View allAll Photos Tagged COME
Good news! Here comes my photography calendar of 2020! I didn't think about making calendars but a friend suggested it might be a good idea, so here the calendars are! 12 beautiful photos taken by me in Newfoundland in different seasons. 8.5"×11", a classic calendar size. 31 dollars if you pick it up by yourself, or 38 dollars to deliver to your home if you live in Canada. For US customers the delivery fee would be 16 Canadian dollars. It can also be shipped worldwide. This would be a lovely gift for yourself or for your family and friends! Please leave a comment here to tell me if you want one!
Spring has come, life has come
Spring has come, a new beginning
Faith and hope, for all mankind
Our hearts were waiting for this time
To bring us life, spring has come -Shaam-
View On Black ITS THE KEWL THING TO DO
a few weeks ago i met up with come now sleep for some quick promos for the folio and i got some good ones also it was my First Time Using A ND Filter so over all i think it was a productive encounter on our parts, we also met some cool homeless people that observed us one of which talked us up and i felt obligated to give him some cash for food (aka beer boos cigarettes) for the good conversation.
and by the way if you havent heard these guys look them up they are super chill so drop them a line while your at it
www.myspace.com/comenowsleepband
5d mrk ii
50mm f1.4 usm
tiffen ND 0.9 filter
Strobist
-ab1600 thru octabox high and right lowest power
add me
__________________________________________________________________
ALL IMAGES ©OPYWRITTEN BY Evan Dell Photography NONE ARE TO BE USED WITHOUT MY PERMISSION
Not initially set up for an overall shot, but the way the light fell on the bottle worked so well, it could have been.
The base is a sheet of glass which has the underside painted black to create the reflective surface.
To the rear a sheet of white card to reflect light through the body of the bottle from the sides. A small sheet of black card directly behind to form the background to the photo, which was later extended in photoshop to fill the frame.
Lighting provided by 3 x 20W CFL lamps in Pringles tube reflectors.
One sat behind and below the glass base. the other 2 to the sides and diffused by semi opaque polythene screen, partially blanked with white paper and an additional black card to the right.
The result can be seen below.
Please don't use my photos on websites, blogs, other media or in any other purpose without my explicit permission.
When death comes
like the hungry bear in autumn
when death comes and takes all the bright coins from his purse
to buy me, and snaps his purse shut;
when death comes
like the measle-pox;
when death comes
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering;
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
and each name a comfortable music in the mouth
tending as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
When it's over, I want to say: all my life
I was a bride married to amazement.
I was a bridegroom, taking the world into my arms.
When it's over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened
or full of argument.
I don't want to end up simply having visited this world.
~ Mary Oliver ~
Count Orlok would like to talk with you. Don't you want to listen to what he has to say? It might be valuable. Don't worry, you can trust him. Just ask Knock (Renfield). Come on, come closer. A little closer. And look into his eyes...
Featured on Life In Plastic: nerditis.com/2013/06/14/life-in-plastic-retro-review-graf...
File name: 08_05_000139
Title: Come to Germany
Creator/Contributor: Eschle, Max (artist)
Created/Published: Berlin : Published by the Reichsbahnzentrale für den Deutschen Reiseverkehr
Date issued: 1910-1959 (approximate)
Physical description: 1 print (poster) : color
Genre: Travel posters; Prints
Subjects: Tourism; Sculpture
Notes: Title from item.; Printed in Germany
Statement of responsibility: Max Eschle
Location: Boston Public Library, Print Department
Rights: Rights status not evaluated
119 - Our Daily Challenge - "Waiting":
It's gloomy and overcast today. My schedule is stressed! I'm ready for the slower pace of summer! It's been an unusually cool May and we're waiting for the pool to warm up so we can take Hannah swimming. She LOVES her bath time and she's going to have a great time in the pool! She'll also love this kid sized lawn chair I found last week! I know I'll be complaining about the heat in July/August...but come on, Summer...we're waiting!
Quote by Sam Keen
Nikon D5000, 50mm
Pioneer Woman Summer action for PSE
Come back little raven, descend your home. This is, not then, it is, not now. Come back, descend your throne. - Misfits
Good news! Here comes my photography calendar of 2020! I didn't think about making calendars but a friend suggested it might be a good idea, so here the calendars are! 12 beautiful photos taken by me in Newfoundland in different seasons. 8.5"×11", a classic calendar size. 31 dollars if you pick it up by yourself, or 38 dollars to deliver to your home if you live in Canada. For US customers the delivery fee would be 16 Canadian dollars. It can also be shipped worldwide. This would be a lovely gift for yourself or for your family and friends! Please leave a comment here to tell me if you want one!
