martyrs of the catholic church
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This is one of the shots from last year, A Dead Tree series, I would call.
I took many shots during the last three months of 2015 than the first nine months. I never post any of them because I was doing a lot of experiments with various subjects, angles and compositions. I was so eager to get out of my comfort zone, and I was tired to see myself repeating.
We're leaving all the windows open
We don't even mind the rain
Or where we let the floors get wet
So what if the hardwood stains?
'Cause we're collecting evidence
Of one remarkable storm
How wild it was to find it, finally feel the climate
Instead of only staying dry and warm
Rain on us, Saint Honesty
Salvation is coming in the morning, but now what we need
Is a little rain on our face from you, sweet Saint Honesty
So we won't sleep tonight
While we brace against the wind
Oh, these hearts, they're weather-makers
We'll go where they take us
Until we find ourselves shelter again
We won't settle for the silence
We won't drown in the tears
We'll say every single word even if we think they'll hurt
Let the rain wash away these tears
Rain on us, Saint Honesty
Salvation is coming in the morning, and now what we need
Is a little rain on our face from you, sweet Saint Honesty
Oh, we won't let go, we'll be soaked to the bone
Baptized by truth, we will reap what we sow
Build our own higher ground when the rain's coming down
This is worth it to me, Saint Honesty
Rain
Salvation is coming in the morning
Wait patiently, aiming straight for it
But now what we need
Is a little rain on our face from you, sweet Saint Honesty
Sara Bareilles
RAW Cont Tiff Nk dn Tc ad21 dn psdR sk dn PNG 35.6 MB. RP.
Hi-resolution Full-Frame image.
The site is located on the banks of River Jordan at 380 Meters Below Sea Level, just 5 miles North of the Dead Sea, the final destination of the river.
River Jordan gives the pilgrims and tourists alike the feeling of authenticity.
This site is considered a holy place as it is where Jesus Christ was baptized by John the Baptist an event that changed human history and marked the dawn of Christianity.
Also, there is a number of Churches in the area.
Worth visiting. better during cooler months to avoid the Jordan Valley high temperatures.
www.flickr.com/photos/128454275@N05/49580161987/in/photos...
Church of St. Stanisław and St Władysława in Vilnius is the cathedral basilica, the burial place of the great Lithuanian princes and kings of Poland.
The first Gothic cathedral was built in 1386, when Prince Jagiełło was baptized. Shortly after, the cathedral burned down and was rebuilt again. It was destroyed several times as a result of military operations, rebuilt and rebuilt.
The current classical style building comes from 1801, it has preserved a three-aisle layout originating from the gothic cathedral. The temple is surrounded by 11 chapels, of which two have survived from the previous cathedral; Chapel of St. Kazimierz and the Wołłowiczowska Chapel (also called Królewska or the Immaculate Conception).
During the Soviet rule, the cathedral was closed in 1950 and transformed into a warehouse. It was then that the statues of saints standing on the top of the facade were blown up.
Next to the cathedral there is a belfry, which is an important element of the Vilnius Archcathedral Basilica. It is also the former defensive tower of the walls of the Lower and Upper castle. The defensive tower became the belfry of the cathedral in the sixteenth century and the present appearance was obtained at the beginning of the nineteenth century. The height of the cathedral bell tower is with a cross of 57 meters.
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Kościół św. Stanisława i św. Władysława w Wilnie jest bazyliką katedralnąj, miejsce pochówku wielkich książąt litewskich i królów Polski.
Pierwszą katedrę gotycką zaczęto budować w 1386 roku, gdy książę Jagiełło przyjął chrzest. Krótko po tym katedra spłonęła i była ponownie odbudowana. Była kilkakrotnie niszczona w wyniku działań wojennych, odbudowywana i przebudowywana.
Obecny budynek stylu klasycystycznym pochodzi z 1801 roku, zachowała trójnawowy układ wywodzący się jeszcze z gotyckiej katedry. Świątynię otacza 11 kaplic, z czego dwie zachowały się z poprzedniej katedry; kaplica św. Kazimierza oraz kaplica Wołłowiczowska (zwana też Królewską lub Niepokalanego Poczęcia).
