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So i loaded the camera with some film. Walking with the camera i noticed a sound from the backcover, meaning the light seals was not making enough pressure. A rewind the 19 frames, made new light seals and put the film back in. Going to develop next week.
"extimacy"
jun.jul.ago.2009
inviernosurveranonorte | ISBN 978-1-4092-8564-9
ON PAPER (bubok) * ON PAPER (lulu)
(ñ)
Extimacy: Extimidad. De ¿ex-timar?
Vínculos mutantes, hydralizados, relaciones translúcidas… filtradas, en plena alborada de reencuentros.
Risa fácil. Sílabas redundantes para una mueca permanente.
Maquillaje en fuga para comentarios de 140 caracteres.
Lo mío es tuyo y lo tuyo es mío. Éste es nuestro nosotros que por inclusivo no incluye a nadie.
La ubicuidad pide dieta en una ensalada inodora que no sabe a nada.
¿Hay vestiduras que rasgarse en plena desnudez sórdida?
following & followers. ¿Pero a quién le susurro, a quién confieso mis miserias?
¿Cómo hago para imaginar lo que veo que me muestras?
Como una de aquellas rutinas obscenas, todo lo compartimos para acabar, y cuán cierto, compartiendo nada.
¿La interacción permanente, volátil, compulsiva, va uncida al vaciamiento?
Asumido el reto y en pleno juego, juguemos: ¿Quién es más austero? ¿Quién más verdadero? ¿De qué depende?
¿Existe la posibilidad de otro desarrollo, de otro estado de cosas?
(e)
Extimacy: From ex-cheating/ ex-timing/ex-timid/ex-timate?
Mutant links, hydralyzed, translucid relationships… filtered, in full dawning of reencounters.
Easy laughter. Redundant syllables for a permanent grin.
Fleeing make-up for 140 character comments.
Mine is yours and yours is mine. This is our us, so inclusive it does not include anyone.
Ubiquity asks for a diet in an odourless salad without a taste.
Are there garments to rend in the middle of a sordid nudity?
Following & followers. But who do I whisper to, who do I confess my miseries to?
How can I imagine what I see you showing?
As one of those obscene routines, we share everything just to end up, and how true, sharing nothing.
Is the permanent, fleeting, compulsive interaction yoked to emptiness?
Challenge accepted and in the heat of the game, let’s play: Who is more austere? Who more real? What does it depend on?
Is there a possibility for another development, for another state of things?
# # #
edit(ing), direct(ing) + complements
art direct(ing) + design(ing)
colacao, correct(ing) + additional stuff
translat(ing)
original music
original video
listen(ing)
frontcover(ing) im(a)g & opening misticharacters x miguel ruibal
backcover(ing) im(a)g upcoming party by leonie polah
intimities from:
roman aixendri
brancolina
mara carrión
guillermo cruz
enrique cherta
hernán dardes
dou_ble_you
oriol espinal
hercules k.
cisco garcía
jonás d. garcía
jéssica lópez
nirvana sq
natalia osiatynska
paula palombo
alicia pallas
leonie polah
sabine portela
josean prado
fernando prats
miguel ruibal
jef safi
robert saucier
rivera valdez
carolina vega ramírez
contacting from...
a coruña
acuitzio del canje
amsterdam
antwerp
athens
barcelona
basauri
berlin
buenos aires
campredó
grenoble
london
madrid
montréal
san rafael
santiago de chile
tarragona
terrassa
valencia
viana do castelo
warsaw
# # #
YSE #20 Original Music | YSE #20 Original Video | YSElected videos
# # #
Official WEBsite | MySpace | Flickr Group | Facebook | Twitter
1950; Cleopatra's Nights edited by Allan Barnard. Cover art by Ray Johnson, Backmap where the Pagan Queen of Egypt lived and loved during the years 47 - 30 B.C. of the reign of Cleopatra VII of Egypt. Map partially based on endpaper map in E. Barrington, The Laughing Queen (N.Y. Dodd, Mead, 1929)
1958 PBO; Revenge by Jack Ehrlich. Lovely repeat of door and hand on the backcover. Cover art by Robert McGinnis
1960; The Entertainer by John Burke based on the play by John Osborne. Cover art by Edward Mortelmans. Starring Laurence Olivier and Joan Plowright. Both drawn by Mortelmans on the front-cover. See his picture of Laurence Olivier on the backcover!
Don't think I will get information on the soldier, but the photographer or, more accurately, his studio was well-known in the late 19th Century
Montabone was active from 1856 - 1877. He is considered one of the pioneers of Italian photography. He is particularly famous for his photos of Persia (1862).
