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BELINA SVETA I PAPIRA
Posle tri pesničke knjige: "Krugovanje" (1993, 1998, 2000), "Sunce sebe gleda" (1999) i "Znak i njegova deca" (2000), Dejan Stojanović se još jednom upustio u neponovljivu avanturu stvaranja--odnosno tvorenja. Demijurški izazov koji se nalazi u biti svakog stvaralastva, u ovoj knjizi je dvostruko ostvaren. Pesnik ovom knjigom tvori svoj poetski svet—jedno pusto prostranstvo (konkretnije belinu papira) naseljava duhom i smislom, a s druge strane, segnuvši duboko u dijahroniju prati nastanak pravog sveta i svemira.
Zbirka pesama "Tvoritelj" uglavnom se sastoji od kratkih pesama, međutim, na idejno-tematskom planu ona se može posmatrati i kao jedna jedinstvena poetska celina. Da bi i na jezičkoj ravni istakao drevnost vremena, stihozbirka obuhvata (a postoji li veća drevnost od perioda nastanka svemira, a time i našeg sveta), Stojanović svoju poetiku bazira na samim temeljima čovekove spoznaje sveta: vodi, vatri, zemlji i vazduhu.
Stojanovićev, odnosno "Tvoriteljev", svet je na izvestan način "svet pre sveta"—svet koji još nije spoznao sebe. O tome svedoče stihovi iz pesme "Dan i mrak" . . . "Tišinu koju niko nije čuo / Mrak koji niko nije video / Uspavani mrak / Sebe čeka".
Dejan Stojanović je zbirkom pesama "Tvoritelj" uspostavio veze i relacije, sklad i harmoniju između duha i materije, dajući i jednom i drugom ono mesto koje im pripada—prvo. Jer, kao sto se ideja ne moze ovaplotiti bez materije, tako ni poetska inspiracija ne moze činiti umetničko delo za sebe, dok ne prozbori kroz um i ruku pesnika. Mogli bismo reći da je "Tvoritelj" plod velike usaglašenosti pesnikove inspiracije, uma i ruke koja ispisuje belinu sveta i papira.
-Oliver Janković
Borba, 28, 29, 30. 11. 2000.
HIS WIFE? Now she lay dead, murdered!
HIS MISTRESS? She was ready to die to save him from the electric chair!
THAT LOVELY BARROOM PICKUP? She held his fate in her teasing hands!
A KILLER just can’t vanish! Henderson knew it, as he waited in the death house. Detective Burgess knew it, with his hard cop’s code: “Killer’s not to reason why, killer’s but to do – and fry!
Yet all the frantic searching had produced no other suspect, not even that tantalizing girl in the bar. She was Henderson’s only alibi – and to save his life, he could not conjure her up for the police!
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Cornell George Hopley Woolrich (1903-1968) was an American novelist and short story writer. He sometimes used the pseudonyms William Irish and George Hopley. His biographer, Francis Nevins Jr., rated Woolrich the fourth best crime writer of his day, behind Dashiell Hammett, Erle Stanley Gardner, and Raymond Chandler.
r.i.p. danny federici (organist with bruce springsteen and the e street band for 40 years)
:-(
Janey said it was time to go
So we closed our eyes and said goodbye to gypsy angel row, felt so right
Together we moved like spirits in the night, all night
Baby don't know what they can do to you
Spirits in the night, all night
Stand right up and let it shoot right through you...
"Spirit in the Night," from Greetings from Asbury Park
Marketing strategies have evolved, yet the allure of luck and love remains timeless. Intriguing ads from the mid-20th century could often be found in pulp magazines or digest-sized publications like Curtis Warren’s. They were part of a broader trend of marketing exotic or mystical items to appeal to people’s curiosity and belief in luck or supernatural influences.
1951; The Neat Little Corpse by Max Murray. Cover art by Robert Stanley.
++ request by Woman in the Woods++
"Sundblom’s Santa debuted in 1931 in Coke ads in 'The Saturday Evening Post' and appeared regularly in that magazine, as well as in 'Ladies Home Journal,' 'National Geographic,' 'The New Yorker' and others.
