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Knots Untied or, Ways and By-Ways in the Hidden Life of American Detectives by George S. McWatters, 1871
www.royalbooks.com/pages/books/121570/george-s-mcwatters/...
An interesting one this as this bold and quite powerful cover presaged what were to be major changes in the identity of British Railways in the next two years. This 'principal' services timetable was issued in conjuntion with the regional timetables that had been a feature of BR since nationalisation in 1948. For 'national' coverage one went to Bradshaw's Guide, a feature of rail travel almost since it was invented in the 1830s. This 'main line' timetable was amongst the first to be issued in the new larger format although it still carries the heraldic symbol of the British Railways Board and uses Gill Sans. The new "British Rail" title and logo would come into use in 1964/5 and finally in the latter year the 24 hour clock became standard. Nevertheless this timetable has many of the hallmarks of things to come. One oddity is that the title page note it is published by the British Transport Commission - an organisation technically abolished on 1 January 1963, six months before this was produced. It was printed at the Baynard Press, Sanders Phillips, in London.
Book cover design by Ellen Raskin for Prolegomena to the History of Ancient Israel: with a Reprint of the Article Israel from the Encyclopaedia Britannica by Julius Wellhaussen. New York: Meridian Books, 1957. DS121 .W48 1957b
Book cover design by George Salter for Early Joys by Konstantin Fedin.
New York: Vintage Books 1960. PG3476.F4 A3 1960
The title page from the 1964 "Alphabet", an international annual of letterforms, a magnificent production put together by the highly regarded ICI 'house' printers, the Birmingham based Kynoch Press. It was edited by R S Hutchings and published for them by James Moran and was the only volume of an intended series issued. The right page folds out to reveal the full alphabet. The main titling is Bodoni I think.
Book cover design by Lawrence Ratzkin for Snow White: A Novel by Donald Barthelme. PS3552.A76 S55 1967
Book cover design by Paul Rand for The Future of an Illusion by Sigmund Freud. Garden City, N.Y. : Anchor Books, 1964, c1961. BL53 .F67 1964
Seen forming part of an article in “The Fleuron Number V” edited by Stanley Morison and published by the Cambridge University Press in 1924. The article is about the work of Karl Klingspor by Julius Rodenberg, Leipzig, and was translated by Anna Simons. This two page example is from the 1924 printing of Gerhard (Gottlob Eusebius Fischer) “Liebes ABC” from 1820, the edition designed by Hans Bohn and printed using Tiemann Antiqua.
Karl Klingspor (1868 - 1950) was one of the two brothers who took over their father’s typefoundry in Offenbach am Main and that was renamed Schriftgiesserei Gbr. Klingspor in 1906. He was a noted type designer and typographer who, commissioning other important designers, helped the concern become one of the most noteworthy amongst German typefounders.
Book cover design by Ellen Raskin for Genesis and Geology: a Study in the Relations of Scientific Thought, Natural Theology, and Social Opinion in Great Britain, 1790-1850 by Charles Coulston Gillispie. New York, Harper 1959. BS657 .G55 1959
Book cover design by Roy Kuhlman for The Nō Plays of Japan by Arthur Waley.
New York: Grove Press, 1957. PL887.W3 N6 1957
Jost Hochuli
Typografisches Allerlei – und allerlei anderes (mässig gepfeffert)
Typotron Heft 15
St. Gallen. 1997
150×240mm
Book cover design by Rudolph de Harak for A Dynamic Theory of Personality: Selected Papers by Kurt Lewin. New York: McGraw-Hill, 1959. BF698.L4 D9
-> of the direction of the spine in respectively norwegian, danish, english, american, german and italian bookdesign. All lie front up, which causes italian and german books to have their spine upside-down.
A fine title page to the 1948 Golden Cockerel Press edition of the Homeric hymn to Aphrodite, translated by F L Lucas and with plates by Mark Severin.
Tankakenkyu magazine February 2020
Book design: Suzuki Seiichi Design Office
Illustration: Mayako Nakamura
短歌研究社「短歌研究」2020年2月号 第77巻第2号
(2020/01//21)
アートディレクション＋デザイン：
鈴木成一デザイン室 (協力：生沼伸子)
イラストレーション：中村眞弥子
オフセット：近代美術
ICI produced some wonderful technical publications - and this is no exception - a bold pattern paper cover based on a ladle and furnace, with a neat titling. Oddly, given that ICI owned the very fine Kynoch Press, this is printed at Curwen Press in Plaistow.
Featured on
Just one among the thousands of books George Stuart has donated to the Rare Book collection at Wilson Library, University of North Carolina at Chapel Hill.
About the Stuart Collection at Chapel Hill:
www.lib.unc.edu/rbc/Mayaexhibit/index.html
About the Rare Book Collection at Chapel Hill:
About the Chilam Balam:
en.wikipedia.org/wiki/Chilam_Balam
About Antonio Mediz Bolio:
Earth and sky, woods and fields, lakes and rivers, the mountain and the sea, are excellent schoolmasters, and teach some of us more than we can ever learn from books.
- John Lubbock
Book cover design by Rudolph de Harak for The Meaning of Dreams by Calvin Springer Hall. New York: McGraw-Hill, 1966. BF1078 .H25 1966
Cover design and typography by Edward Gorey for Selections from the Writing of Kierkegaard Kierkegaard by by Søren Kierkegaard. Translated by Lee M. Hollander. Garden City, N.Y., Doubleday, 1960. B4372.E5 H6 1960
Stillness is a collection of ambient photobooks, a year long series of experiments with ethereality, materiality and time. Eleven editions were published by FoAM on or near the new moons of 2015/2016 and a limited number of prints from each cycle were made. The final iteration is a collated selection of photographs from the series, with an introduction by Timothy Morton and epilogue by Maja Kuzmanovic, published in an edition of 300 by MER. Paper Kunsthalle and FoAM.
