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Manufactured by Nippon Kogaku K. K., Tokyo, Japan, (Nikon Corporation since 1988)
Model: 1984 (produced between 1984-1986)
35mm film SLR camera
Lenses: More than 70 Nikkor and Nikon Series E lenses available
Lens release: by button on the left of the lens flange
Focusing: Matte/Fresnel focusing screen with central split-image rangefinder spot and microprism collar (Nikon Type K clear-matte screen), ring and dial on the lens
Shutter: Electronically-controlled vertical-travel, metal focal plane shutter
speeds: automatic exposure mode Stepless speeds 1-1/1000
manual mode discrete speeds 1-1/1000
mechanically controlled 1/90 sec. at M90 setting and B setting
setting : by mode selector and speed dial, ring and dial on the bottom of the winding lever, locks on auto mode, unlocks by a small rectangular knob beside the dial
Shutter release: on the winding lever, w/ cable release socket
Cocking lever: also winds the film, short stroke with 144° winding angle, retractable
Automatic film advance: Possible with optional Motor Drive MD-14 or MD-E auto winder
Frame counter: Additive type, self-resetting, window on the far right of the top plate
Viewfinder: Fixed eyelevel pentaprism type, meter needle and scale, manuel setting's indication M red led and flash ready signals on the left side of the finder
Exposure control system: Aperture-priority automatic exposure with manual override and backup mechanical control; through-the-lens full aperture center-weighted metering
Audible warning: works in Auto mode, when speed dial set on green sound icon, "beep-beep" warning sound activated as soon as shutter release button is depressed halfway when shutter speed is below approx. 1/30 sec. or above 1/1000 sec.
If speed dial is on green A (Auto), warning signal does not work
Metering range: EV 1 to EV 18 at ASA/ISO 100 with f/1.4 lens
Film speed range: ASA/ISO 25 to 3200
setting: dial and ring on the bottom of the re-wind knob, lift and turn
Exposure setting: needle and speed dial in the viewfinder, if necessary turn speed dial or aperture ring to the disared speed, black numbers=hand shot, red=flash shot,
Exposure compensation button: for approx. +2 EV compensation, simply keep pressed when taking picture, on the left of the front cover
Re-wind lever: folding crank type, on the left of the top plate
Re-wind release: by a small knob, on the bottom plate
Flash PC socket: none
Hot-shoe
Flash synchronization: Speeds of 1/90 sec. or slower with electronic flash; with Nikon dedicated flash unit, flash sync automatically set to 1/90 sec. when camera is set at either automatic exposure mode or when shutter speed/mode selector dial is set at 1/125 or higher in manual mode; at slower speeds on manual, shutter fires at speed set
Flash ready-light: Viewfinder thunderbolt mark lights up when Nikon dedicated flash unit is completely recycled
Dedicated flash unit is Nikon SB-19
Memo holder: on the back cover, serial no.is in this holder
Self-timer: Approx. 10-sec. shutter release delay; cancellable after setting, push and turn lever on the right front side of the camera
Back cover: Hinged, opens by lifting re-wind lever
Engraving on the bottom plate : Made In Japan
Tripod socket: 1/4''
Strap lugs
Motor drive couplings on the bottom plate
Meter ON/OFF switch: Exposure meter is turned on when shutter release button is depressed halfway; stays on for approx. 20 sec. after finger is removed from button, then automatically turns off
Battery check: When pressing half way to shutter release, the meter needle in the viewfinder must be above the index scale's bottom red zone, if the battery is insufficient the needle stays in the bottom red zone.
Battery chamber: on the bottom plate
Batteries: One 3V lithium battery or 1.55V silver-oxide batteries (SR44) or two 1.5V alkaline-manganese batteries (LR-44)
Body: metal, Weight: 440g (body only)
serial no.3026452
+Nikon ever eady case, Nikon strap, Nikon L37c UV filter
LENS
Nikon Zoom-Nikkor 35-70mm f/3.5-f/4.8
Mount: Nikon bayonet, filter thread: 52mm , serial no.6088753 (a late Ai-S lens)
Lens coupling: AI
Lens made by Cosina for Nikon FM10
Aperture: f/3.5-f/22, setting: ring and dial on the lens, w/DOF scale
Focus range: 0.5-5m +inf w/ macro facility
Engravings on the lens barrel: Made In Japan (black), and serial no.
Lens info is as to Rolands Nikon Pages
The Nikon FG-20 was released in 1984 by Nippon Kogaku K. K. (now the Nikon Corporation) as the successor to the earlier EM and FG cameras. It is actually a downgrade from its most direct predecessor, the FG, lacking the FG's program auto exposure mode. It uses the same vertical-travel metal focal-plane shutter as the FG, with electronically timed speeds from 1 to 1/1000 second as well as bulb and a mechanically-timed 1/90th second speed. The FG-20 could be considered a variant of the FG, as the only differences between the two is the omission of program mode and TTL (through the lens) flash metering from the FG.
more info: Nikon FG-20
my little girl is going to be two in a few weeks.
i cannot believe it!!
AND
she is going to be a big sister :) I am expecting our second little baby in march :)
At last a new mask! I have been working on several designs, but this one I happened to finished first.
This mask is quite different to the others I have in progress - it has a lot of buttons on it. I am not quite sure how much I like it, so any feedback would be interesting.
