking decals myself was an option, but I eventually settled for a composite solution which somewhat influenced the roundels’ design, too.

My Scottish roundel interpretationconsists of a blue disk with a white cross – it’s simple, different from any other contemporary national marking, esp. the UK roundel, and easy to create from single decal parts. In fact, the blue roundels were die-punched from blue decal sheet, and the cross consists of two thin white decal strips, cut into the correct length with the same stencil, using generic sheet material from TL Modellbau.

Another issue was the potential tactical code, and a small fleet only needs a simple system. Going back to a WWII system with letter codes for squadrons and individual aircraft was one option, but, IMHO, too complicated. I adopted the British single letter aircraft code, though, since this system is very traditional, but since the RoScAC would certainly not operate too many squadrons, I rather adapted a system similar to the Swedish or Spanish format with a single number representing the squadron. The result is a simple 2-digit code, and I adapted the German system of placing the tactical code on the fuselage, separated by the roundel. Keeping British traditions up I repeated the individual aircraft code letter on the fin, where a Scottish flag, a small, self-printed Fife coat-or-arms and a serial number were added, too.

The kit saw only light weathering and shading, and the kit was finally sealed with matt acrylic varnish (Italeri).

Creating this whif, based on an alternative historic timeline with a near future perspective, was fun – and it might spawn more models that circle around the story. A Scottish Sk 90 and a Gripen are certain options (and for both I have kits in the stash…), but there might also be an entry level trainer, some helicopters for the army and SAR duties, as well as a transport aircraft. The foundation has been laid out, now it’s time to fill Scotland’s history to come with detail and proof. ;-)

Besides, despite being a snap-fit kit, Academy’s T-50 is a nice basis, reminding me of some Hobby Boss kits but with less flaws (e .g. most of the interiors), except for the complete lack of a landing gear. But with the F-16 and Jaguar transplants the simple kit developed into something more convincing.

Collage postcard that I made and sent for a handmade postcard swap.

Waiting in the rain & in vain for 60103 Flying Scotsman at Ampthill Crossing 4/11/2017 (It was 25 minutes earlier than The British Rail Class 222 is a diesel multiple unit high-speed train capable of 125 mph (200 km/h). Twenty-seven units have been built in Belgium by Bombardier Transportation.

The Class 222 is similar to the Class 220 Voyager and Class 221 Super Voyager trains used by CrossCountry and Virgin Trains, but it has a different interior. The Class 222 trains have more components fitted under the floors to free up space within the body. Since 2009 East Midlands Trains has been the only train operating company using Class 222s.

All coaches are equipped with a Cummins QSK19 diesel engine of 750 hp (560 kW) at 1800 rpm.[2] This powers a generator, which supplies current to motors driving two axles per coach. Approximately 1,350 miles (2,170 km) can be travelled between each refuelling.

Class 222 have rheostatic braking using the motors in reverse to generate electricity which is dissipated as heat through resistors situated on the roof of each coach; this saves on brake pad wear.

In common with the Class 220s, B5000 lightweight bogies are used - these are easily recognisable since the entire outer surface of the wheel is visible, with inboard axle bearings.

The Class 222 are fitted with Dellner couplers,[3] as on Class 220 Voyager and Class 221 SuperVoyager trains,[3] though these units cannot work together in service because the Class 222 electrical connections are incompatible with the Class 220 and Class 221 trains.[3][clarification needed]

All Class 222 units are maintained at the dedicated Etches Park depot in Derby, just south of Derby station.

Formation[edit]

Seven car length Class 222 No. 222003 at London St Pancras

Five car length Class 222 No. 222016 at Bedford

Class 222 units are currently running in the following formations:

East Midlands Trains: seven cars with 236 standard seats and 106 first-class seats.

Coach A - Standard Class with driving cab and reservable space for two bikes

Coach B - Standard Class

Coach C - Standard Class

Coach D - Standard Class with Buffet counter

Coach F - First Class

Coach G - First Class

Coach H - First Class, kitchen and driving cab

East Midlands Trains: five cars with 192 standard seats and 50 first-class seats

Coach A - Standard Class with driving cab and reservable space for two bikes

Coach B - Standard Class

Coach C - Standard Class with Buffet counter

Coach D - Standard Class / First Class composite

Coach G - First Class, kitchen and driving cab

East Midlands Trains: four cars with 132 standard seats and 33 first-class seats

Coach A - Standard Class with driving cab and reservable space for two bikes

Coach B - Standard Class with Buffet counter

Coach D - Standard Class / First Class composite

Coach G - First Class, kitchen and driving cab

The four- and five-car units can be coupled to form 9/10-car services at peak times. When coupled together, coaches A-G are found in the front unit and the rear coaches become labelled J, K, L, M, N, with the first-class seats in coaches J and K.

Initially, the 23 units ordered for Midland Mainline were 4-car and 9-car. Over time these have been gradually modified to the current formations. The 4-car units ordered by Hull Trains had an option when constructed to be extended to 5-cars if required.[4]

East Midlands Trains has named the following Meridians:

Unit numberNameDate namedNamed byNotes

222 001The Entrepreneur Express22 September 2011Tim Shoveller, East Midlands Trains Managing DirectorNamed to kick off the start of the 2011 entrepreneur festival MADE

222 002The Cutlers' Company18 October 2011Pamela Liversidge, Master CutlerNamed to mark the successful partnership between East Midlands Trains and Sheffield

222 003Tornado24 March 2009Tim Shoveller, East Midlands Trains Managing DirectorDriving car 60163 named as it has the same number as Tornado

222 004Children's Hospital Sheffield26 February 2013Michael Vaughan, Charity PatonTo mark the successful partnership between East Midlands Trains and the Sheffield Children's Hospital

222 006The Carbon Cutter31 May 2011Philip Hammond, Transport SecretaryTo mark the introduction of eco-mode to the fleet

222 008Derby Etches Park13 September 2014David Horne, East Midlands Trains Managing DirectorNamed as part of the open day at Derby Etches Park

222 015175 Years of Derby's Railways 1839 - 201418 July 2014Paul Atterbury, Antiques Roadshow Expert and railway authorTo mark 175 years of railways in Derby

222 022Invest In Nottingham19 September 2011Jon Collins, leader of Nottingham City CouncilNamed to launch the 2011 Invest in Nottingham day

222 011Sheffield City Battalion 1914-191811 November 2014Ron Wiltshire, Royal British Legion representativeNamed to honour Sheffield City Battalion who fought in the World War I

East Midlands Trains Class 222/0 No. 222018 at Loughborough.

In 2008 further rearrangements were made to the sets: another carriage was removed from the eight-car Meridians, except for 222 007, which has been reduced to five cars.[6] The surplus coaches were then added to the remaining four-car Meridians to make six seven-car sets (222 001-222 006) and 17 five-car sets (222 007-222 023). This took place from March to October 2008; as part of the process, two first-class coaches removed from 222 007 were converted to standard class and part first class.

The seven-car trains are almost exclusively used on the fast services between London St Pancras and Sheffield. These do not operate the London St Pancras-Leeds, although the service is via Sheffield. The five-car trains are mainly used between London St Pancras and Sheffield, Nottingham or Corby on semi-fast services. The four-car trains supplement the five-car trains on these services.

In December 2008 the Class 222 Meridians started work on the hourly London St Pancras to Sheffield services, because they have faster acceleration than the High Speed Trains and so were able to reduce the Sheffield to London journey time by 12 minutes. The hourly Nottingham service was then transferred to High Speed Train running to cover for the Meridians now working the hourly Sheffield fast service.[7]

In February 2009, 222 101 and 222 102 transferred from Hull Trains to East Midlands Trains, and were quickly repainted in the East Midlands Trains white livery. 222 104 followed from Hull Trains later in the year. 222 103 followed a few months after 222 104 after repairs had been completed (see below). 222 103 has now been reinstated for service after two years for repairs after the unit fell from jacks at Bombardier, Crofton in early 2007.

scheduled and sitting in my car it passed by heard but not seen)

The empty coal trains with a capable JS or even the odd QJ up front, working from the China Rail exchange sidings at Pingdingshan Dong and between the coke works and washery buildings at Tianzhuang was quite a spectacle at any time of day, but as nightfall set in the splendour of a hard-working 2-8-2 hammering up into the main despatch yard with empties for the vairous collieries on the system was a sight to behold. With its headlight blazing at shortly after 5.00pm on an overcast day, JS 2-8-2 No.8120 brings coal empties up into the main Tianzhung Yard. Pingdingshan Coal Railway, Henan Province, approximately 90 kilometres south of Zhengzou, on 10th January 2003.

© Copyright Gordon Edgar - No unauthorised use.

The Lamborghini Diablo is a high-performance mid-engined sports car that was built by Italian automaker Lamborghini between 1990 and 2001. It was the first Lamborghini capable of attaining a top speed in excess of 200 miles per hour (320 km/h). After the end of its production run in 2001, the Diablo was replaced by the Lamborghini Murciélago. Diablo is "devil" in Spanish, which is diavolo in Italian.

History of development

At a time when the company was financed by the Swiss-based Mimran brothers, Lamborghini began development of what was codenamed Project 132 in June 1985 as a replacement for the Countach model. The brief stated that its top speed had to be at least 315 km/h (196 mph).

The design of the car was contracted to Marcello Gandini, who had designed its two predecessors. When Chrysler bought the company in 1987, providing money to complete its development, its management was uncomfortable with Gandini’s designs and commissioned its design team in Detroit to execute a third extensive redesign, smoothing out the trademark sharp edges and corners of Gandini's original design, and leaving him famously unimpressed. In fact, Gandini was so disappointed with the "softened" shape that he would later realize his original design in the Cizeta-Moroder V16T.

The car became known as the Diablo, carrying on Lamborghini's tradition of naming its cars after breeds of fighting bull. The Diablo was named after a ferocious bull raised by the Duke of Veragua in the 19th century, famous for fighting an epic battle with 'El Chicorro' in Madrid on July 11, 1869. In the words of Top Gear presenter Jeremy Clarkson, the Diablo was designed "solely to be the biggest head-turner in the world."

The development is believed to have cost a total of 6 billion Italian lira.

Diablo VT Roadster

1995-1998 Lamborghini Diablo VT Roadster

The Diablo VT Roadster was introduced in December 1995 and featured an electrically operated carbon fiber targa top which was stored above the engine lid when not in use. Besides the roof, the roadster's body was altered from the fixed-top VT model in a number of ways. The front bumper was revised, replacing the quad rectangular driving lamps with two rectangular and two round units. The brake cooling ducts were moved inboard of the driving lamps and changed to a straked design, while the rear ducts featured the vertical painted design seen on the SE30.

The engine lid was changed substantially in order to vent properly when the roof panel was covering it. The roadster also featured revised 17 inch wheels. The air intakes on top/sides were made larger than the coupe Diablos. In 1998 the wheels have been updated to 18 inch, and the engine power raised to 530 HP by adding the variable valve timing system. Top speed specification was raised to 335 km/h (208 mph).

In 1999 the dashboard received a major optical update by Audi, and the pop-up headlights were replaced by fixed headlights, same as for the coupés. This resulted in a better aerodynamic shape and modern optics.

[Text from Wikipedia]

en.wikipedia.org/wiki/Lamborghini_Diablo

This Lego miniland scale Lamborghini Diablo VT Roadster has been created for Flickr LUGNuts' 96th Build Challenge - The 8th Birthday, titled - 'Happy Crazy Eight Birthday, LUGNuts' - where all previous build challenges are available to build to. This model is built to the LUGNuts 92nd build challenge, - "Stuck in the 90s" featuring vehicles from the decade of the 1990s

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

Eager to expand its market and partly to replace the USA as supplier of military equipment in Asia, Israel Aircraft Industries (IAI) was looking in the early 1990s to export its Kfir fighters to the Republic of China (Taiwan). The Kfir (Hebrew: כְּפִיר‎, "Lion Cub") was an Israeli all-weather multirole combat aircraft based on the French Dassault Mirage 5, with Israeli avionics and an Israeli-built version of the General Electric J79 turbojet engine. The Kfir program originated in the quest to develop a more capable version of the IAI Nesher, an unlicensed Mirage 6 copy which was already in series production. After General De Gaulle embargoed the sale of arms to Israel, the IAF feared that it might lose qualitative superiority over its adversaries in the future, which were receiving increasingly advanced Soviet aircraft. The main and most advanced type of aircraft available to the IAF was the Mirage, but a severe problem developed due to the Mirage fleet's depletion due to attrition after the Six-Day War. Domestic production would avoid the problem of the embargo completely; efforts to reverse engineer and reproduce components of the Mirage were aided by Israeli espionage efforts to obtain technical assistance and blueprints from third party Mirage operators.

However, the machines remained, due to escalating maintenance problems and reaching the airframes’ end of life after more than thirty years, only active until 2006. The remaining sixteen machines were eventually returned to Israel and superseded by new F-16C/D fighters.

General characteristics

Crew: One

Length (incl. pitot): 15.73 m (51 ft 6 1/4 in)

Wingspan: 8.22 m (26 ft 11½ in)

Height: 4.61 m (14 ft 11 3/4 in)

Wing area: 34.8 m² (374.6 sq ft)

Empty weight: 7,285 kg (16,060 lb)

Loaded weight: 11,603 kg (25,580 lb) with two 500 L drop tanks, two AAMs

Max. take-off weight: 16,200 kg (35,715 lb)

Powerplant:

1× General Electric J-79-J1E turbojet (IAl Bedek-built) with a dry thrust of 52.9 kN (11,890 lb st)

and 79.62 kN (17,900 lb st) with afterburner

Performance

Maximum speed: 2,440 km/h (2 Mach, 1,317 knots, 1,516 mph) above 11,000 m (36,000 ft)

Combat radius: 768 km (415 nmi, 477 mi) in ground attack configuration, hi-lo-hi profile,

with seven 500 lb bombs, two AAMs, two 1,300 L drop tanks

Service ceiling: 17,680 m (58,000 ft)

Rate of climb: 233 m/s (45,950 ft/min)

Armament:

2× Rafael-built 30 mm (1.18 in) DEFA 553 cannons, 140 RPG

9× hardpoints under the wings and fuselage for up to 5,775 kg (12,730 lb) of payload

The kit and its assembly:

Another IAI Kfir, and – weird as it seems – the story of Taiwan procuring the Israeli fighter instead of the early F-16 is actually real! And it was a great basis to produce a what-if model of such an aircraft, had it ever entered ROCAF service.

