View allAll Photos Tagged AutoFocus
Nikon D7100 - Autofocus system and tracking moving subjects, using AF-C Autofocus Mode and "9-Point Dynamic-Area AF" Autofocus Area Mode, and Continuous (CL) Release Mode.
Learn more about the D7100, and taking advantage of all its features and functions, on my blog Picturing Change.
Sore itu, seperti biasanya, KRD Bojonegoro dengan lelahnya berhenti di Stasiun Kandangan. Sesegera mungkin penunggang-penunggang kuda besi segera berkemas, lalu turun. Sayang sekali, kondisi peron yang kurang memanusiakan manusia ini, keberadaannya malah tak banyak membantu. Sungguh merana nasib ibu yang satu ini, sebagai konsumen setia PT KAI. Setelah melalui perjalanan panjang yang melelahkan, lalu sampai di tempat tujuan, malah tak disambut bak raja dan ratu. Padahal kita selalu ingat, jargon yang selalu ada di pikiran orang banyak. KONSUMEN ADALAH RAJA.
A simulated image of the Nikon D5200 viewfinder, showing the location of all the 39 autofocus focus points. (Image shown at 75% opacity to better view AF points.)
Learn how to take control of the Nikon D5200 autofocus system with this article on my blog Picturing Change.
From Autofocus: The Car in Photography (2019) by Marta Weiss, published by Thames & Hudson in association with the V&A.
If you'd like to purchase rights to this photo or any others from me please feel free to email me at Zazii529@live.com
If you enjoyed this picture check out my other work here: www.flickr.com/photos/129744044@N07/sets/
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+ 70000 displays albums, galleries and photos: Thanks for your visits, comments, awards, invitations and favorites.
Autofocus seems to get used to them slowly, another week or two and
I hope I'll be able to focus on spring flowers!
I was happy to see they made it and didn't drown.
Nikon D800 with lens Leica E Elmarit 180mm f/2.8 converted to Nikon F mount with Leitax bayonnet. Lens was mounted on modified Teleconverter TC-16A to provide semi-autofocus function driven by motor of D800! Practically I was shooting with an Autofocus lens 290mm f/4.2
Taken hand held with prefocusing manually and autofocusing automatically by camera body when pressing the shutter. ISO 500, 1/1250sec, at f/5.6. Image is a cropped image (50% of original).
If you read 30 year old literature from Nikon, this teleconverter was invented as a temporary solution to make manual AIS lenses work as Autofocus lenses. Actually it is autofocus as long as you pre-focus the lens close enough from focus point. The optics inside the TC-16A will move back and forth to finetune the optical focused image. It works as long as you modify the TC-16A according to the instructions provided here:
www.foolography.com/free-stuff/modify-tc-16a/
In my case I just bought a teleconverter already modified on ebay (easy to find) for $250.
Some restrictions and limitations I discovered:
- only center of picture of FF camera will be sharp. For portrait or animal pictures this does not bother me but for landscape that would be a problem. DX camera would do very well with crop factor.
- optimum aperture of lens is F/5.6. As a matter of fact the TC-16A will make lose 1.2 stop of light and will allow the D800 or D4 to function at their limit capability (f/8). on D700 or D300, f/4 would be the max limit of the aperture to use to still benefit of AF function.
- To avoid the FEE error message of the Camera body, when mounted with TC-16A, one must program the camera body using f9 function of menu to set the aperture control from the aperture ring instead of the sub-command dial. In mode A or M, the combination will work perfectly as it was a normal Nikon lens with aperture ring. The exif data will show a default 145mm focal length and f/4 value programmed in the TC16-A modified but will not alter the correct exposure calculated by the camera.
The very good news is that all Nikon AiS lenses with sufficient space at rear of lens to allow protruding part of RC-16A optics to fit inside, will work. This extends to Zeiss ZF, "Leitaxed" Leica R lenses, Mamiya 645 lenses converted to F mount!
Yes, I am very happy to have finally found a way to solve 80% of my focusing problems when using MF lenses on D800/D800E I have to accept however a slight degradation of the original optical quality of the lens and the change of focal length (x1.6). If I want perfect focus 100% of the time while keeping original quality of lens and focal length, then I use the Live view mode with zoomed image inspected through a loupe (example Hoodman).
