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Maxims of Behaviour

Alexander Knox

Kinetic light installation, 2008

Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)

 

Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.

 

The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.

 

Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.

 

The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.

 

Photograph by Greg Sims

I was up at one of our local churchyards for my walk this morning when I noticed this female Mallard.

She was quacking away and then flew up into a hole in a tree, if she's nesting there I worry about the babies when they hatch.

The pond is just across a fairly busy road if they try to get there.

Maxims of Behaviour

Alexander Knox

Kinetic light installation, 2008

Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)

 

Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.

 

The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.

 

Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.

 

The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.

 

Photograph by Greg Sims

Redefine natural beauty woman with armpit hair

 

the emotional quadrants as found in tony schwartz's book the way we're working isn't working

Bad Behavior from Preston describe themselves as a six piece “balls to the wall” glam rock extravaganza and that pretty much sums this band up in a nutshell. The last competitive band of the competition and good lord, what a way to finish! Looking every part the Glam Rockers resplendent in their colourful outfits and make up, but it was really the front man, Phil Bailey, who not only took centre stage but looked the most avant garde a he did his level best to be the consummate front man. With three guitars on stage, the vocals were sometimes overwhelmed especially during 'Born To Party' but it was still a good performance overall. The bands cover was Alice Coopers' 'Man Behind the Mask', and although not one of the famous Cooper songs, it was nevertheless a good cover by the band. Bailey is predictably theatrical here which ties in very well with the bands image and although this is a proper band with serious musicians, there's nothing in the book saying that you can’t do it without planting your tongue firmly in your cheek! Their final number 'Apocalypse Now' was the best of the set with its great guitar riff that has the place jumping on and off stage. As the song reached its climax Bailey announced "This is the end!" and as the curtain falls on their performance, the band are greeted with generous applause as they take their final bows. What a great way to end the competition!

 

why? he's not eating the leaves

I find my own fascination with derelict buildings curious. There is an initial excitement when exploring abandoned buildings but what then dawns on me is that these places where part of someone’s life and somewhere along the line the physical building itself have been left to rot, the physical place abandoned, its original purpose lost.

Sentimental meanings aside, these buildings take on new identities.

As the building breaks down the original ‘rules’ of the space cease to exist. Nature is allowed to behave normally, plant grown uninterrupted. I find that his break down of normal behaviour and rules invites us to behave in a new way.

 

Spiny mason wasp (Odynerus spinipes) at nest burrow in clay gully. Dorset, UK.

 

photo.domgreves.com

 

et me voila, infra chant, infra verbe

ta trop prolifique vie d’ange

vissée à mon buste, à mes bras de cocagne

à mon regard tes nielles noires

ou suivant de l’oreille

mes concrétions de soupirs

mes quatre mots doux, mes trois chants pour

désoler le mutisme

de mon amour

 

ta main accroche une sentinelle

à ma clavicule

le lait décharge son impatience

dans mon sein

 

me voici

A shoot with some girls at St David's Hotel.

there are only two giraffes in shimba hills, both males but no less sexed up than their heterosexual counterparts. we named them elton and george michael.

Posted two pictures in one day ... how shocking is that ?..lol...

I do look somewhat angelic here, but I am no angel, not at all...lol...

 

Happy New Year !

 

I think I'm coming out of the stupor mode...lol...

 

P.S. I'm tired of watermarking my images in the same way, so I'm injecting variety here and there... :O)

 

BTW - I was tagged (strange game going around Flickr) too, but I refused to cooperate... :O)

 

but I can provide few funny and not so funny facts about myself, just like Paul (ifido) did...lol..

 

Random facts about me

 

1. I have red hair and blue eyes.

2. I sleep late, very late, in fact I lead a bohemian lifestyle - it suits me (I'm a creative person...:O))

3. I love, love rain ! ........ and fog and blizzards and storms and lightning and thunder, but I'm terrified of tsunamis.... I'm worried we all going to be washed away one day here in Northern California. We all gonna die !