The book is available at the MER. webshop, or if you are further afield from Anagram Books or Perimeter
Book cover for The American Printer, 1882, by Thomas MacKeller
You can obtain your (digital) copy here:
Utilizing the same shape as found on the book's slipcase, various surprising statistics are conveyed to the reader in an interactive, interesting manner. The forms were hand-cut from the pages with an x-acto knife.
____
Unbeknownst to many, Los Angeles has served as one of the most important oil provinces on the planet. From the initial discoveries near the turn of the 20th century, through the roaring 1920s, and into the present, oil has often guided and defined the development of the city. What's interesting, however, is that this fact is so often eclipsed by Los Angeles' well-documented histories as a center of film, entertainment, boosterism and agriculture. Forgetting Oildorado excavates the city's rich oil history, examines the slow decline of the local industry, and uncovers many of the active oil fields that lie hidden in plain sight, in the very midst of this teeming city.
This 120-page book includes text based upon Frank Ruchala Jr.'s monumental examination of Los Angeles' oil history, oiLA, with historical imagery sourced from Early California Oil by Kenny Franks and Paul Lambert. All other photography was shot by me, using a combination of Digital SLR, 35mm SLR, Medium Format Holga, and 35mm Lomo cameras.
____
Book cover design by Elaine Lustig for Men and Ideas: History, the Middle Ages, the Renaissance; Essays by Johan Huizinga. New York: Meridian Books, 1959. D7 .H823
Tankakenkyu magazine April 2021
Book design: Suzuki Seiichi Design Office
Illustration: Mayako Nakamura
短歌研究社「短歌研究」2021年4月号 第78巻第4号
(2021/03//21)
アートディレクション＋デザイン：
鈴木成一デザイン室 (協力：生沼伸子)
イラストレーション：中村眞弥子
オフセット：近代美術
Tankakenkyu magazine December 2020
Book design: Suzuki Seiichi Design Office
Illustration: Mayako Nakamura
短歌研究社「短歌研究」2020年12月号 第77巻第12号
(2020/11//21)
アートディレクション＋デザイン：
鈴木成一デザイン室 (協力：生沼伸子)
イラストレーション：中村眞弥子
オフセット：近代美術
photographed by
Frank Dinger
BECOMING - office for visual communication
facebook: Becoming office for visual communication
Designed by Coralie Bickford-Smith
For more information:
www.penguin.co.uk/static/cs/uk/0/pubsetpages/fscott_fitzg...
See a video about the set at:
Book cover design by Rudolph de Harak for The Siege of Leningrad by Leon Gouré. Stanford, CA, Stanford University Press, 1962. D764 .G66 1962
Book cover design by Roy Kuhlman for Last Year at Marienbad by Alain Robbe-Grillet, for the film by Alain Resnais. Translated by Richard Howard. New York, Grove Press, 1962. PN1997 .R595
"Until the Day" by Jakucho Setouchi
Kodansha 2022/01/13
Book design: Seiichi Suzuki Design Office
Book cover illustration: Mayako Nakamura
瀬戸内寂聴
”その日まで”
講談社 (2022/01/13)
ブックデザイン:鈴木成一デザイン室
装画:中村眞弥子
☆その日まで 情報☆
瀬戸内寂聴さん”その日まで”
お見本が届きました！
ブックデザイン:鈴木成一デザイン室
装画:中村眞弥子
◆1月13日発売です！
bookclub.kodansha.co.jp/product?item=0000360842
・・・
99歳、最期の長篇エッセイ。
切に愛し、いのちを燃やし、ペン一筋に生き抜いた。70余年にわたる作家人生の終着点。
「結局、人は、人を愛するために、愛されるために、この世に送りだされたのだ。
充分、いや、十二分に私はこの世を生き通してきた。」
三島由紀夫、萩原健一、石牟礼道子ほか、人生でめぐり逢った忘れえぬ人々、愛した男たち、そして家族の記憶。99歳まで現役作家としてペンをふるった著者が、自らの老いに向きあい、「その日」をみつめて綴りつづけた、最後の自伝的長篇エッセイ。
・本書よりーー
私は自分の「その日」を、どのような形で迎えるのであろうか。
九十九歳とは何と長い、そして何と短い時間であっただろう。
百歳近く生きつづけて、最も大切なことは、自分の生きざまの終りを見とどけることだけであった。
戦争も、引揚げも、おおよその昔、一通りの苦労は人並にしてきたが、そんな苦労は、九十九年生きた果には、たいしたこととも思えない。
生きた喜びというものもまた、身に残された資産や、受けた栄誉ではなく、心の奥深くにひとりで感得してきた、ほのかな愛の記憶だけかもしれない。
結局、人は、人を愛するために、愛されるために、この世に送り出されたのだと最期に信じる。
充分、いや、十二分に私はこの世を生き通してきた。
CD Packaging for Juno winning Jazz Musician Chris Tarry.
Agency: Rethink Canada
Design: Jeff Harrison
Illustration: Kim Ridgewell
Producer: Kerry Bhangu
Accounts: Daylan Wong
Printing: Metropolitan Fine Printers
You can see beautiful graphic books/postcards by Katja Zwirnmann at her own atelier at Spinnerei in Leipzig.