Manufactured from 1985 to 1988 by Minolta Camera Co. of Osaka, Japan. While other manufactures were all entrenched working on autofocus lenses for their line of 35mm SLRs, Minolta quietly rocked the industry back on it’s heels with the introduction of the first in-body autofocus system for 35mm SLRs. It was a bold and risky move—Minolta changed from their beloved MC/MD lens mount to an mechanical/electronic “A” mount. The camera featured many other “firsts” other than the autofocus that today we think of as standards. It had an in-body winder providing film advance and motorized rewind. To make room for the needed battery power, they made use of a grip on the right side of the camera—today, most cameras have a grip of this type whether the batteries are there or not! It featured pushbutton controls instead of dials and had a large, external LCD display.
What’s in a name? More correctly, what’s in how you write that name? In Europe it was called the “7000 AF” and in Japan the “Alpha 7000” (and you thought Sony came up with that all by themselves!). In North America, Minolta chose to market it with the Maxxum name. In spelling the name on the body of the camera, the decision was made to use an interlocking double “x” (as this example has—see picture). Looks nice until Exxon sees it in a print ad. The interlocking double “X” had been an Exxon trademark for some time. While Exxon did sue, they and Minolta came to a gentlemen’s agreement on the problem. Minolta apologized and agreed to change the logo-type to strait “xx”. And Exxon allowed Minolta to leave what had been sold by that point out there and only change new and undistributed stock. I wonder if it would have been settled the same way today…
The unique in-camera autofocus system relied on a semi-silvered pattern on the mirror (shown here) that allowed a portion of the image to transmit thru the viewing mirror onto a smaller “piggy back” mirror that reflected that broken image down into the bottom of the mirror box to a set of beam splitters and CCD devices. Basically, it focuses by looking for an area of contrast and focusing it to the finest detail (i.e. a hard edge) and the focus point of the lens. Very cool—works with ANY lens on the camera. The “A” mount also provided data to the camera about focal length, zoom position and aperture settings. Seems another company decided this was too close to their patent and sued. And let’s just say they we’re not as nice as Exxon. Unfortunately for Minolta, its autofocus design was found to infringe on the patents of Honeywell and in 1991, Minolta was ordered to pay Honeywell damages, penalties, trial costs and other expenses in a final amount of $127.6 million.
On a personal note, I’m very fond of this camera. As a younger man, I worked in a camera shop. This was the last “new” camera I sold as I went into a different career path in mid 1985….
See also: www.camerapedia.org/wiki/Minolta_7000
An image shot with the Samyang (Rokinon in North America) AF 24mm f/2.8 FE lens for the Sony E-Mount system. Buy the lens here: amzn.to/2Vhm3nP
Nikon D7100 - Autofocus system and tracking moving subjects, using AF-C Autofocus Mode and "9-Point Dynamic-Area AF" Autofocus Area Mode, and Continuous (CL) Release Mode.
Learn more about the D7100, and taking advantage of all its features and functions, on my blog Picturing Change.
Simulated view of the Nikon D7100 Viewfinder, showing the location of all 51 Autofocus Points, grid, 1.3x crop area, and sizes of the Center-Weighted and Spot Metering circles. Note that all AF points and the metering circles will not be visible in the viewfinder, and that the Spot Metering circle will surround the active AF point.
Learn more about the D7100, and taking advantage of all its features and functions, on my blog Picturing Change.
A simulated image of the Nikon D5200 viewfinder, showing the autofocus focus points active with 21-Point Dynamic Area AF area mode. (Image shown at 50% opacity to better view AF points.)
Learn how to take control of the Nikon D5200 autofocus system with this article on my blog Picturing Change.
also called alligator and Mexican hat (Kalanchoe daigremontiana). Inflorescencia terminal (un racimo compuesto en forma de paraguas) con pequeñas flores acampanadas de color rosa.