The kit is the Italeri Kfir C.2/7 kit, which is rather simple and not as crisp as the Hasegawa alternative. It also has its assembly issues. The outlines are OK and the kit comes with fine recessed surface details, but fit is so-so and there are some weak spots: the fuselage/wing seams, the complex intersections under the air intakes that run right through the gun ports, sinkholes on the wings’ upper surface and an integral cockpit tub/front landing gear well piece that won’t fit properly. The Hasegawa kit’s fit is better, but the Italeri Kfir is detail-wise not worse – and it’s cheaper.

The only changes are four additional underwing pylons (from two different F-16 kits) and their ordnance. The Paveway bombs come from the Italeri NATO weapons set, the Pave Spike laser pod from a Hasegawa set, and the ALQ-119 pod was left over from a Revell F-16 kit. The OOB Shafrir AAMs were replaced by more modern AIM-9J Sidewinders. The ventral pylon was left away.

Inside of the cockpit the original Martin Baker Mk. 5 ejection seat was replaced with a more modern Mk. 10, and a monitor and a HUD screen were added to the dashboard.

Painting and markings:

I did not want a grey low-viz livery, and since the ROCAF had operated many US-built aircraft (including the F-5Es) in USAF SEA scheme colors, I adapted it for the Kfir, too. However, finding a suitable pattern was not easy. I looked into many options, including the official USAF F-102 and F-106 SEA patterns or the Belgian Mirage Vs’ tricolor scheme, but did not like any of them so that I developed my own and created a four-side profile as benchmark.

The paints became Humbrol 117 (FS 34102), 118 (FS 30118) and 116 (FS 34079). The underside became Humbrol 28 (FS 36622), with a wavy, low waterline. The landing gear and the air intakes became classic white, while the cockpit tub was kept in medium grey. Very straightforward and “realistic”.

After basic painting was done the model received an over washing with thinned black ink and some post-shading with lighter shades of the camouflage tones. FS 34079’s shading was moved into a more bluish tone for a better contrast to the lighter FS 34102.

The markings are a mix from various sources. The roundels and the serial numbers came from a BestFong sheet for Taiwanese F-5s, the unit markings from an Xtradecal F-5E sheet. Most stencils were taken from the Kfir’s OOB sheet.

The Paveway bombs were painted in two different shades of olive drab, the Sidewinders became standard white with black heads. The ALG-119 pos was, for some color contrast, painted in light grey (FS 36375), and the Pave Spike pod, simulating a 2nd hand AN/AVQ-23E pod from RAF stock, became Dark Green. I even considered a livery in Desert Pink (check Gulf War Buccaneers that carried them), but found that to look too exotic.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

The Wasp was a transonic British jet-powered fighter aircraft that was developed by Folland for the Royal Air Force (RAF) during the late 1940s and early 1950s. The Wasp’s origins could be traced back to a privately funded 1952 concept for a bigger and more capable day fighter aircraft than Folland’s very light Midget/Gnat. The Wasp’s development had been continued until the Gnat’s service introduction, and by then it had evolved under the handle “Fo-145” into a supersonic aircraft that took advantage of the new Armstrong Siddeley Sapphire turbojet engine, swept wings and area rule. The aircraft was built with the minimum airframe size to take the reheated Saphire and a radar system that would allow it to deploy the new de Havilland Blue Jay (later Firestreak) guided air-to-air missile. In this form the aircraft was expected to surpass the Royal Air Force’s contemporary day fighter, the only gun-armed Hawker Hunter, which had been in service since 1954, while using basically the same engine as its F.2 variant, in both performance and armament aspects. The missile-armed Wasp was also expected to replace the disappointing Supermarine Swift and the Fairey Fireflash AAMs that had been developed for it.

The Wasp strongly resembled the smaller Gnat, with a similar but much thinner shoulder mounted wing, with a sweep of 35° at quarter chord, but the new aircraft featured some innovations. Beyond the area-ruled fuselage, the aircraft had full-span leading edge slats and trailing edge flaps with roll control achieved using spoilers rather than traditional ailerons. Anticipating supersonic performance, the tailplane was all-moving. The cockpit had been raised and offered the pilot a much better all-round field of view.

Most of these aircraft remained allocated to RAF Germany units and retired towards the late Sixties, but four GR.Mk.2s were operated by RAF No. 57 (Reserve) Squadron and based at No. 3 Flying Training School at Cranwell, where they were flown as adversaries in dissimilar aerial combat training. The last of the type was withdrawn from service in 1969, but one aircraft remained flying with the Aeroplane and Armament Experimental Establishment at Boscombe Down until 24 January 1975.

General characteristics:

Crew: 1

Length: 45 ft 10.5 in (13.983 m)

Wingspan: 31 ft 7.5 in (9.639 m)

Height: 13 ft 2.75 in (4.0323 m)

Wing area: 250 sq ft (23 m2)

Empty weight: 13,810 lb (6,264 kg)

Gross weight: 21,035 lb (9,541 kg)

Max takeoff weight: 23,459 lb (10,641 kg)

Powerplant:

1× Armstrong Siddeley Sapphire Sa.6, producing 7,450 lbf (33.1 kN) thrust at 8,300 rpm,

military power dry, and 11,000 lbf (48.9 kN) with afterburner

Performance:

Maximum speed: 631 kn (726 mph, 1,169 km/h) / M1.1 at 35,000 ft (10,668 m)

654 kn (753 mph; 1,211 km/h) at sea level

Cruise speed: 501 kn (577 mph, 928 km/h)

Range: 1,110 nmi (1,280 mi, 2,060 km)

Service ceiling: 49,000 ft (15,000 m)

Rate of climb: 16,300 ft/min (83 m/s)

Wing loading: 84 lb/sq ft (410 kg/m2)

Thrust/weight: 0.5

Armament:

4× 30 mm (1.18 in) ADEN cannon, 125 rounds per gun

4× underwing hardpoints for a total external ordnance of 4.000 lb, including Firestreak AAMs,

SNEB pods, bombs of up to 1.000 lb caliber or two 125 imp gal (570 l) drop tanks

The kit and its assembly

This kit travesty is a remake of a simple but brilliant idea of fellow modeler chrisonord at whatifmodellers’com (www.whatifmodellers.com/index.php?topic=48434.msg899420#m...), who posted his own build in late 2020: a Grumman Tiger in standard contemporary RAF colors as Folland Wasp GR.Mk.2. The result looked like a highly credible “big brother” or maybe successor of Folland’s diminutive Midge/Gnat fighter, something in the Hawker Hunter’s class. I really like the idea a lot and decided that it was, one and a half years later, to build my personal interpretation of the subject – also because I had a Hasegawa F11F kit in The Stash™ without a proper plan.

The Tiger was built basically OOB – a simple and straightforward affair that goes together well, just the fine, raised panel lines show the mould’s age. The only changes I made: the arrester hook disappeared under PSR, small stabilizer fins (from an Italeri BAe Hawk) were added under the tail section, and I replaced the Tiger’s rugged twin wheel front landing gear with a single wheel alternative, left over from a Matchbox T-2 Buckeye. On the main landing gear, the rearward-facing stabilizing struts were deleted (for a lighter look of a land-based aircraft) and their wells filled with putty. A late modification were additional swing arms for the main landing gear, though: once the kit could sit on its own three feet, the stance was odd and low, esp. under the tail – probably due to the new front wheel. As a remedy I glued additional swing arm elements, made from 1mm steel wire, under the original struts, what moved the main wheel a little backwards and raised the main landing gear my 1mm. Does not sound like much, but it was enough to lift the tail and give the aircraft a more convincing stance and ground clearance.

The area-ruled drop tanks and their respective pylons were taken from the Hasegawa kit. For a special “British” touch – because the Tiger had a radome (into which no radar was ever fitted, though) – I added a pair of Firestreak AAMs on the outer underwing stations, procured from a Gomix Gloster Javelin (which comes with four of these, plus pylons).

Painting and markings:

Since the RAF theme was more or less settled, paintwork revolved around more or less authentical colors and markings. The Wasp received a standard RAF day fighter scheme from the late Fifties, with upper camouflage in RAF Dark Green/Dark Sea Grey and Light Aircraft Grey undersides with a low waterline. I used Humbrol 163, 106 and 166, respectively – Ocean Grey was used because I did not have the proper 164 at hand, but 106 also offered the benefit of a slightly better contrast to the murky Dark Green. A black ink washing was applied plus some panel post-shading. The silver leading edges on wings, stabilizers and fin were created with decal sheet material, avoiding the inconvenience of masking.

The cockpit interior was painted in a very dark grey (Revell 09, Anthracite) while the landing gear, wheels and wells received a greyish-metallic finish (Humbrol 56, Aluminum Dope). The air intakes’ interior became bright aluminum (Revell 99), the area around the jet nozzle was painted with Revell 91 (Iron metallic) and later treated with graphite for a dark metallic shine. The drop tanks were camouflaged, the Firestreaks became white so that they would stand out well and add to a certain vintage look.

The decals were a mix from various sources. The No. 20 Squadron badges and the Type D high-viz roundels on the wings were left over from an Airfix Hawker Hunter. The fuselage roundels came from an Italeri BAe Hawk sheet, IIRC. The bent fin flash, all the stencils as well as the serial code (which was puzzled together from two real serials and was AFAIK not allocated to any real RAF aircraft) came from an Xtradecal Supermarine Swift sheet. The individual red “B” letter came from a Matchbox A.W. Meteor night fighter.

Finally, the kit was sealed with matt acrylic varnish – I considered a glossy finish, since this was typical for RAF aircraft in the Fifties, but eventually just gave the radome a light shine.

Basically a simple project, and quickly done in just a couple of days. However, chrisonord’s great eye for similarities makes this “Tiger in disguise” a great fictional aircraft model with only little effort, it’s IMHO very convincing. And the RAF colors and markings suit the F11F very well.

Some background:

The need for a specialized self-propelled anti-aircraft gun, capable of keeping up with the armored divisions, had become increasingly urgent for the German Armed Forces, as from 1943 on the German Air Force was less and less able to protect itself against enemy fighter bombers.

During the unit’s initial trials and deployments, the 3 cm Flak 38 turned out to be a troublesome design, largely because of the strong vibration when firing, and gun smoke frequently filled the turret with hazardous effects on the crews. The vibrations made the target aiming difficult and could even cause damage on the mounting itself – but due to the dire war situation, production was kept up. However, during the running production of the Kugelblitz turret, reinforcements to the mount structure were gradually added, as well as improved sighting systems. None of the operational SdKfz. 161/7s received these upgrades, though, since it was only regarded as a transitional model that filled the most urgent defense gaps. Later production Panzer IV Kugelblitz vehicles were almost exclusively sent to units that defended Berlin, where they fought against the Soviet assault on the German capital.

Specifications:

Crew: Five (commander/gunner, 2 assistants, driver, radio operator)

Weight: 23 tons

Length: 5.92 m (19 ft 5 in)

Width: 2.88 m (9 ft 5 ¼ in)

Height: 2.3 m (7 ft 6 ½ in)

Suspension: Leaf spring

Fuel capacity: 470 l (120 US gal)

Armour:

10 – 50 mm (0.39 – 1.96 in)

Performance:

Maximum road speed: 40 km/h (25 mph)

Sustained road speed: 34 km/h (21.1 mph)

Off-road speed: 24 km/h (15 mph)

Operational range: 210 km (125 mi); 130 km (80 mi) off-road

Power/weight: 13 PS/t

Engine:

Maybach HL 120 TRM V12 petrol engine with 300 PS (296 hp, 221 kW)

Transmission:

ZF Synchromesh SSG 77 gear with 6 forward and 1 reverse ratios

Armament:

2× 30 mm 3 cm Flak 38 (MK 103/3) with a total of 1.200 rounds

1× 7.92 mm Maschinengewehr 34 with 1,250 rounds in bow mount

The kit and its assembly:

This is a model of a tank that actually existed, but only in marginal numbers – not more than five Panzer IV with the revolutionary Kugelblitz turret are known to have existed or even seen service. However, it fits well into the ranks of fictional/projected Heer ’46 tanks, and I have been wanting to build or create one for along time.

There are some 1:72 kits available, e. g. from Mako, but they are rare and/or expensive. So I rather went for an improvisation approach, and it turned out to be very successful. The complete turret comes from one of the Modelcollect “Vierfüssler” mecha kits – these carry such an installation under the belly(!), what makes absolutely NO sense to me. I especially wonder how the crew is supposed to enter and operate the turret in its upside down position? Not to mention a totally confined field of fire…

However, the Modelcollect Kugelblitz tower comes complete with its bearing and the armored collar. It was simply mated with the hull from a late Hasegawa Panzer IV – in my case even a Wirbelwind, which also came with some suitable additional details like stowing boxes for gun barrels. The attachment ring for the turret had just to be widened far enough to accept the Kugelblitz installation – and it worked well! Very simple, but highly effective.

Painting and markings:

Well, this did not work 100% as intended. I wanted to emphasize the fact that the tanks would have been built from revamped hulls, so I gave all parts an initial overall coat with RAL 3009, Oxydrot. These were then overpainted with a three-tone Hinterhalt scheme in Dunkelgelb (RAL 7028), Olivgrün (RAL 6003) and Rotbraun (RAL 8012). The pattern was adapted from a Wirbelwind, which I had found in literature, consisting of narrow stripes across the hull with additional spots of Dunkelgelb on top of the darker tones. In order to emphasize the idea of a converted tank with the turret coming from another source, I gave the latter a uniform Dunkelgelb livery.

The colors used were Humbrol enamels, this time a different selection of tones, namely 167 (RAF Hemp), 159 (Khaki Drab) and a mix of 160 and 10 (German Rotbraun and Chocolate Brown, for a darker hue). However, I wanted the Oxydrot to shine through the camouflage, but despite efforts with thinned paint and sparse use of the enamels the effect is not as visible as expected. I left it that way, though, here and there the red primer is visible, but a lot of the livery became obscured through the following wash with dark red brown, highly thinned acrylic paint and a final coat of pigment dust on the model’s lower areas.

