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this was an attempt to make a quilt like this one: flickr.com/photos/eggmoney/400373863/ , mine doesn't look like hers which really worried me at first, the buttons were an afterthought in place of quilting stitching and I love them, in the end I'm happy with it
I found this awesome diy button in a batch of vintage buttons and finally found a use for it. It's now attached to my new clutch, made on the potholder loom I made last week.
First entry for the "Solving Poverty" Button Design Contest from PSDTUTS.com
-Photo of blank book taken by me
-Text from Wikipedia under the terms of the GNU Free Documentation License, Version 1.2
Solving Poverty is the theme for the Blog Action Day 2008 (15.10.2008)
Hans Vargas
High quality JPG image for CAFEPRESS:
flickr.com/photos/hansvargas/2907434304/
There is also a T-shirt from this design:
This is how we do
We make a move and act a fool while we up in the club
This is how we do
Nobody do it like we do it so show us some love
This is how we do
We make a move and act a fool while we up in the club
This is how we do
Nobody do it like we do it so show us some love
Fresh like unhh Impala unnh
Crome hyrdolics 808 drums
You don't want none
Nigga betta run
When beef is on I'll pop that drum
Come get some
Pistol grip pump
If a nigga step on my white Air Ones
Since red rum
Ready here I come
Compton unh
Dre found me in the slums
Sellin that skunk one hand on my gun
I was sellin rocks when Master P was sayin "Unnnh"
Buck pass the blunt
These G-Unit girls just wanna have fun
Coke and rum
Got weed on the ton
I'm bangin with my hand up her dress like unh
I'll make her cum purple haze in my lungs
Whole gang in the front in case a nigga wanna stunt
I put Lamborghini doors on that Es-co-lade
Low pro so look like I'm riding on blades
In one year mang a nigga's so paid
I have a straight bitch in the telly goin both ways (Ah!)
Touch me, tease me kiss me please me
I give it to ya just how you like it girl
You know I'm rockin with the best tre pound on my hip
Teflon on my chest
They say I'm no good
Cuz I'm so hood
Rich folks do not want me around
Cuz shit might pop off and if shit pop off
Somebody gon' get laid the fuck out
They call me new money say I have no class
I'm from the bottom I came up too fast
The hell if I care I'm just here to get my cash
Bougie ass bitches you can kiss my ass
I put gold Daytonas on that Cherry Six-Four
White walls so clean it's like I'm ridin on bulbs
Hit one switch mang that ass so low
Cali got niggaz in New York ridin on hundred spokes
Touch me tease me kiss me please me
I give it to ya just how you like it girl
You know I'm rockin with the best fo' pound on my hip
Gold chain on my chest (Ah!)
50 unh
Bentley unh
Em came 'n gotta nigga fresh out the slum
Automatic gun
Fuck 'em one-on-one
We wrap up ya punk ass stunt 'n ya done
Homie it's Game time
You ready? Here I come
Call Lloyd Banks and get this motherfucker crunk
It took two months
But Fifty got it done
Signed with G-unit
Had niggaz like "huh?"
Don't try to front
I'll leave yo' ass slumped
Thinkin I'm a punk
Get your fuckin head lumped
Fifty got a gun
Ready here he come
Gotta sick vendetta
To get this chedda
Meet my Ba Retta
The dra-ma setta
Sip Am-a retta
My flow sounds betta
Than average
On tracks I'm a savage
I damage
Any nigga tryin' to front on my clique
BUTTON!
June's bachelor's button still blooms fresh against the tan of the drying grasses at Memaloose State Park, Oregon. Bachelor's button is also know as cornflower. It's a blue flower that turns white as it ages.
netflix button
Credit www.quotecatalog.com with an active link required.
Image is free for usage on editoral websites (even websites with ads) if you credit www.quotecatalog.com with an active link.
My first attempt at thread crochet and it was somewhat of a challenge with my shakey shakey hands. But yay happy pretty button!
This handsome button buck and his twin sister were munching on leaves when I spotted them. He seemed curious about me, but she ignored me and kept on eating. They are probably the offspring of the whitetail doe we affectionately call Split Ear. Wildwood Park, Harrisburg, Pennsylvania.
BODY
Manufactured by Nippon Kogaku K. K., Tokyo, Japan, (Nikon Corporation since 1988)
Model: 1984 (produced between 1984-1986)
35mm film SLR camera
Lenses: More than 70 Nikkor and Nikon Series E lenses available
Lens release: by button on the left of the lens flange
Focusing: Matte/Fresnel focusing screen with central split-image rangefinder spot and microprism collar (Nikon Type K clear-matte screen), ring and dial on the lens
Shutter: Electronically-controlled vertical-travel, metal focal plane shutter
speeds: automatic exposure mode Stepless speeds 1-1/1000
manual mode discrete speeds 1-1/1000
mechanically controlled 1/90 sec. at M90 setting and B setting
setting : by mode selector and speed dial, ring and dial on the bottom of the winding lever, locks on auto mode, unlocks by a small rectangular knob beside the dial
Shutter release: on the winding lever, w/ cable release socket
Cocking lever: also winds the film, short stroke with 144° winding angle, retractable
Automatic film advance: Possible with optional Motor Drive MD-14 or MD-E auto winder
Frame counter: Additive type, self-resetting, window on the far right of the top plate
Viewfinder: Fixed eyelevel pentaprism type, meter needle and scale, manuel setting's indication M red led and flash ready signals on the left side of the finder
Exposure control system: Aperture-priority automatic exposure with manual override and backup mechanical control; through-the-lens full aperture center-weighted metering
Audible warning: works in Auto mode, when speed dial set on green sound icon, "beep-beep" warning sound activated as soon as shutter release button is depressed halfway when shutter speed is below approx. 1/30 sec. or above 1/1000 sec.