Podczas rządów radzieckich katedra została w 1950 roku zamknięta i przekształcona na magazyn. Wtedy też wysadzono w powietrze figury świętych stojące na szczycie fasady.
Obok katedry znajduje się dzwonnica, która jest ważnym elementem wileńskiej Bazyliki Archikatedralnej. Jest jednocześnie dawną basztą obronną murów Dolnego i Górnego zamku. Wieża obronna została dzwonnicą katedry w XVI wieku a obecny wygląd uzyskała na początku wieku XIX. Wysokość dzwonnicy katedralnej wynosi z krzyżem 57 metrów.
Here I was baptized in 1944, comforted in 1958 and married for the first time in 1966.
Kristiansand Cathedral (Norwegian: Kristiansand domkirke) is a cathedral of the Church of Norway in Kristiansand Municipality in Agder county, Norway. It is located in the Kvadraturen area in the central part of the city of Kristiansand. It is the church for the Kristiansand domkirken parish which is the seat of the Kristiansand domprosti (arch-deanery) in the Diocese of Agder og Telemark. The cathedral is also the seat of the Bishop of Agder and Telemark. The gray, brick church was built in a Neo-Gothic cruciform design in 1885 using plans drawn up by the architect Henrik Thrap-Meyer. The church seats about 1,000 people, making it one of the largest cathedrals in Norway.
This cathedral is the fourth church and third cathedral to be located on this site over the centuries.
“October, baptize me with leaves! Swaddle me in corduroy and nurse me with split pea soup. October, tuck tiny candy bars in my pockets and carve my smile into a thousand pumpkins. O autumn! O teakettle! O grace!”
― Rainbow Rowell
The night, O My Lord, is a time of freedom. You have seen the morning and the night, and the night was better. In the night all things began, and in the night the end of all things has come before me. Baptized in the rivers of night, Gethsemani has recovered her innocence. Darkness brings a semblance of order before all things disappear. With the clock slung over my shoulder, in the silence of the Fourth of July, it is my time to be the night watchman, in the house that will one day perish.
-Thomas Merton, The Sign of Jonas (New York: Octagon, 1983), 349; hereafter SJ.
Wiki:
Salzburg Cathedral (Dom) is the seventeenth-century Baroque cathedral of the Roman Catholic Archdiocese of Salzburg in the city of Salzburg, Austria, dedicated to Saint Rupert and Saint Vergilius.Saint Rupert founded the church in 774 on the remnants of a Roman town, the cathedral was rebuilt in 1181 after a fire. In the seventeenth century, the cathedral was completely rebuilt in the Baroque style under Prince-Bishop Wolf Dietrich Raitenau to its present appearance. Salzburg Cathedral still contains the baptismal font in which composer Wolfgang Amadeus Mozart was baptized.
I didn't realize until the landscape changed, but I certainly was lucky to have seen such amazing clouds on my road trip. This is definitely one of my favorite color photos.
Thank y'all for your views, faves, and comments. Always greatly appreciated! :)
I had to get wet for this one... baptized as a photographer. Yes the water was really this blue... and yes, the rocks are really all white. This shot was taken downstream from old mines near Silverton, CO. It must have been something in the water to produce those colors.
Baptized in the fading rays of a late afternoon sun, an old barn stands testifying to its past that no one sings songs for any more. When we reach a certain age, our past becomes more relevant to us and less to those who are younger.
October, baptize me with leaves! Swaddle me in corduroy and nurse me with split pea soup. October, tuck tiny candy bars in my pockets and carve my smile into a thousand pumpkins. O autumn! O teakettle! O grace!
