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Fantasy Unicorn Wallpapers HD Backgrounds
Fantasy Unicorn Wallpapers HD Backgrounds, 1920 x 1080, 686 KB, wall.alphacoders.com/by_sub_category.php?id=167186
Tile grid background. Suitable for website backgrounds, scrapbook and papercraft projects, retro designs and more.
Lots more free resources on my website!
Larger versions of this resource and more color variations available here:
creativemarket.com/rosebfischer/1482361-Colorful-Grid-Dig...
Background painting for Paulette's class. Used stencil for decorative swirl pattern. Again used the "koosh" ball for the "chicken scratching".
Vintage Backgrounds Wallpaper Cool Desktop
Vintage Backgrounds Wallpaper Cool Desktop, 1200 x 933, 348.09 KB,
Source: livinghistories.newcastle.edu.au/nodes/view/35720
This photograph was taken by a member of the University of Newcastle's former Medical Communication Unit. The original slide is held in Cultural Collections, Auchmuty Library, the University of Newcastle, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting Cultural Collections
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
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Grungy texture 2 graphic available for download at http://dryicons.com/free-graphics/preview/grungy-texture-2/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
Shaggy
Alcatraz - Milano
16 Ottobre 2013
ph © Mairo Cinquetti
© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com
With a commanding presence, a distinctive voice that is recognizable throughout the world and titles such as artist, businessman, philanthropist and Grammy Award winner, Shaggy is and has been a forced to be reckoned with. A son of the brambly streets of Kingston, Jamaica, his discipline-which he credits to his military background-has been the foundation of his success.
In 1993, Shaggy exploded on the music scene with his debut album “Pure Pleasure.” His remix of the Ska classic Oh Carolina from that album was an instant hit in England and other countries. Shaggy followed up with his sophomore album “Boombastic” in 1995. “Boombastic” went certified platinum, won a Grammy Award in 1996 for Best Reggae Album and topped an impressive chart list that included the Top 40 Rhythmic charts, Hot 100, Billboard 200, among others.
Wanting to take a more hands on approach with his career, Shaggy, along with his manager Robert Livingston and legendary producer Sting International formed Big Yard Music Group in 1996. With its state-of-the-art equipment and highly trained staff, Big Yard set out to “create a central space filled with opportunities” and has been instrumental in the careers of artists such as Brian & Tony Gold, Kiprich, Rayvon, Rik Rok and Voicemail. Today, the label is responsible for the careers of Richie Loop, Christopher Martin and D-Major.
With the formation of Big Yard Music Group and the success of “Boombastic,” Shaggy forged ahead and recorded his third installment “Midnight Lover” in 1997. Fast forward to 2000, Shaggy released his fourth album “Hotshot” on MCA Records label. “Hotshot” went Diamond worldwide and Platinum 6 times in the United States. Notable singles from that album included It Wasn’t Me and Angel. It Wasn’t Me received a Grammy nomination. Single Luv Me, Luv Me featuring Janet Jackson was released on the Soundtrack for the movie “How Stella Got Her Groove Back.” The album also won best selling album at the 2002 Juno Awards.
In 2002 and 2005 Shaggy released “Lucky Day” and “Clothes Drop” respectively. “Lucky Day” went certified Gold while single Strength Of A Woman made the Top 40 mainstream charts. “Clothes Drop” received a Grammy Nomination for Best Reggae Album. Thereafter, Shaggy busied himself in the studio recording his next album entitled “Intoxication.”
“Intoxication” was released in 2007 and debuted at number 1 on Billboard’s Top Reggae Albums chart, was nominated for Best Reggae Album at the 51st Grammy Awards in 2008 and was the number 1 download on UK iTunes Reggae chart. The first single, Church Heathen, from the album received rave reviews. The song peaked at number 1 on various music charts and won the Best Music Video at the International Reggae and World Music Awards in 2008. The second single Bonafide Girl also made its way to number 1 on music charts. That same year, Shaggy recorded and released single Feel The Rush which was used as the original anthem for the UEFA Euro Cup. The single was featured on various charts throughout Europe and India.