"From 1931 to 1964, Coca‑Cola advertising showed Santa delivering toys (and playing with them!), pausing to read a letter and enjoy a Coke, visiting with the children who stayed up to greet him, and raiding the refrigerators at a number of homes. The original oil paintings Sundblom created were adapted for Coca‑Cola advertising in magazines and on store displays, billboards, posters, calendars and plush dolls. Many of those items today are popular collectibles.
"Sundblom created his final version of Santa Claus in 1964, but for several decades to follow, Coca‑Cola advertising featured images of Santa based on Sundblom’s original works. These paintings are some of the most prized pieces in the art collection in the company’s archives department and have been on exhibit around the world, in famous locales including the Louvre in Paris, the Royal Ontario Museum in Toronto, the Museum of Science and Industry in Chicago, the Isetan Department Store in Tokyo, and the NK Department Store in Stockholm. Many of the original paintings can be seen on display at World of Coca‑Cola in Atlanta, Ga. . ." [From the Coca-Cola Company's website]
what do you write here?
i usually try some new pensils or markers, post strange stickers (like price) sometimes... but often it's almost blank
Artwork from the back cover of Amon Duul 2
Dance of the Lemmings
alas not the LP but some rather cool bonus tracks : )
1952; Headline Crimes of the Year by Edward D. Radin. No 'copy'- 'paste' on this scan but the front cover is of the first print-edition (Popular Library 470) and the backcover is of the second print (Popular Library 1470). On the second print they added a black&white drawing on the backcover! Cover art by Paul Kresse.
1957; Backcover detail by Mitchell Hooks Published by Bantam as "Ten North Frederick" writen by John O'Hara.
A look at the backside with the backcover removed.
The measuring wheel for the frame counter has sharp spokes who, at least in my case, will perforate the film in the camera !
Iskra's were often used by professional photographers in de USSR so the wear and tear on them can be quite heavy.
This particular Iskra looked reasonably well from the outside.
This is the first ever color edition of the Meadowlark. Front cover always displays artwork. Three more of my photos are inside. I like this publication since they publish photos of some of the more unusual birds and behaviors.
Looking for time to get new photos...too busy lately. No need for comments here. Just documenting.
My stocklist
1952; America's cities of Sin, Anthology edited by Noah Sarlat. Backcover remains me a bitt of the Mapbacks published by Dell.
BELINA SVETA I PAPIRA
Posle tri pesničke knjige: "Krugovanje" (1993, 1998, 2000), "Sunce sebe gleda" (1999) i "Znak i njegova deca" (2000), Dejan Stojanović se još jednom upustio u neponovljivu avanturu stvaranja--odnosno tvorenja. Demijurški izazov koji se nalazi u biti svakog stvaralastva, u ovoj knjizi je dvostruko ostvaren. Pesnik ovom knjigom tvori svoj poetski svet—jedno pusto prostranstvo (konkretnije belinu papira) naseljava duhom i smislom, a s druge strane, segnuvši duboko u dijahroniju prati nastanak pravog sveta i svemira.
Zbirka pesama "Tvoritelj" uglavnom se sastoji od kratkih pesama, međutim, na idejno-tematskom planu ona se može posmatrati i kao jedna jedinstvena poetska celina. Da bi i na jezičkoj ravni istakao drevnost vremena, stihozbirka obuhvata (a postoji li veća drevnost od perioda nastanka svemira, a time i našeg sveta), Stojanović svoju poetiku bazira na samim temeljima čovekove spoznaje sveta: vodi, vatri, zemlji i vazduhu.
Stojanovićev, odnosno "Tvoriteljev", svet je na izvestan način "svet pre sveta"—svet koji još nije spoznao sebe. O tome svedoče stihovi iz pesme "Dan i mrak" . . . "Tišinu koju niko nije čuo / Mrak koji niko nije video / Uspavani mrak / Sebe čeka".
Dejan Stojanović je zbirkom pesama "Tvoritelj" uspostavio veze i relacije, sklad i harmoniju između duha i materije, dajući i jednom i drugom ono mesto koje im pripada—prvo. Jer, kao sto se ideja ne moze ovaplotiti bez materije, tako ni poetska inspiracija ne moze činiti umetničko delo za sebe, dok ne prozbori kroz um i ruku pesnika. Mogli bismo reći da je "Tvoritelj" plod velike usaglašenosti pesnikove inspiracije, uma i ruke koja ispisuje belinu sveta i papira.
-Oliver Janković
Borba, 28, 29, 30. 11. 2000.