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box on calculator. Please feel free to use this image that I've created on your website or blog. If you do, I'd greatly appreciate a link back to my blog as the source: CreditDebitPro.com
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Mike Lawrence
Loading box lunches before departure, Detroit Light Guard Armory, July 13, 1960, a.m.
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July 13, 1960, by Paul Magley
After arising about 5:30 AM, on Wednesday, sleeping bags and air-mattresses were quickly packed, Beginning at 6:30 AM, a breakfast of sausages, eggs, buns, potatoes, cupcakes, and milk was served.
At 7~30 AM, the last scout left the basement dining room as buses were loaded with gear and box lunches.
The contingent leaders called for the police escort and decided to alter the departure time to one slightly ahead of schedule.
After leaving the grounds of the Light Guard Armory, where we had remained overnight, our group proceeded along 8 mile road. Along the departure route we noticed the Detroit Artillery Armory and a large fiberglass factory at approximately
8: 15 AM.
A light rain in the morning had been sandwiched between a downpour during the night and heavy rainfall in the early afternoon, which cleared by 2:00 PM.
We went south on route 24. which for some distance is known as Telegraph Road, and passed over the small Rouge River three times.
The buses entered Dearborn, Michigan, at 8:50 AM, = by 10:00 AM, northwestern Ohio - at 10:10 AM began rolling on the Ohio Turnpike - 11:40 AM, passed double toll gates and entered Indiana on the Indiana Toll Road.
At 12~00 noon our bus met and passed a troop of scouts from Troy, New York, who were also going to the Jamboree.
When we stopped from 1:07 to 2:00 PM, at a service area in northwestern Indiana for a box lunch outside a restaurant called the Glass House (also a Cities Service Station) Mr, Kohnken, ASM" met Dave Mayer of Watervliet, New York, a leader of a
Troy, New York Jamboree bound troop. They had met at philmont Scout Ranch in 1959.
We also learned that this contingent from Troy prepared their own food enroute instead of having their meals catered along the way.
Somewhat later we were obliged to halt for a short while because one of the buses had minor engine difficulties, However, it was quickly fixed by our driver-mechanic.
At 3:45 PM, we observed a mass of transmission lines and electrical transformers that enveloped us for several minutes.
Illinois was then entered at 3:50, Lake Michigan was on our right side and, at 4:00 the Calumet Skyway Toll Bridge brought us into Chicago's variation of a traffic congestion problem.
We arrived at the Navy pier at 5:00 PM, Between 5:45 and 6:30 PM, we enjoyed an excellent dinner at one of Harvey's Restaurants in Union Railway Station.
After by-passing the rush hour, travellers waiting for trains, we filed by troops up to the mezzanine for an excellent dinner of fried chicken, peas, potatoes, rolls and butter, apple pie, and milk.
When Casey returned to the bus he was given a double round of cheering, A sign reading "Cannonball Casey at the Wheel" was attached to the front of the bus by the troop scribe.
On our sightseeing trip away from Union Station, we observed the outward evidence of a subway system, empty lots of junk" a fire department academy under construction, slums, railroad tracks and cars beyond count, piles of graphite, ship canals, the home of the Spiegel catalogue, Comiskey Park of the White Sox, long railroad underpasses, an annex of the University of Chicago, Chinatown, combined police and fire department buildings, and the Chicago Coliseum, (where the Republican Party will hold its 1960 convention) passed in an array of rapidly appearing attractions.
We saw the art institute, Grant Park" five story high layered parking lots, orchestral music hall, public library, Prudential Insurance Company Building, and the exquisitely modern Chicago Sun Times Building.
By the time the street lights were turned on we became slightly confused as to where we were. However, we continued on and saw the "highest church in the world" located in a tall office building.
Suddenly finding ourselves along the shores of Lake Michigan, we witnessed the fury of one of the Great Lakes. Unusually low
temperature and tall white breakers drove everyone off the beaches. Angry waves lashed against retaining walls causing spray to shoot several feet skyward.
From there we went on through Lincoln Park" past the Central Park Lake and the Chicago Zoo. The famous monument of Lincoln is also found in the aptly named "windy" city.
The Chicago Federal Court of Appeals had a perfect view of the gale swept shore line. Steve Horlitz and others almost lost their neckerchiefs as they hung from the open windows.
