View allAll Photos Tagged BackCover

And here the moment that my dream of ever repairing this Iskra came to a bitter end (sob) !

 

Shown by the red arrows are 2 holes. What i can guess is that in this place was an axle with gear(s) which would transfer the movement of the Film Measurement Wheel to the Counter/Blocking mechanism. Alas, its completly removed.

 

From here on i have still only one solution to ever use this camera and thats placing a red window in the backcover.

 

If someone by any chance has lying this missing geartrain around, please let me know !

James Avati at Work. Photo by Stanley Meltzoff.

1960; The Family nobody wanted by Helen Doss. Backcover with a photo of Helen and Carl Doss and the kids

Mount Tabor Park 2017 Calendar Back Cover. The park covers 190 acres, offering many recreational amenities including paved and unpaved trails, play areas, basketball court, tennis courts and picnic areas. For over 100 years, the reservoirs functioned at the heart of Portland’s drinking water supply, balancing the flow of drinking water from the source at Bull Run. The Portland Water Bureau disconnected the reservoirs and removed them from the City's water distribution network in 2016.

1949; Alder Gulch by Ernest Haycox. Cover art by Bob Meyers with mapback from 1863

Bantam was one of the first who started to treat the backcover as an integral part of the overall cover design. Art director who was responsible for that was Leonard Leone around 1952. [Source The Book of Paperbacks by Piet Schreuders]

 

'Grand Canary' by A.J. Cronin, Front AND Backcover by Mitchell Hooks.

Sittin' In

Loggins & Messina

Columbia C 31044

1972

1957 PBO; Murder in Red by Frank Castle. unknown Artist

Värnamo Konfektion's magazine Tonårston , spring 1961.

Keeping Our Love Warm

Captain & Tennille

Casablanca NBLP-7250

1980

Even as a youngster, my eyes could not focus clearly on the mouse type employed in these ads. Finally with modern technology I can scan them and zoom in to read what I missed.

Featured in Book: Introduction to Mirrored Strings.

+ The X-Men + The Surfadelics + Thee Milkshakes + The Sting-Rays + The Cannibals + The Creepshow + Bad Karma Beckons

The concept of the back cover was created by Jose Fredi Hernandez. The photo was taken by Terence Lee.

 

The photo was inspired by the several alcohol ads that one sees in a magazine. The ad reads simply as “Bold. Redefined” to continue the concept that the book is bolder and different than previous years. The cap of the bottle contains the words “92 BruinLife” to represent the current edition of the book. The 2011 BruinLife contains more personal stories and sensitive topics so the fine print below the logo advices the reader to “read responsibly” as in to read with care.

 

Strobist Info:

Hot Light | 1/1 | Bottle Left | Softbox

Hot Light | 1/1 | Bottle Right | Softbox

Impact 400Ws | 1/4 | Bottle Back | Grid

Triggered by Phottix Tetra

Too Late The Hero

Entwistle, John

ATCO SD 38-142

1981

1952, Marianne by Rhys Davies. unknown Artist

Paperbacks: U.S.A. An Exhibition of Covers

 

September 1959/April 1961

 

Design by Philip Grushkin

Back cover for my business book...

Nearing the planet Eminiar VII, the crew of the Starship Enterprise picks up a message coded 710, clearly warning them that under no circumstances should they continue their approach. But an overzealous Federation Ambassador orders Captain Kirk to disregard the message and beam down to the planet's surface.

 

There, Kirk and his landing party are held captive and find themselves unwilling participants in an intergalactic war that the Eminians have been fighting for nearly 500 years. A war unlike any other. A war with battles , but no blood. A war with death, but no killings. Where not a single shot is fired, yet casualties number in the millions. A war without destruction, yet thousands are destroyed. It all seems some kind of incredible game until the Starship itself becomes a vulnerable target caught between two belligerent enemies.

1955; Live bait for Murder by William Herber. Back and frontcover by Mitchell Hooks.

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