Undaunted by the success of his business ventures and his music, Shaggy has always lived on the premise that “to whom much is giving, much is required.” With this belief, Shaggy took on the role of philanthropist. What began as donations of medical equipment and visits to the Bustamante Hospital For Children to distribute gifts during the holidays, paint rooms, donate beds and creation of a garden, gave birth to the Shaggy Foundation. Developed in 2008, Shaggy recruited business associates, fellow recording artists and sponsors to assist in hosting an annual charity event in which all proceeds are donated to the hospital to help defray the cost of medical equipment. To date, the Shaggy Foundation has been instrumental in raising over $85 million (JMD = $1 million USD) for the hospital.
Shaggy sought other avenues to raise funds. For example, he co-wrote a book and CD set entitled “Shaggy Parrot and the Reggae Band.” Sales from the book and CD set benefits the Bustamante Hospital in Jamaica and Tatiana McIntosh Scholarship Fund in Florida. The book was also donated to basic schools in Jamaica to be used as part of their curriculum. Additionally, the artist partnered with Pan Caribbean Financial planners for their 11th annual SIGMA Corporate Run. With a 5k course that attracted 9500 runners, walker and wheelchair participants, the event raised $14 million (JMD)/$165,000 (USD) for the Bustamante Hospital.
Now at the peak of his career, Shaggy has been approached with various endorsement deals. This gave him the opportunity to flex his boardroom muscles, adding “businessman” to his repertoire. In 2009, he recorded single Fly High which was used in a television commercial for Ferrero Rocher’s Ice Cream Bar, Maxi King. Not only did he record the single to be used in the commercial, Shaggy also appeared in the 30 second advertisement. Fly High, which is available on iTunes and in rotation on MTV, was used for Ferrero’s trailer campaign on VIVA (a television network in Germany co-owned by Viacom). Shaggy also acted as the international icon for Ultimate Ear products for brand Logitech. In summer 2008, Shaggy contributed a song, which was a remake of the 1974 classic Kung Fu Fighting by Carl Douglas, for Pepsi Cola, He appeared in the television commercial alongside T-Pain and Tami Chynn.
An exemplary career that has spanned well over a decade, Shaggy has enjoyed cross-over success. But getting to the top hasn’t been easy, “everything changes when you are a reggae artist that falls under the American gaze. The recognition in Jamaica, while paramount, does not measure to the US’s validation of an artist.” This validation has catapulted Shaggy’s career – he is the only certified Diamond-selling Dancehall Reggae artist. However, Shaggy has remained humble, taking his career in strides. He has defied the odds, succeeded on his own terms and continues to break down barriers for those who dare to follow in his footsteps.
- dyed silk from a scarf, commercially dyed silk ribbon, organza, novelty yarn and wool roving on Kunin felt and Peltex
$45 A light-weight yet very roomy bag for carrying your clothes and equipment for the gym, whatever you need for an overnight stay, or a perfectly sized carry-on. It's created from a recycled rice bag that's been turned inside out. This “background” provides the canvas on which the Cambodian seamstresses create their colorful circuitous stitching throughout the bag’s exterior. Each bag is finished with contrasting piping which matches the interior. Handles are long enough to carry the bag over your shoulder. Sports a full-length zipper, interior lining with contrasting recycled fabric, a zipper compartlment and 2 pockets for cell phone and keys. 16" long x 8" wide x 10".
