View allAll Photos Tagged Behaviour
Courting Behaviour of Pied Stilts (Image 1 of 10), NZ…
Enjoy the larger version of this image here: 500px.com/photo/143766277/pied-stilt-11-by-kurien-yohannan
I saw this notice in the New Church House in Ormskirk. I seriously object to having two perfectly lawful activities defined as 'anti-social behaviour'. If you don't smoke or drink, it may be your opinion that to do so is anti-social, but to have it defined as such by the Police is quite another matter.
The Common House Martin is a small migratory swallow widely distributed across Europe, western Asia, and parts of North Africa during the breeding season. It spends the winter in sub-Saharan Africa, travelling thousands of kilometres between breeding and wintering grounds each year. House martins favour open countryside, farmland, villages, towns, and suburban areas where there is access to flying insects and suitable nesting sites. They are especially associated with human structures, often nesting beneath the eaves of houses, bridges, and other buildings, although they historically used cliffs and rock overhangs before widespread urban development. Their colonies can range from a few pairs to dozens of nests clustered together.
House martins are highly social birds and feed almost entirely on aerial insects caught in flight, including flies, aphids, and small beetles. One of their most distinctive behaviours is mud collection during the breeding season. Pairs gather small pellets of wet mud from puddles, pond edges, riverbanks, or damp soil after rain, carrying them in their bills back to the nesting site. Hundreds or even thousands of pellets may be used to construct the enclosed cup-shaped nest, which is lined with grass and feathers. Mud gathering is often most intense during warm, wet weather when suitable soft mud is available. Because access to mud is essential for nest construction and repair, prolonged dry periods can negatively affect breeding success.
Maxims of Behaviour
Alexander Knox
Kinetic light installation, 2008
Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)
Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.
The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.
Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.
The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.
Photograph by Greg Sims
Maxims of Behaviour
Alexander Knox
Kinetic light installation, 2008
Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)
Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.
The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.
Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.
The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.
Photograph by Greg Sims
Bad Behavior from Preston describe themselves as a six piece “balls to the wall” glam rock extravaganza and that pretty much sums this band up in a nutshell. The last competitive band of the competition and good lord, what a way to finish! Looking every part the Glam Rockers resplendent in their colourful outfits and make up, but it was really the front man, Phil Bailey, who not only took centre stage but looked the most avant garde a he did his level best to be the consummate front man. With three guitars on stage, the vocals were sometimes overwhelmed especially during 'Born To Party' but it was still a good performance overall. The bands cover was Alice Coopers' 'Man Behind the Mask', and although not one of the famous Cooper songs, it was nevertheless a good cover by the band. Bailey is predictably theatrical here which ties in very well with the bands image and although this is a proper band with serious musicians, there's nothing in the book saying that you can’t do it without planting your tongue firmly in your cheek! Their final number 'Apocalypse Now' was the best of the set with its great guitar riff that has the place jumping on and off stage. As the song reached its climax Bailey announced "This is the end!" and as the curtain falls on their performance, the band are greeted with generous applause as they take their final bows. What a great way to end the competition!
INTRODUCTION
The volume of research in the field of Behavioural Finance has grown over the recent years. The field merges the concepts of finance, economics, and psychology to understand the human behavior in the financial markets, to form winning investment strategies.
THE CONCEPT OF...
netmaddy.com/behavioural-finance-focus-on-intrinsic-value/ netmaddy.com
I find my own fascination with derelict buildings curious. There is an initial excitement when exploring abandoned buildings but what then dawns on me is that these places where part of someone’s life and somewhere along the line the physical building itself have been left to rot, the physical place abandoned, its original purpose lost.
Sentimental meanings aside, these buildings take on new identities.
As the building breaks down the original ‘rules’ of the space cease to exist. Nature is allowed to behave normally, plant grown uninterrupted. I find that his break down of normal behaviour and rules invites us to behave in a new way.
Meerkats demonstrate altruistic behaviour within their colonies; one or more meerkats stand sentry (lookout) while others are foraging or playing, to warn them of approaching dangers. When a predator is spotted, the meerkat performing as sentry gives a warning bark, and other members of the gang will run and hide in one of the many bolt holes they have spread across their territory. The sentry meerkat is the first to reappear from the burrow and search for predators, constantly barking to keep the others underground. If there is no threat, the sentry meerkat stops barking and the others feel safe to emerge.