Button fly closure . Five pockets . Metal logo with chain on back pocket . Intentionally distressed, washed denim that may vary slightly . Rise 20cm. Hem 15.5cm . Cool girl fit . Made in Italy . Sample size 40
Civi War era buckle and button exposed on the surface of a freshly dug pile of dirt at a construction site in Oxon Hill, Maryland and found by me in the mid 1970s. At the time I was not looking for artifacts, but instead was looking for any interesting geology that might have been exposed in the excavations. During the Civil War the nation's capital was surrounded by various army camps and forts and this location must have been one of them. I have often wondered what else I might have found if I had had a metal detector with me at the time.
Saturday 04/23/2011
SB-800 w/diffuser cap bounced off white foam board camera right
D3+105mm f/2.8 VR
The Button Farm is Maryland's only living history center depicting 19th century plantation life and the heroic story of the Underground Railroad through unique living history experiences.
The Menare Foundation will restore and maintain the historic buildings and preserve the cultural landscape as a resource for education, preservation and heritage.
Photo by Stephen Badger, DNR Staff
My first attempt at thread crochet and it was somewhat of a challenge with my shakey shakey hands. But yay happy pretty button!
button box, outside of lorem ipsum bookstore on hampshire st in cambridge ma. if you open the box you'll find two big red buttons. push one. see what happens.
64 - Pause Button Song (6:32)
Maidstone October 1986
People: Paul Fallon, Martha, Colin Smith, Paul, Nick Shaddick, Reuben Pinkney, Nick Scullard, Mark Smith, Mark Enright, Mark Orphan, Samantha Sutton, Lorraine Farrow, Neil McLeod, Timothy Davies-Pugh, Ian Elliot, Peter Jones, Adam Cole, Nicola Percy, James Gosling, Otto Smart, Chris Rowland, Carl Foster, Kevin Grey, Keith, Andy, Rebecca, Nicola Medlik, Jaqueline Mouncey, Charlie Adlard, Alice Smith, Nick Collins, Gill Ewington, Rachel Chiddley, Jane Hanley, Nigel Lindley, Martin de Sey, Paul Mercer, Colin Smith, Sue Haseltine, Andy Weatherall, Garreth Roberts, Vincent Hawkins.
Well intentioned exercise at creating something from a media deconstruction, a song of sorts with all music created from the same basic edits of instruments, with a narrative spliced together from words spoken by a great number of other students, the narrative being a description of the process by which the video was made. This was a nice idea, if a little over-ambitious given the technology of the time. Frustratingly I have since seen someone else do exactly this, although they cheated so far as I'm concerned through using a much wider range of sampled instruments.
This one's not so big and it's only for one "cage" worth of servers, which is still a lot of machines.
Robert Scoble wrote about the "big red button right by the door in every data center" he's ever been to. If somebody pushes this little red button, several dozen machines are immediately taken offline.
Levi Strauss & Co • SF • CAL
Happy Weekend and Happy Shopping :)
(Shot of an ad from Levis but in a diffrent angle, again from mobile cam)
Hand-stitched each button on to keep my hands busy one night. That's right, no glue-gunning! Glue guns are for cheaters.
This fit is closer to the Silkstone. Not as much overlap, but still plenty for snaps and zippers. A very versitile pattern. Now I just need to make one for each doll.
Pattern at: www.marcelojacob.com/
Flickr acct:
More photos available in the new flickr group 'Button Fetish' . Join and contribute to this potentially exciting new group ;-)
* Button wreath, made by glueing buttons to a styropor wreath (5.9 inch) that was first covered with felt.
* Knopenkrans, gemaakt door knopen te lijmen op een met vilt beklede piepschuim krans (15 cm).
Heute hat Johanna das Kleid, was meine Frau für sie hat schneidern lassen, geschenkt bekommen. Sie sah, wie ich schon vermutet hatte, alles andere als begeistert aus - besonders schluckte sie, als ihr Blick auf den Kragen fiel: sehr hoch, den kompletten Hals eng umschließend, äußerst steif und mit einer Besonderheit, die sich meine Frau, sehr zur Freude meiner Schwägerin, hat einfallen und von der Schneiderin umsetzen lassen: Damit Johanna auch gezwungen ist, diesen extrem unbequemen Kragen immer streng hochgeschlossen zu tragen, befindet sich am Kragensteg auf der Seite mit dem Knopfloch ein fest angenähtes Stoffband, das hinten unter dem Kragen herläuft und dort an mehreren Stellen mit verdeckten, zusätzlichen Knöpfen gehalten wird. Bei einem geöffneten Kragen würde das Stoffband lang heraushängen, was natürlich unmöglich aussehen würde. Sie war auch ziemlich verzweifelt, als sie im Kleid steckte und ihr klar wurde, als meine Frau ihr den komplizierten Verschluss komplett zugeknöpft hatte, sie keine Chance hat, auch nur ansatzweise ihren Kragen zu öffnen. Hannah stöhnte hörbar, dass sie ihren Kopf, wegen der Höhe, Enge und Steifheit des Kragens, kaum noch bewegen kann. Aber es nutzt ihr nichts : Meine Schwägerin war derart begeistert, dass Johanna dieses Kleid nun sehr oft wird anziehen müssen.
Map Number 2017-226
Updated to reflect new election precinct boundaries (2017)
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