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Theater in allen Räumen 2020
Foto: ZHdK © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Theater in allen Räumen 2020
Foto: ZHdK © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Potential branding for our youth group CRAVE. We changed names earlier this year, but have not decided on a logo as of yet.
Was inspired by a youth group called "Shift" who has a similar concept, just waiting for the okay.
Written by Sarah Kane
Directed by Roger Benington
A vivid dissection of lust, brutality, and ravenous love.
Recognized as the gentlest of Kane works, Crave lacks the violence of her earlier plays even as it plummets into the dark corners of the human psyche. Often described as a chamber-piece, Crave explores its themes with musical agility, exploring human experiences that defy a linear structure. It is a mark of her extraordinary talent that Kane was able to explore bleak subjects with humanity and humor. Crave presents four characters, whose words and silences build a symphony of lust, loneliness, abuse, and persistence. As the characters expose dark humor and wild desires, the audience is led through the shadows of affliction and into the light of release. Adult themes.
Theater in allen Räumen 2020
Foto: ZHdK © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Theater in allen Räumen 2020
Foto: ZHdK © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Written by Sarah Kane
Directed by Roger Benington
A vivid dissection of lust, brutality, and ravenous love.
Recognized as the gentlest of Kane works, Crave lacks the violence of her earlier plays even as it plummets into the dark corners of the human psyche. Often described as a chamber-piece, Crave explores its themes with musical agility, exploring human experiences that defy a linear structure. It is a mark of her extraordinary talent that Kane was able to explore bleak subjects with humanity and humor. Crave presents four characters, whose words and silences build a symphony of lust, loneliness, abuse, and persistence. As the characters expose dark humor and wild desires, the audience is led through the shadows of affliction and into the light of release. Adult themes.
My daughters Elsa castle arrived today from LEGO.com. This was the box it arrived in, doubling as a cat trap.
Went back and fixed the glare spot in the glasses (clone stamp was my friend!) these are heading to print now. thanks for all the great feedback on pushing the typography and layout.
Theater in allen Räumen 2020
Foto: ZHdK © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Theater in allen Räumen 2020
Foto: ZHdK © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Theater in allen Räumen 2020
Foto: ZHdK © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Written by Sarah Kane
Directed by Roger Benington
A vivid dissection of lust, brutality, and ravenous love.
Recognized as the gentlest of Kane works, Crave lacks the violence of her earlier plays even as it plummets into the dark corners of the human psyche. Often described as a chamber-piece, Crave explores its themes with musical agility, exploring human experiences that defy a linear structure. It is a mark of her extraordinary talent that Kane was able to explore bleak subjects with humanity and humor. Crave presents four characters, whose words and silences build a symphony of lust, loneliness, abuse, and persistence. As the characters expose dark humor and wild desires, the audience is led through the shadows of affliction and into the light of release. Adult themes.
It's funny to me because, when I'm in London... I prefer Pepsi Max... it's way better then the pepsi max here... plus ours has ginseng in it. Weird. So because I've gone off pepsi max in the US... I've gone back to coke zero... my fav...but only in the us ;)
Day .47.
P.s.... I find that on nights when I have uni, I'm not super creative. I'm usually exhausted... but then stay up on flickr, or ps... when I should be reading about psychology! oops.