4. I don't like Vodka, Vodka doesn't love me too.

5. I sleep naked.

6. I can't swim.

7. I can write and really well, but I'm too lazy to finish books I've started writing about 13 years ago. One day I'll publish them all.

8. I love dogs and lions.

9. I don't trust a single politician because I spent long time working with them (for newspaper).

10. I do take a bazillion of different pills so I can fall asleep at night, which in turn leads to binge sleeping.

11. I get the best ideas for writing while I'm driving my car and listen to music.

12. I don't believe into stupid New Year resolutions, I'm not local :O)

13. I love meat, can't leave a single day without eating something or someone meaty. I was a predator in my previous life and probably still am.

14. English is not my native language, although I started learning it when I was 7 years old.

15. I hate rap, Janis Joplin and Yoko Ono, when she (the last one) sings, she sounds like a goat who is about to be slaughtered/sacrificed.

16. I love potatoes, meat, asparagus, prosciutto, carpaccio, beer and whiskey, also Pinot Noir and Porto wine.

17. Potatoes love me too. I'm not sure beer loves me back.

18. My husband still thinks I'm beautiful, although I'm not sure I am that beautiful.

19. Vegetarians frighten me (joking).

20. I've been married for long time (to one guy).

21. I hate dry weather.

22. I love spicy food.

23. I can shoot with a gun, but I don't own one (prob. is a good idea).

24. Bush is a worst American president in my lifetime.

25. Stalin was a monster.

26. Hitler too.

27. I would love to learn to fly an airplane, fight with a sword and ride a horse, but I don't want to learn to jump with a parachute.

28. I am allergic to school teachers.

 

More to come.... with my next portrait or something like that...

  

Maxims of Behaviour

Alexander Knox

Kinetic light installation, 2008

Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)

 

Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.

 

The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.

 

Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.

 

The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.

 

Photograph by Greg Sims

Quanto... si...guadagna? 21 grammi, il peso di cinque nichelini uno sull'altro. Il peso di un colibrì, di una barretta di cioccolato. Quanto valgono 21 grammi?

 

www.cerchioperfetto.it

The soon to be subject of a new photo series once I figure out what :)

To change behaviours, often it's ineffective to address the Behaviours directly as your first step. You need to drill deeper to the underlying Beliefs, and sometimes to the underlying Values.

It’s good to see people putting a bit of thought into their antisocial behaviour these days. This guy was shouting obscenities at people leaving the Marriott hotel whilst cupping his cider and wearing his hat jauntily to mimic the orb and crown of the Queen Victoria statue behind him. Sterling effort.

"Cowboys, Conjunto and Jazz: Americans at Work & Play"

 

PHOTO: Philip McMaster@ gmail

 

Wylie and the Wild West - Conrad Montana.

 

Los Texmaniacs - San Antonio, Texas.

 

Treme Brass Band - New Orleans, Louisiana.

  

"American Roots" Music Culture Festival at Beijing Foreign Languages University produced in collaboration with "Smithsonian Folkways Recordings"

www.americanroutes.org

 

"How 3 Fingers Saved the World"

COOPERATION, COLLABORATION, HARMONY

 

Music is Balance, form, wave and harmony..

 

In support of the World Sustainability Project www.WorldSustainability.Org and in time for the United Nations (UN) Climate Conference in PARIS (December 2015), musicians around the world are creating the most pleasant reminders about living a Lifestyle Of Health, Happiness And Sustainability (LOHHAS) -

 

...Sharing the meaning of 3 Fingers..

 

.. in Chinese culture, it's "Tian, Di, Ren - He_\!/" the balance and harmony between Heaven, Earth and People...

 

in other cultures we say: "Peace, PLUS ONE"

 

...again, the BALANCE between SOCIETY, ENVIRONMENT and ECONOMY_\!/

  

...Encouraging participation in "3 Finger Wednesday"

 

... the day every week when we make a special effort to SMILE ~ CHANGE ~ UNPLUG_\!/

  

The Peace Plus One - World Sustainability Project seeks to promote and engage the people of the world to live a "Lifestyle Of Health, Happiness And Sustainability" (LOHHAS) in the way that BALANCES, COOPERATES and HARMONIZES best with their individual desires and goals and Earth itself.