We returned to the Navy Pier at 9:00 PM, took a shower and retired at 10:15 PM.
During the night a frost was deposited on the grass outside.
Note: We didn't have to set our watches back one hour for Central Daylight Savings Time zone near Elkhart, Indiana» since we already had set our watches back for standard time in Detroit.
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University of Glasgow Library
Wedding dress and veil in original box. 1919
From H Binns, Son & Co, in the House of Fraser Archive. To view the catalogue for this item go to: www.housefraserarchive.ac.uk/series/?id=fras-407&q=we...
modello: Decorative box di Lewis Simon
Diagrammi dal Libro: Modular Origami Polyhedra by Simon, Arnstein and Gurkewitz
Piegato da: Adami Daniele
One of the tool boxes I keep for work in the back of my van. It holds most of my basic hand tools I need for work. I got the tool box from an estate of a cabinet maker and it fits my needs better than any other that I have had. I also carry a canvas tool bag which I use to carry tools and small supplies to where I need them on the job site.
This Treasure Box was made from hot colored fused glass cabochons, Venetian tile, recycled glass mini tiles, and ball chain on cigar box.
This camera is a gift from my friend Tümer Ekşioğlu
Manufactured by Agfa Camera-Werk AG, Munich, Germany
Model c.1937, (B-2 = Box 94), (produced between 1937-38)
The Box No. 94 from Agfa is also called Box B2 because the maker recommended to load it with Agfa B2 film
Box Medium format film camera,
Film 120 roll (known as B2 at that times), picture size 6x9, takes 8 frames
Lens: Single element meniscus type, locates behind the shutter leaf
Aperture: f/11
Fix-focus
Shutter: simple spring , w/ metallic sliding aperture disc, about 1/60, +B, installed on the front cover of the camera and therefore is located in front of the lens,
Setting lever for snap-shot and B: on the right-upper side of the camera
Shutter cocking and release lever: lover-right side of the camera, slide down for the exposure, then slide up for the cocking
Winding handle: on the right side of the camera
Viewfinders: two ground glass screens, on the top and right sides of the camera, for portrait and landscape views,
There are two viewer lenses on front of the camera, images reflect via polished steel reflectors behind the viewer lenses
Backcover: Hinged, opens by a latch on the top-back of the camera, w/ a red window
Film loading: via a removable magazine ( the lens on it !..), open the back cover, then pull out the winding handle and then pull out the inner part of the camera, then insert the film roll to the lower plate, and place it to the upper take up spool, then insert the film magazine into the camera and pull in the winding handle, then close the back cover,
wind the film untill the number 1 visible in the red window
Body: metal, covered with leatherette
Stampings on the front of the camera: Agfa-Box, B-2, and the logo of Agfa
A sticker inside of the back cover for ad of Agfa Film B-2, Isopan Film and Isodrom Film.
Hand-strap buttons: on top of the camera
surprise: the camera is working very well
The noticeable feature on this camera is the nicely art-deco front face.
Box cameras on the market in the 1930s were rugged, inexpensive, and easy to use.
Some had built-in accessories, others had attachments, but consumers liked them all.
Box cameras got their name from their rigid boxy shape, most often rectangular but sometimes a cube. They often had fixed focus, fixed lens opening and limited speeds. They gave the beginner an opportunity to learn the basics of photography such as composition and subject choice, without too much emphasis on complicated technical details.
The most common problem with these Agfa box cameras was difficulty in loading the film. It was hard to keep light from hitting the film and causing fogginess on the edges of the finished print. In spite of this drawback, box cameras were surprisingly easy to use for outdoor and indoor portraits, action shots, landscapes, and silhouettes.
The box open showing some of the items you can put in the box when it is finished.
It has everything you need to paint pictures up to any size when you add your own items.
You can paint 16" x 20" by using a watercolor light weight board.
Message Box graphic available for download at dryicons.com/free-graphics/preview/message-box/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
Three little wooden boxes and that little bit of pink I believe is a friendship loom band - which appears to be all the craze. You makes the little bracelets and give them to your friends. Lewis was given this one from his cousin, Skye ~ she's a girl hence the pink!!
Our Daily Challenge ~ BOXES ....
Thanks, in advance, to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... thanks to you all.
