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The sixth night of Navaratri honours Goddess Katyayani. Associated with the fierce form of Shakti, She is a war goddess who combats negativity. As such, she can be strict and disciplining, but She is compassionate and pure of heart and gives us the strength and ability to overcome fears, diseases and miseries of life.
This is also the night when the Prabhus dress up as Matajis to show that all of creation is the Divine Mother.
paramahamsavishwananda.com
bhaktimarga.org
Copyright © 2007 - Photo by Dave O'Donnell - Hurricanes rehearsing for competition in Kingston, NY.
Interested in Marching???
The Connecticut Hurricanes Drum & Bugle Corps from Seymour, Connecticut are the 3-time Drum Corps Associates (DCA)World Champions. If you play a horn or percussion instrument, or have experience in color guard, please consider marching with the Hurricanes. Membership information is available on the official web site of the Connecticut Hurricanes at Connecticut Hurricanes Online. We look forward to hearing from you!
Construction continues on the Restoration of Nature project, with help from members of Maryland Conservation Corps led by staff from Underwood & Associates, at St. Luke's Church in Annapolis, Md., on Nov. 9, 2017. The project, designed by Underwood & Associates, consists of restoring a stream that had been channeled into an underground storm pipe on the church property, which flows into Back Creek. Invasive plants were removed before native plants were planted. (Photo by Will Parson/Chesapeake Bay Program)
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A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Attendees of the joint DOE/NIH Workshop: Advancing Medical Care through Discovery in the Physical Sciences Workshop Series tour the SRF Test Lab at Jefferson Lab on Wednesday, Mar. 16, 2023. (Photo by Aileen Devlin | Jefferson Lab)
Offenhauser Associates, Inc. designed the Rose Hills Foundation Conservatory for Botanical Science in 2005. The Conservatory houses interactive exhibits designed to engage the visitor in the scientific exploration of plants. The 16,000 square-foot greenhouse comprises three different habitats: a tropical rain forest, a cloud forest, and a carnivorous plant bog) plus a plant lab.
Please do not use this image in any media without my permission. © All rights reserved.
Photography from the 2015 Certiport Global Partners Summit & Microsoft Office Specialist & Adobe Certified Associate World Championships at Gaylord Texan Resort and Conference Center, Dallas, Texas.
Pinning ceremony for the Austin Community College students who completed the Nursing Associate Degree program on Wednesday, May 10, 2017 at the ACC Eastview Campus.
Associated General Contractors Oregon-Columbia Chapter Annual Business Meeting, Portland, OR, Jan. 26, 2020.
Built between 1959 and 1962, this Modern Futurist and Googie building was designed by Eero Saarinen and Associates for Trans World Airlines to serve as a Flight Center, or Terminal headhouse, for their passenger services at John F. Kennedy International Airport in New York City. The building is an example of thin shell construction, with a parabolic and curved sculptural concrete roof and concrete columns, with many surfaces of the building's structure and exterior being tapered or curved. The building also appears to take inspiration from natural forms, with the roofs appearing like the wings of a bird or bat taking flight. The building served as a passenger terminal from 1962 until 2001, when it was closed.
The building's exterior is dominated by a thin shell concrete roof with parabolic curves, which is divided by ribs into four segments, with the larger, symmetrical north and south segments tapering towards the tallest points of the exterior walls, and soar over angled glass curtain walls underneath. At the ends of the four ribs are Y-shaped concrete columns that curve outwards towards the top and bottom, distributing the weight of the roof structure directly to the foundation. The east and west segments of the roof are smaller, with the west roof angling downwards and forming a canopy over the front entrance with a funnel-shaped sculptural concrete scupper that empties rainwater into a low grate over a drain on the west side of the driveway in front of the building, and the east roof angling slightly upwards, originally providing sweeping views of the tarmac and airfield beyond. The exterior walls of the building beneath the sculptural roof consist of glass curtain walls, with the western exterior wall sitting to the east of the columns and the eastern exterior wall being partially comprised of the eastern columns, with the curtain wall located in the openings between the columns. To the east and west of the taller central section are two half crescent-shaped wings with low-slope roofs, with a curved wall, integrated concrete canopy, tall walls at the ends, and regularly-spaced door openings. To the rear, two concrete tubes with elliptical profiles formerly linked the headhouse to the original concourses, and today link the historic building to the new Terminal 5 and Hotel Towers.