The meerkat is a small diurnal herpestid (mongoose) whose weight averages approximately 731 grams (1.61 pounds) for males and 720 grams (1.58 pounds) for females. Its long and slender body and limbs give it a body length of 25 to 35 cm (10 to 14 inches) and an added tail length of 17 to 25 cm (7 to 10 inches). Its tail is not bushy like all other mongoose species, but is rather long and thin and tapers to a black or reddish coloured pointed tip. The meerkat uses its tail to balance when in a vertical stance. Its face also tapers, coming to a point at the nose, which is brown. The eyes always have black patches surrounding them which help deflect the sun's glare. The meerkat has small, black, crescent-shaped ears that have the ability to close when digging to prevent sand from entering. Like felines, meerkats have binocular vision, a large peripheral range, depth perception, and eyes that sit on the front of their faces.
At the end of each of a meerkat's "fingers" are one, non-retractable, strong, 2 cm (.8 inches) long, curved claws used for digging their underground burrows and for prey. Claws are also used with muscular hind legs to help them climb the occasional tree. They have four toes on each foot and long, slender limbs. The coat is usually fawn-coloured peppered with gray, tan, or brown with a silver tint. They have short, parallel stripes across their backs, extending from the base of the tail to the shoulders. The patterns of stripes are unique to each animal. The underside of the meerkat has no markings but the belly has a patch which is only sparsely covered with hair and shows the black skin underneath. The meerkat uses this area to absorb heat standing on its rear legs, usually early in the morning after cold desert nights.
Meerkats are primarily insectivores, but also eat lizards, snakes, spiders, plants, eggs and small mammals. Like all mongoose species, they are immune to many venoms, and eat scorpions (including the stinger) and some snakes, without fear of illness, poison or death.[citation needed]They have no excess body fat stores, so foraging for food is a daily need.
Heath potter wasp (Eumenes coarctatus) stocking nest pot with moth larva prey. Surrey, UK.
The female collects up to 38 caterpillars to stock each nest pot. The wasp larva will consume them in about a week after it hatches.
Maxims of Behaviour
Alexander Knox
Kinetic light installation, 2008
Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)
Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.
The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.
Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.
The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.
Photograph by Greg Sims
there are only two giraffes in shimba hills, both males but no less sexed up than their heterosexual counterparts. we named them elton and george michael.
still very grey here and in a have photographers-block!
this series was taken the other day at golden acre when i was out on a photo walk with ‘andrew rickmann’ i was initially really panicking as i thought the two drakes were stuck together!
i thought somehow they had got something sticky on them, then somehow got stuck together! - i was trying to think of ways of throwing my coat over them and trying to get them to a vet or something!!
they were bumped-up chest to chest and not separating just attacking each other!
after a few minutes they separated – and they had just been having a barny!
then another two started doing it a bit further on, iv seen mallards fighting before, but never seen this odd fighty-dance behaviour! the snow has gone and they had plenty of food – so not sure what it was all about!
(PLEASE NO AWARDS OR PICTURES OR FLASHY BADGES)
Posted two pictures in one day ... how shocking is that ?..lol...
I do look somewhat angelic here, but I am no angel, not at all...lol...
Happy New Year !
I think I'm coming out of the stupor mode...lol...
P.S. I'm tired of watermarking my images in the same way, so I'm injecting variety here and there... :O)
BTW - I was tagged (strange game going around Flickr) too, but I refused to cooperate... :O)
but I can provide few funny and not so funny facts about myself, just like Paul (ifido) did...lol..
Random facts about me
1. I have red hair and blue eyes.
2. I sleep late, very late, in fact I lead a bohemian lifestyle - it suits me (I'm a creative person...:O))
3. I love, love rain ! ........ and fog and blizzards and storms and lightning and thunder, but I'm terrified of tsunamis.... I'm worried we all going to be washed away one day here in Northern California. We all gonna die !
4. I don't like Vodka, Vodka doesn't love me too.
5. I sleep naked.
6. I can't swim.
7. I can write and really well, but I'm too lazy to finish books I've started writing about 13 years ago. One day I'll publish them all.