The original black vinyl track was treated with a cloudy mix of grey, red brown and iron acrylic paint, and finally dusted with pigments, too.

The decals were gathered from several sources – the tactical code was puzzled together with Roman and Arabic numbers in red (seen on some vehicles from assault gun units), the emblem on the turret shows Berlin’s mascot, the bear, taken from a Modelcollect Heer ’46 kit’s sheet.

Some dry-brushing with light grey was done to simulate dust and worn edges, but not too much since the vehicle was to be presented in a more or less new state. And then the model was sealed with acrylic matt varnish.

A relatively simple build, since only the turret was exchanged/transplanted. The result looks better than expected, though, and the Kugelblitz turret fit into the Panzer IV hull like the hand into a tight glove. Very convincing. And I might add another Kugelblitz variant, this time either on a Hetzer hull (which was a real alternative to the Panzer IV) or on an E-25, it seems as if an 1:72 kit becomes soon available from Modelcollect.

In the capable hands of one of Metroline's compliment of lady drivers, RML 2471 is seen at Aldwych on the start of its busy journey through the West End and up the Edgware Road on route 6 to Willesden Garage early one afternoon in June 2002. This post-London Buses version of Metroline livery applied to their Routemaster fleets based at Willesden (AC) and Holloway (HT) bus garages was an attractive combination with a shallow dark blue skirt and blue grille mesh whilst still retaining the white relief band.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Grumman Mohawk began as a joint Army-Marine program through the then-Navy Bureau of Aeronautics (BuAer), for an observation/attack plane that would outperform the light and vulnerable Cessna L-19 Bird Dog. In June 1956, the Army issued Type Specification TS145, which called for the development and procurement of a two-seat, twin turboprop aircraft designed to operate from small, unimproved fields under all weather conditions. It would be faster, with greater firepower, and heavier armor than the Bird Dog, which had proved very vulnerable during the Korean War.

No OV-1G was lost during the type’s career in Luftwaffe service, and after the end of the airframes’ service life, all five German OV-1Gs were scrapped in 2011. There was, due to worsening budget restraints, no direct successor, even though the maritime surveillance duties were taken over by Dornier Do 228/NGs operated by the German Marineflieger (naval air arm).

General characteristics:

Crew: Two: pilot, observer/systems operator

Length: 44 ft 4 in (13.53 m) overall with FLIR sensor and IR jammer

Wingspan: 42 ft 0 in (12.8 m)

Height: 12 ft 8 in (3.86 m)

Wing area: 330 sq. ft (30.65 m²)

Empty weight: 12,054 lb (5,467 kg)

Loaded weight: 15,544 lb (7,051 kg)

Max. takeoff weight: 18,109 lb (8,214 kg)

Powerplant:

2× Lycoming T53-L-701 turboprops, 1,400 shp (1,044 kW) each

Performance:

Never exceed speed: 450 mph (390 knots, 724 km/h)

Maximum speed: 305 mph (265 knots, 491 km/h) at 10,000 ft (3,050 m)

Cruise speed: 207 mph (180 knots, 334 km/h) (econ cruise)

Stall speed: 84 mph (73 knots, 135 km/h)

Range: 944 mi (820 nmi, 1,520 km) (SLAR mission)

Service ceiling: 25,000 ft (7,620 m)

Rate of climb: 3,450 ft/min (17.5 m/s)

Armament:

A total of eight external hardpoints (two ventral, three under each outer wing)

for external loads; the wing hardpoints were typically occupied with ELINT sensor pods, while the

ventral hardpoints frequently carried 300 l drop tanks to extend loiter time and range;

Typically, no offensive armament was carried, even though bombs or gun/missile pods were possible.

The kit and its assembly:

This build became a submission to the “Reconnaissance” Group Build at whatifmodellers.com in July 2021, and it spins further real-world events. Germany actually tested two OV-1s in the Sixties (by the German Army/Bundesheer, not by the air force), but the type was not procured or operated. The test aircraft carried a glossy, olive drab livery (US standard, I think) with German national markings.

However, having a vintage Hasegawa OV-1A in the stash, I wondered what an operational German OV-1 might have looked like, especially if it had been operated into the Eighties and beyond, in the contemporary Norm 83 paint scheme? This led to this purely fictional OV-1G.

The kit was mostly built OOB, and the building experience was rather so-so – after all, it’s a pretty old mold/boxing (in my case the Hasegawa/Hales kit is from 1978, the mold is from 1968!). Just a few things were modified/added in order to tweak the standard, short-winged OV-1A into something more modern and sophisticated.

When searching for a solution to mount some ELINT sensor arrays, I did not want to copy the OV-1B’s characteristic offset, ventral SLAR fairing. I rather settled for the late RV-1D’s solution with sensor pods under the outer wings. Unfortunately, the OV-1A kit came with the type’s original short wings, so that the pods had to occupy the inner underwing pair of hardpoints. The pods were scratched from square styrene profiles and putty, so that they received a unique look. The Mohawk’s pair of ventral hardpoints were mounted, but – after considering some drop tanks or an ECM pod there - left empty, so that the field of view for the ventral panoramic camera would not be obscured.

Other small additions are some radar warning sensor bumps on the nose, some extra antennae, a shallow bulge for the MIDS antenna on the spine, the FLIR turret on the nose (with parts from an Italeri AH-1 and a Kangnam Yak-38!), and I added a tail stinger for a retrofitted (scratched) IR decoy device, inspired by the American AN/ALG-147. This once was a Matchbox SNEB unguided missile pod.

Painting and markings:

For the intended era, the German Norm 83 paint scheme, which is still in use today on several Luftwaffe types like the Transall, PAH-2 or CH-53, appeared like a natural choice. It’s a tri-color wraparound scheme, consisting of RAL 6003 (Olivgrün), FS 34097 (Forest Green) and RAL 7021 (Teerschwarz). The paints I used are Humbrol 86 (which is supposed to be a WWI version of RAL 6003, it lacks IMHO yellow but has good contrast to the other tones), Humbrol 116 and Revell 9. The pattern itself was adapted from the German Luftwaffe’s Dornier Do 28D “Skyservants” with Norm 83 camouflage, because of the type’s similar outlines.

A black ink washing was applied for light weathering, plus some post-shading of panels with lighter shades of the basic camouflage tones for a more plastic look. The cockpit interior was painted in light grey (Humbrol 167), while the landing gear and the interior of the air brakes became white. The scratched SLAR pods became light grey, with flat di-electric panels in medium grey (created with decal material).

The cockpit interior was painted in a rather light grey (Humbrol 167), the pilots received typical olive drab Luftwaffe overalls, one with a white “bone dome” and the other with a more modern light grey helmet.

The decals were improvised. National markings and tactical codes came from TL Modellbau sheets, the AG 51 emblems were taken from a Hasegawa RF-4E sheet. The black walkways were taken from the Mohak’s OOB sheet, the black de-icer leading edges on wings and tail were created with generic black decal material. Finally, the model was sealed with a coat of matt acrylic varnish (Italeri).

An interesting result, and the hybrid paint scheme with the additional desert camouflage really makes the aircraft an unusual sight, adding to its credibility.

Toa Tamaru is capable of wielding a twin set of swords and shields that offers her a balanced defense and offense.

Nova beam swords that can launch plasma projectiles when swung with perfected skill

Ignore light weight armor & walls. penetrating through easily with her blades reaching a temperature of at least 1800°C, and could be high as 25000°C.

Her shields dont heat up the same as her swords but are required to cool down to recharge

Capable of carrying 2,000 passengers, 1,342 cars and 240 trucks, Irish Ferries MV Ulysses provides huge capacity on the Holyhead to Dublin route.

It is seen here passing The Skerries, (Ynysoedd y Moelrhoniaid).

A hoist-capable UH-60 Black Hawk helicopter and aircrew from the 1st Battalion, 207th Aviation Regiment, Alaska Army National Guard, arrives in Bethel, Alaska, April 27, 2021, as part of the State of Alaska’s effort to prepare for disaster response in the Yukon-Kuskokwim region during the spring flood season. While stationed in Bethel, the crew will continue to train on their federal mission and remain ready to respond to any requests for support from civil authorities through the State Emergency Operations Center. (U.S. Army National Guard photo by Dana Rosso)

Arènes d'Arles. Provence, France.

Arles Amphitheatre dates from 90 AD. The amphitheatre was capable of seating over 20,000 spectators, and was built to provide entertainment in the form of chariot races and bloody hand-to-hand battles. Today, it draws large crowds for bullfighting during the Feria d'Arles as well as plays and concerts in summer. (source-Wikipedia)

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This image and many more from my Photostream are shared under Creative Commons licence. Author: Salva Barbera. You can use this image on websites, blogs or other media projects without my permission as long as you credit me as the Author. My images may not be used for any profane or immoral purpose or to incite violence or hatred. Please read the Creative Commons image licence guidelines before downloading. A link back to my Flickr account is not mandatory but highly appreciated.

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HI Fiona,

It was a great event! Please see below the story and some photos attached, if you'd like to post this on Indigo where appropriate and on the gallery, I will leave this into your capable hands!

Thanks again for the contribution. We really had a good and inspiring time!

Sandrine

****

Encouraged by Informa`s One Planet Eating initiatives, the Hong Kong team got together at HOME to share a few healthy tapas, organic cocktails and be inspired by Christian Mongendre, our Guest Speaker, who created HOME. You can check him out: www.lifestyleasia.com/470121/tastemakers-christian-mongen...

In balancing mind and body, HOME - Eat to Live strives to use only organic produce whenever possible. Much of our ingredients are sourced locally from a network of farms and our food is made fresh daily. Our menu aims to appeal to everyone. We believe that healthy, plant-based foods should be tasty, filling, and nutritious. We offer vegan, gluten free & raw options, including healthy desserts and organic cocktails. We are committed to supporting a sustainable, plant-based lifestyle, collectively lowering our carbon footprint and preserving our earth's fresh water supply through a plant-based menu, mindful ingredient sourcing, eco-friendly packaging and practices.

During the talk, Christian raised awareness about recycling, compost, biodegradable materials like the plastic they use, from corn, LED lights which create no heat.

He also told us about the importance of eating more plant based food, and the impact on our planet. As a very demanding person, he wanted to create a vegetarian and sustainable restaurant and also bring taste and colour to our plates, with no processed food. Christian also pointed out the menu of HOME, each dish is called by animals in danger: Golden Snub Nosed Monkey Open Faced Toast, Manta Ray Salad Bowl, Siberian Tiger Earth Bowl, Northern White Rhino Sliders , Hawaiian Monk Seal Flatbread...

The team was very engaged and questioned him around the cost of eating healthy, being higher than eating meat. At HOME, they try to educate their customers about the origin of the products they use, Kale is one example, they were the first restaurant to import Kale but as demand grows, price goes down and we reach economies of scale. To make 'Healthy food' affordable, the market demand need to change and it is starting to change.

Finally, we asked him for advice around Pledges we should all make:

- Wellbeing = Food, "you are what you eat" , what you are eating to regenerate your body

- How are you breathing: Try to take time and be conscious of your breath

- Try Meditation

- Drink high quality water and not distilled

- Exercise and organise more events like 'Walk the World'

- Cut down on sweets and opt for healthier snacks

- Choose an organic range of teas

- Recycle

- Having LED lights

- And last but not least, we all agreed to at least TRY: Meat Free Monday !

Alena & Sandrine

Sandrine Declippeleir

Account Director - Professional Services, Asia Pacific

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HMS QUEEN ELIZABETH (R08) is the lead ship of the Queen Elizabeth class of aircraft carriers, the largest warships ever built for the Royal Navy of the United Kingdom and capable of carrying up to 60 aircraft.[18] She is named in honour of the first Queen Elizabeth, a renowned World War I era super-dreadnought, which in turn was named after Queen Elizabeth I. This latest Queen Elizabeth will carry her namesakes' honours, as well as her Tudor rose-adorned crest and motto.

The ship began sea trials in June 2017, and was commissioned on 7 December 2017. Her first Commanding Officer was Commodore Jerry Kyd, who had previously commanded the carriers Ark Royal and Illustrious.

Queen Elizabeth has no catapults or arrestor wires and is instead designed to operate V/STOL aircraft. The air wing will typically consist of F-35B Lightning II multirole fighters and Merlin helicopters for airborne early warning and anti-submarine warfare. The design emphasises flexibility, with accommodation for 250 Royal Marines and the ability to support them with attack helicopters and large troop transports such as Chinooks. She is the second Royal Navy vessel to bear the name Queen Elizabeth and is based at HMNB Portsmouth.

Seen leaving Portsmouth Harbour on Sunday 10 June 2018.

History:

Name: HMS Queen Elizabeth

Namesake: HMS Queen Elizabeth

Operator: Royal Navy

Ordered: 20 May 2008

Builder: Aircraft Carrier Alliance

Cost:

Programme cost: £6.1 billion

Unit cost: £3 billion

Laid down: 7 July 2009

Launched: 17 July 2014

Sponsored by: HM Queen Elizabeth II

Christened: 4 July 2014

Completed: 7 December 2017

Commissioned: 7 December 2017

In service: 2020 (planned)

Homeport: HMNB Portsmouth

Identification:

Pennant number: R08

Deck code: Q

IMO number: 4907892

ITU callsign: GQLZ

Motto: Semper Eadem ("Always the Same")

General characteristics:

Class and type: Queen Elizabeth-class aircraft carrier

Displacement: 65,000 tonnes (64,000 long tons; 72,000 short tons)

Length: 280 m (920 ft)

Beam:

39 m (128 ft) (waterline)

73 m (240 ft) overall

Draught: 11 m (36 ft)

Propulsion: Integrated Electric Propulsion via Two Rolls-Royce Marine 36 MW MT30 gas turbine alternators and four 10 MW diesel engines.

Speed: 25 knots (46 km/h)

Range: 10,000 nautical miles (19,000 km)

Capacity: 1,600

Troops: 250

Complement: 679

Sensors and

processing systems:

S1850M long range radar

Type 997 Artisan 3D medium range radar

Ultra Electronics Series 2500 Electro Optical System (EOS)

Armament:

3 x Phalanx CIWS

4 x 30mm calibre gun, various Miniguns and GPMGs to counter asymmetric threats.