Rainbow Rowell
The aurora forecast predicted auroras that evening/night so I headed out to my favorite lake where I knew it would be a great chance to capture it. Little did I know that the aurora would be red. A blend of two exposures. Iso 6400, 30 secs f 2.8 for the sky and iso 3200 100 secs f2.8 for the ground. Canon 6D + Samyang 14mm. Editor's Choice on 500px.
© Jerry T Patterson - All Rights Reserved Worldwide In Perpetuity - No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my Flickr images on blogs, personal or professional websites or any other media form without my direct written permission.
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Today is Sunday, June 2, 2019 and I'm happy to say I'm back in Jackson Hole, Wyoming (USA) and getting in some personal photography time before the 3 back-to-back workshops I have to conduct starting on June 3.
Here's a sunrise scene of Mt. Moran reflecting in the beaver pond in north of the town of Jackson.
One of the things I'll be doing today is trying to locate a new grizzly bear in northern Jackson Hole area known as Felcia.
During the last week in May, she distracted a boar after hiding her two very young cubs. Once she accomplished this, she returned to the place where she hid the two cubs only to find one. The second has not be found to this date as far as I know so I'm going to have to contact Bernie Scates who lives here and see what he knows. He's the goto person here in Jackson Hole when it comes to knowing where the different grizzlies are.
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My Milky Way night sky photography workshops
In 2019 I will be leading two 2 day photography workshops in Jackson Hole and one four day workshop in Jackson Hole.
During all workshops, I will take my group out at night for Milky Way night sky photography weather permitting.
Here is a list of the photography workshops I will conduct in 2019:
1. Arches National Park - March 1-3 with Ryan Smith SOLD OUT - Completed
2. Goblin Valley State Park with Ryan Smith - March 3-5 SOLD OUT - Completed
3. Grand Teton National Park early spring - June 3-5 (a few seats available (just been added on very short notice)
4. Grand Teton National Park spring wildflowers - June 6-10 SOLD OUT
5. Grand Teton National Park - June 11-12 (3 seats opened)
All workshops include Photoshop & Lightroom Milky Way post processing sessions covering latest Milky Way processing technique with image stacking.
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Advance 2020 Iceland workshop announcement
Iceland workshop dates: July 6-11
This workshop is timed to capture the incredible huge lupine wildflowers throughout the areas we visit.
If you are interested in attending any of these, please send me a message via facebook Messenger.
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You may also find me at: .. 500px || 72dpi || facebook || Instagram
Thanks for stopping by.
"I don't want to know emptiness
Take me down to the water
Wanna be baptized in your love
Far away from the loneliness
Take my heart and wash away the fear
Let me be baptized in your love"
~Lenny Kravitz
I indeed baptize you with water unto repentance. but he that cometh after me is mightier than I, whose shoes I am not worthy to bear: he shall baptize you with the Holy Ghost, and with fire:
Matthew 3:11
www.zazzle.com/spirit_promised_poster-228348462806733546?...
I have visited this exhibition that I found original and innovative....I want to share it with you...
The Ernest Pignon Ernest Jean Genet's evocation shows how an image builds itself little by little. Fed by the dramatic art of the Caravaggio, Ernest Pignon-Ernest diverts the iconography of the testimony of the Christ to evoke the one that Sartre had baptized "saint Genet" in a route on the docks of Brest.
Ernest Pignon Ernest : Son évocation de Jean Genet montre comment une image se construit peu à peu. Nourri par la dramaturgie du Caravage, Ernest Pignon-Ernest détourne l'iconographie de la déposition du Christ pour évoquer celui que Sartre avait baptisé "Saint Genet" dans un parcours sur les docks de Brest.
The Valley Grove Preservation Society seeks to maintain two historic churches listed on the National Register of Historic Sites, both in the Valley Grove Cemetery grounds, as well as taking responsibility for managing the surrounding 50-acre oak savanna restoration.
Two historic Norwegian immigrant churches sit on a hill in the farm valley south of Northfield, Minnesota near Big Woods State Park in a panorama of prairie and oak savanna.
