View allAll Photos Tagged BackCover

1969; The Up-tight Blonde by Carter Brown. Cover art by Robert McGinnis

 

All images from this book.

 

EVIDENCE

Provenance evidence: Binding

Location in book: Back Cover

Date: 1475

Geographic location:: Geislingen, Germany

Binder: Richenbach, Johannes, -1486

 

COPY

Repository: Walters Art Museum

Call number: J36 91.646

Copy title: Sermones dominicales

Author(s): Jacobus de Clusa

Published: Conrad Mancz, Blaubeuren

 

FIND IN POP

Walters Art Museum

Walters Art Museum J36 91.646

Jacobus de Clusa

Sermones dominicales

Blaubeuren

Conrad Mancz

Binding

Back Cover

1475

Geislingen, Germany

Richenbach, Johannes, -1486

 

1951; Shadow on the Range by Norman A. Fox. Cover art by Robert Stanley

1961; Tales of Mystery and Imagination by Edgar Allan Poe. Movie Tie-in with backcover. Cover art by Henry Fox

Unedited watercolored cover/backcover for Jim Hamilton's album, "Poems About The Ocean" coming out on AST Records July 31st.

www.astrecords.com

Published in January 1894 by The Historical Publishing Company, author J. W. Buel, this book contains 300 photographs of the Chicago World's Fair in 1893 and the California Midwinter Fair in 1894.

 

The Columbian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus' arrival in the New World in 1492. At the core of the fair was an area that quickly became known as the White City for its buildings with white stucco siding and its streets illuminated by electric lights.

 

The California Midwinter International Exposition—also known as the Midwinter Fair—was held in San Francisco’s Golden Gate Park from January 27 to July 4, 1894. Following on the heels of the World’s Columbian Exposition, it showcased selected exhibits from Chicago’s spectacular commemoration of the 400th anniversary of Columbus’s journey to America as well as an impressive number of new exhibits at its specially constructed fairground, Sunset City.

 

Title: Photographs of Western India. Volume I. Costumes and Characters. [backcover]

 

Creator: Johnson, William

 

Date: ca. 1855-1862

 

Part Of: Photographs of Western India

 

Series: Photographs of Western India. Volume I. Costumes and Characters.

 

Place: India

 

Physical Description: 42 x 35 cm

 

File: vault_ag2002_1407x_1_087_backcover_opt.jpg

 

Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.

 

For more information, see: digitalcollections.smu.edu/cdm/ref/collection/eaa/id/780

 

View the Europe, Asia, and Australia: Photographs, Manuscripts, and Imprints Collection

1960; Something Wild by Alex Karmel. unknown Artist. Movie Tie-inn with Carroll Baker

Superman / Heft-Reihe

[Die deutschen Superman/Batman Comics hatten immer nur 32 Seiten inclusive Cover. In den Heften fangen die Geschichten meist auf der Rückseite des Covers an und laufen normalerweise auch bis zur Rückseite des Backcovers oder bis zum Backcover.]

> Superman / Die Superman Story

(reprint from Superman #146 )

art: Al Plastino

> Superman / Wie Clark Kent Reporter wurde

(reprint from Superman #133 )

art: Al Plastino

> Superman / Mampf das rätselhafte Ungeheuer

(reprint from Superman #177 )

art: Curt Swan, George Klein

EHAPA Verlag

(Stuttgart / Deutschland; 1966-1985)

ex libris MTP

www.comics.org/issue/300653/

GENE VINCENT'S 115TH DREAM was recorded on February 1, 1985, at Cherry Studios in Croydon with Mike Spenser (owner of Hit Records, and singer in the Cannibals and the Count Bishops), and Dave Goodman (former Sex Pistols soundman and cohort of Malcolm McLaren) at the mixing desk. The packaging of the record was a true ensemble effort: Spenser, Alec Palao (of the Sting-Rays), Todd and John arranged the front cover collage at Alec's flat. John's friend Therese Lynch took the photo of the collage. Alec's flat-mate drew the silly caricatures on the back cover, which, along with the record label, was put together by Alec and John at Ace Records' office (they had a typewriter). Todd designed the band logo used on the front and back (he also made the Huns badge, featuring the logo he painted on his leather jacket).