Aircraft carried:

Planned Carrier Air Wing of 24 to 36 STOVL fighter jets & 14 helicopters.

F-35B Lightning II.

Chinook.

Apache AH MK1.

Merlin HM2 and HC4.

Wildcat AH1 and HMA2.

Merlin Crowsnest AEW.

Aviation facilities:

Hangar below deck.

Two aircraft lifts.

Ski jump.

It seems unbelievable that a company capable of making something like this is also capable of producing the masses of nasty generics littering U.K. retailers! HTI have a long history of importing other peoples 1/64 castings but a few years ago they brought out a nice selection of licensed models based on modern BMW and Mercedes-Benz vehicles which showed a lot of promise. They also imported unlicensed but realistic castings from an unknown Chinese manufacturer but now pretty much all of these have been swept aside by the inexorable rise of their deliberately generic offerings which our retailers have lapped up but not the buying public it seems!

This unlicensed Land-Rover Defender 110 is stuck somewhere in-between. It appears to be a HTI original yet has never been available as a single and invariably appears in farm based multi-sets. If they have the skills to make something like this so realistic and dare I say accurate why on earth can't they do the same to their other 1/64 products!

HTI do indeed make a Land-Rover approved Defender in 1/43 scale so heaven knows how they got away with producing a smaller scale version which isn't. It does without front and rear detailing but more than makes up for it in its robust construction, well proportioned body and an accurate facelifted dashboard design. Im certain selling this as a single and in a variety of Emergency liveries would create a lot of interest from collectors.

In loose but virtually mint condition on account of it being a recent charity shop gift.

The opening of the Connaught Bridge Generating Station, on the Klang River in Selangor, in March 1953 was a real milestone int he history of what was then Malaya - now Malaysia. The power station, capable of being either coal or oil fired, was at 80,000kw by far the largest generating station at the time in the country and, as importantly, the project included elements of a new proposed Malayan 'National Grid' that linked existing stations such as the hydro-electric plant at Chenderoh with stations and locations along the East Coast centred on the Bungsar station in Kuala Lumpur that hitherto had supplied the bulk of the capital's power requirements. As the booklet notes it meant an end to the long post-war years of restriction of supply to both industrial and domestic consumers.

The station was originally planned in 1944 by the Malayan Planning Unit in London in anticipation of the return to Malaya after the end of the Japanses occupation. A provisional order for the equipment was placed in 1945, with additional equipment following in 1947. Meanwhile the site at Connaught Bridge alongside the Klang River was selected in 1946 with the contract to start construction given by the Federation's Government in 1949. The first phase of the station, plant and the double circuit 66kv interconnecting lines running the 23 miles to Kuala Lumpur, was ready for opening in March 1953. Full commissioning came in 1955. Initailly the output was linked to the Bangsar (KL) station and that of Ulu Langat hydro-electric station. Construction of the former had started in 1926 and was opened in 1927 by the Government electricity department and in 1933 they purchased the Ulu Langat station from the Sungei Besi Mines Ltd. KL's earlier supplies, from 1905, had been provided from a small hydro-electric plant on the Gombak River, 12 miles from the town, what had two 400kw Pelton wheel-alternators. This had been augmented in 1919 by a mixed steam and diesel engine plant at Gombak Lane in the centre of KL.

Elsewhere, Penang's Municipal Department was the first to supply electriicty within Malaya when it started in 1904 - the station on the mainland at Prai came into use in 1926. By this date electricity was available in Ipoh, Johore Bahru (and Singapore), Seremban and Malacca/Melaka. That at Johore Bahru under the Johore adminsitraion grew to include Muar, Batu Pahat, Kluang, Kota Tinggi and Segamat. In Perak supplies were largely in the hands of the Perak River Hydro-Electric Power Company who operated stations at Malim Nawar (1928) and Chenderoh (1929). In North Perak the Government supplied Taiping and in Province Wellesley Messrs. Huttenbach's bought bulk supply from Penang and supplied power to various towns, supplemented by diesel generating stations in Kedah, Perak and Negri Sembilan. Power came to Kota Bharu (Kelantan), Ruab, Bentong, Kuala Lipis and Kuantan between 1928 and 1931, and in 1938 and 1939 to Mentakab, Fraser's Hill and Kuala Kubu.

In 1946 the Malayan Union Government acquired most electriicty undertakings except those of private companies and Penang Corporation whilst it also fully acquired the undertkaing operated by the Malacca Electric Light Company in 1948 that it has previously run on a rental basis. On the 1 September 1949 the new Central Electricity Board of the Federation fo Malaya came into existance and took over all functions of the old Electricity Department.

The booklet is marvellously detailed and illustrated describing the site, the power station, ancilliary equipment and other works, such as staff accomodaton and housing, with photographs and plans. The latter include a map of the proposed Malayan Grid and the plans show the works designed by both the staff of the Central Electricity Board and the consulting engineers, Preece, Cardew and Rider, and civil engineers Coode and Partners. The station took cooling water from the Klang River and could be powered by either fuel oil (via a pipeline from Port Swettenham) and coal via connections with the Malayan Railways and the colliery at Batu Arang.

Needless to say much of the equipment was supplied from the UK - Parsons generators and transformers and switchgear from various manufacturers including British Thomson Houston.

The photos are great as they show named members of the operating staff at work which is unusual but that now provided a real social history to the economic history of electricity supply in Malaysia.

The only ship capable of transporting the large and heavy TerraMax 5 Phase 1 Terraformer. Powerful, efficient, and equipped for extended space missions, the HLT-1000 can get your terraforming project to your planet of choice in the safest and most successful manner ever. With interchangeable grapple arms and a myriad of cargo options, the HLT-1000 can continue to support operations as a Heavy lift cargo transport well after delivering your terraformer. With the ability to loiter on station for 3 months if needed, the HLT-1000 gives you peace of mind as you land on an unknown world because you know extraction is just a radio call away should you need it.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on authentic facts. BEWARE!

Some background:

The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. Its production was preceded by an aerodynamic proving version of its airframe, the VF-X. Unlike all later VF vehicles, the VF-X was strictly a jet aircraft, built to demonstrate that a jet fighter with the features necessary to convert to Battroid mode was aerodynamically feasible. After the VF-X's testing was finished, an advanced concept atmospheric-only prototype, the VF-0 Phoenix, was flight-tested from 2005 to 2007 and briefly served as an active-duty fighter from 2007 to the VF-1's rollout in late 2008, while the bugs were being worked out of the full-up VF-1 prototype (VF-X-1).

However, the fighter remained active in many second line units and continued to show its worthiness years later, e. g. through Milia Jenius who would use her old VF-1 fighter in defense of the colonization fleet - 35 years after the type's service introduction!

General characteristics:

All-environment variable fighter and tactical combat Battroid,

used by U.N. Spacy, U.N. Navy, U.N. Space Air Force

Accommodation:

Pilot only in Marty & Beck Mk-7 zero/zero ejection seat

Dimensions:

Fighter Mode:

Length 14.23 meters

Wingspan 14.78 meters (at 20° minimum sweep)

Height 3.84 meters

Battroid Mode:

Height 12.68 meters

Width 7.3 meters

Length 4.0 meters

Empty weight: 13.25 metric tons;

Standard T-O mass: 18.5 metric tons;

MTOW: 37.0 metric tons

Power Plant:

2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or in overboost (225.63 kN x 2)

4 x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip);

18 x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles

The S-FAST Pack added 4x P&W+EF-2001 booster thrusters with 120.000 kg each, plus a total of 28x P&W LHP04 low-thrust vernier thrusters

Performance:

Battroid Mode: maximum walking speed 160 km/h

Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87

g limit: in space +7

Thrust-to-weight ratio: empty 3.47; standard T-O 2.49; maximum T-O 1.24

Design Features:

3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system

Transformation:

Standard time from Fighter to Battroid (automated): under 5 sec.

Min. time from Fighter to Battroid (manual): 0.9 sec.

Armament:

2x internal Mauler RÖV-20 anti-aircraft laser cannon, firing 6,000 pulses per minute

1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rds/min

4x underwing hard points for a wide variety of ordnance, including

12x AMM-1 hybrid guided multipurpose missiles (3/point), or

12x MK-82 LDGB conventional bombs (3/point), or

6x RMS-1 large anti-ship reaction missiles (2/outboard point, 1/inboard point), or

4x UUM-7 micro-missile pods (1/point) each carrying 15 x Bifors HMM-01 micro-missiles,

or a combination of above load-outs

The optional Shinnakasu Heavy Industry S-FAST Pack 2.1 augmentative space weapon system added:

6x micro-missiles in two NP-AR-01 micro-missile launcher pods (mounted rear-ward under center ventral section in Fighter mode or on lower arm sections in GERWALK/Battroid mode)

4x12 micro missiles in four HMMP-02 micro-missile launchers, one inside each booster pod

The kit and its assembly:

This VF-1 is another contribution to the “Old Kit” Group Build at whatifmodelers.com, running in late 2016. I am not certain about the moulds’ inception date, but since it is an ARII incarnation of this type of kit and even moulded in the early pastel green styrene, I’d think that it was produced in 1982 or 83.

Anyway, I love the Macross VF-1, IMHO a design masterpiece created by Shoji Kawamori and one of my favorite mecha designs ever, because it was created as a late 70ies style jet fighter that could transform into a robot in a secondary role. As a simple, purposeful military vehicle. And not like a flashy robot toy.

Effectively, this Super Valkyrie is a highly modified OOB kit with many donation parts, and this kit is a bit special, for several reasons. There are several 1:100 OOB kits with FAST Packs from ARII/Bandai available (and still around today), but these are normally only Battroids or Gerwalks with additional parts for the FAST kit conversion. The kit I used here is different: it is, after maybe 25 years of searching and building these kits, the #70 from the original production run. It is (so far!) the only Fighter mode kit with the additional FAST Pack parts! Must be rare, and I have never seen it in catalogues?

Until today, I converted my Super or Strike Valkyries from Gerwalk kits, a task that needs some improvisation esp. around the folded arms between the legs, and there’s no OOB option for an extended landing gear. The latter made this Fighter mode kit very attractive, even though the actual kit is pretty disappointing, and AFAIK this kit variant is only available as a VF-1S.

With the Super Valkyrie fighter kit you receive basically a Gerwalk with a standard fighter cockpit (which includes a front wheel well and an extended front wheel leg), plus extra parts. The leg/engine-mounted NP-FB-01 systems are less bulbous than the parts on the Gerwalk or Battroid kit, and the OOB dorsally mounted NP-BP-01 boosters are TINY, maybe 1:120 or even 1:144! WTF?

Further confusion: the kit includes a set of lower arm parts with integrated rocket launchers, but these are not necessary at all for the Fighter build?! As a kind of compensation there’s a new and exclusive element that simulates the folded arms under the ‘fuselage’ and which, as an added value, properly holds the hand gun under the fuselage. As a quirky flaw, though, the hand gun itself comes in the extended form for the Battroid/Gerwalk mode. For the fighter in flight mode, it has to be modified, but that’s easily done.

Anyway, with the potential option to build a Super Valkyrie with an extended landing gear, this was my route to go with this vintage kit. The Super Valkyrie already looks bulky with the FAST Pack added, but then I recently found the S-FAST Pack option with two more boosters under the wings – total overkill, but unique. And I had a spare pair of booster bulks in the stash (w/o their nozzles, though), as well as a complete pair of additional bigger standard FAST boosters that could replace the ridiculous OOB parts…

Building such a Super/Strike Valkyrie means building separate components, with a marriage of parts as one of the final steps. Consequently, cockpit, central fuselage with the wings and the air intakes, the folded stabilizer pack, the folded arms element with the handgun, the two legs and the four boosters plus other ordnance had to be built and painted separately.

Here and there, details were changed or added, e. g. a different head (a ‘J’ head for the flight leader’s aircraft with two instead of the rare, OOB ‘S’ variant with four laser cannon), covers for the main landing gear (the latter does not come with wells at all, but I did not scratch them since they are hardly recognizable when the kit is sitting on the ground), the typical blade aerials under the cockpit and the feet had to be modified internally to become truly ‘open’ jet exhausts.

The wing-mounted boosters received new nozzles and their front end was re-sculpted with 2C putty into a square shape, according to reference sketches. Not 100% exact, but the rest of the VF-1 isn’t either.

This VF-1 was also supposed to carry external ordnance and my first choice were four wing-mounted RMS-1 Anti-Ship Reaction Warheads, scratched from four 1.000 lb NATO bombs. But, once finished, I was not happy with them. So I looked for another option, and in a source book I found several laser-guided bombs and missiles, also for orbital use, and from this inspiration comes the final ordnance: four rocket-propelled kinetic impact projectiles. These are actually 1:72 JASDF LGB’s from a Hasegawa weapon set, sans aerodynamic steering surfaces and with rocket boosters added to the tail. Also not perfect, but their white color and sleek shape is a good counterpart to the FAST elements.

Experience from many former builds of this mecha kit family helped a lot, since the #70 kit is very basic and nothing really fits well. Even though there are not many major seams or large elements, PSR work was considerable. This is not a pleasant build, rather a fight with a lot of compromises and semi-accuracies.

Seriously, if you want a decent 1:100 VF-1, I’d rather recommend the much more modern WAVE kits (including more realistic proportions).

Painting and markings:

The paint scheme for this Super Valkyrie was settled upon before I considered the S-FAST Pack addition: U.N. Spacy’s SVF-124 is authentic, as well as its unique camouflage paint scheme.

The latter is a special scheme for the lunar environment where the unit was originally formed and based, with all-black undersides, a high, wavy waterline and a light grey upper surface, plus some medium grey trim and a few colorful US Navy style markings and codes.

My core reference is a ‘naked’ bread-and-butter VF-1A of SVF-124 in Fighter mode, depicted as a profile in a VF-1 source book from SoftBank Publishing. The colors for the FAST Pack elements are guesstimates and personal interpretations, though, since I could not find any reference for their look in this unit.

As a side note, another, later SVF-124 aircraft in a similar design is included as an option in a limited edition 1:72 VF-22S kit from Hasegawa, which is backed by CG pics in a VF-22 source book from Softbank, too.