The Toyota Aygo is a city car (A-segment) marketed by Toyota mainly in the European market between 2005 and 2022 across two generations. The Aygo was first displayed at the 2005 Geneva International Motor Show. It was built alongside the related Citroën C1 and Peugeot 107/108 at the Toyota Peugeot Citroën Automobile Czech (TPCA) joint venture in Kolín, Czech Republic. The Aygo's production ended in 2021 and the model was replaced by the crossover-styled Aygo X.
The name "Aygo" comes from "i-go", symbolising freedom and mobility.
Toyota revealed a completely redesigned Aygo at the March 2014 Geneva International Motor Show with the slogan 'go fun yourself'. The design was attributed to Japanese youth culture, inspired by Japanese manga robot Astro Boy and an egg in a box and has aims to make the Aygo more accessible to younger drivers, and allow for a greater level of customisability. It began rolling off the production line on 27 May 2014.
Models include:
Aygo x – base model, with electric front windows, wing mirrors and daytime running lights
Aygo x-play – in addition to 'x' – manual AC, Bluetooth connectivity and steering wheel controls
Aygo x-press
Aygo x-style
Aygo x-pression – in addition to 'x-play' – 15-inch silver alloys, part leather seats, 'x-touch' seven-inch multimedia system, DAB+ radio, front fog lights and rear view reversing camera
Aygo x-plore
Aygo x-trend
Aygo JBL Edition – (special edition) – in addition to 'x-pression' – made in collaboration with JBL, features a JBL stereo system and a 160mm subwoofer
Aygo x-cite – (special edition) – in addition to 'x-pression' – 15-inch gloss black alloys and optional 'x-nav'
Aygo x-clusiv – (special edition) – in addition to 'x-pression' – 15-inch machined alloys, climate control AC, optional 'x-nav' and smart entry and start
Aygo x-pure – (special edition) – in addition to 'x-pression' - (minus the part leather seats) comes in Pure White colour with silver trim 'X' and back bumper, white machined alloys and privacy glass in the back.
Aygo x-claim – (special edition) – only 350 models manufactured, comes with a white bodywork with burgundy decals, electric retracting sunroof
The Aygo also includes numerous safety features such as vehicle stability control (VSC), anti lock braking system (ABS), hill start assist control (HAC) and supplemental restraint system (SRS) with six airbags.
History
A predecessor of the Liebfrauenkirche from the 5th century dated back to a late Antique hall from the time of Emperor Valentinian I (364-375). Within the walls of this Roman building, the Franks, who had come to Koblenz at that time, established a Christian church. Using the foundations, this church underwent several renovations and extensions.
Around 1180, at the time of the pastor Saulinus, began the construction of a transept-less late Romanesque pillar basilica with galleries, which was completed around the year 1205. Until the late Middle Ages, this construction is being enlarged and modernized several times. At the beginning of the 13th century - here it is called the Rhenish transitional style - the hitherto towerless building in the west received a double tower facade. In this time also the increase of the clerestory, the vaulting of the long house and the increase of the choir falls.
Beginning of the 15th century, the main apse was laid down and from 1404 to 1430 according to plans by Johannes von Spey at the Romanesque choir of today's Late Gothic long choir added. Between 1463 and 1466, the gallery floor between the two towers was raised by one floor and the Romanesque rose window in the facade replaced by a very large late Gothic tracery window. In the years 1486/1487 the Romanesque vault was removed in the nave and replaced by a rich ribbed vault with decorated keystones. At the same time, the exchange of the clerestory windows took place through today's late Gothic windows with trefoil tracery.
In the Palatine War of Succession Koblenz was bombed in 1688 by the troops of Louis XIV of France. The gothic tower helmets burned down during the heavy damages in the city. These were replaced in 1694 by the kurtrierischen (Trier Electorate) Hofbaumeister Johann Christoph Sebastiani by today's characteristic Welsian domes. The lower part of the large façade window was walled up in 1702 in order to set up the large niche figure of Our Lady above the portal. The portal itself was replaced in 1765 by today's pointed-arched gate. After plans of Nikolaus Lauxem in 1776 behind the choir a Baroque sacristy was built.