8. I love dogs and lions.
9. I don't trust a single politician because I spent long time working with them (for newspaper).
10. I do take a bazillion of different pills so I can fall asleep at night, which in turn leads to binge sleeping.
11. I get the best ideas for writing while I'm driving my car and listen to music.
12. I don't believe into stupid New Year resolutions, I'm not local :O)
13. I love meat, can't leave a single day without eating something or someone meaty. I was a predator in my previous life and probably still am.
14. English is not my native language, although I started learning it when I was 7 years old.
15. I hate rap, Janis Joplin and Yoko Ono, when she (the last one) sings, she sounds like a goat who is about to be slaughtered/sacrificed.
16. I love potatoes, meat, asparagus, prosciutto, carpaccio, beer and whiskey, also Pinot Noir and Porto wine.
17. Potatoes love me too. I'm not sure beer loves me back.
18. My husband still thinks I'm beautiful, although I'm not sure I am that beautiful.
19. Vegetarians frighten me (joking).
20. I've been married for long time (to one guy).
21. I hate dry weather.
22. I love spicy food.
23. I can shoot with a gun, but I don't own one (prob. is a good idea).
24. Bush is a worst American president in my lifetime.
25. Stalin was a monster.
26. Hitler too.
27. I would love to learn to fly an airplane, fight with a sword and ride a horse, but I don't want to learn to jump with a parachute.
28. I am allergic to school teachers.
More to come.... with my next portrait or something like that...
Maxims of Behaviour
Alexander Knox
Kinetic light installation, 2008
Royal Mail House, cnr of Bourke & Swanston Sts (Melway ref. 2F, F3)
Maxims of Behaviour plays across the distinctive 10-storey, 1960s’ facade of Royal Mail House. Set among the giant billboards and screens of the south-eastern corner of the Bourke and Swanston Streets, Alexander Knox’s kinetic light work can be seen each winter evening from dusk till late, until 2012.
The work features colourful abstract imagery that moves spectral-like across the façade, transforming the site into a dynamic entity, a living thing that inhabits the area. The imagery is produced from abstracted video footage of the city’s light, colour and movement, and it acts as a mimetic device that echoes and feeds off its surrounds. The installation becomes an integral part of the nightscape, complementing the floodlit surroundings, creating an organic synthesis of movement and light. The title of the work is inspired by Lewis Carroll’s poem ‘Phantasmagoria’, in which the author draws an insightful parallel between ghosts and us.
Some 88 multi-coloured LED lights mounted on the ledges of the building facade are used produce the moving montage of light. This matrix of computer-controlled lights projects onto the surface of the building, with each light effectively acting as a pixel. Each night the average energy consumption is equivalent to running a 2400W small electric heater. The LEDs have a lifespan of 100,000 hours; they are very low maintenance and run on green power.
The City of Melbourne commissioned Alexander Knox to make Maxims of Behaviour as part of its Public Art Program.
Photograph by Greg Sims
Quanto... si...guadagna? 21 grammi, il peso di cinque nichelini uno sull'altro. Il peso di un colibrì, di una barretta di cioccolato. Quanto valgono 21 grammi?
To change behaviours, often it's ineffective to address the Behaviours directly as your first step. You need to drill deeper to the underlying Beliefs, and sometimes to the underlying Values.
Bad Behavior from Preston describe themselves as a six piece “balls to the wall” glam rock extravaganza and that pretty much sums this band up in a nutshell. The last competitive band of the competition and good lord, what a way to finish! Looking every part the Glam Rockers resplendent in their colourful outfits and make up, but it was really the front man, Phil Bailey, who not only took centre stage but looked the most avant garde a he did his level best to be the consummate front man. With three guitars on stage, the vocals were sometimes overwhelmed especially during 'Born To Party' but it was still a good performance overall. The bands cover was Alice Coopers' 'Man Behind the Mask', and although not one of the famous Cooper songs, it was nevertheless a good cover by the band. Bailey is predictably theatrical here which ties in very well with the bands image and although this is a proper band with serious musicians, there's nothing in the book saying that you can’t do it without planting your tongue firmly in your cheek! Their final number 'Apocalypse Now' was the best of the set with its great guitar riff that has the place jumping on and off stage. As the song reached its climax Bailey announced "This is the end!" and as the curtain falls on their performance, the band are greeted with generous applause as they take their final bows. What a great way to end the competition!