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I had some ideas of characters to make with my new Knights of Ren parts... turned out both of them followed a theme from one of the_purister's (on IG) 5kfigbarf entries: video game assassins. So I made a couple more related characters (though I am not particularly familar with any of the games except TFU), and here we are!
Left to right:
Galen Marek (Dark Lord's Armor) - The Force Unleashed
Corvo Attano - Dishonored
Altaïr Ibn-LaʼAhad - Assassin's Creed
Thane Krios - Mass Effect
Travis Touchdown - No More Heroes
Temple Town Houses (テンプルタウンハウス).
Architect : Harry Weese and Associates (設計：ハリー・ウィーズ).
Built : 1982 (竣工：1982).
Location : 2-1-1 Roppongi, Minato Ward, Tokyo, Japan (所在地：日本国東京都港区六本木2-1-1).
Referenced :
kawlu.com/journal/2015/06/11/5253/
quod.lib.umich.edu/cgi/i/image/image-idx?id=S-UMMU-X-05-0...
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U. S. Embassy Housing.
しゅ～るな建築シリーズ。
The latest Dawn Forge combat frame. Fits a fig as seen here. A few extra pics over at Brickshelf when moderated.
Alki Beach, Washington photos. Check out the new homepage for the AJM STUDIOS Northwest Photo Journey! The old homepage is here, it still has a working forum. It does not get updated as often as the first link. 2010.
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The decision to learn 3D graphic and CGI came to me during the Spring of 2015 when I was looking for inspiration on the sites like Pinterest or Behance. After analyzing pictures of high end commercial photographers and then looking for some further details about how the shot was created I realized just how often is CGI incorporated in image making process. The final output is nowadays not only realistic, but at the same time it has that perfect/polished feel, that was so hard for me to replicate with photography.
This image was my first real attempt to create fully realistic render that I was satisfied enough to publish in my portfolio. The exploding splash in the top part was photographed in the studio, same as small droplets behind the bottle. Everything else was created in 3D software. Inspiration for this image came from official Coca Cola Zero campaign.
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I was lucky enough to be able to photograph one of the 1963 special edition models that Porsche built for the 50th anniversary of the 911.
Les càmeres de plaques de vidre Instantograph foren de les més populars de finals del s. XIX, una de les primeres càmeres realment populars.
J. Lancaster & Sons, de Birgingham, produí diverses variants de la Instantograph des del 1882 fins entorn el 1910. S'en feren en diverses mides, com 1/4 de placa, 1/2 placa i placa sencera. Això correspon a diversos formats estandard.
Aquesta, curiosament, és la segona Instantograph de 1/2 placa que tinc (164x113mm). Teoricament es tracta del model 1890, però no ho puc assegurar perquè la plaqueta que ho indicava està substituida per una copia. De tota manera, l'altra Instantograph que tinc indica que es tracta del model 1887, però en canvi no quadra amb les seves característiques.
Aquesta està plenament operativa, amb manxa més moderna que la seva "bessona", així com un objectiu també Lancaster, del tipus single achromat.
camera-wiki.org/wiki/Instantograph
www.earlyphotography.co.uk/site/entry_C5.html
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Instantograph dry plate cameras were among the most produced in the late s. XIX century, one of the first really popular cameras.
J. Lancaster & Sons, from Birgingham, produced several variants of the Instantograph from 1882 to about 1910. They were made in various sizes, such as 1/4 plate, 1/2 plate and whole plate.
This is my second 1/2 Instantograph. It was quite cheap, considering it's age and good shape, and complete with Lancaster single achromat lens. As I had already the plate holders, I could use this one without delay.
www.earlyphotography.co.uk/site/entry_C5.html
redbellows.co.uk/CameraCollection/Lancaster/StandardInsta...
www.historiccamera.com/cgi-bin/librarium2/pm.cgi?action=a...
Mellon Udrigle, Laide, Scotland
Not a particularly promising morning on my favourite Scottish beach and I could not really have expected much of a sunrise, which made this sudden and dramatic appearance of a crimson slash in a stormy sky amidst the twilight blue of pre-dawn so incredible appealing. I was with a small group of photographers on a course at the time and the excitement was palpable.
0.45ND grad, f/22 at 12 Seconds. Velvia. Please view LARGE