Story: Fernando leaves his home in the country, enjoying the winding mountain-y roads, for a work day in the mad, mad city.
Read more about me at www.lovelihood.com
Andy Todd
Ramsbottom Station signal box 7 signal (Down Home) protects Bridge Street level crossing with the signal box and 10 signal (Up Home) visible beyond. Saturday 18th February 1984
Ramsbottom Station signal box is a London Midland and Scottish Railway Type 11c design which opened in 1938 fitted with a 40 lever Railway Executive Committee frame, replacing Ramsbottom South, Ramsbottom Station and Ramsbottom North Sidings signal boxes. The box was reduced to a non block post controlling the adjacent level crossing only on 4th June 1972 and it closed on 5th December 1980 along with the Castleton to Rawtenstall single line. Eventually ownership passed to the East Lancashire Railway who reopened it on 17th November 1990
The box carries a British Railways London Midland Region maroon enamel nameplate, and 7 signal is carried on a London Midland and Scottish Railway designed all-welded stem right-hand bracket
Many thanks to Ingy the Wingy
My brother gave me this box of treats when he came back from Japan. It was so elegantly presented, I had to take pictures while I ruined its perfection.
Little boxes on the hillside,
Little boxes made of ticky tacky,
Little boxes on the hillside,
Little boxes all the same.
Malvina Reynolds.
Olympus RC35
Fomapan 100
Orange filter
Rodinal RO9 20oC
stand 60mins.
fluxusbox.artisopensource.net/
Fluxus boxes were intended as non linear narratives to be handled, touched, performed, disseminated, destroyed, reassembled, counted and reconfigured.
Just as cinema montage and music had learned, the orchestration of symbols, visions and other sensorial components was able to create novel scenarios. Interactivity and tangibility created a state of continuous recombination, multiplying interpretation and cognitively activating people, who became part of the artwork while handling, imagining and communicating. The connection with the ordinary flow of life created new dimensions in the world: stratified, recombinant and engaging.
In occasion of the 50 years of FLUXUS we have decided to research on this wonderful form of expression, both for the innovation it has provided in the arts and for its connection with many of the mutation processes that are going on with contemporary humanity and their ability to experience media, communicate and interact.
At the event Mercoledì da NABA series of events, on December 15th 2010, we will hold a workshop/performance in which we will build a Fluxus Box using Augmented Reality and other cross-medial techniques and technologies.
The ojective will be to research on the Fluxus Box approach, and to appy it at a “meta” level. The objects contained in the box will be tools through which the experience of multiple Fluxus Boxes will be holdable, remixable, juxtaposable, recombinable, enacting a meta-performance encompassing possibly infinite remixed reenactments of Fluxus performances, experiences and events.
The box we will produced will be donated to the NABA, and the custom software that will be created for the occasion will be released under a GPL2 licensing scheme, so that it will be usable by artists, students and practitioners worldwide, in a further level of the performance.
more info at:
Ejercicio; modos de enfoque II
Parte 2 / 2
Movimientos del deporte "boxeo" sin guantes, enfoque a la primera persona dando el golpe.
This is a box that I made for my wife for Christmas. Although she is a westerner, she speaks Vietnamese, and her viet name is Yến, which means Swallow. For this reason, I put a small inlay of a barn swallow in the bottom left corner of the top of the box.
This was my first attempt at using an inlay. I cut the shape from a mother of pearl blank, and then used a mini-router (dremel) to cut the pocket for the inlay.
The box measures roughly 10"x16"x6". The sides are rosewood (Dalbergia nigra), the top is American Black Walnut (Juglans nigra) with a maple (Acer rubrum) and Bloodwood (Brosimum rubescens ) frame. The bottom of the box (although you can't see it) is cedar (Thuja plicata).
The hinges on the back are brass, and are pocketed in small mortises.
I finished the box with about 10 coats of wipe on poly that was then sanded to p2500 grit, and then buffed to a piano-like shine. I will add a wax later this week.
The photos don't do the irridescent top justice. The chatoyancy of the figured black walnut and the bloodwood is outstanding.
I still have some work to do with the inside, and there are a few small mistakes, but overall I am pleased with this box.
The majestic Victorian signal box at Shrewsbury Shropshire (UK)
Lovely shot of a fantastic structure from David's archives and posted here with kind permission.