This bag was made under the auspices of an international relief organization that provides shelter, education, and jobs for trafficked and abused women in Cambodia. The organization employs about 40 women, many of whom have been rescued out of sexual trafficking. Whether trafficked or not these women have suffered extreme emotional or physical abuse. Because of that reason, their names have been changed. Most of the women share common experiences, such as that of Srey. She was orphaned as a young child when her father sold her at a border camp to an old woman who physically abused her. She was then sold into prostitution. Years later, she was given relief from her desperate conditions by the relief organization at its shelter. She was schooled in literacy, received health care, and later trained as a seamstress. She is now living a productive, healthy and free life. Your purchase helps continue these efforts for many more women like her.
Background services with identitypi.com provides accurate information like public records, criminal background check,instant people search and background check for employment verification.
This image looks static, but if you follow this link it will lead you to the customizable looping full HD background video that can be used as a background for your presentation, church projections and other projects: placdarms.lv/freebies/diagonal-lines-background/
shoot this pic only to prove that a Lumix full frame is also capable of apturing such fast moving objects
Sample Blue Background graphic available for download at dryicons.com/free-graphics/preview/sample-blue-background/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
Free to use for any reason bokeh backgrounds. Check out TheWriteMoms.com for more free stuff and to sign up for emails of new stuff.
Background formatted for the iPhone. Created from original photo here - www.flickr.com/photos/tomgehrke/5149515141/
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some Background:
The Lockheed F-94 Starfire was a first-generation jet aircraft of the United States Air Force. It was developed from the twin-seat Lockheed T-33 Shooting Star in the late 1940s as an all-weather, day/night interceptor, replacing the propeller-driven North American F-82 Twin Mustang in this role. The system was designed to overtake the F-80 in terms of performance, but more so to intercept the new high-level Soviet bombers capable of nuclear attacks on America and her Allies - in particular, the new Tupelov Tu-4. The F-94 was furthermore the first operational USAF fighter equipped with an afterburner and was the first jet-powered all-weather fighter to enter combat during the Korean War in January 1953.
The initial production model, the F-94A, entered operational service in May 1950. Its armament consisted of four 0.50 in (12.7 mm) M3 Browning machine guns mounted in the fuselage with the muzzles exiting under the radome for the APG-33 radar, a derivative from the AN/APG-3, which directed the Convair B-36's tail guns and had a range of up to 20 miles (32 km). Two 165 US Gallon (1,204 litre) drop tanks, as carried by the F-80 and T-33, were carried on the wingtips. Alternatively, these could be replaced by a pair of 1,000 lb (454 kg) bombs under the wings, giving the aircraft a secondary fighter bomber capability. 109 were produced.
The subsequent F-94B, which entered service in January 1951, was outwardly virtually identical to the F-94A. Its Allison J33 turbojet had a number of modifications made, though, which made it a very reliable engine. The pilot was provided with a roomier cockpit and the canopy received a bow frame in the center between the two crew members. A new Instrument Landing System (ILS) was fitted, too, which made operations at night and/or in bad weather much safer. However, this new variant’s punch with just four machine guns remained weak, and, to improve the load of fire, wing-mounted pods with two additional pairs of 0.5” machine guns were introduced – but these hardly improved the interceptor’s effectiveness. 356 of the F-94B were nevertheless built.
The following F-94C was extensively modified and initially designated F-97, but it was ultimately decided just to treat it as a new version of the F-94. USAF interest was lukewarm since aircraft technology had already developed at a fast pace – supersonic performance had already become standard. Lockheed funded development themselves, converting two F-94B airframes to YF-94C prototypes for evaluation with a completely new, much thinner wing, a swept tail surface and a more powerful Pratt & Whitney J48. This was a license-built version of the afterburning Rolls-Royce Tay, which produced a dry thrust of 6,350 pounds-force (28.2 kN) and approximately 8,750 pounds-force (38.9 kN) with afterburning. Instead of machine guns, the proposed new variant was exclusively armed with unguided air-to-air missiles.
Tests were positive and eventually the F-94C was adopted for USAF service, since it was the best interim solution for an all-weather fighter at that time. It still had to rely on Ground Control Interception Radar (GCI) sites to vector the interceptor to intruding aircraft, though.
