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Got to photograph a recording session at the New England Art Institute.
This is the "24 track Toft mixing console"
Borrowed a friend's Speedlite 430EX II for a few weeks, playing around with bouncing light etc. Getting the results I wanted was a little bit harder than I thought but I'm OK with how this shot came out. Still, think I'll stick to fast glass and/or cranking up the ISO for the time being though.
Oh and for anyone interested, the item in the photo is a Krell KSA-50 Amplifier.
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Various Artists
Wednesday 6 - Friday 8 November, Check listing for times
Various Locations
Various Locations
Street Talks is a series of quickfire public talks, part of the Re@ct: Social Change Art Technology Symposium. Rather than your typical poster session, these talks will take place on the streets of Dundee in various locations. Free speech is essential to political and social change – these artists are quite literally taking it to the streets to share their creative practices.
Luisa Charles & Elke Reinhuber –Wednesday 6th November, 2pm, Slessor Gardens
Luisa Charles – discusses the intersections of disability and design, and how novel bespoke design practices could offer a solution to designing for all needs, where universal design could not. These design ideologies, that include co-design, individual centred design, mass customisation, and mass personalisation, are exemplified by case studies from pop culture design media, such as the Fixperts and BBC’s Big Life Fix. She analyses the social, technological, and economical shifts that are required for these practices to become mainstream, and the capability of bespoke design to cause enough disruption within the design economy to create a shift in capitalism.
Elke Reinhuber – The Urban Beautician moved recently from the speckless city state of Singapore, where she already developed her retirement plans, across the South China Sea, to protest-ridden Hong Kong. There, she observed how much effort the cleaners put up to keep these megapolises scrubbed and tidy. As they are frequently overlooked, the Urban Beautician captured some of them during their relentless daily routine. While they have adapted themselves to their particular duties, their skills are hardly ever honoured or even acknowledged. Paying homage to their Sisyphean challenge, they can be positioned now anywhere through Augmented Reality and venerated as perpetualised sculptures of our everyday heroes.The Urban Beautician tries to improve neglected details in our urban environment with interventions in public space and performances to camera. Since more than a decade she cares for things most people are oblivious to.
Ibarieze Abani and Daisy Abbott & Anders Zanichkowsky – Thursday 7th November, 1:30pm, Albert Square, by McManus Gallery Steps
Ibarieze Abani and Daisy Abbott – Transmedia storytelling uses multiple delivery channels to convey a narrative in order to provide a more immersive entertainment experience (Jenkins, 2009). Transmedia activism can be very broadly defined as using storytelling to “effect social change by engaging multiple stakeholders on multiple platforms to collaborate toward appropriate, community-led social action” (Srivastava, 2009). Activism depends on participation and collaboration within a community to avoid unsustainable or inappropriate top-down interventions. A similar concept, transmedia mobilization, uses transmedia storytelling to engage “the social base of a movement in participatory media making practices across multiple platforms” (Constanza-Chock, 2013) and also requires interaction from diverse voices from within the community.
Anders Zanichkowsky –“I Am in Your Hands: Smartphones and the erotics of the future”Social media artist and queer anarchist Anders Zanichkowsky will present excerpts and reflections from his current Grindr project, “Queen of Hearts,” as well as other recent projects reading Tarot cards on hookup apps and go-go dancing for a remote audience on Instagram. During this talk, Anders will use the same social media platforms that are the subject of his presentation, inviting you into the theory behind the work, and into the work itself. Equal parts cultural criticism, performance art, and experimental public speaking, this street talk will level the hierarchy of physical presence over virtual appearance, and scandalously suggest how thirst traps and sexting with strangers can indeed point us towards a radical future of queer intimacy and counterculture.
Mohammad Namazi & Matteo Preabianca – Friday 8th November, 1:30pm, Wellgate Centre, Victoria Road entrance
Mohammad Namazi – An Archive of Audio Disobedience, intervenes into the public realm, and collaborates with individuals, to construct a live-event. The event manifests through utilising a net-based sound archive, capable of involving participants in a collective form of sound-action, -publication, -demonstration, -performance, and -play.
The archive comprises various audio effects, sound segments, words, and computer-generated speeches – to stage a critical symphony, rooted in and derived from, socio-political concerns.
Matteo Preabianca – Mantra Marx is the eighth album for the NonMiPiaceIlCirco! Project. NonMiPiaceIlCirco! is a musical project that has been on since 2004, the year of the first album. Since then, the line-up has been in a constant change, with Matteo Preabianca the only member from the beginning. So they took The Capital from the shelf to read again. But who remembers it, especially young people? Let’s get rid of guitars and songs to give a didactic approach to the music. 25 tracks, one for each of the First Book’s 25 chapters. They use the lyrics as Hinduist mantras, where repetition is the key for a deep understanding of our life, and Marx as well. Its music, besides being lo-fi and badly made, is just an excuse. The lyrics are a summarized version of the aforementioned book, spoken by 25 different Mandarin native voices, completely unaware of the reason behind the recording. Still time to die as a Marxist(?). Developed and recorded in China.