In French times and after all the monasteries were secularized in Koblenz, the Liebfrauenkirche was called ruinous in 1803. Abandonment and demolition of the church in need of renovation could be averted, however, by renewing the roof in 1808. However, the roofs of the nave and choir were now the same height, the roof ridge of the choir had disappeared. From 1852, the Cologne cathedral master Vincenz Statz restored the church in neo-Romanesque style. For example, the raised floors of the 18th century were lowered, a new stone west gallery was installed and wall breakthroughs were carried out in the antechoir. The Baroque decor of the church disappeared for the most part because it was replaced by "stylish" pieces in the style of neo-Romanesque, which in turn were largely eliminated after the Second World War.
During the heaviest air raid on Koblenz on November 6, 1944, the Liebfrauenkirche was considerably damaged, so tower helmets and roofs burned down. The vaults and walls, however, remained intact. Shortly after the end of the Second World War, the Liebfrauenkirche received emergency roofs, so that the church remained dry. As it was impossible to close off the large windows, an emergency church was set up in the nave for a few years with the help of a false ceiling, which was lovingly named Little St. Mary by the parishioners. The reconstruction began in 1950. When in 1955 the Welsh domes and the roofs, now again with the increase of the choir roof and the ridge turret, were built, the old town of Koblenz had optically regained an important center.
In the exterior renovation from 1971 to 1974, the choir and the nave again received a color version based on a Medieval model. Withe the towers they were not able to make the same decision. The sanctuary was redesigned from 1976 to 1980. The new main altar made of Savonnières limestone was created by sculptors Elmar Hillebrand and Theo Heiermann who were good friends. The backs of the panels of the Retabel altarpiece were painted by Clemens Hillebrand as a fasting image with the Arma Christi (Weapons of Christ), Christ's instruments of sorrow. In 1992, the church received new figurative choir windows, created by Hans Gottfried von Stockhausen, which replaced a simpler glazing from the period of reconstruction. The well-fitted windows have the theme women in salvation history. The interior, in which the Romanesque part was Romanesque and the Gothic part gothic framed in the 1950s, was given a uniform color scheme in the years 1999/2000, based on color findings from the 15th century. From 2005 to November 2007, the choir was restored, on the outside of which the Gothic decoration and the masonry had shown major damage. Parts of the building sculpture had to be replaced. From March to September in 2007, the organ of the church was overhauled and rebuilt. Since 1999, the Catholic parishes of Our Lady and Sacred Heart have formed a parish community and have a common pastor. In 2005, the parish of St. Kastor was added to this community.
Geschichte
Ein Vorgängerbau der Liebfrauenkirche aus dem 5. Jahrhundert ging auf eine spätantike Halle aus der Zeit des Kaisers Valentinian I. (364-375) zurück. In den Mauern dieses römischen Gebäudes richteten die damals nach Koblenz gekommenen Franken ein christliches Gotteshaus ein. Unter Verwendung der Fundamente erfuhr diese Kirche mehrere Um- und Ausbauten.
Um 1180, zur Zeit des Pfarrers Saulinus, begann der Bau einer querhauslosen spätromanischen Pfeilerbasilika mit Emporen, der um das Jahr 1205 vollendet war. Bis ins Spätmittelalter wird dieser Bau mehrfach vergrößert und modernisiert. Anfang des 13. Jahrhunderts – man spricht hier vom rheinischen Übergangsstil – erhielt der bis dahin turmlose Bau im Westen eine Doppelturmfassade. In diese Zeit fällt auch die Erhöhung des Obergadens, die Einwölbung des Langhauses und die Aufstockung des Chors.
Anfang des 15. Jahrhunderts wurde die Hauptapsis niedergelegt und von 1404 bis 1430 nach Plänen von Johannes von Spey an dem romanischen Chor der heutige spätgotische Langchor angebaut. Zwischen 1463 und 1466 wurde das Emporengeschoss zwischen den beiden Türmen um ein Stockwerk erhöht und das romanische Rosenfenster in der Fassade durch ein sehr großes spätgotisches Maßwerkfenster ersetzt. In den Jahren 1486/1487 entfernte man das romanische Gewölbe im Langhaus und ersetzte es durch ein reiches Sternrippengewölbe mit geschmückten Schlusssteinen. Gleichzeitig erfolgte der Tausch der Obergadenfenster durch die heutigen spätgotischen Fenster mit Fischblasenmaßwerk.