Puedes ver el racimo en forma de paraguas haciendo click en
Simulated view of the Nikon D610 / D600 / Df viewfinder, showing all 39 AF points available for manual selection when Custom Setting a6 - Number of Focus Points is set for "39 points".
Learn how to take control of the Nikon D610 / D600 autofocus system with this article on my blog Picturing Change.
Taken, I believe, at a car wash at a BP petrol station in Montrose, Victoria Australia. Taken on 16 March 2014, taken using an Agfa Futura Autofocus 2 camera.
One of the close to modern Polaroid Cameras produced by the original company that has that classic Type-600 Clamshell design! Not to mention modern enough to be still running after a decade or two.
You can read the full review online
www.alexluyckx.com/blog/index.php/2018/07/09/ccr-review-9...
Polaroid OneStep AutoFocus - Polaroid Lens 100mm f/11.5 - Polaroid Originals Duochrome Black & Pink
Scanner: Epson V700
Editor: Adobe Photoshop CC (2018)
St. Blasien, Baden-Württemberg, Deutschland.
St. Blasien es una pequeña ciudad en la Selva Negra Meridional en el distrito de Waldshut en el sur de Baden-Wurtemberg, Alemania. Tenía 3702 habitantes a finales de 2011 y es conocido, principalmente, por encontrarse allí la Abadía de San Blas.
St. Blasien is a small town in the Southern Black Forest in the district of Waldshut in southern Baden-Württemberg, Germany. It had 3,702 inhabitants at the end of 2011 and is best known for being home to St. Blaise's Abbey.
Simulated view of the Nikon D610 / D600 / Df viewfinder, showing the 11 AF points available for manual selection when Custom Setting a6 - Number of Focus Points is set for "11 points".
Learn how to take control of the Nikon D610 / D600 autofocus system with this article on my blog Picturing Change.
Polaroid SX-70 Time Zero Autofocus Model 2
Redlomo ND4 pack filter
IMPOSSIBLE BW600 Gen2
80+F
Shot about 11:30AM, so the light was getting contrasty, and yeah, this shot is a bit contrasty as well. I shot this with my L/D wheel in the middle, which is normal for my camera, but I think this film likes to be overexposed a little bit.
This was a huge bin of wine bottles from the winery we went to for lunch. I wondered how long it took to fill it up, but I'm guessing a good weekend at the winery would do the job.
Photographed using the Fujifilm Zoom Date 70 (aka Fujifilm Silvi 70), and Kodak Ultramax 400 film. Taken at the Kalorama Memorial Reserve.
Sigma 18 - 35 mm F3.5 - 4.5 D Aspherical Autofocus Zoom @ 27 mm : Exposure 1/40th @ F5 : Vivitar 3500 Flashgun - 90 degrees Tilt - Full power manual flash bounced off the ceiling with 28 mm wide angle diffuser www.photobooksonline.com/reprints/vivitar3500reprint.jpg
This is about as close I could get - otherwise the zoom didn't want to autofocus .
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www.cains.co.uk/index/articles_view.php?main_cat=1&ca... - Cains Organic Wheat Beer 4%
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cainsbeer.com/index/articles_view.php?main_cat=0&cat_...
www.tastingbeers.com/beer/cains/5270.html
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www.liverpooldailypost.co.uk/liverpool-news/regional-news...
LENS FOR EBAYER's
supposedly awful lens www.photozone.de/active/survey/querylenstxt.jsp?filter=&a.... AF' OR brand='Sigma AF' OR brand='Tamron AF' or brand='Tokina AF' or brand='Vivitar AF'"
Sigma AF 18-35mm f/3.5-4.5 Asphericalpoor
(*)Ok
(**-)poor
(*)Ok
(**-)critical
(*)heavy distortions
(**)heavy
(**-)significant (w/o)
(***)warmheavy flare
(*)very poor
(0.9)very slow
(*)bad
(*)41
www.phototestcenter.com/html/sigma_18-35.html I can't say I could shave with it - it is " lifelike " though - picture above was taken wide open .
www.dyxum.com/lenses/detail.asp?IDLens=359 It won a Industry Award in 1993 / 94
www.sigmauser.eu/content/view/51/67/
Thom Hogan said the ED Nikkor produced 7 years later was a bit better - OMG - I'm very shocked ! : - ) )
www.photodo.com/lens/Sigma-AF-1835-f3545-Aspherical-UC-427
old.photodo.com/art/Unde7.shtml Understanding their grading system
www.fixya.com/support/t32595-opinions_nikon_20mm_vs_sigma...
