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Book cover design by Paul Rand for Essays by Thomas Mann. New York: Vintage Books, 1957. PT2625 .A44 A232
From the 1962 book, Books! by Murray McCain and illustrated & designed by John Alcorn who once worked at Push Pin Studios in the late 1950s.
Blogged at letterology.blogspot.com/2011/08/books-and-more.html
This is a showcase portfolio of Gerard Tomko's Wedding Photography
VIEW THE BOOK: www.picturiapress.com/books/tomko.html
E. McKnight Kauffer book cover design Americans, 1942:18 Artists from 9 states.
Museum of Modern Art. New York: The Museum of Modern Art, 1942. N6512 .N415 1942
Symingtons are a long established company traditionally based in Market Harborough and were pioneers in the production of dried and dehydrated convience foods such as soups. This is a mid 1930s recipe booklet issued by them to sell their wares!
The title page from the 1964 "Alphabet", an international annual of letterforms, a magnificent production put together by the highly regarded ICI 'house' printers, the Birmingham based Kynoch Press. It was edited by R S Hutchings and published for them by James Moran and was the only volume of an intended series issued. The right page folds out to reveal the full alphabet.
Book cover design by Paul Rand for The American Democrat; or, Hints on the social and civic relations of the United States of America by James Fenimore Cooper. New York: Vintage Books, 1956. JK216 .C72 1956
Some of artist Edward McKnight Kauffer's finest illustrations appear in the 1929 edition of Arnold Bennett's "Elsie and the Child". Published in a limited edition by Cassell & Comapny, La Belle Sauvage, London, it was printed at the Curwen Press the illustrations are amongst some of the finest examples of commercial printing and used hand coloured stencils to produce the colour plates - also known as the pochoir method from the French. One of the plates also appears in the 1931 Curwen Miscellany.
This is research we are doing to determine the style & design of our upcoming book on business model innovation...
In the late 1930s the English City of Leicester's Publicity & Development Department, and the associated Municipal Information Office, produced a very fine set of publications that included an official guide, various leaflets and a series of handbooks such as this. They all exhibit a very modern and 'clean' approach to graphic design, layout and typography and still, nearly a century on, look very stylish. No designers are shown but I've often wondered if the City's noted School of Printing had a hand in their design.
This booklet, price 6d, discusses the various scenes and sights within the city as well as some of the surrounding countryside.
Book cover of The House of Assignation: a Novel by Alain Robbe-Grillet; translated from the French by A. M. Sheridan Smith. London, Calder & Boyars, 1970. PQ2635.O117 M313 1970
Jost Hochuli
Typografisches Allerlei – und allerlei anderes (mässig gepfeffert)
Typotron Heft 15
St. Gallen. 1997
150×240mm
Book cover design by Elaine Lustig for The New Architecture of Europe: an Illustrated Guidebook and Appraisal by G. E. Kidder Smith. Cleveland: World Pub. Co., 1961. Meridian Books. MG33. NA958 .S6
Book cover design and typography by Edward Gorey for Tales of the Grotesque and Arabesque
Edgar Allan Poe. Garden City, NY: Dolphin Books Doubleday. PS2612 .T3
Designed by Jim Stoddart
9780141194356
Buy this book www.penguin.co.uk/nf/Book/BookDisplay/0,,9780141194356,00...
Book cover design by Paul Rand for Great issues in American History: a Documentary Record by Richard Hofstadter. New York: Vintage Books, 1958. E173 .H75 1958 Volume 2.
This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.
It was a class assignment for CO
This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.
It was an assignment in a UCLA Design | Media Arts Class. The front portion of the book is comprised of all the text and images, clearly setup into a four row system, which aligns to the four flipbooks at the very back of the book.
This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.
It was an assignment in a UCLA Design | Media Arts Class. The front portion of the book is comprised of all the text and images, clearly setup into a four row system, which aligns to the four flipbooks at the very back of the book.
Tankakenkyu magazine February 2020
Book design: Suzuki Seiichi Design Office
Illustration: Mayako Nakamura
短歌研究社「短歌研究」2020年2月号 第77巻第2号
(2020/01//21)
アートディレクション＋デザイン：
鈴木成一デザイン室 (協力：生沼伸子)
イラストレーション：中村眞弥子
オフセット：近代美術
This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.
It was a class assignment for CO
This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.
It was an assignment in a UCLA Design | Media Arts Class. The front portion of the book is comprised of all the text and images, clearly setup into a four row system, which aligns to the four flipbooks at the very back of the book.
This is a book design and execution that I created for Susan Kozel's book Closer published by the MIT press.
It was an assignment in a UCLA Design | Media Arts Class. The front portion of the book is comprised of all the text and images, clearly setup into a four row system, which aligns to the four flipbooks at the very back of the book.
The pop-up design features four pop-up spreads in a concertina book with a hand printed maze on the backing card.
Fancy umlaut and unorthodox capital eszett both on the jacket and the cover of a German novel.
