View allAll Photos Tagged Behaviour

Cropped Pix

 

Yellow-rumped Warbler YRWA (Setophaga coronata)[bottom ]

eating pulpy flesh of fruit of our native hawthorn

 

Black or Douglas Hawthorn (Crataegus douglasii)

  

Very interesting to see a warbler eating something besides insects!

 

Pendray Farm (Private Property)

North Saanich

(Saanich Peninsula)

 

Capital Regional District

Vancouver Island

British Columbia

  

American Goldfinch AMGO (Spinus tristis)

perched preening above

 

***********

Subspecies

Yellow-rumped Warbler (Myrtle sub.sp.) YRWA (Setophaga coronata coronata)

 

AKA "Myrtle Warbler"

 

>>by white throat apparent in 1st photo

  

From Wikipedia under Myrtle Warbler.....

These birds are insectivorous, but will readily take wax-myrtle berries in winter, a habit which gives the species its name

  

Note: this differentiation within "Yellow Rumps" has flip flopped back and forth between Species & Subspecies over the years ...and could very well flip again...

 

*****

This particular individual could be an intergrade.Audubon'sxMyrtle.

Throat feature wraps around to towards back of auriculars...but auricular dark line not that strong

 

Winter plumages and juvies can be really tricky...and we have many intergrade birds out here,during migration

Bad behaviour by the girls at a Gothic wedding reception...

if you ever get close to a human

and human behaviour

be ready be ready to get confused

 

there's definitely definitely definitely no logic

to human behaviour

but yet so yet so irresistible

 

and there's no map to human behaviour

 

they're terribly terribly terribly terribly moody

then all of a sudden turn happy

but, oh, to get involved in the exchange

of human emotions

is ever so ever so satisfying

 

and there's no map

and a compass wouldn't help at all.-

    

Björk - Human Behaviour

NIKON D300 | 17-50 mm f/2.8 at 26mm (35mm Equivalent: 39mm) | 200 ISO | 1/640 sec at f/5.6

 

View on Black

 

X Marks the Spot

I saw this notice in the New Church House in Ormskirk. I seriously object to having two perfectly lawful activities defined as 'anti-social behaviour'. If you don't smoke or drink, it may be your opinion that to do so is anti-social, but to have it defined as such by the Police is quite another matter.

Maxims of Behaviour

Alexander Knox

Kinetic light installation, 2008

Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)

 

Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.

 

The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.

 

Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.

 

The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.

 

Photograph by Greg Sims

Maxims of Behaviour

Alexander Knox

Kinetic light installation, 2008

Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)

 

Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.

 

The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.

 

Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.

 

The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.

 

Photograph by Greg Sims

Redefine natural beauty woman with armpit hair

 

Maxims of Behaviour

Alexander Knox

Kinetic light installation, 2008

Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)

 

Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.

 

The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.

 

Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.

 

The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.

 

Photograph by Greg Sims

the emotional quadrants as found in tony schwartz's book the way we're working isn't working

Bad Behavior from Preston describe themselves as a six piece “balls to the wall” glam rock extravaganza and that pretty much sums this band up in a nutshell. The last competitive band of the competition and good lord, what a way to finish! Looking every part the Glam Rockers resplendent in their colourful outfits and make up, but it was really the front man, Phil Bailey, who not only took centre stage but looked the most avant garde a he did his level best to be the consummate front man. With three guitars on stage, the vocals were sometimes overwhelmed especially during 'Born To Party' but it was still a good performance overall. The bands cover was Alice Coopers' 'Man Behind the Mask', and although not one of the famous Cooper songs, it was nevertheless a good cover by the band. Bailey is predictably theatrical here which ties in very well with the bands image and although this is a proper band with serious musicians, there's nothing in the book saying that you can’t do it without planting your tongue firmly in your cheek! Their final number 'Apocalypse Now' was the best of the set with its great guitar riff that has the place jumping on and off stage. As the song reached its climax Bailey announced "This is the end!" and as the curtain falls on their performance, the band are greeted with generous applause as they take their final bows. What a great way to end the competition!

 

why? he's not eating the leaves

Some more spring-like behaviour, a rather half-hearted mating attempt by two moorhens, imagine those feet on your back.....

www.youtube.com/watch?v=5mYxZUJt4xc

I'm still struggling to catch up by the way.