Furthermore, SVF-124 finds mention in a Japanese modeler magazine, where the aforementioned VF-22S kit was presented in 2008. So there must be something behind the ‘Moon Shooters’ squadron.

According to the Hasegawa VF-22S’s painting instructions, the underside becomes black and the upper surfaces are to be painted with FS36270 (with some darker fields on the VF-22, though, similar to the USAF F-15 counter-shaded air superiority scheme, just a tad darker).

Due to the 1:100 scale tininess of my VF-1, I alternatively went for Revell 75 (RAL 7039), which is lighter and also has a brownish hue, so that the resulting aircraft would not look too cold and murky, and not resemble an USAF aircraft.

All FAST Pack elements were painted in a uniform dark grey (Humbrol 32), while some subtle decorative trim on the upper surfaces, e.g. the canopy frame, an anti-glare panel and a stripe behind the cockpit and decoration trim on the wings’ upper surfaces, was added with Revell 77 (RAL 7012). Overall, colors are rather dull, but IMHO very effective in the “landscape” this machine is supposed to operate, and the few colorful markings stand out even more!

The cockpit interior was painted in a bluish grey, with reddish brown seat cushions (late 70ies style!), and the landing gear became all white. For some added detail I painted the wings’ leading edges in a mustard tone (Humbrol 225, Mid Stone).

The kit received some weathering (black ink wash, drybrushing on panels) and extra treatment of the panel lines – even though the FAST Pack elements hide a lot of surface or obscure view.

More color and individuality came with the markings. The standard decals like stencils or the U.N. Spacy insignia come from the kit’s and some other VF-1s’ OOB sheets.

Based on the SVF-124 VF-1 profile and taking the basic design a bit further, I used dull red USAF 45° digits for the 2nd flight leader’s “200” modex and the Apollo Base’s code “MA” on the dorsal boosters. Some discreet red trim was also applied to the FAST Packs – but only a little.

Since all of SVF-124’s aircraft are rumored to carry personal markings, including nose art and similar decorations, I tried to give this VF-1JS a personal note: the pin-up badges on the dorsal boosters come from a Peddinghouse decal sheet for Allied WWII tanks, placed on a silver roundel base. Unfortunately (and not visible before I applied them) the pin-up decal was not printed on a white basis, so that the contrast on the silver is not very strong, but I left it that way. Additionally, the tagline “You’re a$$ next, Jerry” (which IS printed in opaque white…?) was added next to the artwork – but it’s so tiny that you have to get really close to decipher it at all…

Finally, after some soot stains around the exhausts and some vernier nozzels with graphite, the kit received a coat of matt acrylic varnish.

Building this vintage VF-1 kit took a while and a lot of effort, but I like the result: with the S-FAST Pack, the elegant VF-1 turned into a massive space fighter hulk! The normal Super Valkyries already look very compact and purposeful, but this here is truly menacing. Especially when standing on its own feet/landing gear, with its nose-down stance and the small, original wheels, this thing reminds of a Space Shuttle that had just landed.

Good that I recently built a simple VF-1 fighter as a warm-up session. ARII’s kit #70 is not a pleasant build, rather a fight with the elements and coupled with a lot of compromises – if you want a Super Valkyrie Fighter in 1:100, the much more modern WAVE kit is IMHO the better option (and actually not much more pricey than this vintage collector’s item). But for the vintage feeling, this exotic model kit was just the right ticket, and it turned, despite many weaknesses and rather corny details, into an impressive fighter. Esp. the lunar camouflage scheme looks odd, but very unique and purposeful.

Anyway, with so many inherent flaws of the ARII kit, my former method of converting a pure (and much more common) Gerwalk kit into a space-capable VF-1 fighter is not less challenging and complicated than trying to fix this OOB option into a decent model. :-/

Some background:

The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. The space-capable VF-1's combat debut was on February 7, 2009, during the Battle of South Ataria Island - the first battle of Space War I - and remained the mainstay fighter of the U.N. Spacy for the entire conflict. Introduced in 2008, the VF-1 would be out of frontline service just five years later, though.

Furthermore, the VF-1EX was also outfitted with other electronic contingency functions like AI-assisted flight and remote override controls. Some of these features could be disabled according to necessity or pilot preferences. The gun pod unit was retained but was usually only loaded with paintball rounds for mock combat. For the same purpose, one of the original Mauler RÖV-20 anti-aircraft laser cannon in the "head unit" was replaced by a long-range laser target designator. AMM-1 missiles with dummy warheads or other training ordnance could be added to the wing hardpoints, but the VF-1EX was never seen being equipped this way - it remained an agile dogfighter.

General characteristics:

All-environment variable fighter and tactical combat Battroid. 3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; EG-01M/MP EX-Gear system; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system.

Accommodation:

Single pilot in Marty & Beck Mk-7 zero/zero ejection seat

Dimensions:

Battroid Mode:

Height 12.68 meters

Width 7.3 meters

Length 4.0 meters

Fighter Mode:

Length 14.23 meters

Wingspan 14.78 meters (at 20° minimum sweep)

Height 3.84 meters

Empty weight: 13.25 metric tons

Standard take-off mass: 18.5 metric tons

MTOW: 37.0 metric tons

Power Plant:

2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or in overboost (225.63 kN x 2);

4x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip);

18x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles

Performance:

Battroid Mode: maximum walking speed 160 km/h

Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87

g limit: in space +7

Thrust-to-weight ratio: empty 3.47; standard TOW 2.49; maximum TOW 1.24

Transformation:

Standard time from Fighter to Battroid (automated): under 5 sec.

Min. time from Fighter to Battroid (manual): 0.9 sec.

Armament:

1x Mauler RÖV-20 anti-aircraft laser cannon in the "head" unit, firing 6,000 pulses per minute

1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rpm

4x underwing hardpoints for a wide variety of ordnance

The kit and its assembly:

The VF-1EX Valkyrie is a Variable Fighter introduced in the Macross Δ television series, and it's, as described above, a replica training variant that resembles outwardly the VF-1J. There's even a Hasegawa 1:72 kit from 2016 of this obscure variant.

However, what I tried to recreate is a virtual (and purely fictional/non-canonical) VF-1EX, re-skinned by someone called David L. on the basis of a virtual VF-1S 3D model with a 2 m wing span (sounds like ~1:8 scale) for the Phoenix R/C simulator software. Check this for reference: www.supermotoxl.com/projects-articles/ready-to-drive-fly-...). How bizarre can things be/become? And how sick is a hardware model of it, though...?

I found the complex livery very attractive and had the plan to build a 1:100 model for some years now. But it took this long to gather enough mojo to tackle this project, due to the tricolor paint scheme's complex nature...

The "canvas" for this stunt is a vintage Arii 1:100 VF-1 kit, built OOB except for some standard mods. The kit was actually a VF-1A, but I had a spare VF-1J head unit in store as a suitable replacement. Externally, some dorsal blade aerials and vanes on the nose were added, the attachment points under the wings for the pylons were PSRed away. A pilot figure was added to the cockpit because this model would be displayed in flight. As a consequence, the ventral gun pod received an adapter at its tail and I added one of my home-brew wire displays, created on the basis of the kit's OOB plastic base.

Painting and markings:

As mentioned above, this VF-1 is based on a re-skinned virtual R/C model, and its creator apparently took inspiration from a canonical VF fighter, namely a VF-31C "Siegfried", and specifically the "Mirage Farina Jenius Custom" version from the Macross Δ series that plays around 2051. Screenshots from the demo flight video under the link above provided various perspectives as painting reference, but the actual implementation on the tiny model caused serious headaches.

The VF-1's shapes are rather round and curvy, the model's jagged surface and small size prohibited masking. The kit is IMHO also best built and painted in single sub-assemblies, but upon closer inspection the screenshots revealed some marking inconsistencies (apparently edited from various videos?), and certain areas were left uncertain, e .g. the inside of the legs or the whole belly area. Therefore, this model is just a personal interpretation of the design, and as such I also deviated in the markings.

The paints became Humbrol 20 (Crimson) and 58 (Magenta), plus Revell 301 (Semi-gloss White), and they were applied with brushes. To replicate the edgy and rather fragmented pattern I initially laid down the two reds in a rather rough and thin fashion and painted the white dorsal and ventral areas. Once thoroughly dry, the white edges were quasi-masked with white decal material, either with stripes of various widths or tailored from sheet material, e. g. for the "wedges" on the wings and fins and the dorsal "swallow tail". This went more smoothly than expected, with a very convincing and clean result that i'd never had achieved with brushes alone, even with masking attempts, which would probably have led to chaos and too much paint on the model.

Other details like the grey leading edges or the air intakes were created with grey and black decal material, too.

No weathering was done, since the aircraft would be clean and in pristine condition, but I used a soft pencil to emphasize the engraved panel lines, esp. on white background. The gun pod became grey and the exhausts, painted in Revell 91 (Iron), were treated with graphite for a darker shade and a more metallic look.

Stencils came from the kit's OOB sheet, but only a few, since there was already a lot "going on" on the VF-1's hull. The flash-shaped Xaos insignia and the NUNS markings on legs and wings were printed at home - as well as the small black vernier thrusters all around the hull, for a uniform look. The USN style Modex and the small letter code on the fins came from an Colorado Decals F-5 sheet, for an aggressor aircraft.

Finally, the kit was sealed overall with semi-gloss acrlyic varnish (which turned out glossier than expected...) and position lights etc. added with translucent paint on top of a silver base.

Well, while the VF-1 was built OOB with no major mods and just some cosmetical upgrades, the paint scheme and its finish were more demanding - and I am happy that the "decal masking" trick worked so fine. The paint scheme surely is attractive, even though it IMHO does not really takes the VF-1's lines into account. Nevertheless, I am certain that there are not many models that are actually based on a virtual 1:8 scale 3D model of an iconic SF fighter, so that this VF-1EX might be unique.

Memory loss is not an inevitable part of the ageing process

The brain is capable of producing new brain cells at any age, so significant memory loss is not an inevitable result of ageing. But just as it is with muscle strength, you have to use it or lose it. Your lifestyle, health habits, and daily activities have a huge impact on the health of your brain. Whatever your age, there are many ways you can improve your cognitive skills, prevent memory loss, and protect your grey matter.

Furthermore, many mental abilities are largely unaffected by normal ageing, such as:

Your ability to do the things you’ve always done and continue to do often

The wisdom and knowledge you’ve acquired from life experience

Your innate common sense

Your ability to form reasonable arguments and judgements

Brain exercises to combat memory loss

When it comes to memory, it’s “use it or lose it.” Just as physical exercise can make and keep your body stronger, mental exercise can make your brain work better and lower the risk of mental decline. Try to find brain exercises that you find enjoyable. If you dislike what you’re doing, it won’t have the same benefit. The more pleasurable an activity is to you, the more powerful its effect will be on your brain. You can make some activities more enjoyable by appealing to your senses—by playing music during the exercise, for example, or lighting a scented candle, or rewarding yourself after you’ve finished.

Here are some ideas for brain exercise, from light workouts to heavy lifting:

Play games you are not already familiar with that involve strategy, like chess or bridge, and word games like Scrabble.

Try crossword and other word puzzles, or number puzzles such as Sudoku.

Read newspapers, magazines, and books that challenge you.

Get in the habit of learning new things: games, recipes, driving routes, a musical instrument, a foreign language.

Take a course in an unfamiliar subject that interests you. The more interested and engaged your brain, the more likely you’ll be to continue learning and the greater the benefits you’ll experience.

Take on a project that involves design and planning, such as a new garden, a quilt, or a koi pond.

Walking: An easy way to fight memory loss

New research indicates that walking six to nine miles every week can prevent brain shrinkage and memory loss. According to the American Academy of Neurology, older adults who walked between six and nine miles per week had more gray matter in their brains nine years after the start of the study than people who didn't walk as much.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on authentic facts. BEWARE!

Some background:

The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. Its production was preceded by an aerodynamic proving version of its airframe, the VF-X. Unlike all later VF vehicles, the VF-X was strictly a jet aircraft, built to demonstrate that a jet fighter with the features necessary to convert to Battroid mode was aerodynamically feasible. After the VF-X's testing was finished, an advanced concept atmospheric-only prototype, the VF-0 Phoenix, was flight-tested from 2005 to 2007 and briefly served as an active-duty fighter from 2007 to the VF-1's rollout in late 2008, while the bugs were being worked out of the full-up VF-1 prototype (VF-X-1).

However, the fighter remained active in many second line units and continued to show its worthiness years later, e. g. through Milia Jenius who would use her old VF-1 fighter in defense of the colonization fleet - 35 years after the type's service introduction!

General characteristics:

All-environment variable fighter and tactical combat Battroid,

used by U.N. Spacy, U.N. Navy, U.N. Space Air Force

Accommodation:

Pilot only in Marty & Beck Mk-7 zero/zero ejection seat

Dimensions:

Fighter Mode:

Length 14.23 meters

Wingspan 14.78 meters (at 20° minimum sweep)

Height 3.84 meters

Battroid Mode:

Height 12.68 meters

Width 7.3 meters

Length 4.0 meters

Empty weight: 13.25 metric tons;

Standard T-O mass: 18.5 metric tons;

MTOW: 37.0 metric tons

Power Plant:

2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or in overboost (225.63 kN x 2)

4 x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip);

18 x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles

The S-FAST Pack added 4x P&W+EF-2001 booster thrusters with 120.000 kg each, plus a total of 28x P&W LHP04 low-thrust vernier thrusters

Performance:

Battroid Mode: maximum walking speed 160 km/h

Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87

g limit: in space +7

Thrust-to-weight ratio: empty 3.47; standard T-O 2.49; maximum T-O 1.24

Design Features:

3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system

Transformation:

Standard time from Fighter to Battroid (automated): under 5 sec.

Min. time from Fighter to Battroid (manual): 0.9 sec.