Inside, the building features a great hall with a central mezzanine, and features curved concrete walls and columns, complex staircases, aluminum railings, ticket counters in the two halls to either side of the front entrance, a clock at the center of the ceiling, and skylights below the ribs of the roof. The space features penny tile floors, concrete walls and built-in furniture, red carpeting, and opalescent glass signage. On the west side of the great hall, near the entrance, is a curved concrete counter in front of a large signboard housed in a sculptural concrete and metal shell that once displayed departing and arriving flights. On the north and south sides of this space are former ticket counters and baggage drops, which sit below a vaulted ceiling, with linear light fixtures suspended between curved sculptural concrete piers that terminate some ways below the ceiling. To the east of the entrance is a staircase with minimalist aluminum railings, beyond which is a cantilevered concrete bridge, with balconies and spaces with low ceilings to either side, off which are several shops, restrooms, and telephone booths. On the east side of the bridge is a large sunken lounge with red carpet and concrete benches with red upholstered cushions, surrounded by low concrete walls that feature red-cushioned benches on either side, sitting below a metal analog signboard mounted to the inside of the curtain wall. To the north and south of the lounge are the entrances to the concrete tubes that once provided access to the concourses, which are elliptical in shape, with red carpeted floors and white walls and a white ceiling. On the mezzanine are several former lounges and a restaurant, which feature historic mid-20th Century finishes and fixtures.
The complex includes two contemporary hotel towers, the Saarinen and Hughes wings, which were designed carefully to harmonize with the original building and match its character. The two wings feature concrete end walls, curved Miesian glass curtain walls, and interiors with red carpeting, wooden paneling, brass fittings and fixtures, and white walls and ceilings. The only substantial modification to the structure's significant interior spaces was the puncturing of the two concrete tubes to provide access to these towers. The former terminal also features several service areas that were not previously open to visitors, which today house a massive fitness center, a cavernous underground conference center, and various meeting rooms and ballrooms, with all of these spaces, except the fitness center, being redesigned to match the mid-20th Century modern aesthetics of the rest of the building, with new fixtures, furnishings, and finishes that are inspired directly by the time period in which the building was built, and are nearly seamless in appearance with the rest of the building.
The fantastic building was designated a New York City Landmark in 1994, and was listed on the National Register of Historic Places in 2005. Between 2005 and 2008, the new Terminal 5, occupied by JetBlue, was built, which wraps the structure to the east, and was designed by Gensler, and was carefully placed so as to avoid altering or damaging the character-defining features of the historic terminal. Between 2016 and 2019, the building was rehabilitated in an adaptive reuse project that converted it into the TWA Hotel, which was carried out under the direction of Beyer Blinder Belle, Lubrano Ciavarra Architects, Stonehill Taylor, INC Architecture and Design, as well as the Port Authority of New York and New Jersey and MCR/Morse Development. The hotel features 512 guest rooms, large event spaces, a rooftop pool at the top of the Hughes Wing, a large basement fitness center, and a Lockheed Constellation L-1649A "Connie" on a paved courtyard to the east of the building, which houses a cocktail lounge. The hotel is heavily themed around the 1960s, and was very carefully designed to preserve the character of this iconic landmark.
Associate Professor of Gerontology John Walsh and his dog Bella help students stay active and focused during remote learning with periodic mid-class workouts - and he keeps himself fit by being a "diehard surfer"! Photo/John Walsh
Pelee Island Winery, Kingsville, Ontario
Submitted to Dailyshoot #ds650 "Make a photograph composed of earth tones today. Use contrast and composition to provide visual excitement."
This year, associates were encouraged to model their creativity by creating a bank that used recycled objects. Each year our associates become more and more creative, take a peak. These banks collect change which is then used to purchase food for The Women’s Community, our local shelter for victims of domestic assault and sexual abuse.
Message from Ministry St. Clare's Mission and Values Week Committee
Every year we find it more challenging to judge the banks. Eliminating a standard “model” bank this year made it even more difficult as the level of everyone’s creativity is just extraordinary!! But because we only had one prize for creativity the judges picked one winner, despite the numerous worthy examples!
Perhaps more importantly, an initial count of the money brought in was $567.26. All the proceeds will be donated to The Women’s Community to provide food to their pantry. The Women’s Community serves victims of sexual assault and domestic abuse in their time of need.
So with no further ado, the winners are…
Most Money Raised: The Bread Basket & Nutrition Services
They managed to do it again! These guys raised $181.40 dollars. I think location might have something to do with their repeated success, but… Congratulations!
Most Creative: DTC’s Cardio-Vascular Services “Heart Bank”
Runners up were numerous, with close choices being the beautiful fish, the gladiator “coin skirt” and the miniature food pantry. Submitted by Antonina Olszewski and Nikki Prahl
This image is excerpted from a U.S. GAO report: www.gao.gov/products/GAO-12-87
Managing Service Contracts: Recent Efforts to Address Associated Risks Can Be Further Enhanced
Deputy Associate Director for Accelerator Operations Mike Spata, left, and DOE Office of Science’s Michelle Shinn, right, pose for a photograph inside the North Linac tunnel during the EIC OPA Review tour on Wednesday, Feb. 1, 2023. (Photo by Aileen Devlin | Jefferson Lab)
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with masculinity and femininity. A sampling of recent subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With my current project "Life is Drag", I am documenting the most singular and innovative performers of the currently exploding alt-drag and neo-burlesque scenes. I am 3 years into this project and have so far made 250+ portraits, created in my Brooklyn studio as well as during residencies - in 2021 in New York City (The Cell Theater, Bushwig) and in Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and in 2020 in New England (3S Artspace).
Over the course of my 2 month Wave Pool residency, I worked with 25 performers - including members of Cincinnati based ODD Presents drag haus and Smoke & Queers burlesque troupe, as well as with other performers from the tri-state area.
The residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
"Life is Drag" was the 2022 Vance-Waddell Residency, and as a part of that I selected a Cindy Sherman photograph and Janine Antoni sculpture from the Vance-Waddell collection to inform and expand on the installation for this project.
To see the full "Life is Drag" archive:
lifeisdrag.com
Pinning ceremony for the Austin Community College students who completed the Nursing Associate Degree program on Wednesday, May 10, 2017 at the ACC Eastview Campus.
Associated” was a site specific show in a severely damaged brownstone on 17th Street in South Slope, Brooklyn. Just after noon on 12 November 2010, a boiler exploded at the Associated Supermarket on 5th Avenue and 17th Street, igniting a fire that tore through the block, destroying Open Source Gallery. Next door to Open Source a three family house–the gallery owners’ home–was also rendered uninhabitable by firefighters' efforts to stop the blaze. The exhibition, "Associated", curated by Monika Wuhrer, Raphaela Riepl and Frank De Leon-Jones resurrects the derelict house with projects by 30 artists. Photo by Miho Suzuki
Pinning ceremony for the Austin Community College students who completed the Nursing Associate Degree program on Wednesday, May 10, 2017 at the ACC Eastview Campus.
Associate Administrator for NASA's Aeronautics Research Mission Directorate Robert Pearce speaks with acting NASA Administrator Sean Duffy, Friday, July 18, 2025, at the Mary W. Jackson NASA Headquarters Building in Washington. Photo Credit: (NASA/Bill Ingalls)
Dr. Christoph Meinert, with a Gelomics device used to prepare gels for 3D cell cultures.
Media use
Credit: QUT
Photographer Anthony Weate
Beikmann Associates operates out of
professional facilities in the beautiful countryside of Niles, Michigan. Our facilities include a large walk-in flower cooler as well as three additional
flower coolers to accommodate some of the largest "fresh flower" weddings & parties. We also have a dedicated silk studio for custom silk
flower designs.
www.BeikmannAssociates.com/FloralDesign
Our company is dedicated to personal service and imaginative designs. A Beikmann Associates floral design is always one of Custom Elegance To Remember.
Serving the greater Michiana area: Niles, South Bend, Benton Harbor, St. Joe, Berrien Springs, Buchanan, Lakeside, New Buffalo, Michigan City
Model construction photo. Model site components made by Associated Fabrication, buildings and assembly by Studio Daniel Libeskind.
Photographs from the 2016 Global Partner Summit, Adobe Certified Associate World Championship, and Microsoft Office Specialist World Championship, held in Orlando, FL.
Chalfont, PA
Architect: Wulff Architects, Inc
Agent: Diversified Lighting Associates, Inc.
Photographer: © Halkin Mason
Product: Series 15
The OPCW Associate Programme is an opportunity for mid-career professionals to gain practical experience to help strengthen national implementation of the Chemical Weapons Convention.
1497. A viewing at large size takes in the details. The Paul Webb General Arrangement diagram appeared in Ross Gillett's book 'Australian and New Zealand Warships Since 1946' [Child and Associates, Sydney 1`988] p30, and appears to be the same as that shown in Ross's book ''Warships of Australia' [Rigby Australia, 1977] p 181.
The Bay Class were 1,544 tons standard, 2,106 full load [in fact it varied a little between ships].
The carried four 4-inch guns in twin mounts, three 40mm bofors, four 20mm, one Hedgehog and four Depth Charges Throwers.
Their speed was 19 1/2 knows, and they carried a complement of 177 men.