Im Pfälzischen Erbfolgekrieg wurde Koblenz 1688 durch die Truppen Ludwigs XIV. von Frankreich bombardiert. Bei den schweren Beschädigungen in der Stadt brannten auch die gotischen Turmhelme ab. Diese wurden 1694 vom kurtrierischen Hofbaumeister Johann Christoph Sebastiani durch die heutigen charakteristischen welschen Hauben ersetzt. Der untere Teil des großen Fassadenfensters wurde 1702 vermauert, um die große Nischenfigur der Muttergottes über dem Portal aufstellen zu können. Das Portal selbst wurde 1765 durch das heutige Spitzbogentor ersetzt. Nach Plänen von Nikolaus Lauxem baute man 1776 hinter dem Chor eine barocke Sakristei an.
In französischer Zeit und nachdem sämtliche Stifte in Koblenz säkularisiert wurden, bezeichnete man die Liebfrauenkirche 1803 als ruinös. Aufgabe und Abriss der renovierungsbedürftigen Kirche konnte aber abgewandt werden, indem man 1808 das Dach erneuerte. Allerdings waren die Dächer von Schiff und Chor nun gleich hoch, der Dachreiter des Chors war verschwunden. Ab 1852 restaurierte der Kölner Domwerkmeister Vincenz Statz die Kirche im Stil der Neoromanik. So wurden beispielsweise die erhöhten Böden des 18. Jahrhunderts tiefergelegt, eine neue steinerne Westempore installiert und Mauerdurchbrüche im Vorchor durchgeführt. Die barocke Ausstattung der Kirche verschwand zum größten Teil, da man sie durch "stilgerechte" Stücke im Stil der Neoromanik ersetzte, die ihrerseits nach dem Zweiten Weltkrieg größtenteils beseitigt wurden.
Beim schwersten Luftangriff auf Koblenz vom 6. November 1944 wurde die Liebfrauenkirche erheblich beschädigt, so brannten Turmhelme und Dächer ab. Die Gewölbe und Mauern blieben allerdings intakt. Kurz nach Ende des Zweiten Weltkriegs erhielt die Liebfrauenkirche Notdächer, so dass sie trocken blieb. Da man die großen Fenster nicht verschließen konnte, wurde im Kirchenschiff für einige Jahre mit Hilfe einer Zwischendecke eine Notkirche eingerichtet, die von den Pfarrkindern liebevoll Klein St. Marien genannt wurde. Der Wiederaufbau begann ab 1950. Als 1955 die welschen Hauben und die Dächer, nun wieder mit der Erhöhung des Chordaches und dem Dachreiter, errichtet waren, hatte die Koblenzer Altstadt auch optisch wieder einen wichtigen Mittelpunkt zurückgewonnen.
Bei der Außenrenovierung von 1971 bis 1974 erhielten Chor und Schiff wieder eine Farbfassung nach mittelalterlichem Vorbild. Bei den Türmen konnte man sich dazu nicht durchringen. Der Altarraum wurde von 1976 bis 1980 neu gestaltet. Den neuen Hauptaltar aus Savonnières Kalkstein schufen die befreundeten Bildhauer Elmar Hillebrand und Theo Heiermann. Die Rückseiten der Tafeln des Retabelaltarbildes wurden von Clemens Hillebrand als Fastenbild mit den Arma Christi, den Leidenswerkzeugen Christi bemalt. Im Jahr 1992 erhielt die Kirche neue figürliche Chorfenster, die Hans Gottfried von Stockhausen schuf und die eine einfachere Verglasung aus der Zeit des Wiederaufbaus ersetzten. Die gut in den Raum eingepassten Fenster haben das Thema Frauen in der Heilsgeschichte. Das Innere, in dem man in den 1950er Jahren den romanischen Teil romanisch und den gotischen gotisch gefasst hatte, erhielt in den Jahren 1999/2000 eine einheitliche Farbfassung nach Farbbefunden des 15. Jahrhunderts. Von 2005 bis November 2007 wurde der Chor restauriert, auf dessen Außenseite der gotische Zierrat und das Mauerwerk größere Schäden gezeigt hatten. Teile der Bauplastik mussten ausgetauscht werden. Von März bis September 2007 wurde die Orgel der Kirche überholt und umgebaut.
Seit 1999 bilden die katholischen Pfarrgemeinden Liebfrauen und Herz-Jesu eine Pfarreiengemeinschaft und haben einen gemeinsamen Pfarrer. Im Jahr 2005 kam noch die Pfarrei St. Kastor zu dieser Gemeinschaft hinzu.
mmg160NC2_20081002_8_11
Hasselblad 503CX
CarlZeiss Planar 80mm/F2.8 CF T*
Kodak Portra 160NC
Come #1 on my photostream