 

Spenser took the art work and added the colors, claiming the orange, pink and green tones would stand out in the "H" section of record store bins. He took the art and the master to a record pressing plant in Dagenham, Essex, where John picked up several white label copies in July. The finished product was then delivered to BACKS, a distributor in Norwich affiliated with Rough Trade Records' "Cartel" of independent distributors. One thousand copies were apparently made. John saw the album arrive at the record shop where he worked in early August, and Lynn Van Deventer saw copies shortly after in a shop near Piccadilly Circus. A certain number of copies were exported around the world: John received letters from Scotland, Australia, and Texas.

1955 PBO; Atlantic Avenue by Albert Halper. Cover art by Arthur Shilstone.

 

GREAT COVERART !!

Catch Bull at Four

Stevens, Cat

A&M SP-4365

1972

Organ Stop Pizza Presents Ron Rhode

Rhode, Ron

OSP OSP 102

1973

 

Suitable for framing.

Back Cover of the BLB "Tarzan Escapes," published by the Whitman Publishing Co. of Racine, Wisconsin.

 

An expedition led by Captain Fry seeks to bring Jane back to civilization, and Tarzan into captivity, but the captain gets more than he bargained for.

 

Here is a scene with Tarzan and Jane waking in the treehouse:

www.youtube.com/watch?v=7PuSGJGyu0c

in 1981. Backcover of a comicbook.

Here You Come Again

Parton, Dolly

RCA AFL1-2544

1977

1959; Detail Backcover by Mitchell Hooks in black & White

Fortune 410

Iris, Donnie

MCA MCA-5427

1983

1977 2nd print; The second Book of Robert E. Howard edited by Glenn Lord. Cover art on front and backcover by Jeff Jones.

1965; Catch me a Phoenix! by Carter Brown. Cover art by Robert McGinnis. Front and backcover

Cue Don Draper!

 

The ads in this issue of Popular Photography are so interesting: Lots of them are for slide projectors, 8mm movie cameras, and weirdly, reel-to-reel tape recorders. Out of all of those, the "Carousel" was the one that had legs.

 

My tribute: vimeo.com/155318970

1963; Marked for Murder by Brett Halliday. Cover art by Robert McGinnis.

Sri Lankan cricketer Mahela Jayawardene holds his smartphone decorated with the image of his family (wife Christina Sirisena , daughter Sansana and himself) during an interview at Sri Lanka Cricket board on August 21, 2014. Jayawardene, 37, retired from Test cricket after playing his last Test match against Pakistan last 18th of August. (Pic by – Sanka VIDANAGAMA)

 

All Rights Reserved © 2014

 

Visit - www.facebook.com/sankavidanagamaphotography

1975 2nd print; Worms of the Earth by Robert E. Howard. Featuring Bran Mak Morn the King of the Picts. Front and Backcover art by Jeff Jones. Special illustrated edition by David Ireland,

1958 PBO; China Doll by Edgar Jean Bracco. Cover art by Lu Kimmel. Movie Tie-in starring Victor Mature and introducing Li Li Hua. Screenplay by Kitty Buhler. Based on a story by James Benson Nablo and Thomas F. Kelly.

True Confessions

Bananarama

London 820036-1

1984

1950; The Farmhouse by Helen Reilly. Cover Art by Reynold Brown

Time Passages

Stewart, Al

Arista AR 4190

1978

www.iphoneshopusa.com

 

Reference : IP-223

 

Black iPhone 4 Complete Glass Back Cover Remembering Steve Jobs 1955 - 2011. Complete replacement back cover. Not just the glass.

Part of the Senior City album

"Sundblom’s Santa debuted in 1931 in Coke ads in 'The Saturday Evening Post' and appeared regularly in that magazine, as well as in 'Ladies Home Journal,' 'National Geographic,' 'The New Yorker' and others.