NIKON FIT THIRD PARTY LENS REVIEWS
www.nikonlinks.com/equipment_lenses_third-party.htm
SAMPLE PICS www.pbase.com/cameras/sigma/18_35_35_45_aspherical
Another Rollei exercise to make money solely on the name. This is a fixed lens compact, with a 28 mm wide angle. Curiously, there is no mention of the lens aperture, which is not a good sign especially coming from such a famous name. There is no menion to where the camera was manufactured.
Simulated view of the Nikon D610 / D600 / Df viewfinder showing a manually selected single autofocus AF point.
Learn how to take control of the Nikon D610 / D600 autofocus system with this article on my blog Picturing Change.
Photographed using the Fujifilm Zoom Date 70 (aka Fujifilm Silvi 70), and Kodak Ultramax 400 film. Taken at Kalorama Memorial Reserve.
I'm shocked the camera still works. My general experience is that early 2000s film cameras rarely still work (even though it is easy to find a working one from the 1950s).
NIKON F-801 (1988)
SPECIFICATIONS (from the instructions manual)
Type of camera - Integral-motor autofocus 35mm single-lens reflex
Picture format - 24mm x 36mm (standard 35mm film format)
Lens mount - Nikon F mount
Lens - AF Nikkor lenses, and other Nikon lenses with Nikon F mount (with limitation) available
Focus modes - Autofocus, and manual focus with electronic rangefinder
Autofocus Autofocus detection system - TTL phase detection system using Nikon advanced AM200 autofocus module
Autofocus detection range - Approx. EV minus I to EV 19 (at ISO100)
Autofocus actuation method - Single servo and continuous servo
Autofocus lock - Possible by lightly pressing shutter release button in Single Servo AF mode or by using AF Lock button
Electronic rangefinder - Available in manual focus mode with an AF Nikkor and other Ai-type Nikkor lenses with a maximum aperture of f/5.6 or faster
Exposure metering - Two types of exposure metering systems - Matrix Metering and Centre-Weighted
Exposure meter switch - Activated by lightly pressing shutter release button; stays on for approx. 8 sec. after lifting finger from button
Metering range - EV 0 to EV 21 (at ISO 100 with f/1.4 lens) f
Exposure modes - Programmed auto (PD, P, PH), shutter-priority auto (S), aperture-priority auto (A) and manual (M) modes
Programmed auto exposure control - Both shutter speed and aperture are set automatically; flexible program in one EV step possible
Shutter-priority auto exposure control - Aperture automatically selected to match manually set shutter speed
Aperture-priority auto exposure control - Shutter speed automatically selected to match manually set aperture
Manual exposure control - Both aperture and shutter speed are set manually
Shutter - Electro magnetically controlled vertical-travel focal-plane shutter
Shutter release - Electromagnetic shutter by motor trigger
Shutter speeds - Lithium niolbate oscillator-controlled speeds from 1/8000 to 30 sec.; electro-magnetically controlled long exposure at B setting
Viewfinder - Fixed eye level pentaprism High-eyepoint type; 0.75X magnification with 50mm lens set at infinity; 92% frame coverage
Eye point - Approx. 19mm
Eyepiece cover - Model DK-8 prevents stray light from entering viewfinder
Focusing screen - Nikon advanced B-type Briteview screen with central focus brackets for autofocus operation
Viewfinder information - The following LCD indications appear: focus indicators, exposure modes, shutter speeds/film speeds, aperture/ exposure compensation value, electronic analogue display, exposure compensation mark; ready-light LED; viewfinder display is illuminated automatically or by pressing the viewfinder illumination button
LCD information - The following indications appear: exposure modes, metering types, exposure compensation, electronic analogue display, shutter speeds/film speeds, aperture/exposure compensation value, film speed setting, DX-coded film speed setting, film advance mode, film installation, film advance and rewind, self-timer, multiple exposure, frame counter/ self-timer duration/number of multiple exposure