Armament:

2x internal Mauler RÖV-20 anti-aircraft laser cannon, firing 6,000 pulses per minute

1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rds/min

4x underwing hard points for a wide variety of ordnance, including

12x AMM-1 hybrid guided multipurpose missiles (3/point), or

12x MK-82 LDGB conventional bombs (3/point), or

6x RMS-1 large anti-ship reaction missiles (2/outboard point, 1/inboard point), or

4x UUM-7 micro-missile pods (1/point) each carrying 15 x Bifors HMM-01 micro-missiles,

or a combination of above load-outs

The optional Shinnakasu Heavy Industry S-FAST Pack 2.1 augmentative space weapon system added:

6x micro-missiles in two NP-AR-01 micro-missile launcher pods (mounted rear-ward under center ventral section in Fighter mode or on lower arm sections in GERWALK/Battroid mode)

4x12 micro missiles in four HMMP-02 micro-missile launchers, one inside each booster pod

The kit and its assembly:

This VF-1 is another contribution to the “Old Kit” Group Build at whatifmodelers.com, running in late 2016. I am not certain about the moulds’ inception date, but since it is an ARII incarnation of this type of kit and even moulded in the early pastel green styrene, I’d think that it was produced in 1982 or 83.

Anyway, I love the Macross VF-1, IMHO a design masterpiece created by Shoji Kawamori and one of my favorite mecha designs ever, because it was created as a late 70ies style jet fighter that could transform into a robot in a secondary role. As a simple, purposeful military vehicle. And not like a flashy robot toy.

Effectively, this Super Valkyrie is a highly modified OOB kit with many donation parts, and this kit is a bit special, for several reasons. There are several 1:100 OOB kits with FAST Packs from ARII/Bandai available (and still around today), but these are normally only Battroids or Gerwalks with additional parts for the FAST kit conversion. The kit I used here is different: it is, after maybe 25 years of searching and building these kits, the #70 from the original production run. It is (so far!) the only Fighter mode kit with the additional FAST Pack parts! Must be rare, and I have never seen it in catalogues?

Until today, I converted my Super or Strike Valkyries from Gerwalk kits, a task that needs some improvisation esp. around the folded arms between the legs, and there’s no OOB option for an extended landing gear. The latter made this Fighter mode kit very attractive, even though the actual kit is pretty disappointing, and AFAIK this kit variant is only available as a VF-1S.

With the Super Valkyrie fighter kit you receive basically a Gerwalk with a standard fighter cockpit (which includes a front wheel well and an extended front wheel leg), plus extra parts. The leg/engine-mounted NP-FB-01 systems are less bulbous than the parts on the Gerwalk or Battroid kit, and the OOB dorsally mounted NP-BP-01 boosters are TINY, maybe 1:120 or even 1:144! WTF?

Further confusion: the kit includes a set of lower arm parts with integrated rocket launchers, but these are not necessary at all for the Fighter build?! As a kind of compensation there’s a new and exclusive element that simulates the folded arms under the ‘fuselage’ and which, as an added value, properly holds the hand gun under the fuselage. As a quirky flaw, though, the hand gun itself comes in the extended form for the Battroid/Gerwalk mode. For the fighter in flight mode, it has to be modified, but that’s easily done.

Anyway, with the potential option to build a Super Valkyrie with an extended landing gear, this was my route to go with this vintage kit. The Super Valkyrie already looks bulky with the FAST Pack added, but then I recently found the S-FAST Pack option with two more boosters under the wings – total overkill, but unique. And I had a spare pair of booster bulks in the stash (w/o their nozzles, though), as well as a complete pair of additional bigger standard FAST boosters that could replace the ridiculous OOB parts…

Building such a Super/Strike Valkyrie means building separate components, with a marriage of parts as one of the final steps. Consequently, cockpit, central fuselage with the wings and the air intakes, the folded stabilizer pack, the folded arms element with the handgun, the two legs and the four boosters plus other ordnance had to be built and painted separately.

Here and there, details were changed or added, e. g. a different head (a ‘J’ head for the flight leader’s aircraft with two instead of the rare, OOB ‘S’ variant with four laser cannon), covers for the main landing gear (the latter does not come with wells at all, but I did not scratch them since they are hardly recognizable when the kit is sitting on the ground), the typical blade aerials under the cockpit and the feet had to be modified internally to become truly ‘open’ jet exhausts.

The wing-mounted boosters received new nozzles and their front end was re-sculpted with 2C putty into a square shape, according to reference sketches. Not 100% exact, but the rest of the VF-1 isn’t either.

This VF-1 was also supposed to carry external ordnance and my first choice were four wing-mounted RMS-1 Anti-Ship Reaction Warheads, scratched from four 1.000 lb NATO bombs. But, once finished, I was not happy with them. So I looked for another option, and in a source book I found several laser-guided bombs and missiles, also for orbital use, and from this inspiration comes the final ordnance: four rocket-propelled kinetic impact projectiles. These are actually 1:72 JASDF LGB’s from a Hasegawa weapon set, sans aerodynamic steering surfaces and with rocket boosters added to the tail. Also not perfect, but their white color and sleek shape is a good counterpart to the FAST elements.

Experience from many former builds of this mecha kit family helped a lot, since the #70 kit is very basic and nothing really fits well. Even though there are not many major seams or large elements, PSR work was considerable. This is not a pleasant build, rather a fight with a lot of compromises and semi-accuracies.

Seriously, if you want a decent 1:100 VF-1, I’d rather recommend the much more modern WAVE kits (including more realistic proportions).

Painting and markings:

The paint scheme for this Super Valkyrie was settled upon before I considered the S-FAST Pack addition: U.N. Spacy’s SVF-124 is authentic, as well as its unique camouflage paint scheme.

The latter is a special scheme for the lunar environment where the unit was originally formed and based, with all-black undersides, a high, wavy waterline and a light grey upper surface, plus some medium grey trim and a few colorful US Navy style markings and codes.

My core reference is a ‘naked’ bread-and-butter VF-1A of SVF-124 in Fighter mode, depicted as a profile in a VF-1 source book from SoftBank Publishing. The colors for the FAST Pack elements are guesstimates and personal interpretations, though, since I could not find any reference for their look in this unit.

As a side note, another, later SVF-124 aircraft in a similar design is included as an option in a limited edition 1:72 VF-22S kit from Hasegawa, which is backed by CG pics in a VF-22 source book from Softbank, too.

Furthermore, SVF-124 finds mention in a Japanese modeler magazine, where the aforementioned VF-22S kit was presented in 2008. So there must be something behind the ‘Moon Shooters’ squadron.

According to the Hasegawa VF-22S’s painting instructions, the underside becomes black and the upper surfaces are to be painted with FS36270 (with some darker fields on the VF-22, though, similar to the USAF F-15 counter-shaded air superiority scheme, just a tad darker).

Due to the 1:100 scale tininess of my VF-1, I alternatively went for Revell 75 (RAL 7039), which is lighter and also has a brownish hue, so that the resulting aircraft would not look too cold and murky, and not resemble an USAF aircraft.

All FAST Pack elements were painted in a uniform dark grey (Humbrol 32), while some subtle decorative trim on the upper surfaces, e.g. the canopy frame, an anti-glare panel and a stripe behind the cockpit and decoration trim on the wings’ upper surfaces, was added with Revell 77 (RAL 7012). Overall, colors are rather dull, but IMHO very effective in the “landscape” this machine is supposed to operate, and the few colorful markings stand out even more!

The cockpit interior was painted in a bluish grey, with reddish brown seat cushions (late 70ies style!), and the landing gear became all white. For some added detail I painted the wings’ leading edges in a mustard tone (Humbrol 225, Mid Stone).

The kit received some weathering (black ink wash, drybrushing on panels) and extra treatment of the panel lines – even though the FAST Pack elements hide a lot of surface or obscure view.

More color and individuality came with the markings. The standard decals like stencils or the U.N. Spacy insignia come from the kit’s and some other VF-1s’ OOB sheets.

Based on the SVF-124 VF-1 profile and taking the basic design a bit further, I used dull red USAF 45° digits for the 2nd flight leader’s “200” modex and the Apollo Base’s code “MA” on the dorsal boosters. Some discreet red trim was also applied to the FAST Packs – but only a little.

Since all of SVF-124’s aircraft are rumored to carry personal markings, including nose art and similar decorations, I tried to give this VF-1JS a personal note: the pin-up badges on the dorsal boosters come from a Peddinghouse decal sheet for Allied WWII tanks, placed on a silver roundel base. Unfortunately (and not visible before I applied them) the pin-up decal was not printed on a white basis, so that the contrast on the silver is not very strong, but I left it that way. Additionally, the tagline “You’re a$$ next, Jerry” (which IS printed in opaque white…?) was added next to the artwork – but it’s so tiny that you have to get really close to decipher it at all…

Finally, after some soot stains around the exhausts and some vernier nozzels with graphite, the kit received a coat of matt acrylic varnish.

Building this vintage VF-1 kit took a while and a lot of effort, but I like the result: with the S-FAST Pack, the elegant VF-1 turned into a massive space fighter hulk! The normal Super Valkyries already look very compact and purposeful, but this here is truly menacing. Especially when standing on its own feet/landing gear, with its nose-down stance and the small, original wheels, this thing reminds of a Space Shuttle that had just landed.

Good that I recently built a simple VF-1 fighter as a warm-up session. ARII’s kit #70 is not a pleasant build, rather a fight with the elements and coupled with a lot of compromises – if you want a Super Valkyrie Fighter in 1:100, the much more modern WAVE kit is IMHO the better option (and actually not much more pricey than this vintage collector’s item). But for the vintage feeling, this exotic model kit was just the right ticket, and it turned, despite many weaknesses and rather corny details, into an impressive fighter. Esp. the lunar camouflage scheme looks odd, but very unique and purposeful.

Anyway, with so many inherent flaws of the ARII kit, my former method of converting a pure (and much more common) Gerwalk kit into a space-capable VF-1 fighter is not less challenging and complicated than trying to fix this OOB option into a decent model. :-/

Some background:

The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. The space-capable VF-1's combat debut was on February 7, 2009, during the Battle of South Ataria Island - the first battle of Space War I - and remained the mainstay fighter of the U.N. Spacy for the entire conflict. Introduced in 2008, the VF-1 would be out of frontline service just five years later, though.

Furthermore, the VF-1EX was also outfitted with other electronic contingency functions like AI-assisted flight and remote override controls. Some of these features could be disabled according to necessity or pilot preferences. The gun pod unit was retained but was usually only loaded with paintball rounds for mock combat. For the same purpose, one of the original Mauler RÖV-20 anti-aircraft laser cannon in the "head unit" was replaced by a long-range laser target designator. AMM-1 missiles with dummy warheads or other training ordnance could be added to the wing hardpoints, but the VF-1EX was never seen being equipped this way - it remained an agile dogfighter.

General characteristics:

All-environment variable fighter and tactical combat Battroid. 3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; EG-01M/MP EX-Gear system; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system.

Accommodation:

Single pilot in Marty & Beck Mk-7 zero/zero ejection seat

Dimensions:

Battroid Mode:

Height 12.68 meters

Width 7.3 meters

Length 4.0 meters

Fighter Mode:

Length 14.23 meters

Wingspan 14.78 meters (at 20° minimum sweep)

Height 3.84 meters

Empty weight: 13.25 metric tons

Standard take-off mass: 18.5 metric tons

MTOW: 37.0 metric tons

Power Plant:

2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or in overboost (225.63 kN x 2);

4x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip);

18x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles

Performance:

Battroid Mode: maximum walking speed 160 km/h

Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87

g limit: in space +7

Thrust-to-weight ratio: empty 3.47; standard TOW 2.49; maximum TOW 1.24

Transformation:

Standard time from Fighter to Battroid (automated): under 5 sec.

Min. time from Fighter to Battroid (manual): 0.9 sec.

Armament:

1x Mauler RÖV-20 anti-aircraft laser cannon in the "head" unit, firing 6,000 pulses per minute

1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rpm

4x underwing hardpoints for a wide variety of ordnance

The kit and its assembly:

The VF-1EX Valkyrie is a Variable Fighter introduced in the Macross Δ television series, and it's, as described above, a replica training variant that resembles outwardly the VF-1J. There's even a Hasegawa 1:72 kit from 2016 of this obscure variant.

However, what I tried to recreate is a virtual (and purely fictional/non-canonical) VF-1EX, re-skinned by someone called David L. on the basis of a virtual VF-1S 3D model with a 2 m wing span (sounds like ~1:8 scale) for the Phoenix R/C simulator software. Check this for reference: www.supermotoxl.com/projects-articles/ready-to-drive-fly-...). How bizarre can things be/become? And how sick is a hardware model of it, though...?

I found the complex livery very attractive and had the plan to build a 1:100 model for some years now. But it took this long to gather enough mojo to tackle this project, due to the tricolor paint scheme's complex nature...

The "canvas" for this stunt is a vintage Arii 1:100 VF-1 kit, built OOB except for some standard mods. The kit was actually a VF-1A, but I had a spare VF-1J head unit in store as a suitable replacement. Externally, some dorsal blade aerials and vanes on the nose were added, the attachment points under the wings for the pylons were PSRed away. A pilot figure was added to the cockpit because this model would be displayed in flight. As a consequence, the ventral gun pod received an adapter at its tail and I added one of my home-brew wire displays, created on the basis of the kit's OOB plastic base.

Painting and markings:

As mentioned above, this VF-1 is based on a re-skinned virtual R/C model, and its creator apparently took inspiration from a canonical VF fighter, namely a VF-31C "Siegfried", and specifically the "Mirage Farina Jenius Custom" version from the Macross Δ series that plays around 2051. Screenshots from the demo flight video under the link above provided various perspectives as painting reference, but the actual implementation on the tiny model caused serious headaches.

The VF-1's shapes are rather round and curvy, the model's jagged surface and small size prohibited masking. The kit is IMHO also best built and painted in single sub-assemblies, but upon closer inspection the screenshots revealed some marking inconsistencies (apparently edited from various videos?), and certain areas were left uncertain, e .g. the inside of the legs or the whole belly area. Therefore, this model is just a personal interpretation of the design, and as such I also deviated in the markings.

The paints became Humbrol 20 (Crimson) and 58 (Magenta), plus Revell 301 (Semi-gloss White), and they were applied with brushes. To replicate the edgy and rather fragmented pattern I initially laid down the two reds in a rather rough and thin fashion and painted the white dorsal and ventral areas. Once thoroughly dry, the white edges were quasi-masked with white decal material, either with stripes of various widths or tailored from sheet material, e. g. for the "wedges" on the wings and fins and the dorsal "swallow tail". This went more smoothly than expected, with a very convincing and clean result that i'd never had achieved with brushes alone, even with masking attempts, which would probably have led to chaos and too much paint on the model.