The Valley Grove Preservation Society members are stewards for the two Valley Grove churches, the 1862 stone church and the white clapboard church built in 1894 and also for the surrounding 50 acres of rolling prairie grasses and trees.
Valley Grove Lutheran Church, the congregation that met for services in the white clapboard church structure– was de-commissioned after the congregation disbanded in April 1973. The decline in farming and the growth in other churches contributed to the loss of the old church community.
Valley Grove is on the National Register of Historic Sites. Under the oak tree in the southwest corner of the churchyard, Pastor Bernt Julius Muus from Norway baptized 52 children in 1859; he went on to help found St. Olaf College. Many of the memorial stones are in Norwegian , and the graveyard contains the family plot of the innovative Veblen family, whose son was economist Thorstein Veblen.
The Valley Grove Cemetery Association, which owns the limestone church then in use as a Guild Hall, became the owner of the clapboard church a year after the congregation disbanded.
You might have seen where I've written that I'm not religious but I do light candles and take a moment to remember family members, who are no longer with us.
Notre-Dame de Reims (Our Lady of Reims) is the seat of the Archdiocese of Reims, where the kings of France were crowned.[1] The cathedral replaced an older church, destroyed by fire in 1211, that was built on the site of the basilica where Clovis was baptized by Saint Remi, bishop of Reims, in AD 496. That original structure had itself been erected on the site of some Roman baths. A major tourism destination, the cathedral receives about one million visitors annually. en.wikipedia.org/wiki/Reims_Cathedral
"Doopsgezinde kerk" ( Baptized church ) Akkrum, The Netherlands
These days in use as a yoga centre :-)
Canon 70D with EF-S10-18mm f/4.5-5.6 IS STM
IMG_5567ddp
www.youtube.com/watch?v=pnU0K5HlR2s
love this song, wish the video was something different.
i hope you will have time to view large,(especially the third shot). today some of my storefront friends graduate!!! I am going to see five of my treasured students start their next life. I will miss these ones, as always, the miracles of everyday are the ones that leave me in awe and with certainty that the world is a wonderous place. acts of everyday faith, miracles in motion, Dan, Jerrica, Michelle, Jamie, Elle. Dream big dreams, live big lives.
Baptized my newest nephew on Saturday. I like how the longer exposure here caught the flow of water. I set the basic settings on the camera, and gave it to one of my sisters to capture what she could, since I am doing the baptizing.
"I'm really over the cryin' thing, wipin' my tears
Who cries anyway? Spread like disease all over me
We did ungodly ghastly things, last night I mean
Who's God anyway? You're mine any day
It's burning, take me
I wanna feel your power, this final hour, tell me
Are you losing yourself? Will you lose it for me?
Are you losing yourself?"
Mood Music: SZA - Babylon www.youtube.com/watch?v=g99qysQgo58
Ice builds into miniature mountain ranges on the shores of Lake Michigan.
Photo is part of a post about processing, moods and artistic intent - wickeddarkphotography.com/2019/03/17/are-you-real-or-not/
On 26 June 1852 Antoni Gaudí was baptized in this church. Built in the XVI century, in late Gothic style, has a nave flanked by small chapels. According to what appears in the Book of Baptisms of the Priory, the architect received the names of Antoni Placid Guillem. The following year, on 10 September 1853, Antoni Gaudí also received confirmation.
This is the oldest church in Reus, and is dedicated to the patron saint of the city San Pedro.
El día 26 de junio de 1852 Antoni Gaudí fue bautizado en esta iglesia. Levantada en el S. XVI, en estilo gótico tardío, tiene una nave única flanqueada por pequeñas capillas laterales. De acuerdo a lo que aparece en el Libro de Bautismos de la Prioral, el arquitecto recibió los nombres de Antonio, Plácido y Guillem. El año siguiente, el día 10 de septiembre de 1853, Antoni Gaudí también recibió la confirmación.
Esta es la iglesia más antigua de Reus, y está dedicada al patrón de la ciudad: San Pedro.
El 26 de juny de 1852 Antoni Gaudí va ser batejat en aquesta església. Construït al segle XVI, d'estil gòtic tardà, té una nau flanquejada per petites capelles. Segons el que apareix al Llibre dels Bautismes del Priorat, l'arquitecte va rebre els noms d'Antoni Placid Guillem. L'any següent, el 10 de setembre de 1853, Antoni Gaudí també va rebre confirmació.
És l'església més antiga de Reus i es dedica al patró de la ciutat de Sant Pere.
Reus (Tarragona/ Catalunya/ Spain)
Diego Rodríguez de Silva y Velázquez (Seville, baptized June 6, 1599 - Madrid, August 6, 1660) - The Three Musicians (1616-1618) - Oil on canvas 90.4 x 113.2 cm. - Gemäldegalerie, Berlin
Prima che Diego Velázquez fosse nominato pittore di corte a Madrid nel 1623, creò numerosi dipinti di genere a Siviglia con elementi di natura morta, i cosiddetti "bodegones". Francisco Pacheco elogiò le straordinarie capacità del suo allievo e genero in questo presunto genere inferiore e ha inserì i suoi quadri in una tradizione con la pittura antica. Quanto successo avessero già allora i »bodegones« è dimostrato dal fatto che solo cinque versioni dei "Drei Musikanten" sono sopravvissute. Sebbene l'immagine di Berlino sia considerata di altissima qualità, a causa dell'illuminazione incoerente e dell'incoerente spazio costruzione, l'esecuzione a mano messa in dubbio da Velázquez. Altri autori, invece, vedono questo come un'indicazione che si tratta di uno dei primi dipinti sopravvissuti,
Tre giovani musicisti si affollano intorno a un tavolo scarsamente apparecchiato in una stanza stretta e buia. I loro volti distintivi, modellati con forti aree di luce e ombra, risaltano con forza dalle superfici del muro grigio scuro dietro di loro. Sorridendo maliziosamente e tenendo in equilibrio con la mano sinistra un bicchiere pieno fino all'orlo, il ragazzo in piedi di fronte al tavolo chiede allo spettatore di ascoltare la musica concitata dei suoi compagni. Il musicista in fondo al tavolo canta alla chitarra con la bocca spalancata e gli occhi roteati in estasi, mentre un violinista coetaneo cerca di accompagnarlo. Sulla tovaglia verde sono disposti diversi oggetti a mo' di natura morta. Su un tovagliolo di stoffa bianca ben piegato da sotto il quale fa capolino un lucido piatto d'argento, giace un rotolo croccante. Un coltello è infilato sotto di esso, a portata di mano. Un altro coltello è bloccato nel mezzo di una scatola piatta e rotonda, accanto alla quale c'è un bicchiere a forma di imbuto mezzo pieno. La scena è completata da una scimmietta accovacciata dietro il ragazzo a sinistra e con in mano una pera. Imitando il ragazzo, guarda avanti fuori dal quadro.
Before Diego Velázquez was appointed court painter in Madrid in 1623, he created numerous genre paintings in Seville with still life elements, the so-called "bodegones." Francisco Pacheco praised the extraordinary abilities of his pupil and son-in-law in this supposedly inferior genre and placed his paintings in a tradition with Old Master painting. How successful the "bodegones" were even then is shown by the fact that only five versions of the "Drei Musikanten" have survived. Although the Berlin picture is considered to be of very high quality, due to the inconsistent lighting and the inconsistent construction space, the hand-painted execution cast doubt on Velázquez. Other authors, however, see this as an indication that it is one of the earliest surviving paintings,
Three young musicians crowd around a sparsely set table in a narrow, dark room. Their distinctive faces, modeled with strong areas of light and shadow, stand out powerfully from the surfaces of the dark gray wall behind them. Smiling mischievously and balancing a glass filled to the brim with his left hand, the boy standing in front of the table asks the viewer to listen to the excited music of his companions. The musician at the end of the table sings on his guitar with his mouth wide open and his eyes rolling in ecstasy, while a violinist of the same age tries to accompany him. On the green tablecloth, various objects are arranged in a still life style. On a neatly folded white cloth napkin from under which a shiny silver plate peeps out, lies a crispy roll. A knife is tucked under it, within easy reach. Another knife is stuck in the middle of a flat, round box, next to which is a half-full funnel-shaped glass. The scene is completed by a small monkey crouched behind the boy on the left and holding a pear. Imitating the boy, he looks ahead out of the picture.