While Luigi died in 1877, the studio continued until 1912. In 1892 it was run by Adolfo Majoni.
For more information:
it.wikipedia.org/wiki/Luigi_Montabone
www.lafotografiadigitale.it/tag/luigi-montabone/
www.beniculturali.it/mibac/export/MiBAC/sito-MiBAC/Conten...
The launch of Sputnik 1 on October 4, 1957 shocked the United States, triggering widespread public anxiety, with many fearing a Soviet technological superiority and the potential for missile attacks. The US responded by accelerating its own space program, bolstering science education, and increasing military spending.
The US quickly initiated Project Explorer, ultimately launching Explorer I in January 1958, just months after Sputnik. The fear of falling behind in the Space Race led to the creation of NASA in 1958 to consolidate civilian space efforts. Recognizing a need to develop a strong scientific and technological base to compete with the Soviet Union, the US made significant investments in science and engineering education at all levels. A potential “missile gap” led to increased spending on military technologies, including ICBMs and missile defense systems.
[Sources: Wikipedia, NASA.gov, and USMCU.edu]
1952 PBO; Anthology edited by Ray Bradbury. Timeless Stories for today and tomorrow. Cover art by Charles Binger
1952 PBO; The battle at Apache Pass novellization by Harold Conrad. Starring John Lund, Jeff Chandler and Susan Cabot. Movie Tie-in Photo cover
And done. My absolute favorite add in the whole thing is on the back cover. "Secret of a Beautiful Face."
Every lady desires to be considered handsome. The most important adjunct to beauty is a clear, smooth, and beautiful skin. With this essential, a lady appears handsome even if her features are not perfect. Ladies afflicted with Tan, Freckles, or a rough or discolored skin should lose no time in procuring and applying LAIRD'S BLOOM OF YOUTH. It will immediately obliterate all such imperfections, and is entirely harmless. It has been chemically analyzed by the Board of Health of New York City and pronounced entirely free from material injurious to the health of skin. Over Two Million Ladies have used this delightful toilet preparation and in every instance it has given entire satisfaction. Ladies, if you desire to be beautiful, give LAIRD'S BLOOM OF YOUTH a trial and be convinced of its wonderful efficacy. Sold by Fancy Goods Dealers and Druggists everywhere.
Don't go getting Tanned now. It just isn't Attractive. ;)
1958; Don't count the Corpses by Christopher Monig. Cover art by Robert McGinnis
original title: The Burned Man
White Rock Bottled Water dates to 1871, when pharmacist H.M. Colver founded the White Rock Company in Waukesha, Wisconsin. The water was sourced from a spring that the Potawatomi Indians believed had medicinal properties. White Rock originally started for health seekers and tourists, eventually in 1876 they started bottling the water. Over the years, White Rock became known for its iconic logo featuring Psyche, a nymph from Greek mythology, which debuted in 1894. The brand has had some notable moments in history:
•It was used to christen Gloria Vanderbilt in 1924.
•Charles Lindbergh carried a bottle of White Rock Sparkling Water on his historic 1927 Spirit of St. Louis flight.
•White Rock even featured Santa Claus in its advertisements as early as 1915, predating Coca-Cola's famous Santa campaigns.
As for today, White Rock is still around. The company now produces a variety of beverages, including mixers, seltzers, and craft sodas. It's amazing to see a brand with such a rich history still thriving.
[Source: WhiteRockBeverages.com]
“The Hunting of the Snark” is a nonsense poem which borrows the setting and some creatures and words from Lewis Carroll’s earlier poem “Jabberwocky” in his novel “Through the Looking Glass.” The plot follows a ship’s crew hunting the Snark, an animal which may turn out to be a highly dangerous Boojum. The only one of the crew to find the Snark quickly vanishes, leading the narrator to explain that it was a Boojum after all. The crew consists of ten members, whose descriptions all begin with the letter B: a Bellman, a “Boots,” a Bonnet-maker, a Barrister, a Broker, a Billiard-marker, a Banker, a Butcher, a Beaver, and a Baker.
The poem has been adapted for musicals, opera, plays, and music. In 1987, Mike Batt recorded a concert in Royal Albert Hall of the early stage album of his "Snark" project. This early concert stars John Hurt, Roger Daltrey, Justin Hayward, Deniece Williams, Captain Sensible, Julian Lennon, Midge Ure, and Billy Connolly, with Batt conducting the London Symphony Orchestra. The music/lyrics/orchestrations are by Mike Batt and are based on Lewis Carroll’s poem (as recited in the narration). Here is the production in its entirety: