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Produced by Artypeeps for Eaves Housing. The design was done by text designer, Nicky Barneby, layout by Dennis Rudd, production management and translation commissions by Kristen Harrison.
Exam work for Typography Classes of the Moholy-Nagy University of Art and Design. The final task has been defined as a complete cover, front and body matter design of a fictional book series – entitled the self-explanatory ”Világirodalmi könyvsorozat” (World Literature Book Series) – of novels from the literature history of the world.
Book cover design for E. T. A. Hoffmann's ”Der goldene Topf” (The Golden Pot, ”Az arany virágcserép” in Hungarian)
Current state of the book I'm working on for class.
*Note this is a spread so mentally fold this half.
I am a graphic designer with a detailed focus and over 3 years of experience in the graphic design industry. I have great experience in professional Book cover, book cover design, business book cover, real estate book cover, corporate book cover, creative book cover, professional book cover, party book cover, cover, cover design, corporate book cover page and any other graphic design.
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Are you are looking for a Booklet Design, Catalog Design, Brochure Design, Flyer, Fashion Magazine, Cover, Leaflet, Company Profile? Then Please visit this link order: www.fiverr.com/designmaster04
My all services:
1. Booklet Design
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4. One side flyer
5. Double side flyer
6. Company profile
7. Folded brochure
8. Bi-fold brochure
9. Tri-fold brochure
10. Z fold brochure
11. Gatefold brochure
12. Leaflets
13. Post Card
14. Catalog design
15. Sell sheet
16. Product catalog
17. Magazine Cover
18. Flyer Design
19. Brochure Design
20. Leaflet Design
21. Banner Design
22. Rack card Design
23. Poster Design
You are also welcomed to contact me anytime to discuss your needs. I believe in sincerity and hard work and I know I can help you with my skills and services. If you have any questions or confusion, please let me know and I will reply as soon as possible.
I designed this in my advanced type class
New Cal. is based on the typeface Scotch Roman; the grid is reinforced by Tartan patterns throughout and the sample text is taken from Shakespeare's Macbeth
How can research findings, personal experiences, and complex ideas be translated into a concise visual identity?
45 Symbols—Clay to Code examines how emerging artists and designers develop systematic approaches to a visual language, inspired by one of the most enigmatic objects in media history: the 3,700-year-old, still-undeciphered Phaistos Disc, embossed with 45 distinct symbols. The works present a range from personal narratives to global themes and demonstrate how an original visual grammar can be constructed.
Over more than a decade, the internationally hosted design seminar series The Phaistos Project—Forty-five Symbols have evolved into a global community—driven by open calls, workshops, exhibitions, and risograph publications. This volume, 45 Symbols—Clay to Code, brings together over 2,000 symbols as the result of this collaborative endeavor. It stands not only as a living archive of research inquiries but also as a testament to collective experimentation, bold visions, and the expression of intercultural dialogue.
The contributions are organized into five thematic fields:
I. Traces of everyday life, material culture, and the domestic archive
II. Planetary surfaces, landscape as archive, and the ecological memory of the Anthropocene
III. Politics of language, symbols of protest, and collective transformation
IV. Cultural scripts, spiritual codes, and visual identity
V. Speculative alphabets, linguistic flux, and future archives
This book aims to both inspire and provide hands-on methods for developing skills in visual storytelling, documentation, and reflection practice that foster authentic, systematic, and distinctive personal outcomes.
Publisher: Slanted Publishers
Editors & Design: Olivier Arcioli, Pascal Glissmann, Andreas Henrich
Release: January 2026
Format: 21 × 28 cm
Volume: 320 pages
Language: English
Printing: offset printing
Paper: Munken Print White, 115 g/sm
Workmanship: Softcover, Swiss brochure with flaps, thread stitching, black thread, foil lamination
Guinness World Records is one of the most famous brands and books in the world (and the world’s best-selling copyright book.) We created a cool, funky new look for the 2009 edition. The concept is urban/skateboard graffiti and we used bold colours to brighten up the pages. We managed to squeeze in even more photographs and designed a new Gazetteer section at the back which uses a travel diary design.
"That rare combination of creative, flexible, considerate and timely. They are a joy to work with, free from the preciousness that often comes with such artists. Their work has been the talk of the book trade..." Craig Glenday, Editor-in-Chief
Book design of AOI Images 34: Best of British Illustration 2010.
This year I took the principles of the previous and tried to create something brighter and stronger. I cut the letters for the cover out of paper and photographed them, then enhanced them to look slightly hyper real. Used a striking green that would have standout on the shelf and follow that through to inside the book as section markers.
Design & Artwork: Simon Sharville
illustrations: Various
© 2010 SImon Sharville / AOI / Various illustrators
View Simon Sharville's portfolio at
I was just sketching an idea in Photoshop for my boyfriend. I had no idea the publisher would actually *use* this on the book. Note that this is at approximately true resolution: it was never intended for print, and everything is pixellated, full of JPEG artifacts, and verrie nastie. Gaah!