Hans-Jürgen Steinmann: Die größere Liebe. Halle (Saale): Mitteldeutscher Verlag, 1971. Dust jacket and cover: Günter Gnauck. Printing: Karl-Marx-Werk Pößneck [sic], GDR
The spine has a less expressive version of this maverick character (‘Leipziger Form’, more or less). The typographic title inside the book exhibits the conventional double S, of course.
Book cover design by George Giusti for The Restless Atom: the Awakening of Nuclear Physics by Alfred Romer. Garden City, N.Y., Anchor Books, 1960. QC773 .R6 1960
Book cover design by Ellen Raskin for Careful, He Might Hear You by Sumner Locke Elliott. New York:Harper & Row, 1963.
Exposing the Layers is the title of this art book that will be installed in all the art galleries that feature renowned San Francisco painter, James C. Leonard.
Reurbanización del espacio público de San Clemente en Santiago de Compostela
abalo alonso arquitectos
Fotografías: Héctor Santos-Díez
Deseño e edición: desescribir
Compostela. 2012
145 páxinas. 150 x 225 cm
ISBN: 978–84–616–0323–7
En Maio do 2011 o estudio de arquitectura abalo e alonso encoméndanos o deseño dun libro que recolla a obra de reurbanización do espazo público de San Clemente en Compostela.
Despois de escoitar, por parte dos autores, a explicación do contexto do encargo e a evolución do proxecto xunto coas modificacións e adaptacións que foron xurdindo durante a obra, decidimos que o libro, máis que presentar a obra como un resultado final, debería mostrar a evolución do proxecto dende o encargo ata a súa construcción.
Vendo unha obra de arquitectura, aínda para un profesional é moi difícil saber que vontade hai detrás de cada decisión, que reflexión. Facer partícipe ao lector da evolución dun proxecto, da cantidade de decisións a tomar e dos imprevistos que xurden na obra, semellaba un contido máis interesante e formativo: descubrir que pensamento hai detrás dunhas formas determinadas, dun resultado. Estamos convencidos de que é necesario compartir e comunicar os procesos para poder valorar, ampliando a capacidade crítica por parte da sociedade, o traballo dos profesionais.
A partir desta idea abordamos, en conxunto con abalo e alonso arquitectos, o traballo de edición do libro, dividindo os bloques de contidos en contexto, evolución do proxecto, proxecto e obra.
A súa vez, os bloques de contidos, estrutúranse por capítulos guiados por dúas voces: unha principal que presenta o capítulo de forma xeral (coa tipografía en corpo 12,5 puntos), e unha segunda voz (coa tipografía a 8 puntos) que vai comentando o proceso apoiándose nos debuxos de traballo, planimetría, esquemas, fotografías, etc.
Xa que o libro propón unha narración dun proceso, decidimos que o formato tiña que ser cómodo para unha lectura prolongada, así mesmo as características do papel. A publicación ten un tamaño de 150 x 225 mm, manexable cunha soa man. Con respecto ao papel decidimos imprimir sobre un offset de baixa brancura (Munken Pure) para non cansar os ollos e facer máis doada a lectura. Un só prego, o que corresponde ao proxecto, está impreso nun papel diferente, un estucado mate. A razón deste cambio de papel e da súa dimensión horizontal máis curta, é poder voltar ao proxecto en calquera momento; poder, durante a lectura, ir e vir dunha parte específica ao todo. Nesta mesma lóxica, o libro ten xunto a paxinación un sistema de “navegación” que lle indica ao lector onde pode ampliar a información que está lendo nese momento noutro lugar da publicación, establecendo outra dimensión de lectura máis alá da liñal.
Abalo e alonso insistían, na exposición do proxecto, na idea do espacio público como continuidade; entendían a cidade vella de Compostela como unha secuencia de prazas, cambios de nivel, fontes... Quixemos comunicar esta idea nas cubertas do libro expandíndoas. Coa colaboración do autor das fotografías do libro, Héctor Santos-Díez, construímos un percorrido dende as antigas murallas da cidade ata San Clemente para introducir ao lector no libro, e dende a propia praza ata a Alameda para saír del, para marcharse.
Gustábanos a idea de levar ao lector da man nun paseo por Compostela.
Book cover design by Ben Shahn for Hawthorne's Short Stories by Nathaniel Hawthorne. New York: Vintage Books, c1946. PS1853 .H3 c.2
カバーは全面市松模様のエンボス加工。
Book Cover Design & Book written : Maniackers Design (2010)
CD-ROM with. (Win & Mac)
Size : B5 Size Deformed. (166mm*166mm)
Page : 176 Pages
Client_MdN Corporation. + Maniackers Design
Art Direction, Design & written : Masayuki Sato
Pixel Illustration : Masayuki Sato + Mami Kobayashi
Book cover design by Roy Kuhlman for The Killer and Other Plays by Eugène Ionesco.
New York: Grove Press, 1960. PQ2617.O6 K5 1960
Antología. Rosalía de Castro.
Biblioteca General Salvat. Salvat editores e Alianza editorial.
Designer unknown.
1971
125 x 85 mm
Some Penguin English Library classics on proud display in a Penguin donkey.
The donkey was designed in 1939: the V&A have a little bit of history www.vam.ac.uk/content/articles/p/isokon-penguin-donkey-bo...