About the Artists
Daisy Abbott is an interdisciplinary researcher and research developer based in the School of Simulation and Visualisation at The Glasgow School of Art. Daisy’s current research focusses on game-based learning, 3D visualisation, and issues surrounding digital interaction, documentation, preservation, and interpretation in the arts and humanities. She also collaborates with artists on works aiming to explore the nature of digital interactivity and digital art.
Luisa Charles is an interaction designer, multidisciplinary artist, and filmmaker. Having been exhibited in the Science Museum, Science Gallery London, London Design Festival, and various film festivals, amongst others, her work spans many themes across science and technology, social politics, and personal narratives. She specialises in installation design and physical computing, experience design, fabrication, and videography, and her work often comes under the umbrella of speculative and critical design. Her work focuses heavily on research processes, and forms itself organically through investigation and experimentation.
Ibarieze Abani is a recent Masters graduate in Serious Games and Virtual Reality at the Glasgow School of Art, where she has carried out projects about cultural heritage, gender inequality, transmedia storytelling and climate policy. She is an advocate of the capabilities of interactive digital media as a tool for opening up dialogues surrounding large scale themes such as climate justice, social justice and intersectionality. She has a keen interest in working with people using digital media to make meaningful and tangible differences on a societal scale.
Mohammad Namazi (b. 1981. Tehran) is an artist, educator and researcher based in London. Mohammad works through means of de-construction, collaboration, process, unlearning, and telematics systems within social and cultural realms. The studio operates as a research-lab for inter-disciplinary projects that can span video, sound, liveevents, graphics, photography, sculptural structures, and internet-based projects. He received his doctorate from UAL research in 2019, and currently teaches as visiting lecturer at Wimbledon, and Chelsea College of Arts. Mohammad is a member of research cluster Critical Practice.
Matteo Preabianca- Music and Languages…Music and Languages? How come? Matteo starts playing violin when he was a child, but he did not like it, especially when he tried to beat it on the table. It did not make any good sound. So, better drumming, right? Meanwhile playing and spending a lot his mum’s money to buy records he realised even speaking other languages was not so bad. Especially when he invented his own. Step by step, he turned into a music and languages teacher.
Elke Reinhuber is not your average artist, because she became a specialist on choice, decision making and counterfactual thoughts in media arts. Currently, Reinhuber teaches and researches at the School of Creative Media, CityU Hing Kong and is affiliated with the School of Art, Design and Media at NTU in Singapore. In her artistic practice, she investigates on the correlation between decisions and emotions and explores different strategies of visualisation and presentation, working with immersive environments, mixed reality, imaging technologies and performance. In addition, her alter ego, the ‘Urban Beautician’ is pursuing a life which Elke didn’t follow.
Anders Zanickowsky is an American artist and activist who uses platforms like Grindr and Instagram as actual sites for performances about desire, uncertainty, and vulnerability. He is committed to José Esteban Muñoz’s concept of queer futurity in which artists refuse the oppressive confines of the present and reach instead towards what can only be imagined. He has an MFA from the University of Wisconsin-Madison (2019) and was a resident with The Arctic Circle program in Svalbard (2016). Since 2008 he has worked in movements for housing justice, prison abolition, and HIV/AIDS.
Photography Kathryn Rattray
What is good audio editing software on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
Photo of the first batch of Tiptop Audio Z-DSP modules being assembled at the factory. They are being put through a process called wave soldering (LINK: en.wikipedia.org/wiki/Wave_soldering). More photos via the following thread. LINK: www.muffwiggler.com/forum/viewtopic.php?t=8397&postda... .
Armory Center for the Arts is pleased to present DANCE, OPERA, DRAW, a performance and exhibition by artist Jocelyn Foye, located in Mezzanine East at the Armory Center for the Arts in Pasadena. The exhibition, organized by curator Sinéad Finnerty-Pyne, will commence with a live performance at the opening reception on Saturday, February 11, 2012 at 8:30pm. A subsequent exhibition of work created during the performance will be on display from February 12 – May 13, 2012. In conjunction with the opening of exhibitions by Richard Jackson, Dawn Kasper, and Nicolas Grider, a reception, free and open to the public, will take place on Saturday, February 11, 2012 from 7-9pm.
Jocelyn Foye’s works are defined by an interest in capturing and illustrating how the reoccurrence of every day actions - derived from labor - produce fundamental visual patterns. Many of her performances, in which she acts as producer rather than participant, have combined a sport or action not usually seen in a gallery that results in a static work - a record of the event - cast in clay. Her private and public performances are often heavy with spectacle, and the resulting objects carry the aura of the performance, but function as complete artworks to contemplate unto themselves. Unlike many performance artists who view the spectacle along with the resulting detritus as the work itself, Foye places significance on the end product standing on its own.