 

"From 1931 to 1964, Coca‑Cola advertising showed Santa delivering toys (and playing with them!), pausing to read a letter and enjoy a Coke, visiting with the children who stayed up to greet him, and raiding the refrigerators at a number of homes. The original oil paintings Sundblom created were adapted for Coca‑Cola advertising in magazines and on store displays, billboards, posters, calendars and plush dolls. Many of those items today are popular collectibles.

 

"Sundblom created his final version of Santa Claus in 1964, but for several decades to follow, Coca‑Cola advertising featured images of Santa based on Sundblom’s original works. These paintings are some of the most prized pieces in the art collection in the company’s archives department and have been on exhibit around the world, in famous locales including the Louvre in Paris, the Royal Ontario Museum in Toronto, the Museum of Science and Industry in Chicago, the Isetan Department Store in Tokyo, and the NK Department Store in Stockholm. Many of the original paintings can be seen on display at World of Coca‑Cola in Atlanta, Ga. . ." [From the Coca-Cola Company's website]

 

Barbara Nichols poses for the backcover of Blighty Pinup and Cartoon Annual (year unknown)

 

en.wikipedia.org/wiki/Blighty

 

www.youtube.com/watch?v=-lKqOp5q74A

Listen

Flock of Seagulls

Arista JL8-8013

1983

1956; The Girl with the frightened Eyes by Lawrence Lariar. Cover art by Ray Johnson.

Turn of the century photo, the photographer, Alvino, was originally from Naples. His studio was active from 1883 to 1915.

More information: www.gri.it/fotografi-in-italia-1839-1939/toscana/firenze/...

Unfortunately whatever was written on the back is completely illegible.

For more Pamela, click on her album below. (To access her album on your iPhone, click on the information icon at the bottom of this screen; then, when your next screen appears, scroll down just a bit, and you'll see her "album.")

 

All images from this book.

 

EVIDENCE

Provenance evidence: Binding Waste

Location in book: Back Cover

Transcription: LEFT COLUMN:

In iacob inhabita & in

Isr[ael] hereditate et i[n] el[e]ctis

meis mitte radices. Et

sic in syon firmata su[m]

et in ciuitate s[an]c[ti]ficata

 

RIGHT COLUMN:

det exercitus angelo

Congaudent a

chori gl[ori]ose uir

Que sine uirili com

genuit Filiu[m] qui su

 

COPY

Repository: Penn Libraries

Call number: ND1500 .B65 1650

Collection: Smith Collection

Copy title: Illuminirbuch kunstlich alle Farben zu machen und bereyten

Author(s): Boltz, Valentin, -1560

Published: Bey Jorg Singer und Christoff Lochner zufinden, Nuremberg

 

COMMENT

Portion of an early (14th- or 15th-century?) parchment leaf from a liturgical manuscript, possibly a breviary, with text ruled in ink and written in double columns in a Gothic bookhand in dark ink with rubrics, two-line initials and capital strokes in red ink. Text on right board: partial text of reading from Ecclesiasticus 24:11-20, partial text of gradual, and partial text of sequence, all for the Feast of the Assumption.

 

FIND IN POP

Penn Libraries

Penn Libraries ND1500 .B65 1650

Smith Collection

Boltz, Valentin, -1560

Illuminirbuch kunstlich alle Farben zu machen und bereyten

Nuremberg

Bey Jorg Singer und Christoff Lochner zufinden

Binding Waste

Back Cover

 

2023 NATIONAL POLICE WEEK photography calendar by ELVERT BARNES featuring images from 31st NATIONAL POLICE WEEK 2022 Back Cover

 

www.lulu.com/shop/elvert-barnes/2023-national-police-week...

Golden Greats

The Ventures

Liberty LRP-2053

1967

1978 2nd print; The Nemesis of Evil by Lin Carter. Cover art by Don Mait

Disraeli Gears

Cream

ATCO SD 33-232

1967

1953; Gunsight by Frank Gruber. Cover art by Rudy Nappi

1 2 ••• 4 5 7 9 10 ••• 79 80