View allAll Photos Tagged Audiences
Johnathan Wilson
Yellow Apricot Flower
Acrylic paint on wooden panels
2012
8'x10'
Yellow Apricot Flower is an exploration in the contemporary human form. I explore the human form using exaggerations and distortion of different aspects of the figure to bring out an emotional and physical situation that the audience can become apart of. melding aspects of different cultural mythologies and the art that accompanies with it I create self contained short stories.
"They say, they want heaven"
"They say, they want God"
"I say, I got heaven"
"Well I say, I am God"
-Abel Tesfaye
Yellow Apricot Flower is a piece that is a fusion of several cultural mythologies and early Islamic and eastern Euro sudo-sciences. The main figure of the piece is an interpretation of the Hindu goddess Kali. Kali is known as the goddess of darkness, death, time, and annihilation. Kali is the consort of Shiva and is usually seen standing over his body with the severed heads of her followers enemies. Attached to her head are the six golden goat's head that are spewing smoke from their mouths. The goats heads are symbols in Catholicism that are used to represent the embodiment of evil, darkness,death;the devil. Even though the Pagan horn goat deity predates it, although it stood for wilderness, sexuality, and the life cycle. Looking at the goats you see there are crosses over their eyes as they spit a black smoke from their mouths as if they are being chocked to death by it. The goat heads are golden, a color given to ideals of worship. The tattoos going across her arms are depictions of alchemical lunar calendar that appear in numerous in multiple mythologizes for their use of tracking time. The combination of all these symbols are meant to portray an ending of time, a time of blackness. On the other side of the painting you can see a figure that the deity is emerging from, it is a king that has been skinned alive as a sacrifice to this creature.
Attendees in the audience at PuppetConf 2012 in San Francisco.
Photo © Pinar Özger.
Non commercial, Share Alike use of this photo is permitted with attribution "Photo © Pinar Ozger pinar@pinarozger.com"
All eyes and attention are on the marching bands on field, awaiting award ceremony.
20141018_224626 (2)
Taken at the Special Business Update at The Commander, Hereford Road, London W2. On 19th November 2010
Audience members at TED2017 - The Future You, April 24-28, 2017, Vancouver, BC, Canada. Photo: Marla Aufmuth / TED
photo attribution: sean dreilinger durak.org
view Audience - TEDxSanDiego 2012 on a black background.
Photo by Dan Sumption - danshotme.com
Please contact me if you require a high-resolution version of this photo.
Des agriculteurs lozériens ont saccagés le local d'une association de défense de la nature (Alèpe). Dessin effectué en soutien à mes amis amoureux de la nature, pendant l'audience lors du procès des 7 agriculteurs inculpés. J'ai posé la couleur à la maison.
Crowd and Conversations, Tollman-Jorbin Presentation, WordCamp 2015, #wcus Photo Credit: Casey Alexander, Creative Commons
Nacht van Thibaud Delpeut & Toneelschuur Producties
Helemaal aan het eind van het bewoonde deel van Terschelling, met uitzicht op de natuur, staat de voorstelling Nacht van veelbelovend regisseur Thibaud Delpeut i.s.m. het Haarlemse Toneelschuur Producties geprogrammeerd. Een vlak van zwart landbouwplastic met daarop wat lage plateaus vormen, samen met het landschap, het enige decor van de voorstelling.
De wind waait guur als de toeschouwers zich verzamelen en bij binnenkomst worden koptelefoons en dekentjes uitgereikt. Wat een prachtige vondst die koptelefoons en lekker warm aan je oren. Geen last van wind of tegenwind maar perfect geluid en dito geluidseffecten. Dat sorteert meteen effect als Hans Dagelet op trompet een bloedstollende intro blaast.