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Attendees in the audience at PuppetConf 2012 in San Francisco.
Photo © Pinar Özger.
Non commercial, Share Alike use of this photo is permitted with attribution "Photo © Pinar Ozger pinar@pinarozger.com"
Matt Mullenweg speaking at State of the Word Address, WordCamp US 2015. Photo Credit: Casey Alexander, creative commons
In partnership with the Japan Society Gallery, Times Square Arts presents artist and 2016 Japan Cultural Envoy Naoko Tosa’s Sound of Ikebana (Spring) on Times Square’s electronic billboards from 11:57 pm to midnight every night in April. This project is a part of Midnight Moment, a monthly presentation by The Times Square Advertising Coalition (TSAC) and Times Square Arts.
Propelled by sound, elegant splashes of color fly in slow motion across a dark screen. Part of a four-video art series designed to express Japan’s four seasons, Sound of Ikebana (Spring) uses the unpredictable natural phenomena of sound vibrations and colorful paint of different consistencies to create intriguing and mesmeric shapes that evoke the art of ikebana –Japanese flower arrangement based around asymmetrical triangular forms. The colors are inspired both by spring images such as apricot flowers and cherry blossoms, as well as the white and gold of the Japanese New Year. Tosa’s slow-motion liquid – filmed at 2000 frames per second – blends artistic traditions with cutting-edge technology and organic designs, inviting audiences to a contemplative visual connection with traditional Japanese culture and its history.
Photo courtesy of Ka-Man Tse
Attendees in the audience at PuppetConf 2012 in San Francisco.
Photo © Pinar Özger.
Non commercial, Share Alike use of this photo is permitted with attribution "Photo © Pinar Ozger pinar@pinarozger.com"
Impressions from the first nz.js(con); conference.javascript.org.nz/ organized by the JavaScript Society of New Zealand. javascript.org.nz/
Sicily. Piazza Armerina.
Villa Romana del Casale.
Late spring break.
The Basilica
This grand apsidal hall was an audience hall and the most formal room in the villa, accessed through a grand monumental entrance divided by two columns of pink Egyptian granite. An exceptionally elaborate polychrome opus sectile floor consisting of marbles coming from all over the Mediterranean lies at the entrance and is the richest decoration in the villa; it also covered the walls. This type of marble, rather than mosaic, constituted the material of greatest prestige in the Roman world.
Scenes from The Hunt.
The mosaic in the corridor is very complex. It is a depiction of the capture of live wild beast in the most distant parts of the empire and their subsequent transport by ship to Rome for the venationes, fights involving wild animals that were held in Rome in the Colosseum and sometimes in the Circus Maximus and in other arenas.
The disposition of the mosaic is centered in front of the entrance to the Great Basilica
where the animals arrive in Rome. The hunts start in the extreme ends of the corridor, where there are also images of places at the extremes of the Roman Empire, and the animals are transported towards the centre, where Rome is located. Underway the animals are loaded on ships to be disembarked in
Rome.
Great info here: villaromana.mused.org/en/tours/1/basilica-and-north-rooms
Attendees in the audience at PuppetConf 2012 in San Francisco.
Photo © Pinar Özger.
Non commercial, Share Alike use of this photo is permitted with attribution "Photo © Pinar Ozger pinar@pinarozger.com"
THP-Ghana recognizes the International Day for the Eradication of Poverty. Read about the event! go.thp.org/IDEP11