The F-94C's introduction and the availability of the more effective Northrop F-89C/D Scorpion and the North American F-86D Sabre interceptors led to a quick relegation of the earlier F-94 variants from mid-1954 onwards to second line units and to Air National Guards. By 1955 most of them had already been phased out of USAF service, and some of these relatively young surplus machines were subsequently exported or handed over to friendly nations, too. When sent to the ANG, the F-94As were modified by Lockheed to F-94B standards and then returned to the ANG as B models. They primarily replaced outdated F-80C Shooting Stars and F-51D/H Mustangs.
At that time the USAF was looking for a tactical reconnaissance aircraft, a more effective successor for the RF-80A which had shown its worth and weaknesses during the Korea War. For instance, the plane could not fly at low altitude long enough to perform suitable visual reconnaissance, and its camera equipment was still based on WWII standards. Lockheed saw the opportunity to fill this operational gap with conversions of existing F-94A/B airframes, which had, in most cases, only had clocked few flying hours, primarily at high altitudes where Soviet bombers were expected to lurk, and still a lot of airframe life to offer. This led to another private venture, the RF-94B, auspiciously christened “Stargazer”.
The RF-94B was based on the F-94B interceptor with its J33 engine and the original unswept tail. The F-94B’s wings were retained but received a different leading-edge profile to better cope with operations at low altitude. The interceptor’s nose with the radome and the machine guns underneath was replaced by a new all-metal nose cone, which was more than 3 feet longer than the former radar nose, with windows for several sets of cameras; the wedge-shaped nose cone quickly earned the aircraft the unofficial nickname “Crocodile”.
One camera was looking ahead into flight direction and could be mounted at different angled downward (but not moved during flight), followed by two oblique cameras, looking to the left and the right, and a vertical camera as well as a long-range camera focussed on the horizon, which was behind a round window at port side. An additional, spacious compartment in front of the landing gear well held an innovative Tri-Metrogen horizon-to-horizon view system that consisted of three synchronized cameras. Coupled with a computerized control system based on light, speed, and altitude, it adjusted camera settings to produce pictures with greater delineation.
All cameras could be triggered individually by pilot or a dedicated observer/camera systems operator in the 2nd seat. Talking into a wire recorder, the crew could describe ground movements that might not have appeared in still pictures. A vertical view finder with a periscopic presentation on the cockpit panel was added for the pilot to enhance visual reconnaissance and target identification directly under the aircraft. Using magnesium flares carried under its wings in flash-ejector cartridges, the RF-94B was furthermore able to fly night missions.
The RF-94B was supposed to operate unarmed, but it could still carry a pair of 1.000 lb bombs under its wings or, thanks to added plumbings, an extra pair of drop tanks for ferry flights. The F-94A/B’s machine gun pods as well as the F-94C’s unguided missile launchers could be mounted to the wings, too, making it a viable attack aircraft in a secondary role.
The USAF was highly interested in this update proposal for the outdated interceptors (almost 500 F-94A/Bs had been built) and ordered 100 RF-94B conversions with an option for 100 more – just when a severe (and superior) competitor entered the stage after a lot of development troubles: Republic’s RF-84F Thunderflash reconnaissance version. The first YRF-84F had already been completed in February 1952 and it had an overall slightly better performance than the RF-94B. However, it offered more internal space for reconnaissance systems and was able to carry up to fifteen cameras with the support of many automatized systems, so that it was a single seater. Being largely identical to the F-84F and sharing its technical and logistical infrastructures, the USAF decided on short notice to change its procurement decision and rather adopt the more modern and promising Thunderflash as its standard tactical reconnaissance aircraft. The RF-94B conversion order was reduced to the initial 100 aircraft, and to avoid operational complexity these aircraft were exclusively delivered to Air National Guardss that had experience with the F-94A/B to replace their obsolete RF-80As.