In her upcoming performance, DANCE, OPERA, DRAW, Foye has chosen to explore the arena of opera, dance, and art; seeking to create a conversation between the genres. As soprano opera singer Sonia Kazarova robustly resounds Strauss' modern opera Salome, two flanking dancers, Mecca Andrews and Lora Ivanova, will physically interpret the duality of spatial dramatics on a canvas of charcoal. The resulting "drawings" created by the imprints of the dancer's hands, bodies, and feet, will be mounted and displayed for the duration of the exhibition along with audio documentation from the event. For Foye, this performance is not only an opportunity to challenge the stereotype of what an operatic recital is, but also a chance to respond to the conversation that exists between the arts in our current political climate – one that is disconnected and under-supported but ripe for cross pollination.
About the Artist
Jocelyn Foye received her MFA from California State University, Long Beach. She has shown her work nationally and internationally, more prominently throughout Southern California, including the Torrance Art Museum and in a recent solo exhibition at Kristi Engle Gallery. In 2011 she was granted a California Community Fund Fellowship for Visual Artists. She lives and works in Long Beach, CA.
About the Performers
Mecca Vazie Andrews is a Los Angeles based dancer whose credits include American Apparel, Bedtime Stories, Rent, "MTV Movie Awards," Hysterica Dance Company, and VH1's "Showgirl Bootcamp." Some of her most recent artistic partnerships have involved Lady Gaga, The Slits, LA Philharmonic, Center Theatre Group, and the Santa Monica Museum of Art. Andrews currently teaches for Los Angeles Contemporary Dance Company and Edge Performing Arts Center. Her company mecca v.a and the MOVEMENT movement will be performing at the Armory Center for the Arts in summer 2012.
Lora Ivanova is a graduate of Washington University in St. Louis’ schools of Theatre and Film with an independent focus in Directing. She spent the earlier part of her career in Europe as part of the experimental physical theatre ensemble Naked Snail. She is a founding member of the Art Players ensemble in Hollywood and SKIN collaborative. Ivanova is a versatile artist whose work explores issues of identity, behavior patterns, habitual perceptions, conformism, and reality.
Sonia Kazarova is a native of Colorado, who has made her home in Manhattan, and now Los Angeles. Credits include Ensemble Studio Theatre’s production of Strippers, Snakes, and Elvis, Kate in Kiss Me Kate, Aldonza in Man of La Mancha, and Camelot. Her stage combat and martial arts skills led her to pieces like Cola Wars, the action short Fifteen Minutes to Two, and Kabuki theater. Other projects include the feature length film Darling XX (kiss kiss), filming in Tribeca. Kazarova has a B.F.A. in Acting from the University of Illinois.
Once again Universal Studios, Allied Moxy and Automotive Rhythms joined forces to deliver an energized and star-studded premiere for THE FATE OF THE FURIOUS which hits theaters nationwide April 14th. This is the 8th installment of the blockbuster series and the first to exclude cast member Paul Walker. The red carpet showcase -- hosted by Chris “Ludacris” Bridges and Tyrese Gibson -- was held at the elegantly ornamented SCADshow performing arts theater in Midtown Atlanta and serves as home to TVfest and other SCAD Atlanta events.
Experienced by Adrian McQueen, Photos by Adrenaline Lifestyles & Getty Images
GLSL generated sphere with the help of some audio data to disturb the form. The whole computing of form normals and lightning is done on the gpu. Processing as just use for audio analysis.
Dwadasha stotra is a series of 12 Stotras composed by Sri Madhvacharya, the 13th-century founder of the Tattvavada or Dvaita school of philosophy. 'Dvadasha' in Sanskrit means 12 and all the 12 stotras are in praise of Lord Vishnu.
See thephoenix.com/crime for the untold story of how Boston Police used social-media CSI to nab the Philip Markoff, the Craigslist Killer. These are photos taken by Boston Police following Markoff's arrest on April 20, 2009. For police reports, crime scene photos, and investigators' audio recordings, see thephoenix.com/crime.
An Arduino-compatible audio player designed for Seeedstudio's PCB assembly service and open parts library (www.seeedstudio.com/wiki/Open_parts_library).
In 2008 I helped out on a photoshoot for a Car audio installation company called Vibe based in Birmingham ,UK.
The shoot took place underneath junction 6 of the Spaghetti Junction.
We got some pretty good results.
Inside the control room at Muscle Shoals Sound Studio in Sheffield, Alabama. It is somewhat unusual to see old analog equipment like this in modern studios. Many hit records were recorded here in the late 60's through the late 70's. The studio has recently been refurbished and opened for business. en.wikipedia.org/wiki/Muscle_Shoals_Sound_Studio