Electronic beeper - With power switch in beeper position, beeper sounds in the following cases: operation signals; (1) at end of film roll: (2) when film rewinding is complete; (3) during self-timer operation; alert signals; (1) for over- or underexposure and possible picture blur in PD, P, PH or A mode; (2) when lens is not set to the smallest aperture setting in PD, P, PH or S mode; (3) when non-DX-coded film, damaged film or film with an unacceptable DX code is loaded; (4) such as torn or damaged film during film advance
Auto exposure lock - Available via sliding the AE Lock lever while the meter in on
Film speed range - ISO 25 to 5000 for DX-coded film; ISO 6 to 6400 for manual setting
Film speed setting - At DX position, automatically set to ISO speed of DX-coded film used; with non-DX-coded film, ISO speed is set manually
Film loading - Film automatically advances to first frame when shutter release button is depressed once
Film advance - In S (Single-frame) shooting mode, film automatically advances one frame when shutter is released; in CH (Continuous High) or CL (Continuous Low) shooting mode, shots are taken as long as shutter release button is depressed; in CH mode, shooting speed is approx. 3.3fps, and in CL, approx., 2.0 fps (in Continuous Servo Autofocus or manual focus mode, with new batteries at normal temperatures, and a shutter speed faster than 1/125 sec. in manual exposure mode).
Frame counter - Accumulative type: counts back while film is rewinding
Film rewind - Automatically rewinds by pressing film rewind button and multiple exposure film rewind button; approx. 10 sec. per 24-exposure roll; stops automatically when film is rewound
Self-timer;- Electronically controlled; timer duration can be selected between 2 to 30 sec. in one sec. increments; blinking LED indicates self-timer operation; two-shot self-timer is possible; cancelable
Exposure compensation - Possible using exposure compensation button within ±5 EV range in 1/3 EV steps
Multiple exposure - Up to 9 exposures can be set
Depth of Field preview button;- Provides visual verification of depth of field; can be previewed in A or M mode
Reflex mirror - Automatic, instant-return type
Camera back - Hinged back; exchangeable with Nikon Multi-Control Back MF-21 or Data Back MF-20
Accessory shoe - Standard ISO-type hot-shoe contact; ready-light contact, TTL flash contact, monitor contact
Flash synchronization - 1/60 to 1/250 sec. in PD, P, PH or A mode; in S or M mode, shutter fires at speed set, and when set from /250 to 1/8000 sec., shutter is automatically set to 1/250 sec.; down to 30 sec. shutter is available by using SB-24 in rear-curtain sync
Flash ready-light - Viewfinder LED lights up when Nikon dedicated speedlight is ready to fire; links to warn of poor camera/speedlight connection or insufficient light for correct exposure
Autofocus flash photography - Possible with Nikon Autofocus speedlights SB-24, SB-23, SB-22 or B-20 etc.
Power source - Four AA-type batteries
Lens displayed - AF Nikkor 85 mm 1:1.8
I Invite you to visit my blog at Classic Cameras
Learn more about taking advantage of the Canon T3i / 600D autofocus system here:
blog.dojoklo.com/2011/09/22/taking-control-of-your-canon-...
Simulated view of the Nikon D7100 Viewfinder, showing a single selected Autofocus Point. (Image shown at 70% opacity to better view AF Point.)
Learn more about the D7100, and taking advantage of all its features and functions, on my blog Picturing Change.
Swatch Pro in Trestles with pro surfers Stephanie Gilmore, Anastasia Ashley, Alana Blanchard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk Djik and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Alana Blanchard is a sea goddess!
Alana Blanchard & Stephanie Gilmore Swatch Pro Trestles Pro Women's Surfing Van's US Open Sports Photography Wiht New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler
Swatch Pro in Trestles with pro surfers Stephanie Gilmore, Anastasia Ashley, Alana Blanchard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk Djik and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Alana Blanchard is a sea goddess!