Gradual replacement lasted until 1958, and while the RF-94B’s performance was overall better than the RF-80A’s, it was still disappointing and not the expected tactical intelligence gathering leap forward. The airframe did not cope well with constant low-level operations, and the aircraft’s marginal speed and handling did not ensure its survivability. However, unlike the RF-84F, which suffered from frequent engine problems, the Stargazers’ J33 made them highly reliable platforms – even though the complex Tri-Metrogen device turned out to be capricious, so that it was soon replaced with up to three standard cameras.
For better handling and less drag esp. at low altitude, the F-94B’s large Fletcher type wingtip tanks were frequently replaced with smaller ones with about half capacity. It also became common practice to operate the RF-94Bs with only a crew of one, and from 1960 on the RF-94B was, thanks to its second seat, more and more used as a trainer before pilots mounted more potent reconnaissance aircraft like the RF-101 Voodoo, which eventually replaced the RF-94B in ANG service. The last RF-94B was phased out in 1968, and, unlike the RF-84F, it was not operated by any foreign air force.
General characteristics:
Crew: 2 (but frequently operated by a single pilot)
Length: 43 ft 4 3/4 in (13.25 m)
Wingspan (with tip tanks): 40 ft 9 1/2 in (12.45 m)
Height: 12 ft. 2 (3.73 m)
Wing area: 234' 8" sq ft (29.11 m²)
Empty weight: 10,064 lb (4,570 kg)
Loaded weight: 15,330 lb (6,960 kg)
Max. takeoff weight: 24,184 lb (10,970 kg)
Powerplant:
1× Allison J33-A-33 turbojet, rated at 4,600 lbf (20.4 kN) continuous thrust,
5,400 lbf (24 kN) with water injection and 6,000 lbf (26.6 kN) thrust with afterburner
Performance:
Maximum speed: 630 mph (1,014 km/h) at height and in level flight
Range: 930 mi (813 nmi, 1,500 km) in combat configuration with two drop tanks
Ferry range: 1,457 mi (1,275 nmi, 2,345 km)
Service ceiling: 42,750 ft (14,000 m)
Rate of climb: 6,858 ft/min (34.9 m/s)
Wing loading: 57.4 lb/ft² (384 kg/m²)
Thrust/weight: 0.48
Armament:
No internal guns; 2x 165 US Gallon (1,204 liter) drop tanks on the wing tips and…
2x underwing hardpoints for two additional 165 US Gallon (1,204 liter) ferry tanks
or bombs of up to 1.000 lb (454 kg) caliber each, plus…
2x optional (rarely fitted) pods on the wings’ leading edges with either a pair of 0.5" (12.7 mm)
machine guns or twelve 2.75” (70 mm) Mk 4/Mk 40 Folding-Fin Aerial Rockets each
The kit and its assembly:
This project was originally earmarked as a submission for the 2021 “Reconnaissance & Surveillance” group build at whatifmodellers.com, in the form of a Heller F-94B with a new nose section. The inspiration behind this build was the real-world EF-94C (s/n 50-963): a solitary conversion with a bulbous camera nose. However, the EF-94C was not a reconnaissance aircraft but rather a chase plane/camera ship for the Air Research and Development Command, hence its unusual designation with the suffix “E”, standing for “Exempt” instead of the more appropriate “R” for a dedicated recce aircraft. There also was another EF-94C, but this was a totally different kind of aircraft: an ejection seat testbed.
I had a surplus Heller F-94B kit in The Stash™ and it was built almost completely OOB and did – except for some sinkholes and standard PSR work – not pose any problem. In fact, the old Heller Starfire model is IMHO a pretty good representation of the aircraft. O.K., its age might show, but almost anything you could ask for at 1:72 scale is there, including a decent, detailed cockpit.
The biggest change was the new camera nose, and it was scratched from an unlikely donor part: it consists of a Matchbox B-17G tail gunner station, slimmed down by the gunner station glazing's width at the seam in the middle, and this "sandwich" was furthermore turned upside down. Getting the transitional sections right took lots of PSR, though, and I added some styrene profiles to integrate the new nose into the rest of the hull. It was unintentional, but the new nose profile reminds a lot of a RF-101 recce Voodoo, and there's, with the straight wings, a very F-89ish look to the aircraft now? There's also something F2H-2ish about the outlines?
The large original wing tip tanks were cut off and replaced with smaller alternatives from a Hasegawa A-37. Because it was easy to realize on this kit I lowered the flaps, together with open ventral air brakes. The cockpit was taken OOB, I just modified the work station on the rear seat and replaced the rubber sight protector for the WSO with two screens for a camera operator. Finally, the one-piece cockpit glazing was cut into two parts to present the model with an open canopy.
Painting and markings:
This was a tough decision: either an NMF finish (the natural first choice), an overall light grey anti-corrosive coat of paint, both with relatively colorful unit markings, or camouflage. The USAF’s earlier RF-80As carried a unique scheme in olive drab/neutral grey with a medium waterline, but that would look rather vintage on the F-94. I decided that some tactical camouflage would make most sense on this kind of aircraft and eventually settled for the USAF’s SEA scheme with reduced tactical markings, which – after some field tests and improvisations in Vietnam – became standardized and was officially introduced to USAF aircraft around 1965 as well as to ANG units.
Even though I had already built a camouflaged F-94 some time ago (a Hellenic aircraft in worn SEA colors), I settled for this route. The basic colors (FS 30219, 34227, 34279 and 36622) all came from Humbrol (118, 117, 116 and 28, respectively), and for the pattern I adapted the paint scheme of the USAF’s probably only T-33 in SEA colors: a trainer based on Iceland during the Seventies and available as a markings option in one of the Special Hobby 1:32 T-33 kits. The low waterline received a wavy shape, inspired by an early ANG RF-101 in SEA camouflage I came across in a book. The new SEA scheme was apparently applied with a lot of enthusiasm and properness when it was brand new, but this quickly vaned. As an extra, the wing tip tanks received black anti-glare sections on their inner faces and a black anti-glare panel was added in front of the windscreen - a decal from a T-33 aftermarket sheet. Beyond a black ink wash the model received some subtle panel post-shading, but rather to emphasize surface details than for serious weathering.
The cockpit became very dark grey (Revell 06) while the landing gear wells were kept in zinc chromate green primer (Humbrol 80, Grass Green), with bright red (Humbrol 60, Matt Red) cover interiors and struts and wheels in aluminum (Humbrol 56). The interior of the flaps and the ventral air brakes became red, too.
The decals/markings came from a Special Hobby 1:72 F-86H; there’s a dedicated ANG boxing of the kit that comes with an optional camouflaged aircraft of the NY ANG, the least unit to operate the “Sabre Hog” during the Seventies. Since this 138th TFS formerly operated the F-94A/B, it was a perfect option for the RF-94B! I just used a different Bu. No. code on the fin, taken from a PrintScale A/T-37 set, and most stencils were perocured from the scrap box.
After a final light treatment with graphite around the afterburner for a more metallic shine of the iron metallic (Revell 97) underneath, the kit was sealed with a coat of matt acrylic varnish (Italeri).
A camouflaged F-94 is an unusual sight, but it works very well. The new/longer nose considerably changes the aircraft's profile, and even though the change is massive, the "Crocodile" looks surprisingly plausible, if not believable! And, despite the long nose, the aircraft looks pretty sleek, especially in the air.
These backgrounds are free to use and modify as you see fit. You do not have to link back to me or give me credit, but it would be really cool of you to do so.
Do NOT sell these, claim or distribute them as your own.
More freebies can be found in the grab bag section of my site.
You can find a layered PSD build file for most of my free backgrounds on my website. Don't see the colors you like? Customize your own!
Enjoy!