If speed dial is on green A (Auto), warning signal does not work
Metering range: EV 1 to EV 18 at ASA/ISO 100 with f/1.4 lens
Film speed range: ASA/ISO 25 to 3200
setting: dial and ring on the bottom of the re-wind knob, lift and turn
Exposure setting: needle and speed dial in the viewfinder, if necessary turn speed dial or aperture ring to the disared speed, black numbers=hand shot, red=flash shot,
Exposure compensation button: for approx. +2 EV compensation, simply keep pressed when taking picture, on the left of the front cover
Re-wind lever: folding crank type, on the left of the top plate
Re-wind release: by a small knob, on the bottom plate
Flash PC socket: none
Hot-shoe
Flash synchronization: Speeds of 1/90 sec. or slower with electronic flash; with Nikon dedicated flash unit, flash sync automatically set to 1/90 sec. when camera is set at either automatic exposure mode or when shutter speed/mode selector dial is set at 1/125 or higher in manual mode; at slower speeds on manual, shutter fires at speed set
Flash ready-light: Viewfinder thunderbolt mark lights up when Nikon dedicated flash unit is completely recycled
Dedicated flash unit is Nikon SB-19
Memo holder: on the back cover, serial no.is in this holder
Self-timer: Approx. 10-sec. shutter release delay; cancellable after setting, push and turn lever on the right front side of the camera
Back cover: Hinged, opens by lifting re-wind lever
Engraving on the bottom plate : Made In Japan
Tripod socket: 1/4''
Strap lugs
Motor drive couplings on the bottom plate
Meter ON/OFF switch: Exposure meter is turned on when shutter release button is depressed halfway; stays on for approx. 20 sec. after finger is removed from button, then automatically turns off
Battery check: When pressing half way to shutter release, the meter needle in the viewfinder must be above the index scale's bottom red zone, if the battery is insufficient the needle stays in the bottom red zone.
Battery chamber: on the bottom plate
Batteries: One 3V lithium battery or 1.55V silver-oxide batteries (SR44) or two 1.5V alkaline-manganese batteries (LR-44)
Body: metal, Weight: 440g (body only)
serial no.3026452
+Nikon ever eady case, Nikon strap, Nikon L37c UV filter
LENS
Nikon Zoom-Nikkor 35-70mm f/3.5-f/4.8
Mount: Nikon bayonet, filter thread: 52mm , serial no.6088753 (a late Ai-S lens)
Lens coupling: AI
Lens made by Cosina for Nikon FM10
Aperture: f/3.5-f/22, setting: ring and dial on the lens, w/DOF scale
Focus range: 0.5-5m +inf w/ macro facility
Engravings on the lens barrel: Made In Japan (black), and serial no.
Lens info is as to Rolands Nikon Pages
The Nikon FG-20 was released in 1984 by Nippon Kogaku K. K. (now the Nikon Corporation) as the successor to the earlier EM and FG cameras. It is actually a downgrade from its most direct predecessor, the FG, lacking the FG's program auto exposure mode. It uses the same vertical-travel metal focal-plane shutter as the FG, with electronically timed speeds from 1 to 1/1000 second as well as bulb and a mechanically-timed 1/90th second speed. The FG-20 could be considered a variant of the FG, as the only differences between the two is the omission of program mode and TTL (through the lens) flash metering from the FG.
more info: Nikon FG-20
Cookies decorated with hand made rice paper rosettes and fondant buttons see tutorial on how to make them here bubbleandsweet.blogspot.com/2011/03/cookies-make-me-happy...
64 - Pause Button Song (6:32)
Maidstone October 1986
People: Paul Fallon, Martha, Colin Smith, Paul, Nick Shaddick, Reuben Pinkney, Nick Scullard, Mark Smith, Mark Enright, Mark Orphan, Samantha Sutton, Lorraine Farrow, Neil McLeod, Timothy Davies-Pugh, Ian Elliot, Peter Jones, Adam Cole, Nicola Percy, James Gosling, Otto Smart, Chris Rowland, Carl Foster, Kevin Grey, Keith, Andy, Rebecca, Nicola Medlik, Jaqueline Mouncey, Charlie Adlard, Alice Smith, Nick Collins, Gill Ewington, Rachel Chiddley, Jane Hanley, Nigel Lindley, Martin de Sey, Paul Mercer, Colin Smith, Sue Haseltine, Andy Weatherall, Garreth Roberts, Vincent Hawkins.
Well intentioned exercise at creating something from a media deconstruction, a song of sorts with all music created from the same basic edits of instruments, with a narrative spliced together from words spoken by a great number of other students, the narrative being a description of the process by which the video was made. This was a nice idea, if a little over-ambitious given the technology of the time. Frustratingly I have since seen someone else do exactly this, although they cheated so far as I'm concerned through using a much wider range of sampled instruments.