This photo is dedicated to: Ida Mälarholm
She was baptized in this church. This is the same church as the famous singer Agneta Fältskog (from ABBA) was married at in 1990.
Ida was baptized here on 8/16/2008 and I am the proud godfather to her and.....she is one little gorgeous girl!!!!
Should be viewed on The Black Stuff
John the Baptist baptizing Jesus in the waters of the Jordan River - 1435 Masolino da Panicale - Collegiate Castiglione Olona (Varese)
Battistero - affreschi di Masolino da Panicale 1435
Baptistery - frescoes by Masolino da Panicale (1435)
Nato probabilmente dalla trasformazione in cappella gentilizia di una torre angolare del preesistente castello, il Battistero deve la propria celebrità al ciclo di affreschi con la Vita del Battista, datato 1435 sul sottarco e realizzato da Masolino da Panicale.
Sulle pareti della cappella si susseguono gli episodi più significativi della vita di san Giovanni, dall’Annuncio della sua nascita all’anziano Zaccaria, alla sepoltura. Le scene si compenetrano sfondando le pareti con architetture illusionistiche e paesaggi che sembrano realmente aprirsi davanti agli occhi dell’osservatore. Gli affreschi, destinati a una visione ravvicinata, sono ricchi di particolari raffinati, per i quali Masolino ha accompagnato l’uso della prospettiva scientifica ideata a Firenze da Filippo Brunelleschi con lavorazioni attinte all’oreficeria, secondo procedimenti caratteristici dell’arte tardogotica.
Sulle pareti del Battistero i protagonisti della storia sacra si mescolano a quelli dell’epoca di Masolino, con l’inserzione di ritratti e di riferimenti ai costumi e agli avvenimenti contemporanei, in cui Branda ebbe un ruolo di spicco. Il Banchetto di Erode si tramuta così in un convivio quattrocentesco, mentre Battesimo di Cristo, ambientato in un paesaggio che si perde all’infinito, è una scena carica di lirismo.
Probably built after the transformation in gentilitial chapel of a corner tower of the previous castle, the Baptistery owes its celebrity to the cycle of frescoes representing the Life of Saint John the Baptist, dated 1435 on the under-arch and executed by Masolino da Panicale.
The walls of the chapel contain the most significant episodes of Saint John’s life, from the annunciation of his birth to his old father Zachary to his burial. The scenes interpenetrate themselves without respecting the real distribution of space, breaking through the walls with illusionistic architectures and landscapes that really seem to unfold in front of the observer. Designed for a close-up look, the frescoes are an extremely refined work, rich in details, that Masolino achieved through an expert mixture of languages and techniques. He used the scientific perspective conceived in Florence by Filippo Brunelleschi, but also processes typical of goldsmith’s art, thus obtaining precious effects, typical of late Gothic art.
On the Baptistery’s walls the protagonists of sacred history are mixed together with Masolino’s contemporaries: the frescoes include portraits as well as references to 15th century events, in which cardinal Branda played an important role. The Banquet of Herod is then turned into a Renaissance symposium, while the Baptism of Christ, set in a landscape fading away in mountains, is a scene full of lyricism.
Daughtry-Baptized" Wild Heart"
En un lugar complicado, la luz del
Atardecer, ha dejado en tan sólo unos pocos minutos, una atmósfera fantastica y enigmática, bajo el Horizonte del W.
Exp; 30seg
Clima: 45% 15℃.
Samyang 24mm F/4
Serk
ND Reverse Grad 0.9
Haida ND 3.0