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Just down the road from my house, one can find this unusual pillar box. Indeed this example explains why it is that pillar boxes are called pillar boxes, because this one clearly thinks that it really is a pillar, with its fluted, gently sloping sides. Other features, unique in my limited experience of these objects, are the vertical rather than horizontal letter slot, and the door for emptying it sited on the opposite side from he slot. In fact the door opens into the road, which must make the postman's job an adrenaline-filled one.
Caixa porta papel de carta feita para armazenar e projeger as delicadas folhas de color plus.
Dados
Natural Plus 150g/m² (exterior) e Color Plus Nice 120g/m² (interior) 11x15,5x1,5cm
Manchmal sieht man die alltäglichen Dinge in einem ganz anderen Licht: Die hier leere blaue Box wird normalerweise zur Aufbewahrung des Hunde-Spielzeugs genutzt, dieses Spielzeug ist aktuell in der ganzen Wohnung verteilt. Nur der blaue Vollgummi-Ball blieb in der Box zurück. Im morgendlichen Licht leuchtet die leere Box ganz anders als sonst.
Sometimes you see the everyday things in a completely different light: The here empty blue box is usually used to store the dog toys, these toys are currently distributed throughout the apartment. Only the blue solid gum ball remained in the box. In the morning light, the empty box lights up very differently than usual.
© all rights reserved / Lutz Koch 2017
For personal display only !
All other uses, including copying or reproduction of this photograph or its image, in whole or in part, or storage of the image in any medium are expressly forbidden.
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This box is decorated with a tessellation molecule representing the letter Z. Though it may not be obvious from its looks, this design is closely related to the Woven Triangles family. It uses an 8×8 grid for the molecule (12×12 for the whole box). Folding it from the grid
is relatively challenging due to a closed sink used for creating the diagonal stroke. Folding cleanly from a precrease without the grid comes with its own challenges, as usual. On the back of the molecule, an interesting pattern of two triangles emerges.
Full description at origami.kosmulski.org/models/z-box
Sketching with my transformed watercolor box. All the process in: artepacja.blogspot.com.es/2016/01/travel-watercolor-box-f...
These two vintage cameras have recently joined my rapidly expanding collection. The one on the left (a Kodak Six-20 'Brownie' E) was made between 1947 and 1953. The one on the right (an Ensign ‘All-distance Twenty’) was made between 1922 and 1932. It's incredible to think it might be nearly 100 years old and yet it's survived in near mint condition. I'm not sure it was ever used.
DIN A4 collapsible, corrugated-cardboard boxes, these are tough, resilient, sustainable! and colour coded in black and white! - so you can tell bottoms from tops. – racist little fukkers.
fuji x-pro2 with kipon helicoil adapter and leica summarit 35mm f2.5,
At Botanical Café, Kings Park, Perth, Western Australia
Australian Raven, largest raven in the world
Another image for my current project photographing people inside a box and then outside. This is Pixie.
Little boxes on the hillside,
Little boxes made of ticky tacky,
Little boxes on the hillside,
Little boxes all the same.
There's a green one and a pink one
And a blue one and a yellow one,
And they're all made out of ticky tacky
And they all look just the same.
68020 sweeps through Dalwhinnie working the return Inverness intermodal, the only working that eluded me in the sunshine last week, not that I am complaining!
Leica M3 DS, 50mm Summarit 1.5, 90mm Elmar 4, 135mm Hecktor 4.5 and various accessories all snug as a bug, in a fantastic leather case...
A 3 shot HDR showing the real santa...another victim of the shrinking middle class.
Photographed in Grants Pass, Oregon.
Giving Darktable Photo Editing Program another go. Considering it is an open source program thus no payment required it works well. Lacking the Ai features that Adobe has though.
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The 2022 Soap Box Derby in Columbia, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon RF24-70mm F2.8 L IS USM lens at ƒ/13.0 with a 1/50-second exposure at ISO 50. Processed with Adobe Lightroom CC.
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©Notley Hawkins. All rights reserved.
I developed some very expired 110 and 126 film for someone, and helped with a 35mm point-and-shoot, getting a new battery installed and donating and loading a fresh roll of film. I offered to develop and scan the film once she was done also. These were also brought in.
This box had one 110, one 127, and three 126's cameras; unfortunately, I told her shooting these would be difficult, since film for these would be hard to get and develop, so best to use 35mm. For the most part, I think these can go to someone who wants decorative pieces or props.
Diramic Micro RSD
Industar 50-2
Flic Film Ultrapan 400 (Foma 400?)
Blazinal/Rodinal 1:25, 5.5 minutes, 20°C/68°F
Pakon F135
I think I needed a bit more time and agitation on this roll, and to be honest, I used Foma 400 developing time, because I think this Flic Film Ultrapan 400 is re-spooled Foma.
I'd had an Amazon delivery and the box was on the floor by my feet. Max decided to investigate, so I picked up the camera.
First he took out the packing paper, pushed the box upright, went round and round - head first, bottom first, tail in, tail out, until at last he sat up tall and proud!
"I did it!!" lol
One of Scotland's more modern but also short lived signal boxes, Hunterston Junction.
The signal box was built in 1978 to a standard Scottish Region Relay Room design with signalman's area combined. It opened with the commissioning of the short branch off the Largs line into the British Steel High Level Loading Terminal. The new facility built by British Steel allowed iron ore and coal to be rapid loaded to trains direct from conveyors at the Hunterston deep water port replacing what had previously been done at General Terminus Docks on the Clyde in Glasgow. The box opened on 2/4/1978 but initially only controlled movements within the High Level terminal complex and trains running on the 3 mile branch to and from Hunterston Low Level in conjunction with Hunterston BSC Control Tower in the port. It wasn't until 20/7/1986 that it was fully commissioned as a block post on the Largs passenger line when track rationalisation ahead of the electrification of the line resulted in adjacent boxes closing at Fairlie and Holm Junction. Hunterston Junction box ceased to function as signal box when Paisley PSB took over the route on 28//8/1992 when it was down graded to a Ground Frame. So a relatively short life of six years as a fully fledged signal box. It remained in situ controlling access to the High Level Sidings only, being manned by BR yard staff then EWS after privatisation but not in a signalling capacity. With the cessation of coal traffic in 2015 it saw a further downgrade to an unmanned relay room as the branch to the high level was mothballed.
by Clayton Blake (Qld)
An abstract interpretation of the iconic Bathing Boxes that adorned many of the seaside townships along Australia's coast line. Clayton Blake's use of concrete, abstract forms and geometric shapes is a celebration of the 1950's post war brutalist Architectural Movement.
SWELL Sculpture Festival
Part of an exhibit by artist Michael Walsh at the Bermuda National Gallery that reminded me of a hit by Pete Seeger. The words and music of "Little Boxes" were written by Malvina Reynolds in 1962, and it served as a protest song.
"Little boxes on the hillside,
Little boxes made of ticky tacky,
Little boxes on the hillside,
Little boxes all the same.
There's a green one and a pink one
And a blue one and a yellow one,
And they're all made out of ticky tacky
And they all look just the same." etc.