 

We all want to live a HAPPY LIFE, but most of us are HURTING OUR ONLY HOME, the EARTH with our attitudes, behaviours and thoughtless actions.

 

Save YOUR World_\!/

 

YOU ARE THE ONE, YOU'RE HERE AND NOW...

 

The PLACE is HERE, the TIME is NOW, and YOU are the ONE to lead yourself, your family and friends to a Lifestyle Of Health, Happiness And Sustainability (LOHHAS)...

 

BUT HOW???

Ask your friends, mentors, teachers, leaders for their ideas on LOHHAS living - and search yourself for "3FIngerW"

 

Additional websites celebrating the "Spirit of 3 Fingers"

 

www.RepublicOfConscience.com

 

www.Sust10.com

 

www.SustainabilitySymbol.com

 

www.SpiritOfBethune.com

 

www.WeChat3.com

 

The 3 Finger Challenge OPPORTUNITY_\!/

 

Be a Model Of Sustainability_\!/

 

Tell the world what you are doing to live a LOHHAS life in your community.. Tell us your "3 Finger Story":

Become SustainaWoman, SustainaMAN, SustainaKID, SustainaGIRL, SustainaBOY or one of the Sustainies, (WOW, TIP, PIN) from the Republic of Conscience

  

Be a Model Of Sustainability_\!/

 

Help us send your 3 Finger Signature Photo to PARIS_\!/

 

- Upload your 3 Finger Photo

- Promote LOHHAS lifestyle in your community

- WIN on Wednesday

- Help Us bring YOUR 3 Finger STORY to *PARIS_\!/

 

WIN for yourself - WIN for your community - WIN for the World_\!/

   

This fox cub, at the British Wildlife Centre, is showing typical submissive behaviour towards one of his siblings, just out of shot to the right.

Behaviour and Choice Initiative Zambia field trip

Mute Swan, Order Anseriformes, Family Anatidae, Species Cygnus olor,..

 

A large, familiar bird, strikingly white and obvious even at great range, Mute Swan is generally quite tame, even semi-domesticated in its behaviour and choice of habitat.

Territorial pairs are aggressive, even to people or their dogs, using impressive displays of arched wings and loud, hissing calls.

In some floodplains, small groups regularly feed on dry land, a habit that is more consistent with the two " wild swans ", Bewick's and Whooper,

Voice - Strangled trumpeting and hissing notes,

Nesting - Huge pile of vegetation at water's edge; up to 8 eggs; 1 brood; March - June.

Feeding - Plucks vegetable matter from short grass in fields and salt marshes, pulls the same from shallow water, or upends in deeper water,..

 

Length 1.4 - 1.6m,

Wingspan - 2,08 - 2.38m,

Weight - 10 - 12kg,

Lifespan - 15 - 20 years,

Social - Small flocks,

Status - Secure,...

Music, Buffy Sainte-Marie

Title, The Big Ones Get Away,,,,,,,,,,,,,,,,,,

Maxims of Behaviour

Alexander Knox

Kinetic light installation, 2008

Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)

 

Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.

 

The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.

 

Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.

 

The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.

 

Photograph by Greg Sims

In the spring of 2008 this nest was built atop a young 8-9' tree. I never saw eggs, but did see and photograph young redwings in it just prior to the June flood. The mother spent much time in the nest...I uploaded a few photos at the time. A male redwing spent its time on a high branch of an adjacent towering evergreen tree...always on lookout.

 

The flood completely submerged this tree...you can see the dead leaves etc. If there were still babies in the nest they were lost. In this photo, about two weeks after the flood, the male (or another, who knows) spent much time on the nest...perhaps wondering what happened. The female had been back on the nest right after the floodwaters receded, but the nest was otherwise empty.

 

In the fall the Parks Department came through and removed all of the flood-killed trees and bushes...levelling much of the lakeside land.

Me posing as a hoody on my phone, played with the saturation, brightness and contrast to try and change the image from it's original state considerably.

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