Alana Blanchard & Stephanie Gilmore Swatch Pro Trestles Pro Women's Surfing Van's US Open Sports Photography Wiht New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler
Swatch Pro in Trestles with pro surfers Stephanie Gilmore, Anastasia Ashley, Alana Blanchard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk Djik and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Alana Blanchard is a sea goddess!
Alana Blanchard & Stephanie Gilmore Swatch Pro Trestles Pro Women's Surfing Van's US Open Sports Photography Wiht New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler
Sliding 'clamshell' cover protects Yashica Lens (35mm F3.5). Manual adjustment of film speed allows exposure compensation. Manual film advance reduces noise.
Van's US Open 2014 Huntington Beach with pro surfers Alana Blanhard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Olympus IS-10 (1994)
Specifications from the user manual
Type: Fully automatic 35mm autofocus single-lens reflex camera with built-in 28mm ~ 110mm zoom lens.
Film format: 35mm standard DX-coded film (24 x 36mm).
Lens: Olympus lens (filter available, 52mm filter diameter) 28mm ~ 110mm F4.5 ~ 5.6, 11 elements in 9 groups (5-group zoom construction).
Shutter: Electronic control system vertical focal plane shutter. Shutter speed 1/2000-sec. ~ 2-sec.
Focusing: TTL phase-difference detection system autofocus with focus lock. Auxiliary flash activation in low light. Autofocus beep available. Focusing range — 0.75 m (2.5 ft) ~∞
Viewfinder: Single-lens reflex system, magnification ratio 0.72 (at 50mm). Finder view-field — 85% of actual view-field.
Viewfinder information: Autofocus frame, spot frame, autofocus indicator, flash indicator (to be used as flash warning), overexposure/underexposure indicator. Diopter adjustment: -2 ~ +1.
Light metering system: TTL light metering system — Fuzzy logic ESP light metering, center-weighted average light metering, spot metering.
Exposure modes: (1) Program AE (Full-Auto, Stop Action, Portrait, Night Scene, Landscape), (2) Aperture-preferred AE.
Exposure counter: Progressive type, displayed on LCD panel.
Film speed range: Automatic setting with DX-coded film (ISO 25, 32, 50, 64, 100, 125, 200, 250, 400, 500, 800, 1000, 1600, 2000, 3200. Other intermediate film speeds will be automatically set for next lower speed).
Film loading: Automatic loading (automatically advances to first frame when camera back is closed).
Film advance: Automatic film winding.
Film rewind: Automatic film rewind (automatic rewind activated at end of film, automatic rewind stop). Rewind is possible at any point with rewind button.
Selftimer: Electronic selftimer with 12-sec. delay. Remote control (optional): Infrared remote control unit, 3-sec delay.
Flash: Built-in IVP (Intelligent Variable-Power) flash system. Manual activating system, 54 recycling time of about 0.2 ~ 3.5 sec. (at normal temperature).
Flash range: Wide — 0.75~4.3 m (2.5~14.1 ft), Tele — 0.75~3.5 m (2.5~11.5 ft) with ISO 100 negative color film); Wide — 0.75~8.6 m (2.5~28.2 ft), Tele — 0.75~7.0 m (2.5~23.0 ft) with ISO 400 negative color film.
Flash modes: A u t o (automatic f l a s h activation in low-light), Auto-S (red-eye reducing, same as Auto otherwise), Fill-in (forced activation), OFF (when flash is retracted).
Battery check: Displayed on LCD panel.
Power source: Two 3V lithium batteries (CR123A or DL123A) (replaceable).
Dimensions: 123(W) X 88(H) X 110(D) mm (4.8 X 3.5 X 4.3 in) (excluding protrusions). Weight: 615 g (21.7 oz) (without batteries)
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
Swatch Pro in Trestles with pro surfers Stephanie Gilmore, Anastasia Ashley, Alana Blanchard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk Djik and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Alana Blanchard is a sea goddess!
Alana Blanchard & Stephanie Gilmore Swatch Pro Trestles Pro Women's Surfing Van's US Open Sports Photography Wiht New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler