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Leica CL / 40 2.0 / Fuji Superia 400

 

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185-CL 006 on a southbound coal train at Bremen Hbf at 12:07 on 1/12/2016.

This afternoon in Perth. We had a month's rain in one day yesterday.

 

Leica CL+7Artisans 55mm f1.4

Images that form part of the "Tender are the Nighthawks" series, all shot in the early hours of the morning on Camden High Street in London using the Leica CL.

 

Photographer Sarah M Lee

Window of light and shadow with Maureen

✰ This photo was featured on The Epic Global Showcase here: bit.ly/1SSBtVZ

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by @i_love_animals.cl on Instagram.

 

Actually, this is the best camera I have!!

A cloud of smoke and ashes produced by intensified eruption of the Chaiten volcano are seen over Chaiten on Tuesday, May 6, 2008, in southern Chile. The eruption spewed incandescent material and blated ash some 20 miles (30 kilometers) into the Andean sky, forcing authorities to a complete evacuation of the area. (AP Photo/La Tercera) ** CHILE OUT **

Un-identified HST

Cudworth Station c.1983.

Scanned from original photograph

 

Leica CL / 40 2.0 / Fuji Superia 400

 

www.markforbes.com.au

 

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Leica CL / 40 2.0 / Fuji Superia 400

 

www.markforbes.com.au

 

Instagram | Facebook

The Halberstadt CL.IV was one of the most effective ground attack aircraft of the First World War. It appeared on the Western Front towards the end of the German offensives in 1918. Flights of four to six aircraft flew close support missions, at an altitude of less than one hundred feet, suppressing enemy infantry and artillery fire just ahead of the advancing German troops. After these late German offensives stalled, Halberstadt CL.IVs were used to disrupt advancing Allied offensives by striking at enemy troop assembly points.

 

The Halberstadt CL.IV performed well in combat as a low-level attack airplane, relying on its good maneuverability to avoid ground fire. When not on close support or ground attack missions, it was used as a standard two-seat fighter for escort work. Towards the end of the war, on bright, moonlit nights, CL.IV squadrons attempted to intercept and destroy Allied bombers as they returned from their missions. Night sorties against Allied airfields were also made with the CL.IV.

 

The source of the NASM airplane was a collection of Halberstadt CL.IV aircraft and spare parts obtained shortly after the First World War by Paul StrƤhle, a former fighter pilot who had served with Jagdstaffel 18. In 1919, he acquired three complete surplus Halberstadt CL.IVs, spare parts, engines, and three additional fuselages. He intended to use the Halberstadts as a nucleus of a civilian passenger transport service called Luftverkehr StrƤhle. Under the terms of the Treaty of Versailles, these aircraft and spares were initially confiscated by the Inter-Allied Control Commission, but later were sold back to StrƤhle and assigned civil registration. The first of the three complete airplanes was reassembled and flight operations began in 1921. This Halberstadt was put on public display in Germany in the 1960s. One of the other aircraft was sold in 1924, and the third was flown by StrƤhle until 1938. This Halberstadt, along with all of the spare parts and fuselages still in StrƤhle's possession, were put in storage at that time.

 

In the 1982, StrƤhle sold the one remaining complete Halberstadt and the spare parts and components to Ken Hyde and Stan Parris of Warrenton, Virginia. They in turn traded all the Halberstadt equipment to the United States Air Force Museum for six surplus North American T-28 trainers in 1984. In addition to the one complete airframe, there were sufficient parts to assemble two more Halberstadts. The National Air and Space Museum had earlier expressed interest in the Halberstadt collection, one of the fuselages in particular, because it had flown in combat during the First World War and it still retained its original German camouflage paint. The fuselage, serial number 8130, was later determined to have been built under license by L.F.G. (Roland), making it even more rare and valuable. In October 1984, the U.S. Air Force Museum donated to NASM the historically significant fuselage and a set of wings, a tail section, and a large number of other spare parts.

 

In 1987, author and World War I aviation authority, Peter M. Grosz, working on behalf of the Museum fur Verkehr and Technik (MVT), later renamed the Deutches Technikmuseum, in Berlin, suggested a cooperative arrangement by which MVT would restore all three Halberstadts: the NASM example and the two airframes still in the possession of the U.S. Air Force Museum. In return, MVT would keep one of the Air Force Museum aircraft for its own collection. An agreement between the parties was struck, and in February 1989 the Halberstadts were prepared for shipment to Germany. The restoration of NASM's Halberstadt CL.IV was completed by MVT in June 1991. Source: airandspace.si.edu/collection-objects/halberstadt-cliv?ob...

  

Ā© 2017 Skip Plitt Photography, All Rights Reserved.

 

This photo may not be used in any form without permission from the photographer. None of my images are in the Creative Commons. If you wish to use one of my images please contact me at: skipplittphotography@gmail.com

 

Todos los derechos reservados. Esta foto no se puede utilizar en cualquier forma sin el permiso del fotógrafo.

Leica CL

VoightLander Color-Skopar 35mm F2.5

Tri-x SPD stok 6.5min

Leica CL || 40mm f/2 || Provia 400x

 

In NYC last fall.

Another evening with Brutus lost.

JH

Leica CL / 40 2.0 / Fuji Superia 400

 

www.markforbes.com.au

 

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102818

I choose this one.

JH

Leica CL / 40 2.0 / Fuji Superia 400

 

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Circa 1815 with later alterations and additions. 2-storey, 3-bay tenement in terrace with shop at ground. Rubble with red sandstone tails to 1st floor windows; harled rear elevation. Raised painted quoins; base course; band course between ground and 1st floor; eaves course, cornice and blocking course. 2-leaf glazed door to centre; glazed 19th century shop windows flanking, with pilasters, corbelled at fascia. Panelled tablet to centre and to outer extremes of blocking course. Pend-entrance to outer right.

 

The building appears on Wood’s map as a Masonic Lodge.

The foundation stone was laid in circa 1815 by Sir Walter Scott for the Masonic Lodge. When this moved to Back Row in 1897, the building was then utilised as a dressmaker’s shop, and since then has been a cafĆ© or restaurant, under various ownership.

Leica CL / 40 2.0 / Fuji Superia 400

 

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...in combo with an S 65 AMG!

Datum eerste toelating: 07-05-1986

Leica CL / Summicron 40 / Fuji Superia 400

 

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Leica CL / Summicron 40 / Fuji Superia 400

 

www.markforbes.com.au

 

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