Other details like the grey leading edges or the air intakes were created with grey and black decal material, too.

No weathering was done, since the aircraft would be clean and in pristine condition, but I used a soft pencil to emphasize the engraved panel lines, esp. on white background. The gun pod became grey and the exhausts, painted in Revell 91 (Iron), were treated with graphite for a darker shade and a more metallic look.

Stencils came from the kit's OOB sheet, but only a few, since there was already a lot "going on" on the VF-1's hull. The flash-shaped Xaos insignia and the NUNS markings on legs and wings were printed at home - as well as the small black vernier thrusters all around the hull, for a uniform look. The USN style Modex and the small letter code on the fins came from an Colorado Decals F-5 sheet, for an aggressor aircraft.

Finally, the kit was sealed overall with semi-gloss acrlyic varnish (which turned out glossier than expected...) and position lights etc. added with translucent paint on top of a silver base.

Well, while the VF-1 was built OOB with no major mods and just some cosmetical upgrades, the paint scheme and its finish were more demanding - and I am happy that the "decal masking" trick worked so fine. The paint scheme surely is attractive, even though it IMHO does not really takes the VF-1's lines into account. Nevertheless, I am certain that there are not many models that are actually based on a virtual 1:8 scale 3D model of an iconic SF fighter, so that this VF-1EX might be unique.

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

Tyne was the second of the five River-class light cruisers in the Royal Navy, which were introduced during the interwar period and played, after modifications, an active role in World War II, especially in the Mediterranean theatre of operations.

From 1940 on the ships were to be replaced by the much more modern and better-equipped new Dido-class cruisers, but a shortage of guns for them, due to difficulties in manufacturing them, delayed their introduction so that the River-class cruisers had to soldier on. Two ships, “Tyne” and “Thames”, were lost, and the three post-war survivors “Trent”, “Severn” and “Mersey”, were immediately put into reserve after the end of hostilities in Europe and quickly broken up.

General characteristics:

Displacement: 5,100 long tons (5,200 t) (standard)

Length: 500 ft (152.4 m)

Beam: 47 ft (14.2 m)

Draft: 16 ft (4.8 m)

Draught: 12 ft 6 in (3.8 m) (deep)

Armor: Belt: 64 mm (3 in), Deck: 29 mm (1 in)

Complement: 450

Propulsion:

12× Admiralty boilers with 4× geared steam turbines, developing 90,000 shp (67,000 kW)

and driving four shafts

Performance:

Top speed: 36 knots (67 km/h; 41 mph)

Range: 5,000 nmi (9,300 km; 5,800 mi) at 14 kn (26 km/h; 16 mph)

Armament (after conversion):

12× 5.25 guns (133 mm) 50 caliber guns in six twin turrets

4× twin QF 2-pounder (40 mm) "pom-pom" AA guns in powered mounts

2× triple 21-inch (533 mm) torpedo tubes

2× throwers and 2× racks astern with 48 depth charges

The kit and its assembly:

The Royal Navy’s River-class light cruisers never existed. These fictional interwar ships were based on the Dido-class cruisers’ concept, just placed in an earlier generation and realized on the basis of an old/outdated ship. Inspiration came with an aftermarket set of six 1:700 white metal turrets that I came across recently, and I wanted to use it to build something like the American Atlanta-class light cruisers with a specialized AA armament.

However, this armament called for a suitable and bigger hull than my former destroyer builds, and I was eventually able to hunt down a cheap Tamiya kit of a Japanese Kuma-class light cruiser as starting point. It was perfect in size (almost exactly as big as a Dido-class cruiser!), shape and time frame, even though I I basically only used the kit’s single-piece hull as starting point. I had to modify the superstructures thoroughly to adapt the Japanese ship to the new role and also to a more Western layout and silhouette.

For instance, the typically Japanese tall “pagoda” bridge/command section of that era had to disappear, and I changed the superstructures almost completely, because the new twin turrets needed much more space than the small single guns of the Kuma cruiser. I also wanted to place them at different levels, and this called for suitable staggered platforms, too.

Initially there was the plan to mount the six turrets in groups of three at both bow and stern, but it was soon clear that this would not work – this arrangement would have been too long and too high, too, so that I went with two staggered pairs. I also wanted to give the ship – unlike the American Atlanta-class ships – a catapult for an on-board aircraft, and this required some free space on deck.

With this framework I scratched new/additional superstructures, using leftover pieces from the two recently built Matchbox K-class destroyers and from a Revell H.M.S. Ark Royal carrier. Everything evolved through trial-and error, in an attempt to find a plausible layout for all the deck equipment. The lowered hull section for the Kuma-class’ front torpedo tubes was filled with a cabin and re-purposed for lifeboats. Then the initially continuous superstructure was split to make room for the steam catapult amidships at deck level. The rear turrets eventually found their final places on a separate superstructure that would also carry the secondary mast and the crane for the floatplane, and I mounted the last two turrets in lateral positions (again somewhat inspired by the Atlanta-class arrangement with similar positions), above the Kuma-class’ openings for the rear torpedo launch tubes. These did not make sense at this position anymore, so that the OOB openings were closed/filled and moved further forward, under the new “flight deck”. Some PSR had to be done, too, in order to blend some disparate donor parts and fill the worst gaps. Therefore, the finish is certainly not as crisp as an OOB model – but I think that these flaws remained on an acceptable level.

Once the general deck layout had been settled, detail work began. This included a re-arrangement of bridge, masts and funnels, and the main deck had to offer enough space for the re-located catapult, together with the turrets in the side positions, lifeboats and AA stations, which found their place at deck level and in two twin alcoves in higher positions. Fiddly stuff, and I must admit that “creating” such a battleship is conceptually not easy.

The aircraft on board is actually the OOB Kawanishi E7K floatplane from the Kuma-class cruiser kit – but it looks similar enough to a Swordfish that this illusion could be easily supported with a suitable paint scheme.

Painting and markings:

I used the opportunity to apply another typical Royal Navy paint scheme, a so-called “Alexandria-style” pattern. This was a high-contrast scheme, sometimes described as consisting of black and white, but it was typically made up from 507a (Dark Grey) and 507c (Light Grey). It had been christened after the dockyard where it had been initially applied, and it was actually not a defined pattern (like the Admiralty schemes, which had been designed at offices by people who frequently had no practical naval experience!), but rather a common but individual application of standard paints that had been in ample supply at most dockyards! The ships had to be painted with what was at hand, and so the disruptive scheme caught on and was applied, like Mountbatten Pink, to a considerable number of British ships operating in the MTO. This two-tone scheme was not intended to conceal the ships, but rather to confuse the observer concerning speed, direction and what the ship actually was.

The pattern I applied to the model was loosely based on what the cruiser H.M.S. Devonshire carried in 1941, a kind of zebra pattern with wide, well-defined block stripes. As a visual gimmick these stripes were kind of “mirrored” along a line on the hull, as if reflected by the water and therefore making assessing size or distance even more difficult.

The paints are Humbrol 147 (Light Grey, FS 36495) and 27 (Sea Grey). The deck was painted as if the wooden areas had not been overpainted yet and allowed to weather, so that the once-holystoned, yellow-ish light wood had become dull and rather grey-ish. I used Humbrol 168 (RAF Hemp) and Revell 87 (Beige) as basis, and some light shading with thinned sepia ink was done to enhance the wooden look – and it’s nice contrast to the rather cold, grey camouflage. Metal decks, turret tops and the bow area were painted with Revell 47, simulating 507b (Medium Grey). Areas around the bridge were painted with Humbrol 62 (Leather) to simulate Corticene coating.

I originally wanted to paint the model in separate elements before final assembly, but this was not possible due to the many adjustments. The model was slightly weathered with a highly thinned black ink wash. Some Sienna Brown water paint was used for rust stains here and there. Portholes along the hull and on the superstructures were created with a thin black felt tip pen. The same tool was used to paint the muzzles of the guns. The crisp black boot topping was easy to create through the kit’s separate waterline bottom – OOB it comes in red, and it just had to be re-painted.

The kit’s segments were sealed with a coat of acrylic matt varnish before final assembly. Finally, rigging with heated and extended dark grey sprue material was done and paper flags were added.

It is not obvious, but the fictional H.M.S. “Tyne” took more scratchwork and mods than one would expect – it was/is almost a scratch build on the basis of a stock cruiser hull. More or less, the whole superstructure was re-arranged and the whole armament is new, but I think that the outcome looks quite plausible. The camouflage – even though only consisting of two shades of grey - looks interesting, too, and I think that the confusing effect becomes obvious in some of the beauty pics.

Electronics hobby

Designing and building a high power amplifier capable of driving low impedance (as low as 2 Ohm’s @ 50 Vpp) loads.

www.diyaudio.com/ see alias FdW

History of DIY audio

Audio DIY came to prominence in the 50s to 60s, as audio reproduction was relatively new and the technology "complex," audio reproduction equipment, and in particular high performance equipment, was not offered at the retail level. Kits and designs were available for consumers to build their own equipment. Famous vacuum tube kits from Dynaco, Heathkit, and McIntosh, as well as solid state (transistor) kits from Hafler allowed for consumers to build their own hi fidelity systems. Books and magazines were published which explained new concepts regarding the design and operation of vacuum tube and (later) transistor circuits.

While audio equipment has become easily accessible in the current day and age, there still exists an interest in building one's own equipment, including amplifiers, speakers, preamplifiers, and even CD players and turntables. Today, a network of companies, parts vendors, and on-line communities exist to foster this interest. DIY is especially active in loudspeaker and in tube amplification. Both are relatively simple to design and fabricate without access to sophisticated industrial equipment. Both enable the builder to pick and choose between various available parts, on matters of price as well as quality, allow for extensive experimentation, and offer the chance to use exotic or highly labor-intensive solutions, which would be expensive for a manufacturer to implement, but only require personal labor by the DIYer, which is a source of satisfaction to them.

en.wikipedia.org/wiki/DIY_audio

CA. SEA OTTERS: MONTEREY BAY

The Southern or California Sea Otter (Enhydra lutris nereis) has been listed as a threatened species under the Endangered Species Act since 1977.

•Sea otters are highly specialized marine mammals capable of living their entire lives without ever having to leave the ocean, have the densest fur of any mammal and are one of the few marine species to use tools.

•Sea otters are an apex predator of the near shore ecosystem. The species is considered a keystone species because of their critical importance to the health and stability of the near shore marine ecosystem.

•They are also considered a sentinel species because their health reflects that of California’s coastal oceans.

•The southern sea otter population has exhibited high levels of mortality in recent years. Scientists attribute up to 40 percent of southern sea otter mortality to infectious diseases alone, many of which are known to have anthropogenic causes and land-sea linkages.

•The single greatest threat to the sea otter is an oil spill. One large oil spill in central California could be catastrophic, with the potential of driving the entire southern sea otter population into extinction.

Description

•The sea otter is one of the smallest marine mammals, but one of the largest members of the family Mustelidae, a group that includes skunks and weasels among others.

•Adult males reach an average length of 4.5 feet (1.4 m) with a typical weight between 50 and 100 lbs. (23 to 45 kg), while adult females reach an average length of 4 feet (1.2 m) and typically weigh 45 lbs. (20 kg).

•It has a highly buoyant, elongated body, blunt snout and small, wide head.

•Sea otters have an acute sense of smell and taste and have good vision both above and below the water surface. They also rely heavily on their sense of touch.

•Sea otters exhibit numerous adaptations, which help them survive in their challenging marine environment. Long whiskers help them to detect vibrations in murky waters and sensitive forepaws, with retractable claws, help them to groom, locate and capture prey underwater, and use tools.

•When underwater, they can close their nostrils and small ears.

•Hearing is one sense that is not yet fully understood, although studies suggest they are particularly sensitive to high-frequency sounds.

•Their teeth are unique for a mammal in that they are blunt and designed for crushing, rather than being sharp for tearing like most marine mammals are equipped with.

•With the exception of its nose and pads of its paws, the sea otter’s body is covered in dense fur. The fur consists of two layers. The short, brown under fur can be as dense as 1 million hairs per square inch, making its fur the densest of any mammal. By comparison, we only have about 100,000 hairs in total on our heads.

Some background:

The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. The space-capable VF-1's combat debut was on February 7, 2009, during the Battle of South Ataria Island - the first battle of Space War I - and remained the mainstay fighter of the U.N. Spacy for the entire conflict. Introduced in 2008, the VF-1 would be out of frontline service just five years later, though.

Furthermore, the VF-1EX was also outfitted with other electronic contingency functions like AI-assisted flight and remote override controls. Some of these features could be disabled according to necessity or pilot preferences. The gun pod unit was retained but was usually only loaded with paintball rounds for mock combat. For the same purpose, one of the original Mauler RÖV-20 anti-aircraft laser cannon in the "head unit" was replaced by a long-range laser target designator. AMM-1 missiles with dummy warheads or other training ordnance could be added to the wing hardpoints, but the VF-1EX was never seen being equipped this way - it remained an agile dogfighter.

General characteristics:

All-environment variable fighter and tactical combat Battroid. 3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; EG-01M/MP EX-Gear system; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system.

Accommodation:

Single pilot in Marty & Beck Mk-7 zero/zero ejection seat

Dimensions:

Battroid Mode:

Height 12.68 meters

Width 7.3 meters

Length 4.0 meters

Fighter Mode:

Length 14.23 meters

Wingspan 14.78 meters (at 20° minimum sweep)

Height 3.84 meters

Empty weight: 13.25 metric tons

Standard take-off mass: 18.5 metric tons

MTOW: 37.0 metric tons

Power Plant:

2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or in overboost (225.63 kN x 2);

4x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip);

18x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles

Performance:

Battroid Mode: maximum walking speed 160 km/h

Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87

g limit: in space +7

Thrust-to-weight ratio: empty 3.47; standard TOW 2.49; maximum TOW 1.24

Transformation:

Standard time from Fighter to Battroid (automated): under 5 sec.

Min. time from Fighter to Battroid (manual): 0.9 sec.

Armament:

1x Mauler RÖV-20 anti-aircraft laser cannon in the "head" unit, firing 6,000 pulses per minute

1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rpm

4x underwing hardpoints for a wide variety of ordnance

The kit and its assembly:

The VF-1EX Valkyrie is a Variable Fighter introduced in the Macross Δ television series, and it's, as described above, a replica training variant that resembles outwardly the VF-1J. There's even a Hasegawa 1:72 kit from 2016 of this obscure variant.

However, what I tried to recreate is a virtual (and purely fictional/non-canonical) VF-1EX, re-skinned by someone called David L. on the basis of a virtual VF-1S 3D model with a 2 m wing span (sounds like ~1:8 scale) for the Phoenix R/C simulator software. Check this for reference: www.supermotoxl.com/projects-articles/ready-to-drive-fly-...). How bizarre can things be/become? And how sick is a hardware model of it, though...?

I found the complex livery very attractive and had the plan to build a 1:100 model for some years now. But it took this long to gather enough mojo to tackle this project, due to the tricolor paint scheme's complex nature...

The "canvas" for this stunt is a vintage Arii 1:100 VF-1 kit, built OOB except for some standard mods. The kit was actually a VF-1A, but I had a spare VF-1J head unit in store as a suitable replacement. Externally, some dorsal blade aerials and vanes on the nose were added, the attachment points under the wings for the pylons were PSRed away. A pilot figure was added to the cockpit because this model would be displayed in flight. As a consequence, the ventral gun pod received an adapter at its tail and I added one of my home-brew wire displays, created on the basis of the kit's OOB plastic base.

Painting and markings:

As mentioned above, this VF-1 is based on a re-skinned virtual R/C model, and its creator apparently took inspiration from a canonical VF fighter, namely a VF-31C "Siegfried", and specifically the "Mirage Farina Jenius Custom" version from the Macross Δ series that plays around 2051. Screenshots from the demo flight video under the link above provided various perspectives as painting reference, but the actual implementation on the tiny model caused serious headaches.

The VF-1's shapes are rather round and curvy, the model's jagged surface and small size prohibited masking. The kit is IMHO also best built and painted in single sub-assemblies, but upon closer inspection the screenshots revealed some marking inconsistencies (apparently edited from various videos?), and certain areas were left uncertain, e .g. the inside of the legs or the whole belly area. Therefore, this model is just a personal interpretation of the design, and as such I also deviated in the markings.

The paints became Humbrol 20 (Crimson) and 58 (Magenta), plus Revell 301 (Semi-gloss White), and they were applied with brushes. To replicate the edgy and rather fragmented pattern I initially laid down the two reds in a rather rough and thin fashion and painted the white dorsal and ventral areas. Once thoroughly dry, the white edges were quasi-masked with white decal material, either with stripes of various widths or tailored from sheet material, e. g. for the "wedges" on the wings and fins and the dorsal "swallow tail". This went more smoothly than expected, with a very convincing and clean result that i'd never had achieved with brushes alone, even with masking attempts, which would probably have led to chaos and too much paint on the model.

Other details like the grey leading edges or the air intakes were created with grey and black decal material, too.

No weathering was done, since the aircraft would be clean and in pristine condition, but I used a soft pencil to emphasize the engraved panel lines, esp. on white background. The gun pod became grey and the exhausts, painted in Revell 91 (Iron), were treated with graphite for a darker shade and a more metallic look.

Stencils came from the kit's OOB sheet, but only a few, since there was already a lot "going on" on the VF-1's hull. The flash-shaped Xaos insignia and the NUNS markings on legs and wings were printed at home - as well as the small black vernier thrusters all around the hull, for a uniform look. The USN style Modex and the small letter code on the fins came from an Colorado Decals F-5 sheet, for an aggressor aircraft.

Finally, the kit was sealed overall with semi-gloss acrlyic varnish (which turned out glossier than expected...) and position lights etc. added with translucent paint on top of a silver base.

Well, while the VF-1 was built OOB with no major mods and just some cosmetical upgrades, the paint scheme and its finish were more demanding - and I am happy that the "decal masking" trick worked so fine. The paint scheme surely is attractive, even though it IMHO does not really takes the VF-1's lines into account. Nevertheless, I am certain that there are not many models that are actually based on a virtual 1:8 scale 3D model of an iconic SF fighter, so that this VF-1EX might be unique.

Detail info Natural Ingredients Capable of Delaying Aging at hormigonpulido.org/1107/natural-ingredients-capable-of-de... by health post

"Love is the only force capable of transforming an enemy into friend." Martin Luther King, Jr.

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

Tyne was the second of the five River-class light cruisers in the Royal Navy, which were introduced during the interwar period and played, after modifications, an active role in World War II, especially in the Mediterranean theatre of operations.

From 1940 on the ships were to be replaced by the much more modern and better-equipped new Dido-class cruisers, but a shortage of guns for them, due to difficulties in manufacturing them, delayed their introduction so that the River-class cruisers had to soldier on. Two ships, “Tyne” and “Thames”, were lost, and the three post-war survivors “Trent”, “Severn” and “Mersey”, were immediately put into reserve after the end of hostilities in Europe and quickly broken up.

General characteristics:

Displacement: 5,100 long tons (5,200 t) (standard)

Length: 500 ft (152.4 m)

Beam: 47 ft (14.2 m)

Draft: 16 ft (4.8 m)

Draught: 12 ft 6 in (3.8 m) (deep)

Armor: Belt: 64 mm (3 in), Deck: 29 mm (1 in)

Complement: 450

Propulsion:

12× Admiralty boilers with 4× geared steam turbines, developing 90,000 shp (67,000 kW)

and driving four shafts

Performance:

Top speed: 36 knots (67 km/h; 41 mph)

Range: 5,000 nmi (9,300 km; 5,800 mi) at 14 kn (26 km/h; 16 mph)

Armament (after conversion):

12× 5.25 guns (133 mm) 50 caliber guns in six twin turrets

4× twin QF 2-pounder (40 mm) "pom-pom" AA guns in powered mounts

2× triple 21-inch (533 mm) torpedo tubes

2× throwers and 2× racks astern with 48 depth charges

The kit and its assembly:

The Royal Navy’s River-class light cruisers never existed. These fictional interwar ships were based on the Dido-class cruisers’ concept, just placed in an earlier generation and realized on the basis of an old/outdated ship. Inspiration came with an aftermarket set of six 1:700 white metal turrets that I came across recently, and I wanted to use it to build something like the American Atlanta-class light cruisers with a specialized AA armament.

However, this armament called for a suitable and bigger hull than my former destroyer builds, and I was eventually able to hunt down a cheap Tamiya kit of a Japanese Kuma-class light cruiser as starting point. It was perfect in size (almost exactly as big as a Dido-class cruiser!), shape and time frame, even though I I basically only used the kit’s single-piece hull as starting point. I had to modify the superstructures thoroughly to adapt the Japanese ship to the new role and also to a more Western layout and silhouette.

For instance, the typically Japanese tall “pagoda” bridge/command section of that era had to disappear, and I changed the superstructures almost completely, because the new twin turrets needed much more space than the small single guns of the Kuma cruiser. I also wanted to place them at different levels, and this called for suitable staggered platforms, too.

Initially there was the plan to mount the six turrets in groups of three at both bow and stern, but it was soon clear that this would not work – this arrangement would have been too long and too high, too, so that I went with two staggered pairs. I also wanted to give the ship – unlike the American Atlanta-class ships – a catapult for an on-board aircraft, and this required some free space on deck.

With this framework I scratched new/additional superstructures, using leftover pieces from the two recently built Matchbox K-class destroyers and from a Revell H.M.S. Ark Royal carrier. Everything evolved through trial-and error, in an attempt to find a plausible layout for all the deck equipment. The lowered hull section for the Kuma-class’ front torpedo tubes was filled with a cabin and re-purposed for lifeboats. Then the initially continuous superstructure was split to make room for the steam catapult amidships at deck level. The rear turrets eventually found their final places on a separate superstructure that would also carry the secondary mast and the crane for the floatplane, and I mounted the last two turrets in lateral positions (again somewhat inspired by the Atlanta-class arrangement with similar positions), above the Kuma-class’ openings for the rear torpedo launch tubes. These did not make sense at this position anymore, so that the OOB openings were closed/filled and moved further forward, under the new “flight deck”. Some PSR had to be done, too, in order to blend some disparate donor parts and fill the worst gaps. Therefore, the finish is certainly not as crisp as an OOB model – but I think that these flaws remained on an acceptable level.

Once the general deck layout had been settled, detail work began. This included a re-arrangement of bridge, masts and funnels, and the main deck had to offer enough space for the re-located catapult, together with the turrets in the side positions, lifeboats and AA stations, which found their place at deck level and in two twin alcoves in higher positions. Fiddly stuff, and I must admit that “creating” such a battleship is conceptually not easy.

The aircraft on board is actually the OOB Kawanishi E7K floatplane from the Kuma-class cruiser kit – but it looks similar enough to a Swordfish that this illusion could be easily supported with a suitable paint scheme.

Painting and markings:

I used the opportunity to apply another typical Royal Navy paint scheme, a so-called “Alexandria-style” pattern. This was a high-contrast scheme, sometimes described as consisting of black and white, but it was typically made up from 507a (Dark Grey) and 507c (Light Grey). It had been christened after the dockyard where it had been initially applied, and it was actually not a defined pattern (like the Admiralty schemes, which had been designed at offices by people who frequently had no practical naval experience!), but rather a common but individual application of standard paints that had been in ample supply at most dockyards! The ships had to be painted with what was at hand, and so the disruptive scheme caught on and was applied, like Mountbatten Pink, to a considerable number of British ships operating in the MTO. This two-tone scheme was not intended to conceal the ships, but rather to confuse the observer concerning speed, direction and what the ship actually was.

The pattern I applied to the model was loosely based on what the cruiser H.M.S. Devonshire carried in 1941, a kind of zebra pattern with wide, well-defined block stripes. As a visual gimmick these stripes were kind of “mirrored” along a line on the hull, as if reflected by the water and therefore making assessing size or distance even more difficult.

The paints are Humbrol 147 (Light Grey, FS 36495) and 27 (Sea Grey). The deck was painted as if the wooden areas had not been overpainted yet and allowed to weather, so that the once-holystoned, yellow-ish light wood had become dull and rather grey-ish. I used Humbrol 168 (RAF Hemp) and Revell 87 (Beige) as basis, and some light shading with thinned sepia ink was done to enhance the wooden look – and it’s nice contrast to the rather cold, grey camouflage. Metal decks, turret tops and the bow area were painted with Revell 47, simulating 507b (Medium Grey). Areas around the bridge were painted with Humbrol 62 (Leather) to simulate Corticene coating.

I originally wanted to paint the model in separate elements before final assembly, but this was not possible due to the many adjustments. The model was slightly weathered with a highly thinned black ink wash. Some Sienna Brown water paint was used for rust stains here and there. Portholes along the hull and on the superstructures were created with a thin black felt tip pen. The same tool was used to paint the muzzles of the guns. The crisp black boot topping was easy to create through the kit’s separate waterline bottom – OOB it comes in red, and it just had to be re-painted.

The kit’s segments were sealed with a coat of acrylic matt varnish before final assembly. Finally, rigging with heated and extended dark grey sprue material was done and paper flags were added.

It is not obvious, but the fictional H.M.S. “Tyne” took more scratchwork and mods than one would expect – it was/is almost a scratch build on the basis of a stock cruiser hull. More or less, the whole superstructure was re-arranged and the whole armament is new, but I think that the outcome looks quite plausible. The camouflage – even though only consisting of two shades of grey - looks interesting, too, and I think that the confusing effect becomes obvious in some of the beauty pics.

Rose chafers are capable of very fast flight, flying with their wing cases down like bumble bees. The adult beetles are active between April and September. The beetles fly clumsily and are typically seen in sunny weather.

Rose Chafer~Cetonia aurata

Fantastic solution for those size queens that need the extra length occasionally. This one has a one, and a two, and a three removable leafs allowing it to adjust to your needs.

Capable of crossing the Atlantic in under three hours, Concorde cruised at over twice the speed of sound and reached an altitude of 60,000ft. Her passengers would marvel at the curvature of the Earth and look up at a blue-black sky, as they travelled at 1320mph and sipped Champagne on the edge of space.

I aspire to become a photographer, it runs like a passion in my heart.

Life has never been simple and straight to me .. it has always been full of challenges and twist.

Until time puts us on a test one never knows what one is capable of ..

Its been 8 years I lost my dad suddenly in an accident .. Dad had been my hero and one the best .. he always made me proud to b his daughter and he taught me to fear nothing.

My mom who has always been a person who told me that everything in this world is possible.

Her sparkling eyes always told me that to live one has to always think positive.

My life took a sudden turn when my dad expired. Though the time was moving but my entire being came to a sudden halt.

But God gave me all the strength to stand on and take care of my mom who was suffering from arthritis.

I took a BPO job to sustain but in this rush many a times i felt lost in the crowd.

I feel each and everyone of us face difficult situations but i feel more than the situation its very important how we react to that situation.

My Mom was to get operated and i lost my job due to recession but my mom courageously said that we will manage .. u don't worry.

If one keeps fighting one never die .. one moves in like a river finding ways towards realising dreams.

In all this rush I never let my dream and aspiration to fade away .. I kept them strong and alive in my heart .. carrying a dream and responsibility together taught me about life and made me a strong woman.

Today I do have my passion in my hand and vision in my eyes to be a best human and have a sparkling soul within.

I feel happiness us within you not outside as life goes by .. you start speaking to yourself, you understand what you really need and everyday gets you closer to your dreams .. after a dark night day has to come because every dark cloud has a silver lining so I feel we all should never let go … do not put sword down .. that sword is ‘hope’ within your eyes and pride to carry yourself through every tough situation.

Jiye bina gam ke to kya jiye, aur wo khushi ka maza he kya, jo gam ke raaste na guzra ho.

Everything can’t be the way you planned but still moving on with your aspirations is rhythm of life.

Junoon ke bina hum sirf zinda hai, par hamen jeena chahiye, sirf zinda rahna kaafi nahi.

www.humansofmumbai.in