I find my own fascination with derelict buildings curious. There is an initial excitement when exploring abandoned buildings but what then dawns on me is that these places where part of someone’s life and somewhere along the line the physical building itself have been left to rot, the physical place abandoned, its original purpose lost.

Sentimental meanings aside, these buildings take on new identities.

As the building breaks down the original ‘rules’ of the space cease to exist. Nature is allowed to behave normally, plant grown uninterrupted. I find that his break down of normal behaviour and rules invites us to behave in a new way.

 

Spiny mason wasp (Odynerus spinipes) at nest burrow in clay gully. Dorset, UK.

 

photo.domgreves.com

 

et me voila, infra chant, infra verbe

ta trop prolifique vie d’ange

vissée à mon buste, à mes bras de cocagne

à mon regard tes nielles noires

ou suivant de l’oreille

mes concrétions de soupirs

mes quatre mots doux, mes trois chants pour

désoler le mutisme

de mon amour

 

ta main accroche une sentinelle

à ma clavicule

le lait décharge son impatience

dans mon sein

 

me voici

A shoot with some girls at St David's Hotel.

Posted two pictures in one day ... how shocking is that ?..lol...

I do look somewhat angelic here, but I am no angel, not at all...lol...

 

Happy New Year !

 

I think I'm coming out of the stupor mode...lol...

 

P.S. I'm tired of watermarking my images in the same way, so I'm injecting variety here and there... :O)

 

BTW - I was tagged (strange game going around Flickr) too, but I refused to cooperate... :O)

 

but I can provide few funny and not so funny facts about myself, just like Paul (ifido) did...lol..

 

Random facts about me

 

1. I have red hair and blue eyes.

2. I sleep late, very late, in fact I lead a bohemian lifestyle - it suits me (I'm a creative person...:O))

3. I love, love rain ! ........ and fog and blizzards and storms and lightning and thunder, but I'm terrified of tsunamis.... I'm worried we all going to be washed away one day here in Northern California. We all gonna die !

4. I don't like Vodka, Vodka doesn't love me too.

5. I sleep naked.

6. I can't swim.

7. I can write and really well, but I'm too lazy to finish books I've started writing about 13 years ago. One day I'll publish them all.

8. I love dogs and lions.

9. I don't trust a single politician because I spent long time working with them (for newspaper).

10. I do take a bazillion of different pills so I can fall asleep at night, which in turn leads to binge sleeping.

11. I get the best ideas for writing while I'm driving my car and listen to music.

12. I don't believe into stupid New Year resolutions, I'm not local :O)

13. I love meat, can't leave a single day without eating something or someone meaty. I was a predator in my previous life and probably still am.

14. English is not my native language, although I started learning it when I was 7 years old.

15. I hate rap, Janis Joplin and Yoko Ono, when she (the last one) sings, she sounds like a goat who is about to be slaughtered/sacrificed.

16. I love potatoes, meat, asparagus, prosciutto, carpaccio, beer and whiskey, also Pinot Noir and Porto wine.

17. Potatoes love me too. I'm not sure beer loves me back.

18. My husband still thinks I'm beautiful, although I'm not sure I am that beautiful.

19. Vegetarians frighten me (joking).

20. I've been married for long time (to one guy).

21. I hate dry weather.

22. I love spicy food.

23. I can shoot with a gun, but I don't own one (prob. is a good idea).

24. Bush is a worst American president in my lifetime.

25. Stalin was a monster.

26. Hitler too.

27. I would love to learn to fly an airplane, fight with a sword and ride a horse, but I don't want to learn to jump with a parachute.

28. I am allergic to school teachers.

 

More to come.... with my next portrait or something like that...

  

A nice day at St Aidan's, despite the midges

Maxims of Behaviour

Alexander Knox

Kinetic light installation, 2008

Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)

 

Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.

 

The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.

 

Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.

 

The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.

 

Photograph by Greg Sims

Quanto... si...guadagna? 21 grammi, il peso di cinque nichelini uno sull'altro. Il peso di un colibrì, di una barretta di cioccolato. Quanto valgono 21 grammi?

 

www.cerchioperfetto.it

The soon to be subject of a new photo series once I figure out what :)

To change behaviours, often it's ineffective to address the Behaviours directly as your first step. You need to drill deeper to the underlying Beliefs, and sometimes to the underlying Values.

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